Tag Archives: glam rock

The Top Albums of 2025 – Part 2!

Part two of our list, and things are already starting to heat up! I thought I’d take this quick time to highlight some honourable mentions, as there were so many albums that sadly didn’t quite make the cut that are well worth checking out: Badflower. Dropkick Murphys. Russel Dickerson. Bleed From Within. Cam. Ron Pope. Heaven Shall Burn. William Prince. Jordan Davis. And, knock her all you like, but the new Sabrina Carpenter album slaps!

80 – Star Circus: From the Wreckage

We kick off part two of this years list with a long-anticipated sophomore album, and one hell of a sleazy, AOR/hard rock release! I’ve been a fan of the band for a few years now, and was pretty hyped when this was announced and we got sent it, and for anyone who’s read our review, I was certainly not disappointed! Nearly 50-minutes of awesome riffing and instrumentation, and packed full of choruses big enough to fill stadiums! Feeling like a modern version of Glenn Hughes or Night Ranger, it’s a lot of fun, and an incredibly easily listen that I’d recommend any rock fan check out! If/when you do, you’ll easily hear why we gave it a whopping 9.5/10, and why it easily made it onto our list!

Check out our reaction to them here!

Listen to: Chained to You, One Hit Wonder, and Last Dance

79 – Paradise Lost: Ascension

The godfathers of death-doom returned this last September with their first new studio stuff in half a decade, and proved that they are still one of the best in their genre. This is an hour of moody, gothic heaviness, and I love every bit of it. The riffs are the main highlight, as expected in this music, but some of the vocal lines are surprisingly catchy too, even when screamed! And the whole thing is just epic, flowing perfectly one track into the next. It’s certainly not for everyone, and is no small undertaking, but if you are at all into doom music, this is very much the album for you! It was, you guessed it, another massive 9/10 from us when it dropped, and a few listens later it still very easily sits at that. A welcome, easy addition to this spot on the list!

Listen to: Tyrents Serenade, Salvation, and Sirens

78 – Rival Pack: BURN

As I’ve said before, 2025 was the year of the hardcore return, and few did it better this year than this Netherlands-based collective. Frankly, the fact that they sit on barely 100 monthly listeners at this point is nothing short of criminal! This isn’t even half an hour of absolute aggression and fury that would put plenty of other artists to shame. It’s a great way to get out some anger, as it makes me just want to throw people around a pit, and at the same time is a great fun listen. It’s a typical sound for the genre and doesn’t do a lot out of the ordinary, but what it does do, it does to perfection. I’ve spun this a lot since June and haven’t yet gotten bored of it, sure to keep spinning it plenty in the new year, too! From the riffing to the screams to the breakdowns, it’s all so good. Somehow it was one we hadn’t checked out for NMM, but give this a listen and try to tell me it is anything less than a 9/10! An amazing heavy album, and well worth its placement on here. On a weaker year, it could have gotten far higher!

Listen to: Closing In, Killer in the Pool, and Don’t Waste My Time

77 – Luna Marble: Self-Titled

The debut album from the bluesy hard rockers only came out last month, but has quickly established itself as a force in this list! This is a powerhouse of 70s riffs and psychedelia from start to finish, as well as being packed full of some awesome, arena-filling choruses to boot! It’s honestly refreshing to hear a band inspired by Led Zeppelin but not sound like a clone of them. It’s a more modern sound, reminding me a lot more of something like Brave Rival. These guys have truly mastered their craft and sound already, insanely impressive for a band so young and not having been going all that long. Everyone is exceptionally talented; from the riffing to the drumming, synth to the actually-focused-on bass to the soaring, powerful vocals it’s all incredible. I’ve fallen in love with the band since this early November release, and if you are at all into more of a classic rock style it is an absolute must-listen! It’s very easy to hear why it got a massive 9/10 from me, and it more than earned its slot here!

