The return album from NOWCR pioneers Mason Hill drops tomorrow, and has a hell of a lot of buzz around it! Being just their second studio LP, it has even more pressure on it coming a full five years after their huge debut. However, the singles so far have been excellent, and being a fan since they broke out I am extremely excited to be diving deep into this to tell you just how excellent it is. Without further ado, let’s do this!
The album starts off in a huge way with ‘Burn it Down’. A grandiose opening gives way to a huge, boot stompin’ riff, running excellently through the verses. Speaking of the verses, new vocalist Thomas Ward kills it from the jump, his voice effortlessly both melodic and having some great grit to it. It all builds to a massive, arena-filling chorus, exactly how the band are known for these days. And the track is heavy too, in the best way! It reminds me of when Kris Barras took a heavier turn post COVID, but done in the most Mason Hill way possible. And it helps that the production is truly top notch, everything feeling and sounding MASSIVE. Hell, we even build to a pretty ch0nky breakdown in the middle, fitting the vibes of the track perfectly, and followed excellently by a fantastic, blistering guitar solo. This is an amazing track, an early highlight, and the perfect way to open an album like this!
The heavy, bouncy vibes continue on single ‘Twisted’. Another amazing, Alter Bridge-like riff sets a steady pace, and means the verse stays pretty metal-adjacent. The vocals through it are catchy enough as they are, the melodies reminding me a little of their Scottish brethren in Anchor Lane, but the chorus is absolutely HUGE, the backing and harmonies adding even more weight to it all. It almost has a Fear Factory tinge to it in the best way; that kind of technical industrial metal fits surprisingly well with their hard rock routes. Another comparison (a lot, I know) but it is kinda like the early days of Fozzy, the good pre-‘Judas’ days. The bridge is again pretty heavy, but bridges the gap between the choruses perfectly. Overall, it’s another excellent song, and was a fantastic choice for a single!
Another single, ‘Hurricane’, slows up the pace a touch. It’s still heavy, but has a bit of a pop metal edge to it, almost like a Bad Omens/Architects-esque sound. It’s the perfect change of pace at this point on the album, and is another excellent song in its own right. Ward gets a chance to really shine vocally and show off his impressive range, but everyone else kills it just as much throughout the track. The chorus is awesome, but almost every vocal line and melody is catchy in its own way. We also get one of my favourite guitar solos on the album tucked away in the middle. The structure and composition is pretty standard, but serves the single formula perfectly and is so well done. It’s a real different sound compared to a lot of their peers in the NWOCR scene, but it will certainly serve them well and surely push them to new heights!
The heaviness picks back up for another excellent single, ‘Tainted Wings’. The chorus is most likely the high point, with the ‘oh’’s being instantly memorable and are bound to be a big fan favourite in a live setting! However, the rest of the track is good too, a mid-tempo, melodic hard rock track, reminiscent of the 2000’s US radio rock scene. It feels like maybe the most formulaic single on the album, but that is hardly a bad thing. It’s an excellent track in its own right, and is right up my street in terms of sound. The band are four for four so far on great songs!
‘Stay for a Little While’ is the ballad track of the album, and fits rather excellently in the middle! It’s once again a fantastic vocal performance from Thomas, and the entire arrangement and production of the track is awesome! It’s brimming with emotion in the lyrics, delivery and tone, and breaks up the heavier tracks on the release excellently. I’m honestly shocked it wasn’t a single itself, but is certainly another high point on the album, that’s for sure!
‘Resonate’ has the best riff on the album to open, keeping the energy high with their now trademark heaviness from this release. I love how much it drops back for the verse too, almost having some post-grunge vibes to it, and the vocal delivery over the top is excellent. It explodes into heaviness with the pre, some amazing harsher vocals making it sound MASSIVE. Then we have the trademark massive chorus, just as good as any other on the album. It gives off big early Chevelle vibes, and I’m a little obsessed! Hell, the bridge is simple but fits the song perfectly and is equally awesome. It’s potentially my favourite track on the record, and a song I’d recommend to anyone! Easily one that makes the playlist!
Tracks like ‘Without You’, ‘Silence’ and ‘Oxygen’ are more awesome tracks. Despite being later on in the release, you’d be foolish for looking at them as “album tracks”. All three are amazing and fit in with the rest of the songs perfectly. The latter two remind me more of their debut album than a lot of this, which certainly isn’t a bad thing. Meanwhile, the former is another massive highlight on an album honestly chocked full of them! They all have a bit of a similar vibe and feel to them, which is why I’ve grouped them together a little, but it doesn’t mean any of them are even slightly bad. From the riffing to the vocals to the solid drums, it’s all incredible. I cannot get over how good this album is!
The last single from the album, ‘Remember’, again has a post-grunge/proggy, Chevelle feel to it, and was a really interesting, fantastic choice for a pre-release. The vocals are the high point of the track but honestly, everyone is killing it throughout. It again has a bit of a modern edge to the vocal delivery, almost giving Skynd in the best and most surprising way possible. It also leads surprisingly perfectly into the epic closing track, ‘Drag the Chains’. The slower, delicate opening minute gives way to a stomping, heavy, awesome riff before soon dropping back again. It gives off slight Sleep Token vibes surprisingly, but definitely the good side of said band! The levels of the track, between the multi-layers of vocals to the keys to the rock instrumentation, it all feels so massive. Everything about it is amazing and fits together so well. And, my gosh does it all make it a truely excellent way to close out the album! To the surprise of no one, it’s yet another massive highlight!
Overall: I absolutely loved this. As someone who enjoyed their debut, this somehow tops that, as the band take another huge step forward in terms of songwriting and production. Every track is amazing, with some being easily up there alongside the very best the band have produced. And, it all fits together perfectly, the whole album going by in a flash! I cannot recommend this release enough to absolutely anyone, regardless of what style you are into, it really is that good. Don’t be surprised to see it high up on our albums of the year list come December!
The debut album from the Irish country breakout star comes just a year after his two huge first EPs. We’ve had the pleasure of watching him grow in a big way the last couple of years, from one of his first shows with a full bandto both EPs, so we have been excited for this one since it was announced. And, what’s even more exciting, our recent new edition Jade is writing most of this one. Let’s dive in!
The album opens strong with ‘One The Got Away’. The power of this man’s vocals will forever absolutely blow me away. Even when he’s fully belting it just sounds so effortless and you can really feel every single emotion in his voice. The instrumentation compliments it beautifully, too. It’s a beautiful way to open the album and is a fantastic early high point!
‘Keep Myself From Dreamin” is just giving big; more of a stadium country vibe. It’s catchy and a bit more upbeat than the first track. I really love how he reels in the vocals and makes them a bit softer and isolated in the bridge before going into the final chorus. I can see this song getting huge!
This next track, ‘1000 Lifetimes’, took my breath away. Starting stripped-back and slowly building and then getting hit with such powerful vocals and absolutely beautiful lyrics gave me goosebumps. The control he has over his voice is just incredible. And again you can really feel the lyrics; there is so much emotion. This is gonna be the first dance song for so many weddings!
‘Changing My Mind’, although still a very beautiful love song, has less of a ballad vibe. The drums give it more of that upbeat, kind of bouncy feel, which is definitely needed after the last track. I am really enjoying how the pace of each track has been different so far. This is again shown in the next track, ‘Everything I Love’. The use of instruments in the intro is unlike what’s already been done. Then this one is giving a slight Bro Country vibe. And I mean that in the sense of listing different country things, except it’s a bit less cringe. It still gives a soulful vibe which I have come to expect from Gareth from his previous releases of the last year or two!
If you want to listen to one song to really hear the versatility in Gareth’s vocals, from the power, control and just the notes this man can hit, then ‘Don’t Say’ is the one to check out. It really has it all! You can feel ever ounce of emotion behind his vocals, and his delivery is truly stellar. Another easy highlight, and one that makes our playlist!
This next track, ‘Mother’s Eyes’, brings it back to his Irish roots whilst also keeping the country style. The Irish instrumentals really go hand in hand with this style of country, and the song is absolutely beautiful. And of course it’s made even more emotional with a voicemail from his mum just before this track starts. It was a fantastic touch that adds even more depth and creativity to not just the song, but the album as a whole.
After all of the love we then get hit with a bit more stripped back breakup song in ‘High on Love’. I can only describe it as almost acoustic; it builds to having more of an instrumental backing, but it’s not too heavy and this track is definitely made for the vocals to be center stage. It serves the purpose of giving the track a little bit of texture. But he could just sing this with an acoustic guitar and it would be just as powerful! Clearly we need an acoustic version of the song as a bonus track down the line!
We get quite the contrast with ‘Nights I Can’t Get Back’, which has a much bigger band backing, going back to the much bigger stadium country feel. Don’t get me wrong, he still sounds absolutely incredible, but I almost feel like he just doesn’t need it after having listened to more stripped-back tracks. It’ll be an incredible song live, but it just doesn’t feel quite as intimate as some of the other tracks and the emotion is maybe a tiny bit washed out. Though it could just be down to where this track has been placed on the album; we’ve been hit so hard from the start already!
Yet, just 30 seconds into ‘If You Want Me Too’, and that’s kind of set my opinion of the last track. This one goes back to the softer strings and gentler band backing. It just feels so much more emotional and that’s just something that draws me into Gareth. He’s definitely an artist that almost just needs his vocals to be framed rather than have a heavy support from a band. He could switch from having a full band to acoustic and the power and emotions is still very much present. You’ll get what I mean when you listen to any of these tracks. ‘Try’ is another great example of what I’m talking about. The vocals in this track are just incredible and you get those isolated vocals which just give you instant goose bumps.
The album ends on the more piano-led ‘Happy for You’. It’s another style which works so well with his voice! It’s a great choice to end the album, giving quite an epic moment to close everything out on. Another highlight on an album packed full of them!
Overall: I must say I really am in love with this album. I had pretty high expectations for it, especially after having seen Gareth live twice already. I wasn’t disappointed. The songs are a bit more on the slower side of country music, which I expected. Yet it almost felt like listening to a full story. The album starts with being in love and ends in heartbreak. Other than (in my opinion) the bizarre placing of ‘Nights I Can’t Get Back’ the album as a whole had a really nice flow and I really would recommend listening to it in full. I will most definitely be catching this on tour, I just know it’ll be amazing!
The usually stacked week of new music for us to check out, from metal to country to rock! Let’s get right into it!
The All-American Rejects: Sandbox
Somehow this is only the fifth album from the alt/pop rockers, and their first since 2012’s Kids in the Street. A lot has changed in 14 years, both in the music industry and in the band itself. Heck, the world experienced Humpadoo since their last release! So, to say there’s been a fair bit of hype around this release may be an understatement. I’m a fan of the band and have been since my childhood, so I’ve certainly been excited about the prospect of new music from them, even if the singles have been slightly hit or miss…
The album as a whole is reflected rather perfectly by the singles. None is bad, per-say, but there definitely tracks that I love and ones that I am not as into. Singles like ‘King Kong’ and the title track are great, as are songs like ‘Eggshell Tap Dancer’ and ‘Staring Back at Me’ are also big highlights. However, there are a few that, while good, I can take or leave, personally. The songwriting and style has matured (of course, Tyson and co aren’t in their 20s any more), getting a little darker, more indie and more introspective. It’s at least interesting to hear this side of the band, while there’s enough of their older sound to keep their OG fans interested. I feel like as an album it may take more than a couple of listens to get into fully, and it may grow on me even more in that time. However, for now, I had a good time with it, and it gets a solid 7/10
Periphery: A Pale White Dot
Following up 2023’s critically acclaimed V, the djent masters followed it up on Friday with, you guessed it, their eighth studio album (go figure). It’s more of exactly what you’d expect from the band; heaviness, plenty of catchy melody, crazy arrangements and technicality off the charts. They very much keep their title of ‘your favourite metal bands favourite metal band’, at least from a playing perspective. Heck, their OG fans, the ones Miss Sabrina Carpenter sings about, hate it, so that should be enough of a glowing recommendation as is! They cover just about every base of their song across a brief-for-them 47 minutes, and it’s hard not to be blown away by it! Tracks like ‘Talk’, ‘Heaven on High’ and ‘Everyone Dies Alone’ are all personal highlights. However, the whole album has a great flow to it, going by surprisingly quickly.
