Tag Archives: folk metal

Human Herds: Are UUHAI the Next Big Mongolian Metal Band?

The debut album from the Mongolian folk-rock-metal band has been rather highly anticipated, as they have been gaining a lot of momentum lately. The singles that have dropped prior have all been great, and I am so curious to hear if the rest of the album lives up to them. They’re already signed to a major label so clearly are doing something right, and I’m sure this release will show just how earned that shot is!

The opener perfectly builds everything up, starting ominous before adding in more strings, more drums, and their incredible throat singing as it goes. It sets the tone perfectly and epically, and leads so fantastically into the title track. Speaking of, ‘Human Herds’ goes hand in hand with ‘Beginning’ to make an excellent introduction to the album, and to the bands sound for anyone jumping on board with this debut album. The two different vocals, the low and high, work so well together. They somehow root the band in their throat-singing style while also giving it a melodic, catchy, almost power metal edge. Plus, the harmonies between them are awesome, too! And not only that, but we get a pretty metal bridge, with some amazing string soloing. It’s am amazing song from start to finish, and I love that it follows the traditional song format; being radio-friendly while also still having plenty of Mongolian folk stuff. An excellent start to the album and a track that easily makes the playlist!

‘Ancient Land’ picks up the pace and rockiness a little, definitely feeling closer to a traditional metal song. However, it still has plenty of their folk stuff infused too, particularly with the string focus and throat-singing vocals. It all builds to an awesome chorus, being surprisingly catchy still despite it being in a different language and a completely different vocal style than the West is used to! It’s a really interestingly crafted track, and it’s so cool to see both sounds collide so well! And still, it ends up getting pretty epic by the outro, feeling powerful and grandiose, finishing the song off perfectly. Another great track!

The bands namesake is up next, leaning back heavily into the folk to open it up. It builds perfectly, soon busting into a pretty metal riff just like the previous song. The vocals almost have a growl edge to them for the opening of the verse too, sounding awesome and only adding to the heaviness. The chorus is another catchy as anything one, and honestly reminds me of Gojira’s ‘The Chant’ from, well, the chanting! We even get some awesome, Metallica-style guitar soloing in the middle, adding even more epicness to it all. This is an absolutely phenomenal song, and another easy highlight!

Tracks like ‘Dracula’ and ‘Khar Khulz’ are more metal-infused, stomping rock tracks. The pace, the energy, the structure, all of it is a lot more metal leaning than the folk stuff. It’s awesome! Heck, ‘Uvdis’ also has a bit of a similar feel, though slower. Though, it’s so incredibly similar to ‘Sad But True’, especially The Hu’s cover of it, that I almost convinced myself it was another reimagining of the track at first. It’s very Metallica, and a great song, but was hard not to compare. All three break up the album well though, and are great songs in their own right. Heck, ‘Khar’ is another personal highlight of mine!

‘Khurai’ is an absolutely incredible, epic song all about the build-up. It almost feels like more of a soundtrack than something you’d hear on a metal-adjacent album, but I love it! It won’t be for everyone, but it fits into the album perfectly and sits between the two rockier tracks incredibly well, adding to the relistenability.

‘Paradise’ is a lighter hearted track that, while still having rock elements, definitely feels more folk. It’s another different, really interesting song, and another I couldn’t not love. It’s another MASSIVE highlight track for me, and gives off slight Volbeat vibes in all the best ways. It’s huge, catchy, and with plenty of great playing and vocals throughout! If you check out any track from this release, make sure it’s this one!

The album closes like the opener, ‘Secret History of the Mongols’ being the closest track to compare to The Hu on the release. It’s a great song in its own right, and is a pretty grandiose way to close out a pretty epic album. It fits well with the rest of the tracks, but honestly I did feel like it wasn’t anything we hadn’t heard already. It’s definitely not a bad song, but there are other tracks on here that certainly stood out to me more. It’s not quite an ‘album track’, but does seem like a slightly interesting choice for a single. I imagine it has helped draw more listeners though; even I’d checked out the track and video before this review! A fitting conclusion!

Overall: This is a great release, and a phenomenal debut album! It’s still a pretty new genre in of itself, and UUHAI have already established themselves at the forefront of it with this. It’s a damn fun listen, and an album I will certainly be revisiting in the weeks and months to come. If you are at all curious, I’d definitely recommend checking this out. They are certainly going to be a big name in the future, and this will be the album that is pointed to as the jumping off point to that!

The Score: 8/10

Knightclub: Feuerschwanz’s Best Album to Date?

The German medieval metallers have been hugely busy the last few years, this being their sixth release in as many years. We sadly missed their last release but did get to review the awesome Fegefeuer and loved it. Being a pretty big fan of the band at this point, I have been eagerly anticipating this release, and knew I wanted to give it my full attention. Also, the hype around it has been pretty insane, so I really can’t wait to dive in!