Listen to: All of my Love, So Long, and Redemption

76 – The War & Treaty: Plus One

Firstly, I don’t remember this album being this damn LONG. As much as I love the band, 66 minutes is a lot to sit through, and I think it’s a big reason as to why I’ve stuck to the tracks I like and very rarely revisited the release as a whole. It’s most likely the reason that it’s a touch lower than their previous release was on these lists. The highs are in the sky, but there is a fair bit of needless filler too, in this writers opinion, which stopped it from being quite as excellent an album as Lover’s Game. However, it’s still a damn good album, and produced some of my favourite country-adjacent tracks of the year. The duo lean even harder into their Southern Soul style than ever, putting out a truly unique release different to anything else on this list. And, honestly, it’s the more country/Americana stuff that I find myself going back to the least. They have really found their niche and bounce off of each other somehow better than ever, crafting something honestly special here, despite the length. It’s crazy to look back on our review of it and see my opinion has changed a bit on the slower stuff. Honestly, I’d stick with the 9.5/10 over top marks. However it’s still awesome, and very deserving of a slot of this list, that’s for sure! Check this out, especially the opening half!

Listen to: Call You By Your Name, Stealing a Kiss, and Love is on Fire

75 – Feuerschwanz: Knightclub

Power metal ‘Gangnam Style’… do I need to say anything else?! The band put the fun in power metal like few other bands can, and it makes this a fantastic listen! Don’t get me wrong, they can also get serious and ‘proper power metally’ when they want to, but the slightly more light-hearted nature is a lot of fun, and has kept me coming back to a lot of this album again and again. And even though the release may appear front-loaded (aside the massive closer), there are some truly incredible folk metal songs throughout, and I couldn’t name you a bad song. I have fully gotten on-board the power metal train the last couple of years or so, and this is honestly one of my favourite releases in the genre since then! It is a resounding YES in answer to the question posed in my review, and I fully stand by the 9/10 I gave it back then. It more than deserves this slot on the list, and would have gotten higher if it weren’t for a couple other power metal albums further on…

Check out our interview with Ben here!

Listen to: Knightclub, Valhalla, and Sam the Brave

74 – Carter Faith: Cherry Valley

Another debut album, this one for a sure-fire future country megastar. Her Dolly-esque vocals and her fantastic lyric/songwriting are a winning combination, that’s for sure! Her quick wit lyrically is second to very few currently. She definitely adds some modernness to the neo-traditional sound though, and even some epicness with songs like the opener. It’s simple and rather chilled-out as a whole, but packed full of both fun and emotion. And, even at its pretty stacked length, it’s full of amazing songs and it an incredibly easy listen. A lot of it came out as singles beforehand, but despite being a marketing/income tactic, it’s also easy to see why, as there are so many standouts. It gives off Sabrina Carpenter vibes at times, and I mean that as the uttermost of compliments! It’s very easy to hear why I gave this a 9/10, and it’s stayed firmly in my rotation since the start of October when it was released. If you are at all into country music check this out, especially given how MASSIVE a name she’s going to be sooner rather than later. Heck, ‘If I Had Never Lost my Mind…’ still gives me goosebumps now, that alone should encourage you to listen!

Listen to: Sex, Drugs, & Country Music, Grudge, and Burn my Memory

73 – Old Dominion: Barbara

Just two years after their amazing Memory Lane, the country megastars returned with yet another barn-burner! It’s a really interesting release for me, too. When it first released, I was adamant it wasn’t up there with their last album. However, the more I listen to it, the more I find myself enjoying almost every song a lot. While the singles aren’t as massive and memorable, it’s a shorter, more concise album, with less filler and far more killer than Memory Lane. It’s a chilled-out country album that feels like it leans more into their influences than trying to score another radio hit. The band really cut loose and wrote what they wanted to, and it results in a beautiful album that is packed full of heart and emotion. It combines a more traditional country/soul sound with their more modern elements, so if that sounds at all like something you’d be interested in, I can’t recommend this enough! It’s another one that definitely gets bumped up, as I only gave it 8/10 in our review, while it’s another easy 9 now, if not higher!