It still blows my mind that the band aren’t bigger, even with them being quite a niche sound. However, this is honestly up there alongside their best stuff, in this writers humble opinion, and could easily push them up to another level. If you are a fan of the band, or the genre they all-but created, do yourselves a favour and check this out ASAP! It’s clear the impact they’ve had on the genre, with a lot of bands taking inspiration from them, but no one does it quite like Periphery. It’s a step above Djent is Not a Genre for me, and will certainly be in my regular rotation for the next few weeks. I can’t give it any less than 8.5/10!
Robin Beck: Living Proof
The first new album from the AOR singer in nearly a decade, and it’s yet another banger! The title track/opener is the perfect introduction, while songs like ‘Karma’ and the catchy-as-anything ‘Na Na Na’ are other big highlights. The whole album is great though, being solid all the way through and going by in a flash. It’s insane that a woman in her 70s still has this powerful and amazing a voice, and the songwriting around it is just as excellent. It’s insane to me that she wasn’t a bigger name in the US or the UK back in the day, as she’s always put out bangers. However, I’d put this up there alongside any of her previous stuff, so hopefully this will finally be the album to push her to that top level. I’ll be spinning this release plenty moving forward, and would recommend it to anyone into the softer, anthemic side of rock, get this in your ears immediately! A damn solid 8/10 from us!
49 Winchester: Change of Plans
We’ve already checked out this awesome album! Read the full review here.
Pro-Pain: STONE COLD ANGER
I’m sorry, but this is fucking EXCELLENT. The first new studio release from the hardcore thrashers in over a decade, and the quartet show that they have not lost even a fraction of a step in that time. The guys are PISSED, and it makes for a raw, angry and fantastically written record. The opener sets the tone excellently, and it’s almost impossible to pick highlights as every song is as good as the last! The only slight weak-link for me is ‘UNCLE SAM WANTS YOU!’, as it leans more into the punk/hard rock territory with the riffing, but it does have some of the best lyrics on the release. How they aren’t at the top of the heavy world I’ll never know, as they’ve always had an incredibly solid back catalogue. Maybe them returning after some time away from the studio will finally get them more of the recognition they very much deserve! All four of them are so incredibly talented, from the riffing to the drumming, vocals to the lyrics to the arrangement. It’s nestled perfectly between Hatebreed, Machine Head and American Headcharge, and I loved every second! I’m so glad they’re back, and I can’t give it any less than 9.5/10. Check this out immediately!
The Karma Effect: Cruel Intentions
Album three from the NWOCR stalwarts honestly may be their best yet! They take inspiration from the early originators of the scene, as well as the expected 70s and 80s influences, and build it all into something uniquely their own. From the opener to ‘Raised on Rock N Roll’, ‘Bad Manners’ to ‘Waiting on a Miracle’ to the closer, the release is packed full of incredible songs. The whole thing has not only a driving stomp and swagger to it, but a sense of urgency to it. It feels like the band have a chip on their shoulder, something to prove, and it makes for fantastic listening. They seem as cohesive as ever, with every band member working their asses off and getting plenty of time to shine. They have already been fast-rising, but this release will surely push them to even greater heights! An incredibly easy 9/10 from us!
Russel Jamie Johnson: Self-Titled
This is a damn good debut album! Nestled somewhere between blues, soft rock, indie and soul, it’s a sound that feels like it’s made a big comeback in recent years, and I am all here for it! His vocals are good and his lyrics are fantastic, both combining together to create a fun, emotion-filled listen throughout. Tracks like ‘Who We Used to Be’, ‘Come for a Drive’ and the closer are all excellent and personal highlights. However, while none of the tracks are bad, I do think even at it’s short-ish runtime, it does drag just a touch in the middle. A lot of the songs sound similar in terms of style and pacing, so while all are great in their own right, I think I’d take them as individual tracks over an album as a whole, on occasion. Though, when it’s all so well written, it’s a rather small complaint, really! If you’re into any of the genres I’ve mentioned, this is well worth a listen, and I’ll certainly give it another try at a full-listen soon; it very well grow on me even more! However, until then, this gets a solid 7/10
Acid Reign: Daze of the Week
I’m being treated, I never get two thrashy albums in the same week any more! It’s been a little while again, with their last studio work, The Age of Entitlement, coming out back in 2019. However, it’s another stellar thrash album! From the title track to ‘Alonely’ to single ‘Sorrowsworn’, there’s some truly awesome stuff on here. Heck, there really isn’t a bad song throughout. If you’re a fan of the genre I’d definitely recommend checking this out, it’s a good classic throwback release to its 80s/90s heyday. The band are all damn talented musicians and songwriters, and have crafted one of their strongest releases to date with this. I’ll definitely be spinning this again in the weeks and months to come, and it gets a very solid 8/10 from us!
CASANDRA: ISLA TRANQUILITA
The follow-up to her 2025 self-titled album, this brief EP is a great, chilled-out slice of alt-pop. While not typically my sort of thing, I found myself enjoying it a lot! Her lyrics and delivery are phenomenal, being a tribute to her late great aunt, and it all juxtaposes well with the lighter, bright instrumentation. The opener and ‘SOLUTION’ are personal favourites, but the whole EP is so well put together and goes by in a flash. If you’re at all interested, I’d definitely recommend giving it a spin, you might be surprised like I was! A rather easy 7.5/10 from me!
Best Band: The People’s Club
The energy and vibe put forth by the band name very excellently reflects the style of this album. It’s a chilled out, fun and silly 41 minutes of punk, and I’m all here for it! Heck, even the artwork perfectly fits the tone of everything; the MS Paint-style of all of their albums is honestly incredible. Musically, it won’t be for everyone, but I actually had a blast listening to this, the band have a new fan in me! It feels a little Mighty Boosh in the best way possible. From ‘Bog House’ to ‘Head Full of Juice’ to ‘Another Decay’, there’s some definite highlights, too. And, while none of it is bad, it does drag a little towards the end, with it all being pretty similar in vibe and pace. Still, as I said, it’s a good fun listen, and worth giving a try if you’re into a more old-school punk vibe. 6.5/10
Braxton Keith: Real Damn Deal
Somehow this is the debut album from one of the biggest rising stars in country today. I have to admit I’d seen the name around a fair bit but had never had the chance to check him out, so always figured he’d been around longer than he has been. It’s easy to hear why he’s such a fast success, though! This is a fantastic traditional country album! Right from the opener I was hooked, and wasn’t let go for a solid nearly hour. Songs like ‘I Dreamed You Dreamed of Me’, ‘Little Bit by Little Bit’ and ‘Prescription’ are all big other highlights, but there really isn’t a bad song throughout. Don’t get me wrong, it’s a touch long, and certainly lulls a little at times due to its generally slower pace. However, each track on its own is excellent, and the top songs are truly excellent. If you’re a fan of an old-school country sound akin to Zach Top or Riley Green, this is an absolute must of an album for you! I’ll be spinning at least a good chunk of it again pretty regularly, and give this a pretty solid 8/10
Shakey Graves: Fondness, Etc.
Album five from the Americana artist is a beautiful, bittersweet release. It’s a chilled-out, stripped-back affair, especially compared to a lot of stuff on this list, but I couldn’t help but fall in love with it from the very first track. It feels dark yet somehow also uplifting and relaxed in equal measure, and really feels like a vibe that only Shakey can do. Songs like ‘When the Love is New’, ‘The Boilermaker’ and the closer are all fantastic and big personal highlights. However, the whole album just has such an excellent flow to it, even having a couple of instrumentals across its short, nine-track run. It’s the kinda thing to throw on and just sit back and relax to, or you can really dive into the incredible lyrics and get lost in them, too. No matter how you consume the album, it’s a great release into the indie-Americana world. I can’t wait to see him live later this year, and will certainly be listening to this plenty in the run up to that. I can’t give it any less than 7.5/10, and it’ll probably grow on me more with more listens!
Frozen Sand: Fractals: A Light Among Shadows
Album two from the prog metallers follows up on their debut that dropped nearly a decade ago. Continuing on the Fractals monicker and theme though, it very much feels like the perfect continuation. It’s also nearly an hour of brilliant technical playing, heaviness and some damn catchy, melodic vocal lines. In other words, the perfect prog metal release! Also, it’s another album that is absolutely stacked from front-to-back, there not being a bad song throughout and it begging to be listened to in full. However, ‘Fracture’ itself is absolutely amazing, being one of my favourite metal tracks of the year so far, honestly. The band are so darn talented and if this album doesn’t push them to many more ears globally, that’s actually a crime. It’s a pretty ballsy move to put out a prog metal album the same day as Periphery does, but honestly I think these guys do it even better! The riffing is utterly phenomenal, and everything from the drums to the screams to the powerful cleans all compliment it so well! This thing is amazing, and gets an easy 9/10 from us!
Toria and the Terror: The Operating Table
This trio of fuzzy horror-punk tracks is a great collection that immediately leaves me wanting more! I absolutely love that it’s a style that is coming back in a big way the last couple of years, especially with female vocals, immediately reminding me of The Darts. This is definitely up there alongside that album in terms of quality, all three tracks being as good as the last, and having just such a campy, cool energy to them. And, between the vocals, the instrumentation and the arrangement, it’s all so good, and all fits together to make the perfect horror vibe. In case you couldn’t tell, I loved this! The band have a big new fan in me, and I’ll be listening to them a lot moving forward! I can’t give it any less than 8.5/10, great stuff! Now I just need a full album…
Another stacked week of New Music Mondays for us to check out; a bit of everything across the rock, metal and country world. Let’s dive right in!
Skindred: You Got This
The Welsh dub-metal titans returned with their ninth studio album this last weekend. As massive fans for years now, we loved Smile, and it’s going to be hard to follow up.
To be brutally honest, I don’t think it does quite reach the heights of Smile. However, it’s still a very good album! We’ve already gushed over the opener plenty, while tracks like single ‘This is the Sound’, ‘Big Em Up’ and ‘My People’ are also excellent. Plus, the acoustic-reggae ‘Broke’ is a fantastic track, as well as being horribly relatable, and breaking up the album in the middle perfectly. However, the other half of the album doesn’t stand out as much. They’re all good, don’t get me wrong, but it feels like a few album tracks over Smile’s banger-after-banger. The band have always been a bit more of a singles/live based band, and this still fits perfectly into their discography. I prefer it to Big Tings and Volume still, and I do think as a whole it could grow on me more with subsequent listens. If you are a fan of the band, I would recommend checking this out ASAP, and I can’t give it any less than 8.5/10. I just need to see it all live, now!
Wage War: IT CALLS ME BY NAME
Max: Once again an EP, it was a very fun venture. It is raw and intense and doesn’t give an inch. It starts off with lots of energy that is just pounding your senses the entire time and it doesn’t get lighter from there. With the energy staying all the way to purify which is just nasty, really it was a great ending. I also want to highlight Karma as a track to listen to, whilst I wont spoil it, it has some fun sounds and elements that show the depth that this band really has. Honestly I don’t have a bad this to say. Really just go listen to it now. 10/10
They Might Be Giants: The World is to Dig
Following up their January EPalmost immediately, the alt/art rockers’ 19th mainline album is certainly their typcial brand of quirkiness. Opening a little weirdly, ‘Wu-Tang’ is their fantastic, expected surf/rock’n’roll revival sound. Then you have songs like ‘Je N’en Ai Pas’, the funky ‘Get Down’, ‘Character Flaw’ and ‘In the Dead Mall’ that are all big personal highlights. Some of it is a bit too odd for me, but there is enough here that I loved and had a good time with, and it’s a surprisingly easy album to listen to in full given it’s length. If you are a fan of the duo and their particular brand of noise, this is well worth checking out. They are one of the few bands that haven’t needed to evolve their sound, even decades later, as they’re so quirky and varied it just works still. Honestly, I think I enjoyed it more than their last album (five years ago, damn I’m getting old) so it gets a solid 8/10 from me!