The album opens with the insanely catchy album track. The party vibe that felt a little missing from the band’s previous couple of albums returns with a vengeance here in the best possible way, and makes for maybe the perfect album opener. The insanely catchy chorus opens things up, even having some growls to accompany it, while the verses feel almost rap-inspired, giving off Electric Callboy vibes as well as the heavy power metal. It still blows my mind that this didn’t go all the way in Eurovision, it’s easily the best song entered this year! Dang von SDP does a great job on the second verse, fitting the tone of the track perfectly. It’s a simple arrangement revolving around that incredible chorus, and is certainly an early highlight!

Up next is another single we are very familiar with, the Doro-featuring ‘Valhalla’. When we spoke to Ben this track had just come out, and we later filmed a reaction video to it. Of course, we love it! It’s a little more traditional folk/power metal leaning than the previous track, but still has a slight party vibe and a really call to arms feel. The guest once again does incredible, Doro not able to do any wrong really, and fits the tone of the track perfectly. And once again, it has a massive, arena-filling chorus that is so very catchy, being stuck in my head a lot since I first heard it. It’s the perfect power metal track, everyone working their ass off as every element is excellent. Another highlight for sure, and a track already on our playlist!

We got silly next, with a cover I never knew I needed and now can’t get enough of! I feel like I’m in the minority at this point who likes the original PSY version, but this is every bit as good! It transposes surprisingly awesomely to European metal, and the band once again kill it with the arrangement. It’s of course catchy as the original was a huge ear-worm, but heavy enough that it fits perfectly alongside the rest of the album! Probably not one for the serious metalheads out there, but I loved it and it’s yet again another huge highlight on an album chocked full of them so far.

The first non-single of the album, ‘Name der Rose’, is a jump back into the folk side of their sound. It’s similar to ‘Valhalla’ in its feel, and still has just as massive and catchy a chorus! The slightly slower pace also makes it feel a bit more ballad-like, which is hardly an issue! The riff for the bridge is also SICK. It does feel slightly more album-track than the previous songs, but that may just be because of the lack of guests or it not being a massive cover; it doesn’t at all reflect on the quality of the song. Another excellent track!

‘Testament’ starts with a dark, folky riff before the metal quickly comes in over the top. It has a similar tone and feel to it than the previous track, but on the faster side. It’s nice to hear them singing in German, it fitting just as well as their English tracks. They’ve not long started singing in English, I believe, so it’s nice to hear they still go back to their roots a bit, too! The same can be said for ‘Eisenfaust’ and ‘Tanz der Teufel’. All are primarily German-sung folk metal songs. All are fantastic, with the latter being another big personal highlight of the album, but are fairly similar and easier to lump together so this review doesn’t get repetitive and boring. I’d recommend checking out all three of them, still!

The next song (two of you count the intro monologue setting it up) has my whole heart. I LOVE Lord of the Rings, so to have a song about ‘Sam the Brave’ is amazing, and the tale fits the bands style perfectly. And the verses are in German too, which is honestly a bonus. The band switching between both languages is awesome! It’s heavy, folky and catchy as anything yet again, the band really finding their style and playing it to perfection again and again. It’s an amazing folk metal song, and yet another huge highlight of the album for me. I am desperate to hear this live, so I’m gonna have to go over to Europe, I think!

‘Drunken Dragon’ is another fun, catchy folk-metal track that has almost a breakdown in the middle which was awesome, easily making it one of the heavier tracks on the album. The same can be said for ‘Avalon’. Again, both are awesome songs that fit the style of the album and the band well. We even get a guitar solo in the latter, something that is surprisingly rare on the release. As I said before, the band are now so damn proficient at making incredible music in this vein that even the ‘album tracks’ are amazing!

The closing track on the album is the huge collaboration single, ‘Lords of Fyre’. The song was worked on hand in hand with Lord of the Lost, and very much feels like a 50/50 split akin to ‘RATATATA’. It has a gothic edge to it from the other band, while still having a distinct folk edge still. Plus, Chris’ low, powerful vocals fit perfectly alongside the other two’s. We also get an incredible extreme metal breakdown in the middle, complete with awesome riffing and some great screaming. And the fact that it drops out to just piano, violin and Chris’ vocals for the chorus is phenomenal, *chefs kiss*. It’s yet another insanely catchy song, another highlight and a truly epic way to close out the album!

Overall: This is everything I wanted from the album and somehow even more! Every song on this is amazing, and even with it being front-loaded with three massive singles, it still stays awesome and memorable throughout. The band have been amazing for a while now, but have really been gaining a lot of traction and momentum with these last couple of releases, and this has the real possibility to propel them up another step or two in the industry, into true international stars. I honestly cannot recommend the whole album enough. It’s my favourite release the band have put out, and will surely be being spun a lot in the coming weeks and months!

