Tag Archives: heavy metal

New Music Mondays: Lamb of God, The Cult and Much More!

You know the drill by now. A dozen amazing bands releasing new music, and we’re here to check it all out! See what we think below!

Lamb of God: Omens

Lamb of God releasing their ninth studio album makes me feel old. But that’s exactly what they did this last week. I’ve been a fan of the band for over half my life at this point, getting into them from Sacrament. I’ve seen the bands ups and downs and they really seem to be having a bit of a career resurgence recently after some slightly more questionable output in the 2010s. Their previous, self-titled album was fantastic and, honestly, this may one up it to an even higher level.

It takes everything new it seemed to build up well on the previous album, the spoken work/sung stuff and the dynamics with up and downs and tempos, and rolls with it all to new heights. The fact that in 2022 we have a Lamb of God album open with a track that has mostly clean verses is insane, especially when it’s one of the best tracks on the album. If anything it just makes Randy’s screams have even greater impact. And of course, from an instrumental perspective they’re still a metal guitarist and drummers dream band. The talent on display is unbelievable. The riffs are insane and Art Cruz again kills it on the drums.

The singles are of course great, and other tracks like ‘To The Grave’ and ‘September Song’ are also awesome. The whole album is a highlight, however, and hopefully will be the one to finally push LoG through that glass ceiling they seem to hit a while back. 8.5/10

The Cult: Under the Midnight Sun

I’ve never been much of a fan of The Cult. I get and respect the impact they’ve had on modern rock music, but they never did anything for me. This album didn’t change my mind. There wasn’t even a riff like ‘Rise’ or even ‘She Sells Sanctuary’ to keep me interested. There’s very little to this, and as someone who’s not that into Ian Astbury’s vocals, this was a tough listen. Sorry to anyone who I offend with this, but… 3/10

Bush: The Art of Survival

This was heavier than I expected it to be! I haven’t heard much recent Bush stuff, pretty much reserving myself to the phenomenal Sixteen Stone, so this took me a little off guard. In a good way, though!

Of course the vocals are still the melodic, radio-rock style Gavin is known for. However, the riffs are HUGE. Like, de-tuned, ch0nky and almost metal, huge. And on top of that, there’s some genuinely catchy, stadium-filling choruses and melodies on here. ‘Slow Me’ is my favourite track on the album and maybe my favourite track the band has ever put out. Tracks like ‘More Than Machines’ and ‘Human Sand’ are also amazing. They’ve almost added a progg element to their sound, sounding a little like Karnivool and Chevelle.

My only slight issue is that it all sounds just a bit similar. Most of the tracks follow the same sort of formula; slower, stripped-back verses and then the big riff that opened the track comes back for the chorus. At least it made ‘Creatures of the Fire’ feel different and unique, as the it the main exception to the rule. Still though, I’d LOVE to hear this stuff live, I feel like it would be one hell of a show. I need to check out more Bush now! 8/10

Queensrÿche: Digital Noise Alliance

I’m not all too familiar with the band outside of Mindcrime and Empire. However, I have heard that Geoff Tate’s replacement has done wonders for the band, so I’m curious to hear how this sounds!

Sadly, the opening track and biggest single didn’t actually grab my attention. However, the opposite could be said for ‘Chapters’. It’s an incredible catchy track, straddling the line between AOR and even some modern Iron Maiden. I do have to say though, the mixing on the vocals was a bit odd. It felt distant, quieter than it maybe should have been. Tracks like ‘Sicdeth’, ‘Nocturnal Light’ and prog epic ‘Tormentum’ are also highlights of the album.

And I would like to add that it is a good album. I wanted to stress that before I went on to say… it’s a little overdone at this point. I know Queensryche are very much one of the originators of the sound, but there is so much amazing AOR music these days, that I feel like it’s just already been done. I love this sort of music, but bands like Eclipse and Tygers of Pan Tang are just as good, and I am more familiar with their work. So it is definitely a good album full of good tracks, but I didn’t enjoy it as much as their older stuff, or as much as I could have done. Hence why I shall give it a 7/10

Wednesday 13: Horrifier

We had the chance to review this before it’s release. Spoilers, it’s awesome. To find out just how awesome, check out our full review here.