From Ashes to New: Reflections
Album five from the US alt metallers is another fantastic addiction to their discography! I remember loving Blackout when it dropped, and this very much continues to build on everything great about that release. ‘Drag Me’ is the perfect opener, setting the tone of the release fantastically. Then you have tracks like ‘Black Hearts’, ‘(Not) Psycho’ and ‘Darkside’ that are also massive highlights. There’s maybe a few too many slower, ballad-like tracks, especially early on, it feeling almost like I was listening to Bad Omens more than FATN. However, that will surely get them more listeners, so I definitely get why they’ve leant that way! It’s still a good album with enough heaviness and nu-metal vibes to keep me entertained for the most part. If you are a fan of the band or of any of the genres I’ve mentioned prior, this is well worth giving a spin. I’ll certainly be listening again, that’s for sure! Another easy 8.5/10 for the band from us!
Two Ways Home: Patience to Play
We’ve already covered this awesome album! Check out the full review here.
Kill the Silence: Resolve
This EP nestles itself perfectly between modern metalcore and early 2010s post-hardcore. It’s fucking awesome! While some would argue seven tracks is more of an album, but when it’s of this high quality it doesn’t even matter what it is! ‘The Final Word’ and ‘Superficial’ are personal highlights, but there really isn’t a bad track throughout. Heck, the breakdown on ‘Forever’ is one of the best I’ve heard in a very long time! The band are so incredibly talented at both songwriting and their chosen instruments, and there is no way they aren’t going to be a big name in the scene sooner rather than later! And, for their first EP in nearly seven years, it is absolutely phenomenal! I can’t give it any less than 9/10!
Nekrogoblikon: The Boiling Sea
Max: Now whilst this is more of an EP as it is an album, it is worth taking a look at. It is decent-ish but you have to be ready to get in to this with the weirdness if you have never listened to them before. The five tracks were good, and there is definitely something in here but to be honest this album/ep it just a bit middle of the road. The five new tracks are certainly alright, but for me a couple of the tracks didn’t really land, namely ‘Fiend’. The five live tracks also didn’t really do anything for me and to be honest I didn’t really enjoy the mixing too much. 6/10
P.S. it is, at least, phenomenal artwork!
Ryan O’Reilly: Native Companion
The fifth studio album from the UK-born, Berlin-based folk-pop singer (not the Canadian ice hockey player, glad I checked) dropped last week. It’s a beautiful, chilled-out half an hour, and an incredibly easy listen! It combines together a handful of his recent singles, but adds some new stuff into the mix as well. The pop elements give it a late 90s, early 2000s flavour, almost like a Hootie vibe, and it combines with the folk-Americana style fantastically. From the opener to ‘If you Know’ to ‘If This Doesn’t Hurt’, there are some great tracks on it. It is a touch slow at times, especially by the ending few tracks, but it’s still high enough quality that it’s hard not to enjoy it. If you’re into more of the chilled stuff, this is well worth a listen, but it certainly won’t be for everyone. A solid 6.5/10 from us!
LØLØ: god forbid a girl spits out her feelings!
The sophomore album from the fast-rising Canadian emo pop-punk singer-songwriter picks right up where her debut left off! It’s an incredibly modern sound, fitting perfectly alongside modern pop heavyweights like Olivia Rodrigo or Sabrina Carpenter, as well as the likes of Charlotte Sands, Taylor Acorn and Kelsy Karter. It’s fun, filled-with emotion and incredibly well written. It’s chilled out yet vulnerable, being a surprisingly perfectly combination. From ‘me with no shirt on’ to ‘delusional darling’ to ‘American zombie’, there are some damn good tracks on here. My only issue is that it’s all so similar. It’s all at the same sort of low-fi level, never quite hitting that high gear I kept hoping it would. I guess that’s kinda the appeal though, right? But still, 13 similar sounding songs in a row did make me a touch bored by the end. Still, if you like this sort of style, this is definitely an album for you! It’s all high quality, despite the similarity. I won’t be rushing back to listen again, but it’s certainly good, and will at least be spinning a few tracks from it fairly regularly! 7/10
Gypsy Pistoleros: Dark Faerie Tales
Following up Church of the Pisoleros from just last year, this new album is another great entry into their ever-growing discography. The opener/title track is the perfect opener, dark and punky yet still effortlessly catchy. The energy stays high through a lot of it, and songs like the ballady ‘She’s Getting Stranger’, the heavy ‘Behind the Mask’ and the super-fun ‘Prince of the Damned’ are all also massive highlights. It feels pretty short and sweet too, going by in a flash and packed full of great songs. Each chorus is incredible, and the instrumentation more than lives up to them for the most part! I do have to say that I don’t think as am album as a whole it’s quite as good as their last. However, it has maybe some of my favourite tracks from the bands history on it, and the rest is damn solid too. And hell, it may grow on me, because I am definitely giving this thing more spins! It’s easy to see why they are one of the most respected bands in the NWOCR scene, as have got such a consistent, amazing output of new music, this release included! It’s a lot of fun throughout, and is a very easy 8.5/10!
Owen Riegling: In the Feeling
Flowing up on his debut album from 2024, the rising country/indie-Americana star once again knocks it out of the park here! Giving off vibes of everything from Kip Mooreto Wells Ferrari to even Kings of Leon, it’s a fantastic sound that perfectly blends the old and new. ‘Phone Call From Home’ sets the tone of the album perfectly, and is followed up perfectly by ‘Rest of My’. Then you have tracks like ‘Same Blood’, the southern rock ‘Going Missing’ and ‘Last Thing on my Mind’ that are also huge highlights. However, there really isn’t a bad song on the release, and it has an excellent flow to it. It gives off vibes of both Koe Wetzel and Tyler Nance, and it’s clear to see just how bright the future of this sort of music is!
He has a big new fan in me, especially with how much I am getting into this style of music in the last couple of years. It’s got everything from catchy, anthemic parts to plenty of emotion, stripped-back instrumentation and more rock-based stuff. If you like any of the genres I’ve mentioned, I honestly cannot recommend this album enough. I’ll be spinning this again plenty moving forward, and I can’t give it any less than 9/10! The only thing that dropped it a touch was the slower pace/lower energy of the last few songs; a different arrangement may have pushed it even higher!
Last Ten Seconds of Life: The Dead Ones
Max: This was a very solid album, the grooves throughout were honestly great and every tack really flowed which made for not only very easy listening, but also made the tracks connect nicely. I think you can potentially find issue with there, as it was definetly a little too blurry at points but I personally think that this is just splitting hairs. I think that there is most certainly ways that they can continue to improve their craft but as for this album I think it is really quite good and a most listen overall. 8.5/10
Death Warmed Up: Wildcard
The debut album from the UK hard/sleaze rock-metal revivalers is a fun 40 minute jaunt of stomping riffs, soaring vocals and some catchy melodies. There is no denying the bands’ talent, all five of them killing it from the very first note to the very last. They also very much wear their inspirations on their sleeves, this feeling ripped right from the 80s. Honestly, that’s both a good and a bad thing. It’s a great sound, and the band do it to perfection, but it also doesn’t exactly bring anything new to the table that hasn’t been done hundreds of times before. Tracks like ‘Inside my Mind’, ‘Roulette’ and the bands namesake are all great, and the album as a whole certainly isn’t bad. But the Geoff Tate vocals did grate on me a bit by the end, and I simply think that in the current resurgence of new bands doing the 80s stuff, there are a few out there that do it a little more interestingly, in this writers opinion. It’s still well worth checking out if you are into the style, and still gets a solid 7.5/10 from us!
The Devin Cuddy Band: Livin’ Hard Ain’t Easy
The third album from the Toronto-based, country-ish singer-songwriter is a fantastically fun, chilled out affair! It’s an old-school sound, skirting the lines between classic country, soul, Americana, bluegrass and even just a splash of a general alt vibe. Tracks like ‘Two Hosers’, ‘Prairie Wind’ and ‘Greasy Maggie’ are all personal highlights, though every track is pretty great. It’s all rather relaxed and easy to listen to, 33 minutes going by in a flash. However it is also packed full of emotion perfectly when needed! It’s certainly not an album for everyone, but I had a good time listening and will definitely be revisiting again! Check this out if you are interested, and it gets a solid 7/10 from us!
The gypsy punk pioneers are back with their 10th studio album that dropped just today! Being their first release since 2022, as well as myself being a big fan of the band and style in general, meant there was no way I wasn’t giving this my full attention. I’ve been hyped for it for a while, and the singles so far have been great! Without further ado, let’s dive in!
The title track opens things up fantastically, an almost tribal chant leading a surprisingly heavy riff. The fiddle still adds plenty of folk elements to it, though the production is massive and the futuristic voice hints at something bigger. The verse is great and the chorus, while simple, is infectiously catchy and will go down a storm live with the call-and-response vocals. Speaking of the vocals, the lyrics are fantastic, calling out the current climate of the world in perfect punk fashion. And, instrumentally, everyone is working their ass off, crafting something perfectly chaotic and punky and folky and heavy all in the best ways. This is ‘gypsy punk’ at its very finest, and an excellent way to open the album!
The pace slows a little with ‘Life is Possible Again’, having a slight post-punk/industrial feel with the heavy emphasis on drums. The backing vocals are a big highlight of the track, making so much of it feel massive and so very catchy. It definitely has more of a pop-vibe to it than the heavier previous track, but both feel distinctly Gogol Bordello; doing their own thing in a way only they can. I love that they really let the instruments do the talking too, everyone getting a chance to shine throughout each track. Another incredible song, and a big early high point!
‘No Time for Idiots’ keeps the steadier pace of the last track but definitely ups the punk and the folk vibes. The whole track seems to build up to and around that incredible chorus, clearly written to be played to huge crowds around the world. It again feels more radio-friendly a track, maybe because it just made me want to dance throughout! It’s a simple track but a damn fun one, and one I am desperate to see live!
Single and ridiculously titled ‘Hater Liquidator’ feels very Gogol, and I mean that as the uttermost of compliments! It almost has a halloween-esque feeling with the opening riff, immediately setting things off in a quirky direction. Then we get the fun, polka verse and the pure punk chorus, some ‘la’s over the top of the melody after for good measure. And once again, the backing vocals putting emphasis on a few lines in the verses, as well as jumping in in the choruses, make it all feel massive, really feeling like the big gang of a band it is. It drops down for a great little bridge, only making the chorus feel even bigger when it builds back up to it. It’s an incredibly fun song and it’s easy to see why it was picked as a single. It’s one that easily makes our playlist!
‘Boiling Point’ is one of three tracks on the album to feature a guest. All of them are amazing songs, and completely different, complimenting the features perfectly. ‘Boiling Point’ is a slower, acoustic number, having elements of dark folk as well as the traditional Ukranian sound they do so well. And, Grace Bergere’s vocal harmonies were honestly beautiful throughout it. Meanwhile ‘From Boyarka to Boyaca’ features its guest Puzzled Panther a little more prominently, here getting some awesome solo vocal lines. The pace of the track is a bit up and down, the dynamics being fantastic.
Finally, album closer ‘Solidarity’, is an epic, electronica-infused track, and Bernard Sumner adds so much with his vocals. It’s an incredible track made in… well… solidarity… with Eugene’s home nation, and it’s hard not to feel the emotion with every word. It honestly gave me goosebumps, and how this isn’t an absolutely massive track is beyond me. It felt different to the rest of the album too, though that may have been Nick Launay’s mix. All three are incredible tracks, but yeah, the latter is definitely a huge highlight of the album as a whole, and one I would urge anyone to check out. It also closes the album on suitably grandiose fashion!
Back to the band’s solo stuff, ‘Ignition’ is glorious Europop-infused gypsy punk. It’s yet another damn fun track. Then you have the likes of ‘Mystics’ and ‘State of Shock’ are massive, almost metal-infused songs. The violin is a big focus of both, which was excellent, and almost made the latter feel like a Bond song at times. It also gave vague Biffy vibes; two very different styles, I know! All are great songs in their own right, but also fit in with the theme and vibe of the album pretty perfectly!