The Score: 9/10

Feuerschwanz: ‘Through music you can understand each other without knowing the words!’

We sat down to chat to the wonderful Ben of Feuerschwanz the other day about their upcoming album, Knightclub, their first time playing in the UK and their upcoming tour with Lord of the Lost. Check it all out below!

The new album, Knightclub, is out next month, right? It feels like it’s got a bit more of a party vibe to it than your previous work?

We’re in July now so yes, next month!

We’ve always been a band with lots of party vibes. We’ve made a few albums, two or three, which are a bit more… not that much partying. Fegefeuer and the last album have quite a few depressive songs. That’s because of the pandemic. I’m quite a jolly person and like to party and have a good time, but the pandemic was a real downer. We’re in the aftermath now and I can see it in my music that the songs which I wrote then and which came out a year or two later are not that happy. They usually are so that’s the reason we came back to our normal sound. It’s how we are!

The title track was written for Eurovision, right?

It was not written for Eurovision, we had it before the application. We wrote the song last summer and the application was December or something. We absolutely did not have Eurovision in our minds when we wrote it. I’ve tried it before, to write a song like that. You have to come to this idea at some part of your life as a band to ask yourself like ‘oh, we could try Eurovision. We need a poppy, catchy Eurovision tune with this and that and…’. And I tried this and it was shit! Complete nonsense and it was bad. I can’t do it so I just wrote a party song about knights, about things I love, and it turned out to be a quite decent Eurovision song! That’s how it should be; it’s authentic.

I imagine a lot of the album was written before you’d even gotten to the Eurovision stage, then?

Yes, every song! Way before it!

I have to admit I’ve become a little obsessed with your Gangnam Style cover.

A lot of people hate it! I can understand, it’s crazy. Some people can’t stand it! It’s like we put worlds together which don’t really belong together, which is why we were also having great fun and feeling… when we did this and shot the video we were saying to ourselves ‘are we fucking crazy? Are we doing it?’. But that’s why we did it, we wanted to do something really crazy. To make the least appropriate song for a folk metal band!

It works really well! People may be annoyed because it was massive and everywhere when it first came out, maybe brought people’s minds back to that instead!

Yeah, lots of flashbacks! And maybe some people have bad flashbacks to 2012, so I can fully understand that. But I can only say that it’s a great song, and as a songwriter I must confess it’s a great song, I liked it 13 years ago. It hits different and doesn’t follow any strict rules. The riff is crazy and nonsense but still catchy, so it’s really cool!

You’ve managed to work with so many amazing artists over your time, most recently Doro. How did that come about?

The start of the song, ‘Valhalla’, was actually when we covered Manowar, ‘Warriors of the World’. I think the only thing… I love the song, I love Manowar, that’s why we covered it a few years ago… but the only thing missing from a 2025 point of view is that it’s only “Brothers Everywhere”. I know that sounds a bit icky and stuff and I’m not the wokeness police or anything, but it feels off to exclude 50% of the population in a song, why only the brothers? I know it’s about warfare and soldiers and stuff, but we make music, not war. So when I’m up there singing it, it always feels like ‘yeah and the sisters too’ but it doesn’t fit into the song! So we wanted to make our own song, our own ‘Warriors of the World’, explicitly for the brothers and the sisters. We called it ‘for the Vikings and the Valkyries’ as it sounds cooler.

That was the beginning of the song and it has this hard rock/classic metal vibe. We thought about different guest musicians and stuff but we always came back to Doro. She is the mother of all metal, she’s a very brave woman and had the balls to sing in an 80s metal band. That’s so cool! She paved the way for many women today, including Schildmaid from our band. That’s why she was the one and only best choice to participate in this song. Also, she has quite a low voice for a woman, which was cool as for other female artists the song would be to low, it wouldn’t fit that well musically. Doro could really nail the same melody that I did! It fit really awesome, still sounding very different to us, and she has endless attitude which is so cool to hear!

It looks like you’ve got quite a big festival season planned, including Bloodstock, right? Have you done the festival before?

No no no, Bloodstock will be our first show in the UK. We’ve never made it over the Channel. We’ve played in Spain and in Miami but not in the UK. It’s time to change that! It’ll be our first run with British metal fans, and I’m really excited to be honest! It’ll be a really cool experience.

The cool thing is our music works… we played in France last week and the crazy thing about the French is they don’t speak German, but they don’t speak English as well either. We sing in German and no one understands one word, and we try to communicate in English between songs and we don’t speak perfect fluent English and the people in the crowd don’t understand what we are trying to tell them. We come down to a non-verbal communication because you want to understand and make a party and have fun but you can’t express it very exactly. That’s why you’re always like ‘scream!’ and ‘yeah!’. That’s what matters most in the music, energy and the emotion, not the exact words. It’s about energy and emotion. That’s why I like playing in foreign countries, they’re more like ‘let’s go for the party’.