Everette: Kings of the Dairy Queen Parking Lot – Side B

Another album we’ve had the pleasure of reviewing, and another amazing one. Find the review here.

Goatwhore: Angels Hung from the Arches of Heaven

The extreme metal titans returned with their eighth album this last Friday. If you’re a fan of the genre, like I am turning out to be, you’ll love this. Don’t get me wrong, It got a bit much and repetitive by around the halfway mark, but then I also loved the epic, plodding closing tracked. It’s everything you could want from an extreme metal album and certainly had me wanting to mosh! I shan’t pretend to be an expert on these things, but I enjoyed it, so will give it a 6.5/10

Counterparts: A Eulogy for Those Still Here

This feels very much like a Max album. Unfortunately, his uni has kept him too busy to help out this week. Depressing lyrics, heavy, Djenty riffing, solid drums and hardcore, bordering on extreme harsh vocals. I have to say, it’s not for me. I couldn’t really get anything memorable to come away with out of it, I just know the general sound and that it wasn’t for me. While I can appreciate they are all talented players, nothing about this prompted my will for a second listen. Sorry for anyone who is a fan, and I know that they are a pretty big band, but I’mma have too give this a 3.5/10

Barrett Davis: The Ballad of Aesop Fin

The North Carolinan country singer songwriter put out his debut album last week after months of putting out some great singles. It has a real old-school feel to it all and shows off some real talent as far as playing and songwriting is concerned. ‘Carolina Still’ is a personal highlight of the album, showing off Barrett’s impressive vocal range and some great guitar and piano. It almost boarders on easy listening, at times. It’s a good, relaxing album that I’ll definitely be chilling out to a lot in the coming weeks and months. 7/10

Acid Witch: Rot Among Us

This was a whole lot of fun. I don’t know what I was expecting, but it wasn’t this. I was ready for the stoner/doom metal riffing, but the almost Nightmare Before Christmas level of theatrical, extreme vocals over the top I was not. Honestly the duelling vocals and more stage-show style feel always does it for me in tracks, it’s why I love Ice Nine Kills so much.

‘Gather Each Witch’ and ‘Rot Among Us’ are the perfect tracks to open the album on, giving me a complete, great feel for what the band is about. The horror themes, big riffs and fun dynamics are all clear staples of the album. While not all tracks have the play-off style vocals, we still have some on ‘5508 Martin St.’ and ‘Evil Dad’. The later gives me ever so slight ‘Three Little Pigs‘ vibes with the higher vocals. Both tracks are amazing. However, saying that, there isn’t a bad track on this album.

I came into this not expecting to come away with one of my most enjoyable listens of the year, but there we go. It came out at the perfect time of the year but, honestly, I’m going to be listening to this way past Halloween. Great stuff, 9/10

VUKOVI: NULA

The Scottish rockers are back with maybe their most ambitious release to date. Just listening to opener ‘DEPARTURE’ sets up the epic feel they are going for. ‘TAINTED’ does a great job of continuing that feel and is a fantastic radio-rock track. ‘LASSO’ is another good track, the rapping being an interesting, fun addition. It has elements of Linkin Park and modern BMTH, while being a little lighter and indie/punky than both.