Listen to: Making Good Time, Man or the Song, and Talk Country

72 – Fit for a King: Lonely God

The Texan metalcore collective returned back in August with their eighth album, and it’s an epic, varied release! Whether it’s the more modern BMTH-inspired arena metalcore, or the brutally heavy riffing and breakdowns that brought them to the dance, or even a couple of slower ballads, this thing is packed full of a bit of everything from the genre! And the band do it all so well! From crushing breakdowns to epic soundscapes, I’m obsessed with all of it. I do typcially prefer the heavier tracks, but something about this band and this album had me loving every song. They’re perfectly spread out through the album too, the moments of levity incredibly offsetting the brutal times. I loved The Hell We Create, but this is up there alongside it, for sure! If you are at all into modern metalcore, this is certainly an album for you. A very solid 9/10 from us easily landed it it’s spot on our list!

Listen to: Extinction, Monolith, and Blue Venom

71 – Eld Varg: Destroyer

The Scottish melodic hard rock/metallers returned with a vengeance with this album last month. The riff-masters clearly borrow from plenty of old-school metal influences, but still somehow sound modern, maybe due to the album’s excellent production! I gushed over this album plenty in my review, but it is so very deserved. It genre-blends in all the best way, and really has a little something for everyone even slightly into metal. 41-minutes of epicness; from power and folk metal to more thrash to melodic hard rock at times. And, as said before, the whole thing goes by in a flash, and is well worth listening to in one sitting! The band are all so incredibly talented at playing and writing, and I can foresee this pushing them up a few notches in the scene by this time next year. It very much deserves its place on our list!

Listen to: Achamán, The Hell of Mirrors, and Crestfallen

70 – HARDY: Country! Country!

Album number four from one of Nashville’s biggest modern songwriters certainly washed out some of the bad taste in the mouth that Quit!! left behind. Leaning more into the country-hard rock fusion that made mockingbird so successful was definitely a step in the right direction, and lead to an album I have revisited a fair bit the last three months. Is it as good as mockingbird? Given that it’s here on this list and not at number 2, no. But hell, it made the list this year, and above a lot of other country albums, so that should say a lot!

Despite being long and certainly having some filler without a cool concept to explain it away, there are still some excellent country tracks across a lot of this, and it’s very much a return to form for THE CROW. There is far more great than not too, with most of this ending up on my personal playlist by now! There’s a lot of fun, but there’s also plenty of emotion shown at times, HARDY’s vocals and talent handling both styles masterfully. The length has most probably dropped it a few places on this list, don’t get me wrong, but it’s a surprisingly easy listen for over an hour. In fact, it may be the longest album on the list this year, which is an achievement in of itself, I guess! I gave it an 8.5/10 back in September, but as predicted in that review, this has grown on me more since! It’s a solid, easy 9/10 now, and very easily makes it this high on the list. Hopefully he rearranges his UK tour next year, as I’d love to hear some of this live!

Listen to: Country Country, Girl With a Gun, and Y’all Need Jesus

69 – Solence: ANGELS CALLING

After sitting with this album for a couple of months now, I’ve finally gotten on-board with serious Solence, and I really love this release! This thing is an incredible pop/alt-metal album packed to the brim with amazing, catchy-as-anything tracks. Honestly, every track is as good as the last, and the album has such a fantastic flow to it, 27-minutes going by in a flash. It has hints of early 2000s US radio-rock, but with a distinctly modern European twist on top of that, especially with the Callboy-like electronic elements and screams. Oh, and then we just get some insanely technical solos thrown in for good measure too; this album really having a bit of everything!

I’ve had most of this album stuck in my head at various points over the last two plus months, and it has grown on me more and more. They fully deserve the fast rise they are having, and I can really see 2026 being their year with the sheer amount of touring they have planned! We gave it 8.5/10 when it released, but it’s definitely higher than that for me now. A good album that’s grown on me even more with subsequent listens, it more than deserves to be rocking this list!