I think it’s quite wholesome to see that metal music can connect people on such a deep level. On festivals you can spend the whole evening without understanding one word, it is possible! Through music you can understand each other without knowing the words.

Have you got much planned for the end of the year?

Yes, we have a tour booked with our friends from Lord of the Lost. We announced quite a few big shows in Germany together with them, and they’re releasing their album as well in July or August. So there will be quite a cool synergy effect. We really like each other and made the song ‘Lords of Fyre’ together last year. But our music is quite different, which is cool. Like same same but different. They are somehow a metal band but not that classic. We come from the medieval side into metal, they come from the gothic side. We meet somewhere; heavy metal, hard rock, wherever. It’s quite cool because it’s special.

Is there any chance of Lord of the Lost coming on to of ‘Lords of Fyre’ on the tour with you?

Oh of course, we will play it! We don’t know exactly how to do it because it will be like 14 people on stage, but we will just stack onto each other or something! We will play it and have a good time, maybe for the last song or something!

Armageddon: Warkings’ Best Album to Date?

The fifth studio album from the German power metallers sees the band return from their longest gap between releases yet. I remember enjoying their last album back in the day and, now that they have seemingly added Morgana full time, I have to say I’m pretty hyped for this album. I completely get the scrutiny they are under by some in the wider genre, but I am certainly a fan of the band, and am excited to hear what they have, given that I haven’t checked out any of the singles yet either!

The album starts as it means to go on with the epic, Viking-style building intro into the title track. The big, heavy riff is complimented perfectly by the solid drumming and then the chanted, ‘woh’ vocals, something that will surely whip a live crowd into a frenzy right from the offset. The powerful vocals come in and I love the guitars dropping out between the lines in the verse, giving everything time to breathe and build back up perfectly. Speaking of building, it all leads to a HUGE, arena filling chorus that is surely going to be stuck in my head for the rest of the day! The high vocals come in for the second verse, but are just as powerful as the lower ones, a damn impressive feat that both Tribune and Morgana are both so good! The bridge riff is stomping and fantastically heavy, and leads to another great intro reprieve! Honestly, this is a fantastic opener and a strong contender for one of my favourite tracks from the band already!

Check out our reaction to an earlier single here.

The following song features a guest I’m shockingly not familiar with, Orden Ogan. However, after listening to the track, I’m gonna have to check out some of their own stuff, because I loved this! Don’t get me wrong, a lot of that can probably be chalked up to the vaguely-cheesy power metal masterclass of writing Warkings put on again, but Orden certainly show up here too. From the epic riffing to the incredible, epic vocal delivery and melody overall, it’s European power metal at its very best! It gives off Hammerfall vibes in the best possible way, and I’m here for it! And it’s another massive earworm of a chorus, too. And we also get a fantastic, technical little guitar solo tucked away in the middle, a nice addition to the formula of the previous track. So far the band are two for two on big highlight tracks on this thing!

‘Kingdom Come’ has a bit more of a plodding pace to it, opening pretty quickly into the huge, epic chorus that is made to be played in front of huge festival crowds. I like that it drops down for the verse too, adding some great dynamics to the track and on e again building up perfectly. It almost feels like a heavier ballad-track, and I love it! And the band clearly know the way to my heart, because after a heavy bridge we get a fantastic key changed chorus, guitar solos in the back and the lot. It’s yet another utterly brilliant song, and I’m honestly blown away by this album so far!

After another brief, ominous spoken-word interlude, the incantation leads perfectly into the fast, heavy ‘Circle of Witches’. Honestly it almost feels like more of a thrash track than anything else, and the occasional screams through it were a fantastic touch! And yet it still builds to a massive, catchy-as-anything chorus that firmly roots it to the power metal genre. And that solo, DAMN, *chefs kiss*, that was awesome and fit the tone of the track perfectly! To I’m sure no one’s shock at this point, another excellent song!

Next up is another single, ‘Kings of Ragnarök’. From the riffing to the choir vocals at the start, it begins in the most power metal style possible, and keeps that feeling for the full four minute runtime! It’s of course another fantastic song, but does very much follow the same formula as its predecessors so far. The screams again were a nice touch, and it’s catchy enough that it will surely be another firm live favourite! It almost gives off Dragonforce vibes, being a bit more uplifting than the previous songs, fitting the lyrics pretty perfectly.