The other two tracks on the album, ‘We did Good…’ and ‘Crayons’ are also bangers, honestly. Again, they very much keep up the gypsy punk vibe the band are known for, but both feel different in their own right. And, both are a lot of fun, while also having pretty fantastic, emotion-filled lyrics. While both are more ‘album-tracks’, they are not to be skipped, and definitely help to make this album one to listen to from front to back if and when you get the chance.
Overall: This is an excellent release! Every song is amazing, while some I’d honestly put up there with the bands best. And, as an album as a whole, it matches up alongside Super Taranta! or even Gypsy Punks itself. It’s a lot of fun and blends together every influence the band has into a fantastic melting pot of punk, polka and rock, much like the band themselves. I’ll certainly be spinning this a lot moving forward, and is a must-listen for anyone even slightly interested!
Another week, and some more awesome rock, metal and country release for us to check out!
Buzzcocks: Attitude Adjustment
The punk rock royalty returned with their 11th album this last Friday, their first in four years. It’s fine. For a band that formed a whopping half a century ago now, I at least have a lot of respect and admiration for Steve Diggle for what he’s done for the scene and who he and the rest of the band have influenced over the years. But this was honestly a tough listen. It feels and sounds incredibly outdated, showing that Steve hasn’t evolved at all as a songwriter after all these decades. It’s the same early-punk/power-pop as they were writing in the 70s. I know that will certainly appeal to some people out there, but the rest of the music world has very much left the band behind at this point. There are modern bands writing better stuff in this style, while punk got a lot more interesting after the bands heyday, in this writers humble opinion.
The closest to a highlight track I had was ‘Seeing Daylight’, but honestly I struggled to get hugely further through the release without losing interest. There are certainly going to be fans of this out there, the band are still sat on 600k+ monthly listeners, but I am sadly not one of them outside of a couple of older hits. This did nothing for me, and I can’t give it any more than a 3.5/10. Technically fine, but painfully dull.
Softcult: When a Flower Doesn’t Grow
The debut album from the self-professed riotgaze band is certainly interesting. Once again it’s not my sort of thing, I don’t ‘get’ any shoegaze at all really, but I at least see the appeal of it a bit. It’s not something I’d go out of my way to listen to, but if it came on in the background I’d probably have a good time listening. The band are clearly talented, and there’s some good drumming and riffs at times throughout. I think the vocals are my main issue; having them in that droning style throughout didn’t pull me in, despite some good lyrics. The run of ‘Naive’ through to ‘She Said, He Said’ was the best part of the album for me, but the whole thing is pretty solid overall, an easy 30-minute listen. If you are into a punkier, indie edge to shoegaze, this is definitely a release for you. A solid 6.5/10 from us, and it may grow on me more with more listens.
Francis Rossi: The Accidental
The new solo album from the Quo legend is a fun, if long, release! Opener ‘Much Better’ sets the tone perfectly, and songs like ‘Back on Our Home Ground’, ‘Going Home’, and ‘Beautiful World’ are all big highlights too. However, 14 tracks across nearly an hour, especially when all are a similar vibe and pace, is a lot. I love Quo as much as the next guy and it’s always great to have more songs that so distinctly like them. And when we aren’t getting new Quo any more, I’ll happily take Rossi doing the exact same sound for his solo ventures. So yeah, it’s a damn good rock album, and is a lot of fun to listen to. Very simple and to the point. But it does get a touch repetitive around the halfway mark, let alone by the end. I’d definitely recommend checking this out if you’re a fan of the band, or just into old-school rock music in general. It’s a solid 7.5/10 from us!
Kanonenfieber: Soldatenschicksale
We’ve already checked out this awesome album! Read our full review here.
HANABIE.: HOT TOPIC
The highly anticipated new EP from the Japanese metalcore band combines together a few of their latest amazing singles, alongside two new tracks, to create an awesome 15-minutes of heaviness! ‘ICONIC’ dropped recently and has been a mainstay on my rotation, while ‘Spicy Queen’ has been stuck in my head the last eight months since its release. And older track ‘GIRL’S TALK’ is of course a banger. Then you have ‘…About you’ and the closing track that are every bit as good as the others. The video-game-esque latter is honestly a big highlight of the whole thing from how utterly left field it is. The bands chaotic energy and heaviness is off the charts, yet they still have plenty of melody and catchiness to boot. There is no one out there like HANABIE., and they always make for a fun listen. They clearly don’t take themselves too seriously, which is refreshing these days. If you’re into the wilder side of metalcore, I’d definitely recommend checking this out! 8/10
Emily Scott Robinson: Appalachia
The folk/Americana singer-songwriter returns with her first studio album in nearly five years, and has produced something just as beautiful as ever. It’s 40 minutes of chilled-out, emotion-filled acoustic music, and I loved just getting totally lost and eveloped in it. It’s not tyically my sort of thing, at least not to enjoy this much, but something about Emily’s incredible vocals and lyric writing had me hooked. It’s almost impossible to pick highlights, though all three duet tracks are utterly phenomenal, giving even more depth to her sound. If you are into relaxed Americana-folk, this is certainly a release for you. Not one I’d revisit often, but certainly one I’d happily listen to again! 7.5/10
The Chuck Norris Experiment: Hot Stuff 3
Another in the Swedish punk-infused hard rock band’s collection of b-sides and it goes far harder than it needed to! Their ‘Stairway to the Stars’ cover opens the release perfectly, setting a great tone moving forward. That’s swiftly followed by album highlight ‘Hammersmith Palais’, with other album highlights like ‘The End of the Great Credibility Race’, ‘Habit to Support’ and ‘Electrify Me’ being spread through the album. However, the whole album is a great, fun release, and begs the question how a lot of these tracks haven’t made it onto full releases in the past. It’s impossible not to have a good time listening to this, and the band are so very underrated! If you are at all into the band or just the wider heavy punk genre in general, I’d definitely suggest giving this a listen! I can’t give it any less than 8.5/10. I wish more bands still did this style, and I’m so excited for them coming back to the UK this year!
Danny Dela Cruz: So Long As There Are Stars
The debut solo release of the former Inglorious/Thrxnes guitarist is a real showcase of his sheer phenomenal talent. Five amazing instrumental tracks that show the breadth of his playing skills, and all excellent in their own right. Instrumental stuff is certainly not for everyone, but this is definitely worth checking out if you are even a little bit curious. Clearly inspired by greats like Vai, Sambora and Malmsteen, he firmly plants himself up alongside all of them with this release. ‘Life’ and ‘As the Pages Turn’ are personal highlights, but the whole release is amazing from start to finish. I’ll definitely be throwing this on again in the coming weeks and months, and it gets a very solid 7.5/10 from me. And to put that into perspective, that’s high from me for both an instrumental release and an EP!
Tinsley Ellis: Labor of Love
The blues guitarist followed up 2024’s Naked Truth excellently with this stripped-back release. The vast majority of it just Tinsley’s guitar and low, powerful vocals, but he packs so much punch and emotion behind it all that I was hooked throughout. From ‘Long Time’ to ‘The Trouble with Love’, ‘Sweet Ice Tea’ to ‘Too Broke’, there is plenty to love here. However, there isn’t a bad song throughout. Once again, it isn’t a release for everyone, and it does get a touch samey by the end, but Tinsley is such a good songwriter that it’s hard not to still have a good time listening. If you’re an old-school blues fan, check this out ASAP! I’d love to hear him with a bit more of a band behind him at some point, but this is also still great regardless! 7/10
TarLung: Axis Mundi
The Austrian sludge doom trio released their first new album in nearly five years last Friday, and go just as hard as ever with it! This thing is packed full of incredible riffs, solid drumming, heaviness and some amazing growled vocals. And they give everything plenty of room to breathe too, just eight songs spread across the 38-minute runtime. ‘The Valley of Nowhere’, ‘Sea of Drowned Souls’ and the title track are all huge highlights, but every song in this fits and runs together perfectly. The band are so insanely talented, and it’s criminal that they aren’t bigger than they are at this point! If you like your music heavy and sludgy, this is certainly an album you need to be listening to! They have a big new fan in me, and I will certainly be spinning it plenty in the weeks and months to come. A solid 8/10 from us!
Gitika Partington: Twelvefold Number 1-13
Yep, a whopping 13 full-length albums, all in the same day! We had the privilege of chatting to Gitika about the feat last week, and it makes me appreciate these even more than I already do. Each has a slightly different feel to it, though all keep within her vague folk/easy-listening style, and each certainly have highlight tracks. ‘They Dance an Eleven’, ‘Virginia Wolfe’, ‘Own My Shit’ and ‘I’m the Only One Who Knows’ are a handful of the songs that stood out to me. It’s an insane achievement to release this massive a volume of work anyway, but for a good portion of it to be high quality and enjoyable is even better. It’s certainly not my sort of thing normally, but I’m so glad I was sent through the presser for it as I did have a good time listening. If anyone’s at all interested, it’s worth a listen. And, while I probably won’t revisit the project outside of the odd song here and there, I didn’t hate it at all. Gitika should be hugely proud of what she has managed to accomplish here, and in terms of the music itself, I happily give it a solid 6/10, though it would be higher for the sheer balls and confidence in the work she has!
Contrasts: False Idol
The debut EP from the modern alt/metalcore Welsh collective dropped on Friday, and honestly blew me away! It perfectly walks the line between brutal heaviness and huge, arena-filling melodies that few bands can truly pull off well. And, because of that, all four of these tracks are amazing! It’s impossible to pick highlights as all are as good as the last. Even the slower ballad ‘Armageddon’ is awesome, and fits the tone of the release excellently still. These guys already did some great stuff in Upon Those Dying and Giving in to Ghosts, and they are very much continuing that trend here! I can see big things ahead in the bands’ future, and this is a fantastic jumping off point for all of that. I can’t give it any less than 8/10, great stuff!
The first big week of New Music Mondays of the year, join us as we check out some of the awesomest album and EP releases in rock, metal and country!
Alter Bridge: Self-Titled
Following a return to form with 2022’s Pawns & Kings, the band very much continue in that same vein with album number eight. I’ve seen a lot of love from other outlets for this, and while it took a little getting going for me, after a couple of listens I can see why! The first couple of tracks, while perfectly good, didn’t hook me in much. However, the one-two punch of ‘Power Down’ and ‘Trust in Me’ were excellent, and harkened back to the bands early couple of albums in the best ways. From then on out, I was hooked! From Tremoni once again being a riff machine to Myles’ effortlessly incredible vocals to both rhythm guys working their asses off, it’s classic AB at its finest. Songs like the now-obligatory Tremonti one, ‘Tested and Able’, beautiful ballad ‘Hang By a Thread’ and single ‘Playing Aces’ are all massive other highlights. However, after a couple of listens there really isn’t a bad track on the album; it’s an hour of excellent hard rock music that only Alter Bridge can do!
While I don’t think it has the strongest individual tracks from their careers, as an album as a whole it’s incredibly solid, and one I will definitely be revisiting time and time again. Plus, I do think the singles will grow on me even more if/when I see them live. If you are a fan of the band or hard rock in general, this is an absolute must. 9/10
Zach Bryan: With Heaven on Top
Firstly, kudos to Bryan for still releasing ‘Bad News’ after the backlash from half of his fanbase and everything that’s gone on over the last week. The cajones it must have taken is commendable, and it’s stuff that definitely needs to be talked about still!
As for the album itself, I think it’s impossible for me not to love Zach’s music. This was on my most anticipated albums of the yearlist for a reason, and it certainly lives up to a lot of that hype. There are some absolutely fantastic songs on this release. ‘Appetite’, ‘Say Why’, ‘Dry Deserts’, and ‘Always Willin’’ are up there with any of his best tracks, in this writers humble opinion. They are by far the only good tracks here, too. His lyrics are incredible; he’s one of the best storytellers in the game today. The emotion he conveys in his work is truly incredible. And the addition of the strings and brass add so much to the sound, making everything so epic and impactful and somehow adding even more to the emotion.
However, this is a LONG album. The guy never leans and, though this isn’t still as egregious as American Heartbreak, being his second longest album at 78 minutes is still insane. And, there is definitely some slower stuff in here that sounds more like filler. The last four songs are average, and some of the stuff after ‘Bad News’ didn’t do much for me, either. There is an absolutely perfect Country-Americana album in here, just like his last three, but it is bloated and needs some of the fat trimming.