Check out our reaction to them here!

Listen to: Monsters in my Head, Where Were You..?, and All of the Pain Must Go

68 – Locash: Bet the Farm

The first album from the country duo in six years was more than worth the wait! This is a masterclass in bro-ish country, and is a release I’ve been jamming a lot from April all the way to now. It’s a lot of fun throughout, but also packed full of emotion, as well as some stadium-sized choruses and harmonies from the pair. And from the more Southern rock infused to the country ballads, they do it all perfectly. It’s a sound that’s definitely taken a step back in recent years but I’m so glad hasn’t died off completely. If you are into country at all, I’d definitely recommend giving this a chance, it’s impossible not to love it! And at under 40-minutes, it’s pretty short for a country release these days. We gave this a whopping 9.5/10 when it released, and if you take a listen it’s very easy to see why! If it wasn’t for country booming once again this year, it would have ended up higher, but it is still at a damn respectable point of the list!

Listen to: Hometown Home, Bring Em Back, and Shipwrecked

67 – Tetrarch: The Ugly Side of Me

The nu-metal revival continued to be in full swing in 2025, and this album was a large focal point of that! The bands third album followed up 2021’s amazing Unstable perfectly, building on everything that album laid out and coming out with an incredibly strong release overall. Every song slaps, and it makes for a fantastic, heavy, catchy just over half-an-hour! The duo of Josh Fore and Diamond Rowe is a real powerhouse, and will inspire this band continues to grow into a juggernaut in years to come. Especially if they keep continuing to grow and build on their sound, and put out better and better albums! From the crushing riffing to the massive choruses to the occasional awesome solo, it’s all amazing. It got a huge 9/10 from us when it dropped, and has been in regular rotation for me since May, easily earning its spot on this list! For anyone who’s into nu or industrial metal, or just anything around that early 2000s sound, listen to this immediately!

Check out our reaction to them here!

Listen to: Never Again (Parasite), Live Not Fantasize, and Cold

66 – The Damn Shames: Trailers on Bricks

A release recommended to me by a good friend of the company, Kyle Daniel, and I’m so glad that he did! This is an incredible Southern rock album! From the instrumentation to the incredible harmonies to the arena-filling choruses, it’s all so damn good, from start to finish. Honestly, each of these 10 tracks are as good as the last, and it makes for a super easy listen from start-to-finish! The band are all insanely talented players and songwriters, and the fact that this is their debut album and it’s of this high quality is truly amazing. This somehow only got an 8.5/10 from us upon release, but after multiple revisits over the last six months, this is easily closer to a 9 for me! If you are at all into the country or Southern rock scene, this is very much the album for you. Hopefully either scene in the UK picks them up, as I’d love to see this stuff live! I look forward to hearing where they go from here, but for now I am content to keep spinning this record, hence why it ends up pretty high on this list!

Listen to: Who Killed Rock n’ Roll?, Another Spoke in the Wheel, and Quittin’ Time

65 – Epica: Aspiral

I mean, we finally got three new parts of A New Age Dawns on this release, that alone gets it onto this list! However, the other eight songs are also just as good, too! The whole thing is an epic, cinematic masterpiece that somehow feels like it goes by far too quickly despite it being an hour. I always felt like they were one of the more underrated symphonic metal bands, but they put out one of the best albums in the genre in recent years with this. From Simone’s incredible vocals and choruses to the insane instrumentation throughout, it’s easy to hear why it’s had me hooked since April. It got a huge 9.5/10 from us, and if you give it a listen you’ll easily be able to tell why! I’m always a touch hit and miss with the genre, but when it’s done as well as this it’s hard not to fall in love, hence why it’s here and in a pretty favourable position. It’s a big undertaking, but I’d highly recommend a full listen through of the album for anyone even slightly interested!