After another similar interlude to the previous one, we get the incredibly catchy vocal opening of ‘Troops of Immortality’. It’s an incredible chorus and makes for another memorable song, for sure. However, I was starting to get a little tired of the same formula and style over and over, by this time in. The interludes were helping, as was changing up the song structure slightly. But, even when the songs are absolutely incredible, like they are here, it’s hard for my tiny attention span to not wander after a few of the same. Still, it’s another absolutely fantastic Warkings song, and a brilliant power metal and just song in general!

As if to immediately make me eat my words, ‘Nightfall’ slows things down and drops things down into more of a ballad, at least to begin with. The clean riff is awesome, and the first verse feels more like something Queensryche-esque than power metal. However, it does still build into the typically awesome, epic Warkings sound by the admittedly amazing chorus. And heck, the fact that they manage to squeeze in the most brutal scream on the album on the slowest track is no mean feat! By the final chorus it’s another massive power metal song, but damn did it get there in a fun and interesting way. Another massive highlight!

Next up is a song featuring our friends in Dominum. It does have a slight air of Dominum in the riffing and general writing too, which was a very nice touch! Heck, the fact that they even use ‘forelorn’ so much almost makes this feel like a continuation of the bands latest albums story, in a way! The song is awesome and the chorus is fantastic, but having Dr Dead on the track just makes it even better. He’s one of the most underrated vocalists around today, and fits in perfectly to this track! Yeah, this is another excellent power metal song on an album packed full of them, and one I’d certainly recommend checking out if you haven’t already!

The final three songs are fairly as expected, except for the epic power ballad, ‘Here Comes the Rain’, tucked away in the middle of them. ‘Varangoi’ is the most standard Warkings you could get, while the closing track features the mighty Subway to Sally in a massive way, having much more of a folk metal leaning. Both tracks are great, with the closer in particular being an excellent blend of the two bands styles. However, that ballad, goddamn, it gave me goosebumps. It was beautiful, powerful and so masterfully written and performed. It was a style that I hoped we’d get on this album and it didn’t disappoint at all. Yet another massive highlight of the album, and one of the best metal ballads I’ve heard in a while.

Overall: I’m a fan of the band, but this was better than I was ever expecting! It was epic from start to finish, and is a perfect example of how great power metal can be in 2025. There isn’t a bad song on this and it’s arranged pretty perfectly with all the interludes (even if I’d have maybe moved ‘Nightfall’ up a touch). If you are at all a fan of the band, genre or just metal in general, I’d certainly recommend checking out this album, I’m sure you’ll love it as much as I do! It builds on everything they did well on Morgana and they really proved that they are here to stay near the top of the scene!

The Score: 8.5/10

The Thunderfist Chronicles: Do Alestorm Regain Their Momentum Again?

The mighty party-pirates are back with album eight, and another offering packed full of ‘blistering riffs, wild shanty-driven melodies, and utterly ridiculous lyrics—taking the high seas of metal to new depths.’ I’ve been a fan of the band for years at this point, with us even checking out their last album, so when this came across our desk there was no way I wasn’t checking it out! I think I’ve somehow only checked out one of the singles so far too, so am going in almost completely blind!

‘Hyperion Omniriff’ opens the album in perfectly Alestorm fashion, with a heavy riff and the usual awesome folk stuff coming in over the top. It feels like it’s going to be the perfect live opener, building up well and getting everyone clapping. Chris’ iconic vocals of course fit perfectly over the top of it all. It’s very folk, very piratey and very Alestorm. It’s a great chorus too, the backing vocals making it somehow even more catchy. It’s definitely more towards their roots, focusing more on the folk than the party, but the lyrics are still lighthearted and fun! The faster bridge is good, and leads to an awesome solo or two! We even get some pretty extreme screams tucked away after, making it heavier than I was expecting. It’s a damn good song, and a great way to open the album!

The bass creates a great driving force to start ‘Killed to Death by Piracy’, almost having a punk edge to it. It’s another track that builds perfectly towards the massive chorus, it all working to set it up. And we get another one of those awesome screams to cap it all off, too. It’s another silly song but is so fun, and an instant highlight already! I like the band adding in the synth for the second verse and, because of it, start talking about more futuristic stuff, that was a nice touch! And that riff for the bridge… DAMN. The solo over the top was the icing on the cake, too. It’s a really great song, and one I’ll definitely be listening to again a lot!

‘Banana’ turns the folk up to 11 at first, but also the melody has a surprising pop lean to it. Then we immediately take a turn, blasting in with a heavy riff and synth, sounding honestly awesome! More screams through the heavy verse help build it into a catchy pre and another arena-filling chorus. It’s catchy as anything and is immediately another firm highlight track! It’s the most ‘party’ song so far too, and the lyrics are typical Alestorm silliness. It’s a pretty simple song but I love it, and it reminds me more of Crystal Coconut, which is hardly a bad thing!