However, while I did enjoy the rest of the album, it only took me 4/5 songs to realise that it’s all going to be rather similar. Tracks like ‘I EXIST’ and ‘KILL IT’ are good and more highlights, but the album suffers from a similar issue and structure to Bush’s. It’s good, but I found myself getting distracted from the exact same formula in every song by the midpoint. It will most likely be more of a solo track album for me as opposed to listening through it front to back again. Because of that I can’t give it tippy top marks, but it still gets a very impressive 8.5/10

Borealis: Illusions

This is some of the most epic shit I’ve ever heard. Not many bands could have an epic intro track and then have a mega intro to the first proper song on top of it. And musically it’s like if Dream Theater did power metal. It’s definitely got that epic power/symphonic side to it, but the riffs wouldn’t sound out of place on a Djent album. I love it. The first three tracks are perfect. From a slow, epic intro to a radio track to the first epic prog track across 13 minutes, it’s fantastic. Then you have tracks like ‘Burning Tears’ and ‘Abandon All Hope’ and this is a damn good album. They deserve to be huge, and hopefully this album is the one to do it! 8.5/10

New Music Mondays: Ozzy Osbourne, Parkway Drive and More!

Strap yourselves in, ladies and gents, because we have a long one ahead of us. 18, yes 18 albums to check out. And I apologise in advance because half of this more than likely isn’t going to be for you. For all of our fans we have built up over the years there is a fair amount of heavy in here. But for all of the country fans we have started to gain recently, there is a fair bit of that too. Sorry if we scare anyone off with the stark contrasts. But check it out anyway, who knows, you might find your new favourite band! Let’s get into some new music!

Oh, and our newest writer, Max, jumped on to give me a hand again with some of these, so of course give him a hand!

Ozzy Osbourne: Patient Number 9

Ozzy should have called it a day a decade ago. He was struggling a little on Sabbath’s farewell tour but they still went out with a bang. Since then, his health has deteriorated and, let’s be honest, he can’t tour any more.

Having said that, this was better than it had any right to be. I wasn’t into Ordinary Man at all but this makes up for it. I’ve been a big advocate of ‘Patient Number 9’ since its release, it’s one of the best choruses Ozzy’s ever done. The same could be said for ‘One of Those Days’. And, of course, he has a guest guitarist on each track, and he’s selected some of the very best of all time. Between Jeff Beck, Eric Clapton, Zakk Wylde and Toni Iommi, there is some incredible soloing here.

My only slight negative would be that it’s all a little slow. However, for a 73 year old man, I didn’t really expect him to have the same energy in his tracks as he did 50 years ago. If Ozzy is going to stick to just studio music from now on, this is how to do it! 7.5/10

Parkway Drive: Darker Still

I really wanted to like this. And the weird thing is that sometimes I found myself enjoying it, but then other times it fell beneath expectation. Heck, sometimes both in the same track.

The Australian band continue to let more and more European power metal to seep into their American metalcore, to mixed results. And this isn’t even coming from a jaded old Parkway fan. I didn’t really get into them until IRE. But I LOVED that and Reverence so was excited for this album. I don’t think it lives up to my hype, but that’s not saying it’s bad. It’s certainly odd though.

I’m one of the seemingly few who loved ‘Glitch’ when it was released and I still do now. ‘The Greatest Fear’ is okay too, though it doesn’t go quite hard enough. ‘Darker Still’ however, can get in the bin. The only genuine highlight I’ve found that I’ve listened to multiple times since is ‘Soul Bleach’. Having said that though, the more I listen to that track, the more I love it. It’s heavy and the sound I wish they’d gone for for the whole record. ‘If a God can Bleed’ is weird enough to work and ‘Imperial Heretic’ is okay, but both are pretty average really. The couple of closing tracks are good, too.

As I say, nothing on here is bad at all. Maybe (hopefully) it’ll grow on me with another few listens, but right now I feel like it’s around a 7/10. Not as ground-breaking as I was hoping for.

Flogging Molly: Anthem

The not-so-Irish Irish folk punk band are back with their seventh studio album. That makes me feel old. The whole early 2000s skate-punk scene was a big part of my childhood, and hearing new music from them just makes me smile. How can anyone not like this music? It’s got the very best parts of folk, punk and rock.