Listen to: Cross the Divide, Arcana, and Eye of the Storm

64 – Humming Whale: Chasing Rabbits

Another debut album, and this time a fantastic blend of so many different metal styles! Somewhere between hardcore and prog metal, it’s a blend that shouldn’t work anywhere near as well as these guys make it! I already gushed over this album in my review not long ago, so I feel like cliff notes are probably more preferred, right? Incredible instrumentation, catchy, powerful vocals, great cleans and harshes, and some epic songwriting. Like it somehow combines Tool, Godsmack and Turnstile. If that sounds at all like your sort of thing, go check it out ASAP! Their creativity and uniqueness is off the charts, and I can see a huge future for them if they keep on putting out stuff of this quality. For now, I’m more than happy to keep spinning this release, an easy 9/10, and it easily made it onto this spot on the list!

Listen to: Chasing Rabbits, Waves, and Black Waters

63 – Born of Osiris: Through Shadows

This brutal slice of technical metalcore from back in July is somehow something I haven’t revisited too much since its release, but upon doing so am blown away all over again. Instrumentally this is absolutely phenomenal from the very first note; the riffing to the solos, drumming to the electronics and synth, it’s all mind-blowingly good. And the vocals too, be it screams or the odd clean, all fit it so well. I’ve really gotten into the heavier side of metalcore since the mainstream side of it has lightened up, and adding a tech and electronic edge to it is like a match made in heaven. And heck, some of it is catchy, as well as being heavy and djenty, it’s really awesome! I knew I had this album in my list for a reason, but I can’t believe I even slept on it for a few months again, even after giving it 9/10 back in July. If you are even slightly into metal, but especially modern Machine Head, Periphery or Shadow of Intent, this is one to put on immediately!

Listen to: Seppuka, Through Shadows, and Activated

62 – Lanie Gardner: Faded Polaroids

The second album from the rising country star, somehow she keeps just getting better and better! She’s incorporated a little more rock elements since her debut, and it’s made for an incredible, fun country album. And even on her slower tracks, they’re also radio-country ballads, and just as good as the rest of the songs. And even at its length, it’s still an easy listen without a bad song throughout. Her vocals are incredible, as are her lyrics, and they all fit perfectly over the instrumentation, whether it’s country, southern rock, Americana or more of a pop leaning. It got an incredibly easy 9/10 from us, and there was no way it wasn’t getting a strong spot on this list. She has such an insanely bright future ahead of her, and I don’t suspect this is the last time she’ll be on a list like this!

Listen to: Boys Like You, Boot Down, and Buzzkill

61 – Once Awake: Far Out and Beyond

I have such a weak spot for old-school melodeath this year, and the fifth album from the Norwegian quartet delivered that in spades back in April. This thing is an epic nine tracks crushing brutality, riffs, breakdowns and some huge, catchy moments to break them up. There is not a track to skip, and I’ve done it in full numerous occasions since its release. Heck, it’s so good it even prompted me to go to Derby of all places to see them live, that should be the biggest endorsement there is! For those into the heyday of In Flames or Bodom, this is an album you need to spin, you’ll surely be as obsessed as I’ve been. And it actually has our first 10/10 review of our list so far, and it more than deserves that rating! It’s a phenomenal album, and only reason it’s not even higher up is because of the sheer amount of awesome releases from 2025, and the wide variety of styles we cover. I challenge you to find me a better straight-up melodeath album over the last year or two, I think you’d be hard pressed to find much!

Listen to: Where’s All the Silence Gone, Injustice, and Kill the Concern

From the Wreckage: Do Star Circus Top Their Debut?

The NWOCR rising stars are set to release their sophomore album this coming Friday. We’ve been a fan of the band a couple of years now so this release is pretty highly anticipated for us! The pair fronting it are insanely talented and if the singles are anything to go by, we’re in for a real treat with this release!