Single ‘Frozen Piss 2’ was the one song I’d heard before this review. It’s another heavy, silly, fun song and exactly what you’d expect from the band at this point. It’s probably the most varied musically too, with everything from horns to strings to an accordion to normal rock instruments, and plenty of singing and screaming on top of it all. It’s a little weird of a decision for it to not actually be a sequel as the ‘2’ would suggest, but there is no denying it’s still a good song! There’s also a great Asian female vocalist in the middle that I cannot seem to find be credited anywhere, but she was awesome and it fit the song perfectly! Yet another awesome song!

Songs like ‘The Storm’, ‘Mountains of the Deep’ and ‘Goblins Ahoy!’ are all more typcial folk metal songs with varying degrees of silliness. And shockingly it’s the silliest, the middle, that I think is my favourite. Having said that, the contrast of the heavier parts for the goblin in the latter was also great! It’s a surprisingly great cinematic song and not something I’ve heard Alestorm do much, which is honestly surprising. All are good songs, but ‘The Storm’ does feel more like an album track than the other two, insanely given that it’s the latest single!

Then, the closing track has plenty of pomp and epicness, being the perfect choice to end things on. Oh, and did I mention it’s a proggy 17 MINUTES?! Don’t let that put you off, though. I don’t throw this word around often, but this may be a masterpiece in the genre. It’s very proggy, feeling like multiple different songs while fitting together perfectly. From heaviness and plenty of screams and heaviness to THAT chorus that is gonna be stuck in my head for days, there’s plenty to love. There are also multiple uncredited guests throughout, but I recognised at least two as Patty Gurdy and Russell Allen. Both did amazingly, and goddamn do we need more from Russell these days! Also, some of the soloing on this particularly the sweep picking, is the cleanest I’ve heard since peak Synyster Gates. It’s also somehow the only song I feel like I can accept fading out as a closer as that chorus is so epic and it works so well. Yes, it’s long, but I wouldn’t be anle to cut any of it. If you check out anything from this album, make sure it’s this song. WOW.

Overall: This impressed me a lot; I enjoyed it more than I thought I would. It’s not that I’m not a fan of the band or anything, but their last album felt kinda samey and bland. Meanwhile, there was a lot to love here, and there really isn’t a bad song on it! It’s won’t be for everyone, and was maybe a little too silly at times, but there is no denying the band are talented players and songwriters! If you are at all a fan of the band or the genres they explore, this is well worth checking out! It’s definitely up there as one of the best albums, in this writers opinion!

The Score: 8.5/10

Trowsholm, LN and Reliquia Rock Scruffy Murphys!

A day after our trip to Download (not reviewing it, it feels weird to review one day of a three day festival) we headed up to Birmingham for a night of folky, dark metal goodness. Three awesome bands packing out a small, hot venue that’s been recently refurbished and reopened; it was set to be a good night! Let’s dive into all three and let y’all know just how awesome they were!

Kicking off the night were the gothic metallers Reliquia. They were the only band I hadn’t checked out beforehand, but they came away with a big new fan in me! They’re a sort of style I love; the epic, dark, gothy-doom sound, and reminded me a lot of bands like My Dying Bride. It had all the best elements of doom and black metal, but also sounded pretty unique. And for a venue as small as it was to get a sound as massive as the band produced was amazing, so big props to the sound guy as well as the band for producing a great show. The band are all hugely talented, playing perfectly along with their organ-and-bass backing track as well as writing some awesome songs. And they really grew into their performance, too. They seemed a touch nervous at first, but as the packed room got more into it so did the band, with Gregg in particular being a great frontman by the end. He also had some of the best live vocals I’ve heard in a while; from low singing to awesome screams they were all great. As I said, they won me round pretty quickly into a new fan, and I’d recommend checking them out if you haven’t already!

Next up were the reason we were there, the incredible LN. After seeing them at Winters End back in February and falling in love, we knew we had to see them again ASAP. To the shock of I’m sure no one, we once again were blow away by the band! They’re one of the most interesting bands in the UK underground scene today, as well as being one of the best live bands around. Their studio work is phenomenal and translates perfectly live, especially in such an intimate setting. There was no denying the crowd were there for them, and they played off it perfectly. Heck, they even got a pit going, which I was not expecting at all! LN is such an engaging and magnetic frontwoman, having the crowd in the palm of her hand throughout. Everyone else also put on a great show though, as well! From their popular older stuff to new preview songs and latest single ‘Hellfire’, it was a fantastic set, too. They band are clearly going to go far fast, and it’s so cool seeing them in these small venues before they blow up! 