There isn’t a bad track on the album. From the raucous opening track to the slower, full-on old folk songs to the fantastic ‘This Road of Mine’, it’s all great! Whether you’re into folk, punk, rock, americana or probably a bunch of other genres too, you’ll find something to enjoy here. This may be their best album since Float, and that’s saying something! 8/10

Highly Suspect: The Midnight Demon Club

I loved the first couple of Highly Suspect albums. Tracks like ‘Lydia’, ‘Bloodfeather’ and ‘My Name is Human’ all felt like they were harkening in the next big, heavy indie band. However, their last album seemed to soil that, at least over here. I wasn’t a big fan and I’ve not really seen them on any line-ups or heard them on the radio much over the last five years.

This album is at least a step in the right direction. None of it is quite as impactful as any of the previous tracks I named, but they’re at least solid, moody radio rock songs. That is, aside for the heavy AF single ‘Pink Lullabye’. It was like listening to a Zeal & Ardor track and I loved it. The rest of it was pretty similar, steady-paced, okayness (with lyrics of questionable quality), but damn is ‘Lullabye’ a tune. 6/10

ONE OK ROCK: Luxury Disease

The Japanese alt rock band returned last week with their tenth studio album. Going into it completely blind, having never heard the band before, I enjoyed it! It’s pretty basic pop rock, but there is nothing offensive or inherently bad about it. It was cool to hear the combination of English and Japanese vocals too, highlighting their own sound and culture as well as the sounds that inspired them. It reminds me of a combination of Panic! and Set it Off, but then with an even poppier ting to it.

‘Neon’ is probably my favourite track on the album, but again there aren’t really bad tracks here. The emotional ‘When They Turn the Lights On’ channelled heavy British vibes, whether it was Muse or Busted or Queen. Also, Teddy Swims sounds great in his guest vocals for ‘Free Them’. There’s a lot of good here if you’re into the lighter stuff. 7/10

Blackment: Plains of Oblivion

We’ve already done a full review of this album. Check it out, along with the fantastic score, here.

Built to Spill: When the Wind Forgets Your Name

Max: The American indie rock band, Built To Spill, is back with another great album. WTWFYN is the 10th album by the band, and it is a perfect addition. If you enjoy slower music its perfect for you as it, as always, focuses around Doug Martsch’s vocals and guitar. I found it difficult to sum up exactly what made this album so good but the simplicity of some for the riffs and the fun but relaxed vocals feel very relaxing. I sat up the other night listening to it and letting all of the instruments just wash over me and tell me everything that they have hidden beneath. It is a beautiful and yet thoughtful listen that can definitely click with everyone so long as it lets you. My rating might be slightly biased as I’ve been looking for an album that makes me feel the same way I did when I first listened to Motion City Soundtracks acoustics song, but it is an almost perfect 9/10 and I hope everyone reading this takes a listen.

Bloodbath: “Survival of the Sickest”

Max: Time for a sharp change of pace. The death metal supergroup is back with another very, very intense album. For those who are unfamiliar this group and has had a wild line up but currently consist of Martin Axenrot (Opeth), Nick Holmes (Paradise Lost), Jonas Renkse (Katatonia) and Anders Nystrom (Katatonia). so, with such a wild line up it is unsurprising that this album is brilliant for most and even better for those who follow black metal. The album is intense and is not always the friendliest of listens but it is a great one and i must say it isn’t a bad or hard place to start for those who don’t listen to black metal. So, if this becomes your entrance album, I do not blame you as it has got me back in to Katatonia and Paradise Lost. As I’ve mentioned this is a fun and intense album that does not disappoint and is great for those who need a heavy dose of music in their system. A very respectable 8/10