It is unmistakably a fantastic album, don’t get me wrong. While stick not quite as good as his self-titled effort, it’s every bit as great as Great American Bar Scene. There’s a reason he is one of the biggest artists in the world, and his work really does speak for itself over and over again. I just wish he’d let go of a couple of songs so we got a more concise release. So, though I do have critiques on this album, I will still be spinning a lot of it for the rest of the year, and would recommend it to anyone even slightly interested. I can’t give it any less than an incredibly solid 9.5/10
OCT: On Company Time
It’s finally here. I’ve been obsessed with this band for a solid year plus at this point. Every single has been excellent. So to finally have a full album release from this is so damn exciting.
What’s even more exciting is that it’s fucking awesome! And yes, we’ve heard a lot of the songs off it already across the last couple of years, but the new ones are just as good, honestly. ‘Pop! Pop!’ is glorious, pop nonsense, ‘Meat n’ Cheese’ has been teased so much I’m already obsessed, while both ‘Bathhouse Homies’ and ‘Tall Warm Glass of Milk’ are excellent, as expected. Every song is amazing, and this is such a fun 34-minute listen. While the comedy is flawless, they are absolutely phenomenal musicians, vocalists and songwriters on top of that, crafting something truly special with this album. It’s 80s cheese-pop but with some of the catchiest choruses and harmonies that I’m sure I’ll be hearing all year. I am already addicted to this album, and am sure I’ll be spinning it plenty for months to come. If you are in any way curious, I cannot recommend it enough! I’m both shocked and not at all shocked, but this solidly gets the first 10/10 from us of 2026!
UUHAI: Human Herds
We’ve already checked out this awesome album! Read our full review here!
Beyond the Black: Break the Silence
The German symphonic metallers returned with their sixth studio album last Friday. If you know the band or the genre, you’ll know exactly what to expect here. I’ve been a fan of them since 2018’s Heart of a Hurricane, and I loved their self-titled release a couple of years back. While I don’t think this is quite as good as both of those releases, it is still a damn solid metal album. From the opener to the typically-incredible ballad ‘Ravens’ to the LOVEBITES-featuring ‘Can You Hear Me’, there are some amazing tracks on here. Heck, there isn’t a bad song throughout. However, for whatever reason, the album as a whole didn’t catch me the way I expected/hoped it would. Maybe it felt a touch safe? They are as big as they have ever been so are clearly doing something right, and it wasn’t like this wasn’t enjoyable. It’s a damn solid symphonic metal album, and I liked the more electronic elements added into their sound recently, but I wouldn’t quite put it up there with the two previously mentioned albums. For that, it gets a still-solid 8/10 from us!
Coleman Jennings: Ride On
An awesome sophomore EP from the old-school country artist. From the lyrics to the emotion-filled vocal delivery, it was very quick and easy for me to get hooked. The title track opens things up perfectly, while ‘Marinaville’ is another bop. At just 17-minutes long, it is short and sweet and none of it is bad. It’s not going to be for everyone, but I really enjoyed it, and would recommend it to anyone even slightly into an older-school country sound. I’d love to hear a longer form release from Coleman, but the fact that he’s getting this big already says it all! 7.5/10
Nanowar of Steel: The Genghis Khan EP to End All Genghis Khan EPs
We’ve also checked out this amazing EP! Review here.
Bullet: Kickstarter
The seventh album from the hard/sleaze rockers is a lot of fun, and a great thing to turn on and just rock out to. It’s very AC/DC and the genre of bands that spawned from being heavily inspired by them, so if you’re into that you’ll love this, too! From the title track to ‘Open Fire’, ‘Avenger’ to ‘Strike At Night’, it’s all damn good. It’s 40 minutes of balls-to-the-wall rock that knows exactly what it is. It certainly doesn’t reinvent the wheel, but as far as bands like this go, these are up there with some of the front runners with albums like this. I wouldn’t revisit it a lot, but I certainly wouldn’t turn it off if it came on again; it’s an incredibly easy listen. I’m sure a lot will love this, and while I still had a good time, I feel like a 7/10 is pretty fitting!
Krushor: Taste of Hatred
The debut EP from the thrash-death metallers is 13-minutes of sheer aggression, and I fucking love it! Four amazing tracks packed full of amazing riffing, drumming and harsh vocals, what’s not to love? All four tracks are as good as each other, and for a debut release it shows that the sky is very much the limit for the Finnish quintet. The band are all incredibly talented, and all have a time to shine throughout. If you are at all into the heavier side of metal, I cannot recommend this release enough! It gets a very solid 8/10 from me!
Orchid Throne: Buried in Black
This is an absolutely awesome prog-metal release! It incorporates everything from doom to death to alt to folk, and does it all masterfully. It’s hard to even find a band to compare it to; maybe all the eras of Opeth rolled into one, but even tat doesn’t quite do it justice. It’s dark and epic and everyone works their asses off throughout, all being at the top of their craft. Heck, I’d have been happy to have just taken the epic opener ‘Dreamworld’, but we still got six excellent tracks after that too! My only slight issue would be the mix, it didn’t sound quite as big as it could have, but it’s a minor gripe and may be as much of an issue with my speakers than the album itself. It’s another release that won’t be for everyone, but it grew on me the more and more I listened, and for another debut album it’s really something special. A very easy 8.5/10, definitely a band to keep an eye on!
Here we are guys, the top 20! Who do you thinks gonna be in here? Read below and find out!
20 – Brass Camel: Camel
Honestly, this is a prog masterpiece. I’ve gushed about it plenty already, but the sheer talent on display throughout this entire 40 minutes is incredible. Right from the 10-minute epic of an opener giving some of the best instrumentation I’ve heard in years, to the more radio-friendly ‘Pick of the Litter’ and ‘Borrowed Time’ to the equally grandiose closer, it’s a tour de force throughout. It’s like the perfect blend of ELO, Queen and Wolfmother, and is impossible not to have a good time when listening to. It dropped all the way back in April and I haven’t stopped raving about it since! It’s certainly not going to be for everyone, but I’m insanely jealous of the bands talents, and would recommend it to anyone interested! There’s a reason it got 10/10, and it lands a very deserving spot on our list!
Listen to: Zealot, Chain Reaction, and
19 – Drake Milligan: Tumbleweed
It’s no secret how much we fucking LOVEMr Milligan here at Overtone, and once again he knocked it out of the park back last month with his sophomore album. The neo-traditional sound has made a big impact in recent years, and Drake is as good at it as anyone else. It’s 42-minutes full of boot stompin’ numbers or slower, beautiful ballads or old-school stuff, and all of it is done to perfection. And, after sitting with it for a couple of months, it just keeps getting better! While I do think it’s not quite as good as his monumental debut, it’s still an utterly fantastic country album, and one of the best of the year. We gave it 9/10 back when it dropped, but I do think it’s a bit higher than that now! There isn’t a bad track on the album, and while there’s maybe one too many slower songs in the middle, it’s still incredibly easy to listen to. A damn worthy addition to the list!
Listen to: Tumbleweed, Slow Dancing to a Fast Song, and How Much Beer
18 – Neon Union: Good Years
An absolutely phenomenal album that I’ve been obsessed with the last 11 months, and it’s absolutely criminal that they haven’t exploded from its release. There isn’t a bad track across the 12 on this, and most have been stuck in my head at various points of the last year! It’s southern-rock-infused country in all the best ways, and even the slower songs have a bit of an edge and distortion to them. If you are at all into country or southern rock at all, I cannot recommend this enough, it’s an absolutely phenomenal, damn fun album! It’s very easy to hear why it got top marks from us, and it very much deserves this high a slot on the list! I cannot wait to hear where they go from here, but for now am happy to keep sitting with this awesome album!
Listen to: Golden Rules, Bout Damn Time, and Made in Mexico
17 – Creeper: Sanguivore II: Mistress of Death
The sequel to their 2023masterpiece, this had a lot of hype to live up to. And, like with Drake, I don’t think it’s quite as good as that. However, this is still an absolutely incredible gothic, throwback hard rock album, and more than deserves its slot on this list! The release as a whole isn’t quite as strong overall, but ‘Headstones’ is maybe the best song the band have ever put out, with ‘Blood Magick’ not being far behind! If you are a fan of their recent output, this is an absolute must-listen, and has been regularly in my rotation since its Halloween release. It’s packed full of massive, cheesy choruses and key changes, but also plenty of heaviness throughout to offset it. They’re a great old-school sound while still feeling plenty modern; no one is quite doing it like Creeper currently. It’s easy to hear why it got 9/10 from usupon its release, but I do think it’s crept (punk very much intended) higher than that after a couple more listens! I think hearing it live also helped me appreciate it a lot. It more than deserves its slot on this list, and I would recommend everyone check it out at least once!
Listen to: Blood Magick, Headstones, and Parasite
16 – Malevolence: Where Only the Truth is Spoken
The UK beatdown hard/metalcore titans returned with their latest album back in June, and honestly somehow blew me away even more than Malicious Intent did! They take everything great from that release and amplify it, even down to the epic, dark ballad. The anger throughout is fantastic, from the vocals to the riffing, and makes you just want to throw people around a pit constantly. It’s 42-minutes of perfect heaviness, without a bad song throughout. And I love the band steadily incorporating more melodic and groove metal elements into their sound, adding some mainstreamness to the brutality. I can see them continuing to grow and becoming a huge band in the scene in just a few years. It got a 9/10 when it dropped, but after a few more spins I definitely think it deserves higher now. An easy addition this high up on the list!
Listen to: If It’s All the Same to You, Salt the Wound, and In Spite
15 – First Time Flyers: Bound to Break
The debut album from the rising UK country stars is an absolutely incredible release. I’ve known them a few years now, so was a little worried I’d feel a bit like Tekknoor Popular Monster; feeling burnt out by the steady drip of singles and it watering down the album. However, that certainly didn’t happen here! Despite being familiar with a lot of it, I still love each and every single when I revisit the release, and the album tracks are right up there alongside them! The bands harmonies are maybe second to none currently, and they make every single track memorable, catchy and massive. Between that and the exploration of just about every sound currently around the top of the country world, and it makes for an incredible easy listen, even at its 15-track length! It got a very easy 9.5/10 from us back when it released, and I fully stand by that still today. I can’t wait to hear where they go from here, but I still cannot get enough of spinning this for now, and it more than deserves its spot on our list!
Listen to: Primadonna, Happier, and Gold
14 – Between the Buried and Me: The Blue Nowhere
The US prog metallers’ 13th studio album may somehow be their best yet, which is honestly saying a lot! The band really made the use of their gap between releases, producing something that transcends any genre they include, the result being something distinctly BTBAM. It’s 71-minutes of beautiful, heavy chaos written and produced perfectly by the band. From jazz to death metal, 80s synth to djent to to alt to blues/country, there are so many elements blended together amazingly. I think I mentioned it in my review, but this very much feels like the modern evolution of Mr Bungle. I’ve been obsessed with this release since September when it dropped, and have raved about it to anyone that would listen! One of the easiest 10/10’s I’ve given all year, and it very much deserves this high a spot on this list. Once again, it could be even higher on any given day, it’s just an incredible year for music!
Listen to: Things we Tell Ourselves in the Dark, Absent Thereafter, and Slow Paranoia
13 – Avatar: Don’t Go in the Forest
This honestly felt like such a return to form for the cinematic metallers. And that’s not to say that I didn’t enjoy their previous release, but more that this is so good, I’d put it up there among their best! It’s quirky, catchy and heavy in a way that really only Avatar can do. From power/folk to more metalcore to hard rock, everything the band do so great is very much turned up to 11 throughout this whole release. I loved it when it came out on Halloween, and have had it in steady rotation ever since. They’re just so interesting and fun, and it’s an incredibly easy nearly 5-minute listen. It flows together perfectly and all feels suitably epic. From the riffing to Johannes’ insane vocal range, it’s all so good. The 9/10 from us feels a touch low after a few listens, and it has definitely earned its high slot on here! Check it out if you’re at all curious!