Headlining the night were Scotlands own Trowsholm. Right off the bat it was an interesting collection of people; a viking, a wizard, someone in a matching short, shirt and bucket-hat combo and a thrasher… seems like the start of a bad joke! However, it made for one hell of a party mood right from the offset, and the band kept said mood high through the whole set. They were potentially the heaviest band of the night, and at very least the highest energy and paced, and it made for an awesome headline set! It felt almost like a heavier Alestorm, so impossible not to love! They travelled far to be at the gig and made sure it was worth it as they put on a show from beginning to end. They were the least ‘my thing’ of the night but I still had a blast, as did the still-packed-out crowd around me! They were polished and professional while still feeling fun and more light-hearted, and I can’t recommend them enough!

Overall, it’s was an absolutely amazing night of live music! All three bands knocked it out of the park and fit so well on the same bill together. I cannot recommend seeing all three of them enough if they come close to where you are, and I already want to see all of them live again already! And plus, shoutout to the venue, which was awesome, and is helping keep rock and metal alive in one of the most important cities for it!

The Dead Don’t Die: Do Dominum Top Their Epic Debut?

I’m gonna start this off by saying that I LOVE this band. Between reviewing their last album, seeing them live and even chatting to the man himself, we’ve done a lot of coverage of them over the last year, and there was no way I wasn’t reviewing this album too. I’ll try to keep it reigned in, but if the singles are anything to go by, this is going to be another incredible power metal album!

Opening on their most recent single, ‘We Are Forelorn’ kicks things off with a bang! The epic, sinister vibe builds up throughout the intro and verse, definitely demonstrating the grittier tone Dr Dead mentioned in the interview. It all builds to a typically massive, catchy chorus, too. The gang vocals add so much and make it so easy to sing along to. Also, some of Dead’s high notes, not just here but on the whole album, are insanely impressive! We also get an awesome guitar solo tucked in the middle of the track, making me feel like the band as a whole are criminally underrated players. Again, what an amazing way to open the album!

Next up is a one-two-punch of the other two singles ‘One of Us’ and the Feurschwanz-featuring title track. Both are absolutely amazing songs and classic-feeling Dominum tracks. I’ve covered both already over on our YouTube channel, I’ll drop the video below. However, I can’t pass up the chance to gush over them even more. The choruses for both are up there with some of their best and the instrumetation overall is incredible. It’s songs like this why I fell in love with not just the band, but the genre in general, and I cannot recommend either enough!

A folkier vibe runs through ‘Killed by Life’, which tracks given that it was penned by guitarist Tommy Kemp, also of Winterstorm fame. Spoiler; it’s another awesome song! It also feels a little more polished than the previous few tracks, more radio-written, not that that is a bad thing! The chorus is huge and massively catchy and the structure is pretty simple. However, the riffing is still amazing, and the overall production is incredible on it! While not my favourite track on the album, it is still awesome and definitely enjoyable!

Honestly, I got the same sort of feelings from ‘Die for the Devil’, outside of the folk element. It reminded me the most of their debut album the most of any song so far. From the steady, low verses building into the HUGE radio-choruses, it’s standard Dominum in the best of ways! It’s simple but awesome and another fantastic power metal offering!

‘Don’t get Bitten by the Wrong Ones’ is a bit steadier, feeling almost ballad-like. It also gives off vibes of Motionless in White’s ‘Werewolf’, which I also love. The synth-led verse is incredible, fitting behind Dead’s vocals perfectly, and the chorus is going to be stuck in my head for days to come at this point! It’s another huge highlight on an album packed full of them, and is another track that easily makes it onto our playlist! It’s another track that I’d definitely recommend!

Pretty much everything I said above also applies to ‘Happy Deadly Ending’. What an absolutely BANGING chorus, goddamn. And don’t get me wrong, the rest of the song is also amazing, but that chorus is truly on another level. I’m going to assume this is the newly single to be released with the album, as it could be an absolutely massive song given the chance. The basic Dominum formula is there again but done to absolute perfection, and is another HUGE album highlight. This is modern power metal at its best!

The other three original tracks on the album are more standard Dominum affairs in the best ways possible. ‘Can’t Kill a Dead Man’, ‘This is not a Game’ and ‘The Gardians of the Night’ are a trio of great power metal tracks that fit so perfectly with thus album and the Dominum sound in general. Dr Dead’s impressive vocals and huge choruses are of course highlights, but all the instrumentation is top notch, too. The only reason they are clumped together here is so I don’t keep repeating myself and coming across as even more of a fangirl! All are fantastic tracks that I’ll certainly be listening to again!

Closing out the main album is the band’s cover of the Scorpions classic ‘Rock you Like a Hurricane’. I love their rendition, heavying up the track and managing to make it sound almost like one of their own. Additionally, for those getting/listening to the special edition, you also get a second disc, this one featuring a recording of their set at Graspop earlier this year. While I haven’t heard the actual recordings yet, having been there to see it in person I can assure you it’ll be awesome!