Laurence Jones: Destination Unknown

This is an old blues rock fans dream. Between the awesome riffs, powerful vocals and heavy focus on synth, this felt like it was ripped straight from the 70s. The guitar is of course a huge highlight of the album, but that shouldn’t take away from his great vocals and the awesome work of the band behind him. This sound has been coming back more and more in recent times, be it with Rival Sons or in the NWOCR scene, and tracks like ‘Anywhere With Me’, ‘Give Me that Feeling’ and ‘In Too Deep’ look to catapult Laurence pretty high up in that scene. If you’re into the likes of Rainbow, Foghat, Rival Sons or even ZZ Top, check this out, you won’t be disappointed! 7.5/10

BRELAND: Cross Country

Cross Country is the debut studio album of platinum single-selling artist BRELAND. He became big off of said single, ‘My Truck’, in 2020 after it hitting big on social media. This album features guest slots from the likes of Keith Urban, Ingred Andress and Thomas Rhett.

If all of that sounds insane for a 27-year-old musician… well I fucking agree.

The music itself combines R&B, rap and soul to the country sound. It’s basically what everyone wanted Lil Nas X to continue to sound like after ‘Old Town Road’. Now, I completely understand that this isn’t going to be every readers cup of tea. I get that I am in the small part of the Ven diagram that like both this and Bloodbath further up. However, I loved this. Tracks like ‘Praise the Lord’, ‘Natural’, ‘Don’t Look at Me’ and ‘For What it’s Worth’ are all fantastic tracks.

However, it’s not perfect. The album is pretty bloated at 14 tracks and there is a noticeable dip in energy (and arguably quality too) around the middle which it doesn’t really recover from. It verges more into his soul stuff which I’m sure a lot of his fans love, but it’s not as much for me. 6.5/10

Revocation: Netherheaven

Stray From the Path: Euthanasia

This was like Fever 333 on acid, and I loved every second of it. The bounce and swagger of the opening track had me hooked immediately, especially with the fantastic lyrics harshly rapped over the top.

The same energy continued throughout the album, too. It’s dark, heavy and dripping with attitude and anger. Tracks like ‘III’, ‘Bread and Roses’ and ‘The Salt in Your Spit’ are highlights of an album honestly filled with them. In an age where Rage Against the Machine feel corporate, having a younger, angrier, heavier band pick up the flag they dropped feels like a very good thing.

I feel bad for myself that this band have been going for a while now but this is the first I’ve really heard of them. I feel like the rest of my week is going to be checking out their older stuff, because that was fucking fantastic. 9/10

I AM: Eternal Steel

This band are very hard to find online. I don’t think they are the Fre3nch hip hop artist IAM, nor are they ZP (Dragonforce)’s side band I Am I. Therefore, all I can tell you is what I hear.

What I hear is heavy but damn good. ‘The Primal Wave’ opens things on a brutal, fantastic note, and it’s only up and up from there. Tracks like the title song and ‘Queen Incarnate’ are great and make me want to check out more of what the band I have to offer. Hopefully I can find more about them than just their discography and can see if they venture over here for live shows at all. This whole album would be fantastic live. Check it out if you’re into the heavy, almost medieval death metal stuff, you won’t regret it! 7.5/10

Kane Brown: Different Man

Kane Brown is going to become to Georgia what RHCP are to California if he keeps up like this. In all seriousness though, the man who did what BRELAND has just done but a few years earlier is back with his third studio album. After the HUGE sucess of the last one, I’m curious to see if he can keep his momentum going.

Right out of the gate ‘Bury Me in Georgia’ is a fantastic southern rock track. Next up is a dark, brooding roots track with Blake Shelton. But damn, it’s still good. ‘Like I Love Country Music’ channels the best kind of bro-country and adds some rock and fiddle to it. It’s a fantastic run of three tracks to open. It unfortunately again drops in energy a little again after that until ‘the excellent ‘Riot’. At least this one manages to claw back the fun and tempo, unlike BRELAND. The couple of tracks after it, ‘One Mississippi’ and ‘Drunk or Dreamin” are also great. ‘Pop’s Last Name’ is a beautiful, emotional ballad. ‘Devil Don’t Even Bother’ is True Blood style awesomeness.