Listen to: Tonight we Must be Warriors, Don’t Go in the Forest, and Death and Glitz
12 – Lady Gaga: MAYHEM
Believe me, I’m as shocked as you are! I’ve always been a Gaga fan, she got big while I was in secondary school, those first two albums are still incredible. Since then I had fallen off, but there has been no ignoring this release this year, and why should you? It’s awesome! From the three pre-release singles to so many amazing album tracks to the addition of ‘The Dead Dance’ on the deluxe thanks to her involvement in Wednesday, it is jam packed full of banger after banger. It’s also a welcome return to Gaga’s more rock-infused pop sound, clearly taking influence from everyone from Prince to Nine Inch Nails to Bowie. For a publication that is so usually everything-but-pop to put a generally pop album on this list at all, let alone this high, goes to show just how phenomenal this release is. If you doubt me at all, at least give it a listen first and try to tell me that you aren’t at least impressed by her vocals and songwriting. I wanted to see this tour so bad, but sadly couldn’t afford it, as the videos also look INCREDIBLE. We didn’t review it when it released, but after many listens since March, it can’t get any less than 9.5/10, and more than deserves its slot on this list!
Listen to: Abracadabra, Killah, and The Dead Dance
11 – Evan Honer: Everything I Wanted
Evan very much did it again in 2025. As if last year’s release wasn’t good enough already, just 15 months later he dropped another collection of incredible tracks. Heck, the title track may as well be my song of the year given how much myself and my wife have played it around the house. However, it is far from the only good song on the record; it’s packed full of them! Also, the more I’ve listened to it, the more I’ve somehow fallen in love with it. While not quite as emotionally soul-destroying as some of Fighting For, it very much still packs a punch, Evan being a phenomenal storyteller and chronicling what he’s gone through between releases. From his lyrics to his delivery, it’s perfect, powerful and beautiful. And instrumentally, while pretty simple for the most part, it’s a little on the rockier side this time, which was a great touch. Every song is as good as the last, and I’d recommend this album to absolutely anyone, though especially those into more of the country/Americana side of things. That9.5/10 has easily turned into a 10/10 at this point!
Listen to: Everything I Wanted, Better off Lonely, and Lose a Friend
10 – Orbit Culture: Death Above Life
The melodeath Swedes have done it once again, putting out an album everything as good asDecent. They have quickly become the torchbearers for the genre, and I am all for it! It’s packed to the brim with amazing songs, being nearly an hour of perfect heaviness. I have had it on a lot in the last three months, and would recommend it to anyone at all into metal. They really are masters of their craft, and have been on an excellent roll as of late. It got top marks from me, and I fully stand by that still now! The band are incredibly talented, and are surely going to be a massive name in the metal scene incredibly soon!
Listen to: Inferna, Inside the Waves, and
9 – Ghost: Skélta
I want to preface this by saying that I don’t particularly think Ghost are an ‘album band’. They are utterly fantastic at producing insane singles, but Meteora was probably the closest they’ve come to making an A tier album… until now. Don’t get me wrong, it’s not a perfect album front to back. However, the five/six tracks that are good are up there with some of the best songs of the last few years. I do think it wasn’t the best idea to front-load the thing with the four best track on it, three of them being the singles. However yet again, DAMN are they fantastic songs. And the other few aren’t bad by any stretch, just a step below then others and more like Ghost album tracks.
The band have really come into their own here somehow, though most (me included) thought they’d already done that with their previous two releases. It feels bigger, more epic and ambitious, and the scope is realised in a massive way. It’s like stadium-glam mixed with their usual sound, it’s awesome! Forge is honestly a musical mastermind, creating this true modern legend, and I feel they now have another album to rival their huge size. Even if you aren’t typically a Ghost fan, this is well worth checking out, as it’s that good it may just change your mind! It got a perfect score from us and it’s hard to argue with that, despite a slight breather track or two in the middle.
Listen to: Lachryma, Satanised, and Marks of the Evil One
8 – The Pretty Wild: zero.point.genesis
WHAT A DEBUT. From the fantastic scream that opens through 40-minutes of amazing modern metalcore to the epic, dark closing ballad, it takes the listener on an awesome journey. The dynamic between the two front-women is amazing, but the rest of the band also kill it throughout. Every song is amazing, be it more of a Bad Omens or Ice Nine Kills sound, and it’s easy to see why they have gotten so big so fast. I’m glad it’s getting the love it deserves from other publications, though, and it was definitely going to end up high on this list from the first time I heard it. From the massive choruses to the heavy riffing, it’s packed to the brim of awesome moments. If you haven’t already listened, do yourself a favour and do so immediately! It more than deserves its slot on this list, and the 9.5/10 I gave it, though it might even get a solid 10 after a few more listens!
Listen to: PARADOX, living ded, and AFTERLIFE
7 – Kyle McKeanery: To the River
Yet another artist I discovered just this year that I am now completely obsessed with because of their output this year! I remember interviewing him back in January and didn’t at all expect him to put out this absolute country/Americana masterpiece just a few short months later. At nearly an hour long, it’s insanely impressive that there isn’t a bad track on it, and it’s packed full of major highlights to boot. His vocals are powerful and packed full of soul and emotion, and the harmonies add even more of both. However, his songwriting is the real kicker here, some of the lyrics and choruses are my favourite of the year, no matter the genre! Whether it’s country, Americana, blues or rock, he does it all to absolute perfection. I’ve gone back since and checked out his previous stuff and, while I like that a lot too, Kyle really hit his stride here in a massive way! I have spun this in full a LOT over the last eight months since its release, and it is yet to get old. It got a 9.5/10from usupon its release and it’s hard to argue that now! If you are at all even a passing country fan, check this out!
Listen to: Skeletons, Broken Hearts Hide, and Hold On Goodbye
6 – Chevelle: Bright as Blasphemy
This one was a long time coming! After being a mainstay on our most anticipated albums list the last two years now, the alt rock/metal duo finally graced us with their highly anticipated next release. And damn, what a release it was! I always thought it was going to be hard to top 2021’s NIRATIAS, but they followed it up with an album that is up there alongside it, that’s for sure. The riffs and drumming are still massive, and the lyrics are still full of depth, anger and emotion. It feels like there is more variety than ever in their sound though, especially with the slower, more reflective and beautiful ‘Blood out in the Fields’. They are still one of the most underrated band to maybe ever exist, and I’m so hoping that we finally get a UK or even European show from them off this album cycle. It got such an incredibly easy 10/10from us at the time and I certainly haven’t changed my opinion of it since then! It was #4, on our list last time around, so the band are once again consistently high up for list. It could easily have been at the top if it wasn’t for this being such an insanely solid list this year, but it is very deserving of it’s #6 slot, that’s for sure!
Listen to: Pale Horse, Jimmy Jones – Cowards, Pt. 2, and Blood Out in the Fields
5 – Crowe Boys: Made to Wander
The highest rated debut album this year, and it’s easy to hear why! I checked this out on a whim as they’d been announced for The Long Road this year, and immediately fell in love. It’s nearly 40-minutes of incredible, emotional indie-Americana music, and in a year full of amazing releases in said genre, this tops them all. Sonically it is phenomenal, the instrumentation simple but the harmonies from the two brothers being so very beautiful. However, what really shines through are the lyrics and emotion. The vulnerability of their breakout hit. The beautiful optimism of ‘Bonfire in my Soul’. And I cannot listen to ‘Brother Song’ on track or live without shedding a tear still to this day. There truly isn’t a bad track on this release, and it is one I haven’t grown tired of in the countless listens I’ve done since its release back in June. For a debut album this is absolutely phenomenal, and is not only a testament to the boys’ insane talent, but the start of what is surely going to be an absolutely massive career as a band. Take a listen and tell me it doesn’t deserve even more than the 9/10 I gave it at the time!
Listen to: Bootstraps, Bonfire in my Soul, and Brother Song
4 – Paleface Swiss: CURSED
This slab of pure anger from the deathcore Swiss was somehow my first introduction to them, outside of Marc’s feature on last year’s Left to Suffer album. So, for me to become utterly obsessed with this band since this, that really says a lot. It certainly helped me get some anger out over the last year, that’s for sure! Marc has one of the most interesting, versatile vocals in the game right now, and really helps this album shine and stand out. Having said that though, that shouldn’t take away from the rest of the band working their asses off with some incredible riffing and drumming. Heck, we even get some awesome rapping/trap stuff, integrated into metal far better than most other bands and artists do it.
This thing came out in the very first few days of the year and I’ve been spinning it pretty regularly since then; it hasn’t gotten old yet. Sure, it won’t be everyone’s cup of tea, but if you are into the heavy stuff I can’t recommend this enough. The band have been going for a few years now but this very much felt like an arrival for them in a massive way. Plus, shoutout to the deluxe edition, that added even more awesome carnage! They deserve so much more recognition and deserve to be massive thanks to this release, as well as their others, but hey, at least they got high on this list, right..? It got a 9.5/10from us back in January, but I do feel like it’s jumped up to top marks now, and more than justifies being this high on our list!
Listen to: Hatred, Enough?, and Love Burns
3 – Those Damn Crows: God Shaped Hole
Our 2023 album of the year winners returned back in April and once again knocked it out of the park. Heck, this was a UK #1 album, an absolutely HUGE feat for a band of their size and style, and it should say enough about how fantastic this release is. It truly couldn’t have happened to nicer, more deserving guys, either. Yes, they were pipped to the post this time round, but that isn’t a reflection of this albums quality in any way, more just the insane quality of music released this year.
The NWOCR leaders’ fourth offering is yet another one without a single bad song on it. It’s radio-friendly hard rock at its very best, and is something that absolutely everyone should listen to as I truly believe they’d make a fan out of anyone. Whether it’s the riffing, solid drumming or Shane’s impressive vocals and captivating charisma that comes through his delivery, it’s all excellent for a full 40-minutes. And, while I gave it 10/10, I feel like it’s grown on me even more with subsequent listens, being certainly up there with Inhale/Exhale for me now. The band have gone from strength to strength in recent years and this feels like the icing on the cake of everything they’ve achieved so far! One hell of an album, and more than deserving of this spot on our list!
We have PLENTY of Crows content on our site, just search it up!
Listen to: Glass Heart, Lets Go Psycho!, and Spit & Choke
2 – ONE OK ROCK: DETOX
This may be the most slept-on album of the year. Hell, for a sadly hefty chunk of the year, I did just that. I loved it when it came out, but got so wrapped up in other music that it wasn’t until I revisited it before seeing them that I realised DAMN, THIS IS A FUCKING GOOD ALBUM! This thing is all killer, no filler; 37 minutes of pop-rock perfection. Whether it’s heavier stuff like the opener, ‘Party’s Over’ or the Paledusk-featuring ‘C.U.R.I.O.S.I.T.Y.’ to slower ballads like ‘Tropical Therapy’, ‘Tiny Pieces’ and ‘+Matter’, it’s all incredible. I honestly cannot express enough how much I love each and every song on this album. I discovered them off their previous album and liked it, but goddamn has this one made me fall in love with the band. How they aren’t one of the biggest bands on the planet is beyond me. Still, with their Western tours over the last couple of years, on top of this excellent release, they are certainly getting there! We gave it9/10 when it was released but after many spins since February it definitely deserves more than that, maybe even top marks! Yep, 10/10 for this masterclass. I’d recommend it to anyone!
Listen to: NASTY, Delusion:All, and +Matter
1 – Architects: Sky Earth and Everything Between
There was nothing else it could have been. The return to form to end all return to forms. One of the biggest bands in modern metalcore took some risks in the early 2020s which, while definitely aided their popularity, it certainly alienated a fair few of their fans. Well, those fans are certainly back after this release. A UK #2 album, damn respectable, even if they were screwed out of the top spot by another week of Short n Sweet.
However, that shouldn’t take away from the majesty of this album. It’s the best thing they’ve done since Lost Forever, and you can quote me on that. It combines the bands aggressive early sound with their more recent lighter, pop-infused stuff, and it works perfectly. It’s arguably what everyone wanted their evolution to be, and it only took the world really pissing off Sam to make it happen. The fact that the slower songs are even bangers shows the quality of this album.