‘Over and Over’ sets the album up in perfect fashion; the fast-paced drums giving way to an awesome sleazy guitar riff. Dave Winkler’s vocals fit perfectly over the top, it all having such a great 70s/80s throwback sound to it. It all builds to a MASSIVE pre and chorus, designed to be played to massive arenas and festival crowds. It’s an infectiously catchy track that is already firmly lodged in my ears and brain for surely days to come. We also get some awesome soloing in the middle from both the organ/synth and the guitars, once again giving the track that awesome nostalgic classic rock feel! I love the instruments dropping out for the first two lines of the last chorus too, leaving just the massive, multi-tracked vocals and really highlighting how greatly written it is. The album starts off with a very strong bang, and this an easy one to immediately make the playlist!

‘Chained to You’ picks up right where the previous song leaves off, with some awesome riffing and drumming. Once again Dave’s vocals and lyrics are great over the top of it all, too. And, once again, it all builds to one of the honest to god best choruses of the year so far. Like I cut my teeth playing this sort of music back in the day, and I can assure you this is of the highest quality of classic/hard/sleaze rock there is. It drops down in the middle, a beautiful clean guitar tone ringing through for seconds before it builds perfectly into another fantastic, swagger-dripping guitar solo. The technical ability, as well as the feel, is off the charts. And the band are so far two for two on absolutely amazing songs on this album!

‘The Wreckage’ is a little slower and heavier and darker, while still feeling very Star Circus. It is a nice change of pace, keeping the album fresh already. It still builds up perfectly through the verse and already catchy pre into the stadium-sized chorus, the harmonies on the vocals making it somehow even more catchy! It almost feels like a metal ballad more than a sleazy rock song, and I love it! Another awesome solo leads to a great stripped-back clean section, much like the previous track. It fits even better in this song, and builds up into the fantastic chorus again perfectly. What a damn good song; the album is so far three for three with hits!

Single ‘One Hit Wonder’ picks up the pace again and brings the sleaze back in full force with that riff. However, the verse immediately gives me more EOL vibes than anything, not that that’s a bad thing! It still builds up to that massive hard rock chorus though, the parts all fitting together surprisingly well. It follows the standard formula the others have to this point in terms of structure, but once again feels pretty different to the other tracks, keeping it constantly interesting. And, shock horror, it’s another awesome song!

Another single, ‘Turn the Tide’, takes a surprising turn into more of a folk sound, again not that I’m complaining! The more acoustic-style riff to open is awesome, and the track builds through the instrumentation and lower vocals perfectly into a big hard-rock-ballad chorus. It’s an ear-worm of a chorus if I’ve ever heard one, too. The solo is another great one too, fitting the tone of the song perfectly, yet another example of the band’s incredible writing skills! The fact that yet again the album has changed up feel and pace so effortlessly is amazing, and we’re only halfway through the thing!

The bass intro to ‘Destiny’s Door’ was nice, and the main riffs actually give off big early Maiden vibes. It’s a pretty bass-driven track, which again is something different for the album, and is another dip into the more traditional hard rock sound like ‘The Wreckage’. I feel like it’s redundant at this point to mention how awesome and catchy the choruses are. Dave is a master at writing and singing/producing them, and every single chorus on this album is banging. And THAT chorus after the chorus… DAMN. The more Egyptian work from the guitar throughout is actually incredible, blowing me away with yet another style. The whole thing so much instrumentation and is all just 80s Maiden, and it’s yet another huge highlight of the album.

Songs like ‘Masquerade’, ‘Last Dance’ and ‘Floodlight’ somewhat thankfully chilled out just a little, still being fantastic but fitting a little more into the formula of the band at this point so my mind doesn’t end up in pieces all over the floor yet again. Having said that, the former does have some slight folk/power metal leaning, and I assume has some Sophie vocals on it, which also sound fantastic. Meanwhile the latter goes back to more of the slower, menacing-like ballad sound that the band do so well! As I said, all songs are good, but are styles that have all been done on the album at this point so I want to avoid repeating myself too much as this review is pretty long as it is. Still, all three of the songs are awesome and well worth checking out!