However, my issue is the same as BRELAND (sorry to keep bringing him up). 17 tracks is simply too long. Is it an issue throughout country as a whole at the minute? Do none of them have producers? I can give four or five tracks that, while not bad by any stretch, I’d have cut to make this an easier, more concise listen. There are maybe 11 tracks on this that are phenomenal, and the rest seem too much as a result. 8.5/10, but it would have gotten a 9 if it was a little shorter.

Eat Your Heart Out: Can’t Stay Forever

Some more pop rock now, this time from Geordie Australia. I have to admit it was pretty enjoyable. I know it’s cliche at this point to compare any pop rock/pop punk with a female vocalist to Paramore, but screw you guys, I’mma do it anyway. They’re like a slightly heavier Paramore. They definitely feel like they are bridging the gap between rock and the weird ‘rock’ that is in pop these days. If you like this sort of music, check out tracks like ‘Down’, ‘Heavenly’ and ‘Sour’. 6.5/10

Until I Wake: Inside My Head

The creepy ‘The Sacrifice’ heading into the harsh vocals and huge riffing of ‘Forsaken’ may be one of my favourite album openings of recent times. For a debut album, too, that is one hell of an achievement. Heck, I would even good as far as to argue that ‘Forsaken’ is one of the best metalcore tracks released in the last nearly decade. That shit goes hard.

It is because of that track that I was surprised and a tad disappointed with the rest of the album. It’s still good, don’t get me wrong, but it feels like a different album to the opener entirely. It’s closer to Sempiternal/That’s the Spirit era Bring Me or even Linkin Park than the Norma Jean style metalcore I was expecting. We finally get some heavy stuff again towards the back end of the album like ‘Still Sinking’ and ‘Blue Beam’. Both are great tracks and I just wish more of the album had this sort of energy. Sprinkling a few in around radio-metal tracks is an odd choice and would definitely scare a casual listener checking them out after hearing their lighter stuff.

But still, the rest of the tracks are still good, just not what I was expecting after the opening. The band do both sides of metalcore very well so if you like the genre you’ll find something to enjoy! 7.5/10

Warforged: The Grove / Sundial

Aside for having some of the best album artwork I’ve ever seen, I actually found this the hardest album for me to review this week. While some of the music and riff are great, it’s the very definition of chaos. The vocals don’t help matters either, being very heavy death metal growls. It’s the least accessible album on this list, and that’s actually saying something this week, but I’m sure the band don’t care. There’s a couple of cool moments, like in ‘Hymn of Broken Teeth’, where multiple screams join together and sound awesome. I’d definitely recommend checking that track out out of any of them, it’s probably the best representation of them as a band. But it was even a little to heavy and chaotic for me. If you enjoy this then awesome, I’m sure its fucking fantastic if you like the genre. But it wasn’t for me, so gets a 4/10

Derek Hoke: Electric Mountain

While some of this was a tad too slow for me, tracks like ‘Let Go of my Heart’, ‘Hush Your Mouth’ and ‘Novocaine’ being particular standouts. It takes a very traditional approach to country music which I can definitely appreciate and would probably love a lot more after seeing it live. I don’t really have many more thoughts about this one, it’s a good, atmospheric album that I feel would make a fantastic soundtrack to a moody movie/tv series. It may take me another couple of listens to fully ‘get’ though. 6.5/10

And there we have it guys. We did it! What a crazy weekend, but there are some insanely good albums here. If you enjoyed the article, check out more from our Instagram here.

Plains of Oblivion: Are Blackment the Start of the New Wave of Finnish Heavy Metal?

Blackment, in case you couldn’t guess by the title, are a melodic heavy metal band from Finland. I hadn’t heard of the band before but we got sent the album a week or two ago for review. It comes out today so we thought we’d let you know what we thought!