I gave it a more than deserved 10/10 from us, and if you want even more gushing about it, I’d recommend checking out the review linked. Every song is incredible and I’ve listened to it so much in the last eight months. A very deserving top album for 2025, and one that is a must-listen for anyone out there.
Listen to: Elegy, Blackhole, and Seeing Red
And there you have it, folks! Another year, another set of absolutely incredible albums from the rock, country, metal and even pop world! Are there any we missed or you think were misplaced? Let us know! Until 2026!
Week two of the Overtone year is a heavy one, with plenty of awesome metal (and one electro) to check out. Let’s dive in!
Lord of the Lost: OPVS NOIR Vol. 2
The follow-up to August’s part 1, this release follows that up pretty perfectly. They very much feel like the same project, having a similar tone and vibe, and once again it’s one hell of a LotR record! The heaviness and epicness continues, especially with the Lena Scissorhands-featuring ‘Would you Walk with Me Through Hell?’. Between Lena, Käärijä, IAMX and League of Distortion, there are a good few features on the album, all as good as the last! However, the other songs are just as good too, with ‘The Last Star’ and ‘Scarlight’ also being massive highlights. The whole album is great though, and doesn’t feel like 45-minutes at all, going by in a flash. I never quite got into the band aside for a few songs here and there, but this release has really won me over to them, and proved that actually, taking some time to write some good music instead of feeling the need to pump out an original studio work yearly has upped the quality of their output. Who’d have thought it, ey? It’s a very easy 8.5/10 from us, and my plan after this weekend is to listen to both volumes one after another, I have a feeling it’ll be a great time!
Zero 9:36: They Were Always Here
This is a really interesting release! Alt-metal in the broadest sense, this covers all manor of bases under that sphere. The closest thing I’ve managed to compare it to is ‘Animals’-era Architects, with some occasional Hyro the Hero or even Eminem thrown in for good measure! It makes for an incredibly interesting listen and, at only 22-minutes, it’s hard-to-stop ride from start to finish. Whether it’s heavy riffing and aggressive vocals or more of a slower, radio-friendly sound, it really has a bit of everything, packed right into a concise release. ‘System’ is a huge early highlight, as are tracks like ‘Here to Bleed’ and the Ekoh-featuring ‘Withdrawals’. It’s not going to be for everyone as it is a very modern sound, but I loved it! Continuing to blend hip-hop and electronic elements into metal and hard rock is making things so interesting and unique, and Zero has that here in spades. He’s already created a big name for himself across his back catalogue, and adds to it perfectly with this addition. It’s another very easy 8.5/10, check this out if you are at all interested!
Zkeletonz: Marmalade
The first album from the disco-style electro artist isn’t normally the sort of stuff we cover, but this was a damn fun listen and has me a little obsessed with them! It’s impossible not to have a good time listening to this, and surprisingly gave me big Basement Jaxx vibes throughout, which certainly isn’t a bad thing! And, at less than half-an-hour, it’s another incredibly easy listen. From the opener to ‘Out!’ to ‘Wild for the Weekend’, there are plenty of highlights here. My only issue is that it does get a touch samey after a while, though with this sort of music I’m not sure how to solve that. And still, I didn’t have a bad time listening to any of it! A damn solid 7/10 from us, and certainly an album I’ll be revisiting in the future.
Volumes: Mirror Touch
The first new album from the metalcore quartet in over four years, and this thing goes hard. The band very much didn’t lose their heaviness or technical prowess in the time between releases, this thing being dialled up to 11 on both! Right from the offset, ‘Sidewinder’ is awesome, and is followed up perfectly by ‘Bottom Dollar’. The crazy low guitar riffs and solid drumming is an awesome combo, especially with the synth in the back too, the great screams just adding to them even more! Then you have tracks like ‘S.O.A.P.’ and ‘em’ that are definite highlights too. Sadly, it does drop off a touch in the middle, going down more of a slower, lighter modern metalcore route, but very much brings itself back on track towards the end! It’s still a damn solid album overall, and one I’d definitely recommend to anyone into a modern metal sound. A very easy 8/10 from me!
Dragon Throne: Tale of the Two: Dawn
The power metallers didn’t hesitate to drop part two of their collection, did they? This dropped barely a month after Dusk, and continues on perfectly from said release! And you’ve already seen how much I enjoyed that album, so to have this continue on that great path is awesome. ‘Dragon Empire’ is one of the best opening tracks of the year, while the rest of the album follows it with a similar level of energy and quality. There truly isn’t a bad track on this album and, combined with the other part, makes for practically the perfect power-infused heavy metal release! Somehow I only gave the last one 7.5/10, but this one and as a whole piece between the two, I can’t give it any less than 9/10! If you are at all a metal fan, check this out ASAP, you’ll surely love it as much as I do!
Black Pig Meat: Symbiotic Dream
This is an absolutely incredible instrumental release! It’s always harder to shoehorn instrumental stuff into a specific genre, but it definitely feels prog/djenty for the most part, the odd bit of shoegaze thrown in for good measure. It’s chaotic but somehow all fits perfectly, ebbing and flowing incredibly well. Much is the case it seems this week, it will be a divisive release, with a lot understandably not getting into instrumental stuff. Heck, I struggle at times, but found this one so packed full of talented playing and composition I couldn’t stop listening! ‘Sizo’ was a big highlight, as was ‘Sóbole’. And while the closer, as great as it is, does go on a fair bit, it’s still a fun listen. It’s a great album to get high and listen to on your own in the dark, or if you’re a musician (interchangeable, clearly). Not something I’d revisit often but a damn good release, and a solid 7/10!
Part two of our list, and things are already starting to heat up! I thought I’d take this quick time to highlight some honourable mentions, as there were so many albums that sadly didn’t quite make the cut that are well worth checking out: Badflower. Dropkick Murphys. Russel Dickerson. Bleed From Within. Cam. Ron Pope. Heaven Shall Burn. William Prince. Jordan Davis. And, knock her all you like, but the new Sabrina Carpenter album slaps!
80 – Star Circus: From the Wreckage
We kick off part two of this years list with a long-anticipated sophomore album, and one hell of a sleazy, AOR/hard rock release! I’ve been a fan of the band for a few years now, and was pretty hyped when this was announced and we got sent it, and for anyone who’s read our review, I was certainly not disappointed! Nearly 50-minutes of awesome riffing and instrumentation, and packed full of choruses big enough to fill stadiums! Feeling like a modern version of Glenn Hughes or Night Ranger, it’s a lot of fun, and an incredibly easily listen that I’d recommend any rock fan check out! If/when you do, you’ll easily hear why we gave it a whopping 9.5/10, and why it easily made it onto our list!
Listen to: Chained to You, One Hit Wonder, and Last Dance
79 – Paradise Lost: Ascension
The godfathers of death-doom returned this last September with their first new studio stuff in half a decade, and proved that they are still one of the best in their genre. This is an hour of moody, gothic heaviness, and I love every bit of it. The riffs are the main highlight, as expected in this music, but some of the vocal lines are surprisingly catchy too, even when screamed! And the whole thing is just epic, flowing perfectly one track into the next. It’s certainly not for everyone, and is no small undertaking, but if you are at all into doom music, this is very much the album for you! It was, you guessed it, another massive 9/10from us when it dropped, and a few listens later it still very easily sits at that. A welcome, easy addition to this spot on the list!
Listen to: Tyrents Serenade, Salvation, and Sirens
78 – Rival Pack: BURN
As I’ve said before, 2025 was the year of the hardcore return, and few did it better this year than this Netherlands-based collective. Frankly, the fact that they sit on barely 100 monthly listeners at this point is nothing short of criminal! This isn’t even half an hour of absolute aggression and fury that would put plenty of other artists to shame. It’s a great way to get out some anger, as it makes me just want to throw people around a pit, and at the same time is a great fun listen. It’s a typical sound for the genre and doesn’t do a lot out of the ordinary, but what it does do, it does to perfection. I’ve spun this a lot since June and haven’t yet gotten bored of it, sure to keep spinning it plenty in the new year, too! From the riffing to the screams to the breakdowns, it’s all so good. Somehow it was one we hadn’t checked out for NMM, but give this a listen and try to tell me it is anything less than a 9/10! An amazing heavy album, and well worth its placement on here. On a weaker year, it could have gotten far higher!
Listen to: Closing In, Killer in the Pool, and Don’t Waste My Time
77 – Luna Marble: Self-Titled
The debut album from the bluesy hard rockers only came out last month, but has quickly established itself as a force in this list! This is a powerhouse of 70s riffs and psychedelia from start to finish, as well as being packed full of some awesome, arena-filling choruses to boot! It’s honestly refreshing to hear a band inspired by Led Zeppelin but not sound like a clone of them. It’s a more modern sound, reminding me a lot more of something like Brave Rival. These guys have truly mastered their craft and sound already, insanely impressive for a band so young and not having been going all that long. Everyone is exceptionally talented; from the riffing to the drumming, synth to the actually-focused-on bass to the soaring, powerful vocals it’s all incredible. I’ve fallen in love with the band since this early November release, and if you are at all into more of a classic rock style it is an absolute must-listen! It’s very easy to hear why it got a massive 9/10 from me, and it more than earned its slot here!
Listen to: All of my Love, So Long, and Redemption
76 – The War & Treaty: Plus One
Firstly, I don’t remember this album being this damn LONG. As much as I love the band, 66 minutes is a lot to sit through, and I think it’s a big reason as to why I’ve stuck to the tracks I like and very rarely revisited the release as a whole. It’s most likely the reason that it’s a touch lower than their previous release was on these lists. The highs are in the sky, but there is a fair bit of needless filler too, in this writers opinion, which stopped it from being quite as excellent an album as Lover’s Game. However, it’s still a damn good album, and produced some of my favourite country-adjacent tracks of the year. The duo lean even harder into their Southern Soul style than ever, putting out a truly unique release different to anything else on this list. And, honestly, it’s the more country/Americana stuff that I find myself going back to the least. They have really found their niche and bounce off of each other somehow better than ever, crafting something honestly special here, despite the length. It’s crazy to look back on our review of it and see my opinion has changed a bit on the slower stuff. Honestly, I’d stick with the 9.5/10 over top marks. However it’s still awesome, and very deserving of a slot of this list, that’s for sure! Check this out, especially the opening half!
Listen to: Call You By Your Name, Stealing a Kiss, and Love is on Fire
75 – Feuerschwanz: Knightclub
Power metal ‘Gangnam Style’… do I need to say anything else?! The band put the fun in power metal like few other bands can, and it makes this a fantastic listen! Don’t get me wrong, they can also get serious and ‘proper power metally’ when they want to, but the slightly more light-hearted nature is a lot of fun, and has kept me coming back to a lot of this album again and again. And even though the release may appear front-loaded (aside the massive closer), there are some truly incredible folk metal songs throughout, and I couldn’t name you a bad song. I have fully gotten on-board the power metal train the last couple of years or so, and this is honestly one of my favourite releases in the genre since then! It is a resounding YES in answer to the question posed in my review, and I fully stand by the 9/10 I gave it back then. It more than deserves this slot on the list, and would have gotten higher if it weren’t for a couple other power metal albums further on…
Listen to: Knightclub, Valhalla, and Sam the Brave
74 – Carter Faith: Cherry Valley
Another debut album, this one for a sure-fire future country megastar. Her Dolly-esque vocals and her fantastic lyric/songwriting are a winning combination, that’s for sure! Her quick wit lyrically is second to very few currently. She definitely adds some modernness to the neo-traditional sound though, and even some epicness with songs like the opener. It’s simple and rather chilled-out as a whole, but packed full of both fun and emotion. And, even at its pretty stacked length, it’s full of amazing songs and it an incredibly easy listen. A lot of it came out as singles beforehand, but despite being a marketing/income tactic, it’s also easy to see why, as there are so many standouts. It gives off Sabrina Carpenter vibes at times, and I mean that as the uttermost of compliments! It’s very easy to hear why I gave this a 9/10, and it’s stayed firmly in my rotation since the start of October when it was released. If you are at all into country music check this out, especially given how MASSIVE a name she’s going to be sooner rather than later. Heck, ‘If I Had Never Lost my Mind…’ still gives me goosebumps now, that alone should encourage you to listen!