Overall: I absolutely loved this! I knew I would, but I think it even defied my lofty expectations. Every track is fantastic, while there are some that are easily going to be among their greatest hits in however many years’ time. I can’t recommend this enough, not just to fans of the band or genre, but to any music fan in general; it really is that good. It has mass appeal as well as the heaviness and it is certainly a development on their previous release. Check this out immediately!

The Score: 9.5/10

New Music Mondays: Bloodywood, The Birthday Massacre and More!

While not featuring as many big names as the previous couple of weeks, there are still plenty of bands here to sink your teeth into. And it’s definitely a week for the heavy fans out there! Let’s check out all the new music, shall we?

Bloodywood: Rakshak

Gaining a lot of popularity over the last few years due to their blend of Indian folk music with a nu-metal sound, Bloodywood released their second album last week, a follow-up to 2017’s pop covers album Anti-Pop Vol. 1. I love their singles over the last couple of years and their covers were a lot o fun, so I’m excited to hear this!

It’s the perfect blend of heaviness, nu-metal inspired rapping, folk elements and occasional subtle comedy. Heck, opening track and lead single ‘Gaddaar’ perfectly encapsulates what the band and album are about, and it’s excellent. Then you have tracks like ‘Aaj’, ‘Dana-Dan’ and the wonderfully heavy ‘Bsdk.exe’ making the album full of highlights. Metal is in a really interesting, healthy place right now with all of these new bands trying to branch out their sound, and I think Bloodywood may take their place towards the front of the pack if this album is anything to go by. 8.5/10

The Birthday Massacre: Fascination

The goth rock band put out their ninth studio album last week, their first in a couple of years. I’ve never really gotten into the scene so have no reference point in terms of their old music. I have to admit, I don’t really get it. It’s like a slightly heavier HIM, and I could never get into HIM growing up either. Don’t get me wrong, it isn’t bad by any stretch, but it’s all rather plodding and repetitive and a little boring. I guess the single ‘Dreams of You’, is a highlight and if you like this sort of music I’m sure you’d find many more as it’s a pretty samey album. But for me, I can’t give it much higher than a 4/10

Midnight Oil: RESIST

Continuing the strange modern tradition of capitalised album titles, the Australian rock band put out their 13th studio album last week. The second since their 2016 reunion, the band definitely give it their all. From the slow-build intro of ‘Rising Seas’ through soft rock tracks like ‘Tarkine’, ‘Nobody’s Child’ and ‘We Are Not Afraid’, the band show off a lot of talent across their 12 tracks. I feel hypocritical because this is also a slow album, but unlike the previous album on this list this one held my attention a lot more and was a LOT more enjoyable. It’s a good mixture of Billy Joel, David Bowie and Elton John and is a damn good album from a band that have been at the game a good long while! 7/10

Check out our reviuew of The Darkness!

Immolation: Acts of God

Aaaaand back onto the heaviness. The death metal band are on their 11th studio album and show no signs of slowing down. After a clean (but still menacing) start to the album with the opener, the almost title track bursts in with blisteringly quick drums and guitars and low growled vocals, and the album doesn’t let up from there. It’s a lesson in how to do death metal well, with some great riffs and fun dynamics to show that it isn’t just a wall of sound constantly. ‘An Act of God’ is a definite highlight and the opening riff of ‘Apostle’ is enough to make it onto the playlist on its own merit. A fun death metal album for anyone into that sort of music! 7/10

Sleepwulf: Sunbeams Curl

Psychedelic/doom/stoner rock/metal band Sleepwulf released their sophomore album last week. The band burst straight in with their interesting blend of sounds and styles and dark lyrical content immediately with the aptly titled ‘Satan is King’. It’s like desert rock blended with Black Sabbath and Kyuss. Think The Sword but with less riffs. It is massively enjoyable. It’s lighter than I was expecting but the songwriting is off the charts good. It’s an old-school sound modernised just enough to keep it interesting. Other highlights include ‘Sex Magic Manifestation’, ‘Man in the Mountain’ and ‘Bury Me Backwards’. 8/10

Gtarzee: Nine Tracks

We finish on some more rock. Finnish blues rock, to be exact, with Gtarzee’s debut album. It’s a damn enjoyable album at that, too. From the guitar showcase of the opening track to the opening vocals of ‘Jealousy’, the album starts awesomely. Brian Forth’s vocals sound awesome on the latter track, giving it much more of a glam sound. However, the guest vocalists here do draw attention to the fact that Gtarzee himself doesn’t have the best voice. Sometimes it works, like in another album highlight ‘Sunday Blues’, but other times it doesn’t fit with the music quite as well as Forth’s voice did. Still, it’s a fun album and well worth a listen if you get the chance! 6/10

And there we have it, a surprisingly strong week that I wasn’t expecting going in! Some great albums and as usual some strong metal. Next week, Scorpions!

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