‘Apparatus’ opens heavy with a great synth behind it, giving the death metal an 80s edge. It then opens up into a fantastic thrash riff, already a highlight. It stays thrashy as the harsh vocals come in for the verse, before it suddenly changes pace into some proggy, jazzy rock. The chorus after is really catchy too thanks to some cleaner power metal vocals ringing through. This really has a bit of everything so far. A ripping, technical guitar solo or three follows the second chorus. It makes me in no way jealous of their talent at all… However surprisingly, the song fades out after this. One the one hand, it’s always fun to not know what’s coming. On the other hand, I feel like another big chorus could have really helped cement this track as a top tier opener.

‘Remnants Astray’ opens on a prog as fuck riff and I’m all for it. The synths are behind it to give it such a huge sound, too. The power metal is back the powerful clean vocals come in over the top of a great, epic riff. It stays heavy and interesting though, two things that I find are my two downfalls when it comes to power metal so this is excellent. The kinda harsh vocals return for the bridge after the second chorus, but they are still rather clean, like a Matt Heafy kind of sound. There’s more absolutely incredible guitar soloing afterwards, so good it would probably make Steve Vai jealous. We then get a final epic chorus to close up. This was utterly fantastic, I loved it. It very easily made our playlist.

‘Clouds’ is a slightly slower but in no way less epic riff. The clean vocals sound even bigger and more powerful here given that the riff is bigger and it’s all backed by some great strings and even some operatic backing. Also, the backing vocals for the chorus make it even catchy and again we get the kind of half-scream on the back of it. It’s still a harsh vocal but most not familiar with scream would probably still be able to understand what is being said. The best of both worlds, so to speak. It feels almost redundant at this point to say there was a good guitar solo in the track, but you’ll never guess what… there was! Another song that I cannot praise enough, this was phenomenal. Playlisted!

If I didn’t feel like a vastly inferior musician before, ‘Composure’ definitely made it clear. This is awesome riff after awesome riff and I love it. The Trivium-style vocals are back in full force for this track too, which is another huge positive for me. It honestly feels like ‘Ascendency’, which for anyone who knows that album is very high praise. Again there is nothing but praise I can give for this track. The third in a row to make the playlist. This album better chill out or I’mma get in trouble for it all making it to our Spotify!

The most recent single, ‘Northern Lights’, starts folky as hell. To carry on the feeling, a modern day Maiden riff comes in over the top of it all, sounding great. This whole track in fact is like a heavier Iron Maiden song, it’s great! The same could be said for the following track, ‘Grasp of Hel’, too. Both are great songs that somehow sound like power metal, NOWBH while also sounding modern and following the bands sound. You definitely know it’s Blackment when hearing the tracks.

Check another metal review here.

The title track brings the heaviness and progginess back with a huge but fantastically technical couple of riffs. Even when the guitars are doing stuff like this, the band add synths and strings and stuff to really pack out the sound. It makes it all sound huge. The pre and chorus are massively catchy too even as the vocal melody jumps all over the place. It’s so interesting and I couldn’t stop listening to it, skipping it back a couple of times at least. Some more awesome guitar soloing and even a jazzy as fuck bassline round out this AWESOME track. Playlisted, it’s amazing.

‘Desolation Fields’ brings back the blackened death metal for a slow intro that builds into a hugely heavy track. The heaviness continues through the final two tracks too, single ‘Maw of the Dread’ and album closer ‘The Ruins’. However, the band also blend it masterfully with their epic power metal side. All three tracks are fantastic and the latter is a great closer. In a time where most bands seem to follow the weird trend of putting the lightest track last, I’m glad this was still pretty heavy. Three great tracks that I’d just gush over the same points for if I didn’t clump them together. Great stuff!

Overall: this was MUCH better than I was expecting. Granted, I went into it with zero expectations, but they blew the roof off my mind. Everyone involved with this is a master of their craft, be it guitars, vocals, songwriting, even production, it’s all top notch. I’ve already listened to this a few times and I don’t think I’ll be stopping any time soon!

The Score: 9/10

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