Listen to: Sex, Drugs, & Country Music, Grudge, and Burn my Memory
73 – Old Dominion: Barbara
Just two years after their amazing Memory Lane, the country megastars returned with yet another barn-burner! It’s a really interesting release for me, too. When it first released, I was adamantit wasn’t up there with their last album. However, the more I listen to it, the more I find myself enjoying almost every song a lot. While the singles aren’t as massive and memorable, it’s a shorter, more concise album, with less filler and far more killer than Memory Lane. It’s a chilled-out country album that feels like it leans more into their influences than trying to score another radio hit. The band really cut loose and wrote what they wanted to, and it results in a beautiful album that is packed full of heart and emotion. It combines a more traditional country/soul sound with their more modern elements, so if that sounds at all like something you’d be interested in, I can’t recommend this enough! It’s another one that definitely gets bumped up, as I only gave it 8/10 in our review, while it’s another easy 9 now, if not higher!
Listen to: Making Good Time, Man or the Song, and Talk Country
72 – Fit for a King: Lonely God
The Texan metalcore collective returned back in August with their eighth album, and it’s an epic, varied release! Whether it’s the more modern BMTH-inspired arena metalcore, or the brutally heavy riffing and breakdowns that brought them to the dance, or even a couple of slower ballads, this thing is packed full of a bit of everything from the genre! And the band do it all so well! From crushing breakdowns to epic soundscapes, I’m obsessed with all of it. I do typcially prefer the heavier tracks, but something about this band and this album had me loving every song. They’re perfectly spread out through the album too, the moments of levity incredibly offsetting the brutal times. I loved The Hell We Create, but this is up there alongside it, for sure! If you are at all into modern metalcore, this is certainly an album for you. A very solid 9/10 from us easily landed it it’s spot on our list!
Listen to: Extinction, Monolith, and Blue Venom
71 – Eld Varg: Destroyer
The Scottish melodic hard rock/metallers returned with a vengeance with this album last month. The riff-masters clearly borrow from plenty of old-school metal influences, but still somehow sound modern, maybe due to the album’s excellent production! I gushed over this album plenty in my review, but it is so very deserved. It genre-blends in all the best way, and really has a little something for everyone even slightly into metal. 41-minutes of epicness; from power and folk metal to more thrash to melodic hard rock at times. And, as said before, the whole thing goes by in a flash, and is well worth listening to in one sitting! The band are all so incredibly talented at playing and writing, and I can foresee this pushing them up a few notches in the scene by this time next year. It very much deserves its place on our list!
Listen to: Achamán, The Hell of Mirrors, and Crestfallen
70 – HARDY: Country! Country!
Album number four from one of Nashville’s biggest modern songwriters certainly washed out some of the bad taste in the mouth that Quit!! left behind. Leaning more into the country-hard rock fusion that made mockingbird so successful was definitely a step in the right direction, and lead to an album I have revisited a fair bit the last three months. Is it as good as mockingbird? Given that it’s here on this list and not at number 2, no. But hell, it made the list this year, and above a lot of other country albums, so that should say a lot!
Despite being long and certainly having some filler without a cool concept to explain it away, there are still some excellent country tracks across a lot of this, and it’s very much a return to form for THE CROW. There is far more great than not too, with most of this ending up on my personal playlist by now! There’s a lot of fun, but there’s also plenty of emotion shown at times, HARDY’s vocals and talent handling both styles masterfully. The length has most probably dropped it a few places on this list, don’t get me wrong, but it’s a surprisingly easy listen for over an hour. In fact, it may be the longest album on the list this year, which is an achievement in of itself, I guess! I gave it an 8.5/10back in September, but as predicted in that review, this has grown on me more since! It’s a solid, easy 9/10 now, and very easily makes it this high on the list. Hopefully he rearranges his UK tour next year, as I’d love to hear some of this live!
Listen to: Country Country, Girl With a Gun, and Y’all Need Jesus
69 – Solence: ANGELS CALLING
After sitting with this album for a couple of months now, I’ve finally gotten on-board with serious Solence, and I really love this release! This thing is an incredible pop/alt-metal album packed to the brim with amazing, catchy-as-anything tracks. Honestly, every track is as good as the last, and the album has such a fantastic flow to it, 27-minutes going by in a flash. It has hints of early 2000s US radio-rock, but with a distinctly modern European twist on top of that, especially with the Callboy-like electronic elements and screams. Oh, and then we just get some insanely technical solos thrown in for good measure too; this album really having a bit of everything!
I’ve had most of this album stuck in my head at various points over the last two plus months, and it has grown on me more and more. They fully deserve the fast rise they are having, and I can really see 2026 being their year with the sheer amount of touring they have planned! We gave it 8.5/10when it released, but it’s definitely higher than that for me now. A good album that’s grown on me even more with subsequent listens, it more than deserves to be rocking this list!
Listen to: Monsters in my Head, Where Were You..?, and All of the Pain Must Go
68 – Locash: Bet the Farm
The first album from the country duo in six years was more than worth the wait! This is a masterclass in bro-ish country, and is a release I’ve been jamming a lot from April all the way to now. It’s a lot of fun throughout, but also packed full of emotion, as well as some stadium-sized choruses and harmonies from the pair. And from the more Southern rock infused to the country ballads, they do it all perfectly. It’s a sound that’s definitely taken a step back in recent years but I’m so glad hasn’t died off completely. If you are into country at all, I’d definitely recommend giving this a chance, it’s impossible not to love it! And at under 40-minutes, it’s pretty short for a country release these days. We gave this a whopping 9.5/10 when it released, and if you take a listen it’s very easy to see why! If it wasn’t for country booming once again this year, it would have ended up higher, but it is still at a damn respectable point of the list!
Listen to: Hometown Home, Bring Em Back, and Shipwrecked
67 – Tetrarch: The Ugly Side of Me
The nu-metal revival continued to be in full swing in 2025, and this album was a large focal point of that! The bands third album followed up 2021’s amazing Unstable perfectly, building on everything that album laid out and coming out with an incredibly strong release overall. Every song slaps, and it makes for a fantastic, heavy, catchy just over half-an-hour! The duo of Josh Fore and Diamond Rowe is a real powerhouse, and will inspire this band continues to grow into a juggernaut in years to come. Especially if they keep continuing to grow and build on their sound, and put out better and better albums! From the crushing riffing to the massive choruses to the occasional awesome solo, it’s all amazing. It got a huge 9/10from us when it dropped, and has been in regular rotation for me since May, easily earning its spot on this list! For anyone who’s into nu or industrial metal, or just anything around that early 2000s sound, listen to this immediately!
Listen to: Never Again (Parasite), Live Not Fantasize, and Cold
66 – The Damn Shames: Trailers on Bricks
A release recommended to me by a good friend of the company, Kyle Daniel, and I’m so glad that he did! This is an incredible Southern rock album! From the instrumentation to the incredible harmonies to the arena-filling choruses, it’s all so damn good, from start to finish. Honestly, each of these 10 tracks are as good as the last, and it makes for a super easy listen from start-to-finish! The band are all insanely talented players and songwriters, and the fact that this is their debut album and it’s of this high quality is truly amazing. This somehow only got an 8.5/10 from us upon release, but after multiple revisits over the last six months, this is easily closer to a 9 for me! If you are at all into the country or Southern rock scene, this is very much the album for you. Hopefully either scene in the UK picks them up, as I’d love to see this stuff live! I look forward to hearing where they go from here, but for now I am content to keep spinning this record, hence why it ends up pretty high on this list!
Listen to: Who Killed Rock n’ Roll?, Another Spoke in the Wheel, and Quittin’ Time
65 – Epica: Aspiral
I mean, we finally got three new parts of A New Age Dawns on this release, that alone gets it onto this list! However, the other eight songs are also just as good, too! The whole thing is an epic, cinematic masterpiece that somehow feels like it goes by far too quickly despite it being an hour. I always felt like they were one of the more underrated symphonic metal bands, but they put out one of the best albums in the genre in recent years with this. From Simone’s incredible vocals and choruses to the insane instrumentation throughout, it’s easy to hear why it’s had me hooked since April. It got a huge 9.5/10 from us, and if you give it a listen you’ll easily be able to tell why! I’m always a touch hit and miss with the genre, but when it’s done as well as this it’s hard not to fall in love, hence why it’s here and in a pretty favourable position. It’s a big undertaking, but I’d highly recommend a full listen through of the album for anyone even slightly interested!
Listen to: Cross the Divide, Arcana, and Eye of the Storm
64 – Humming Whale: Chasing Rabbits
Another debut album, and this time a fantastic blend of so many different metal styles! Somewhere between hardcore and prog metal, it’s a blend that shouldn’t work anywhere near as well as these guys make it! I already gushed over this album in my review not long ago, so I feel like cliff notes are probably more preferred, right? Incredible instrumentation, catchy, powerful vocals, great cleans and harshes, and some epic songwriting. Like it somehow combines Tool, Godsmack and Turnstile. If that sounds at all like your sort of thing, go check it out ASAP! Their creativity and uniqueness is off the charts, and I can see a huge future for them if they keep on putting out stuff of this quality. For now, I’m more than happy to keep spinning this release, an easy 9/10, and it easily made it onto this spot on the list!
Listen to: Chasing Rabbits, Waves, and Black Waters
63 – Born of Osiris: Through Shadows
This brutal slice of technical metalcore from back in July is somehow something I haven’t revisited too much since its release, but upon doing so am blown away all over again. Instrumentally this is absolutely phenomenal from the very first note; the riffing to the solos, drumming to the electronics and synth, it’s all mind-blowingly good. And the vocals too, be it screams or the odd clean, all fit it so well. I’ve really gotten into the heavier side of metalcore since the mainstream side of it has lightened up, and adding a tech and electronic edge to it is like a match made in heaven. And heck, some of it is catchy, as well as being heavy and djenty, it’s really awesome! I knew I had this album in my list for a reason, but I can’t believe I even slept on it for a few months again, even after giving it 9/10 back in July. If you are even slightly into metal, but especially modern Machine Head, Periphery or Shadow of Intent, this is one to put on immediately!
Listen to: Seppuka, Through Shadows, and Activated
62 – Lanie Gardner: Faded Polaroids
The second album from the rising country star, somehow she keeps just getting better and better! She’s incorporated a little more rock elements since her debut, and it’s made for an incredible, fun country album. And even on her slower tracks, they’re also radio-country ballads, and just as good as the rest of the songs. And even at its length, it’s still an easy listen without a bad song throughout. Her vocals are incredible, as are her lyrics, and they all fit perfectly over the instrumentation, whether it’s country, southern rock, Americana or more of a pop leaning. It got an incredibly easy 9/10 from us, and there was no way it wasn’t getting a strong spot on this list. She has such an insanely bright future ahead of her, and I don’t suspect this is the last time she’ll be on a list like this!
Listen to: Boys Like You, Boot Down, and Buzzkill
61 – Once Awake: Far Out and Beyond
I have such a weak spot for old-school melodeath this year, and the fifth album from the Norwegian quartet delivered that in spades back in April. This thing is an epic nine tracks crushing brutality, riffs, breakdowns and some huge, catchy moments to break them up. There is not a track to skip, and I’ve done it in full numerous occasions since its release. Heck, it’s so good it even prompted me to go to Derby of all places to see them live, that should be the biggest endorsement there is! For those into the heyday of In Flames or Bodom, this is an album you need to spin, you’ll surely be as obsessed as I’ve been. And it actually has our first 10/10 review of our list so far, and it more than deserves that rating! It’s a phenomenal album, and only reason it’s not even higher up is because of the sheer amount of awesome releases from 2025, and the wide variety of styles we cover. I challenge you to find me a better straight-up melodeath album over the last year or two, I think you’d be hard pressed to find much!
Listen to: Where’s All the Silence Gone, Injustice, and Kill the Concern