The final track on the album and the most recent single, ‘Two Odds Make an Even’ is somehow an amalgamation of everything that’s come before it, in the best way! It’s a ballad yet still has both heaviness and sleaziness in equal measure, and is packed full of awesome riffing, soloing and big choruses. It’s another awesome song that kinda gives me Gypsy Pistoleros vibes! It’s a great way to close out such an album too, going out with a bang (although damn do I hate a fade-out)!

Overall: This is a phenomenal album1! I love the band so was expecting good, but this blew all my expectations out of the water! It really is banger after banger, without a dud track throughout. And as I’ve said, the band constantly keep it interesting and change it up a fair bit, making for a truly engaging listen. The band have been going from strength to strength on the live circuit, and this album may quite easily push them up a level or two! A must for an rock fans out there, and an album I’ll be spinning for months to come!

The Score: 9.5/10

Shiraz Lane: ‘We promote peace, love and Rock ‘n Roll, what you see is what you get!’

We caught up with the awesome Shiraz Lane at Call of the Wild festival a couple of weeks ago. Join us as we talk about their new music, the scene here compared to Finland, and much more!

P.S the video isn’t up on YouTube as the audio was a little up and down and hard to understand. If y’all ask me enough, though, I’ll happily throw it up on our Patreon for free!

How was it to be invited back after last year?

Last year we actually came here because we were touring with Crashdiet. And since we were in the neighbourhood we told the people here ‘we could come here for free’. Then we played played and we were the talk of the town. And naturally, being me, I like to talk to the organisers and everything. So I was like ‘look at the crowd. Listen to the crowd. I think we both agree that next year we’re gonna be back’. He was like, yeah. So here we are!

And then tonight we did this, and you saw the crowd. So I still haven’t talked to him but I will. So maybe next year! Fingers crossed!

And what’s it like being inducted into this UK NWOCR scene?

It’s great! It’s crazy, literally. In Finland it’s all about metal. We have like two rock bands. So for us to be here, for us to get to play for these people, we’re so grateful. Like I’ve said, hopefully we can be back next year. We need it as much as you need it. So, that’s why we’re here. We don’t have this in Finland.

What is the scene like in Finland?

There is no scene. We don’t have a scene. There used to be a scene but it’s kinda dried out. It’s not as good as it used to be. We just had to make our way through other means, abroad and things.

Also, we’re literally singing in English, or American as Americans call it, which does not have the same effect in Finland. It’s not the native language. So I think we are more appreciated here and abroad in general. It’s just different. It feels like the way the music business works; you’ve got two big bosses that own most of the festivals, most of the radio, most of the TV, so you know exactly what that means. And with them, it’s easier to do everything in Finnish. We do have one song in Finnish as well, though! That was cool, that was for a TV show we did. But that’s for a different time.

Have you managed to do much in America, then?

We actually just got back from the Monsters of Rock cruise! We’ve done two of them, and right now we’re planning a South American tour for this year. Then we’re planning some shows in North America next year. Then there’s a thing that we can’t say about Monsters of Rock but let’s just say that we shall be back!

So you guys put out an album last year, right? Are we working on new music already?

We have a dozen songs ready. So we just moved into our new studio space, which is huge, and it allows us to do everything we want to do. What I’ve realised in this market era, is that you need the right kind of group around you. So you have the music. Then you have someone who does the photos and the videos and all the social media content. And that’s exactly what we’re going to do now. We’ve been very lazy. We’ve come so far with organic growth, but now in this moment we have a rehearsal space where we can shoot things like covers and videos without anything being too serious. We can just do it. And that’s what the fans want. And that’s how the YouTube world will find us.

I must admit that I hate the social media side of it. We struggle with it a lot. I mean personally, I don’t see YouTube as social media, it’s Instagram and Facebook and Twitter, though Twitter is more about fighting. ‘This is my opinion and your opinion is wrong, fuck you!’ But yeah, as a fan I want to do more of the video content stuff.

But yeah, we have a dozen demos ready. But we want to get a load together, like three or four dozen demos, and then we’ll see what we want to do, pick out the best ones. What we want is the right team around us to promote that we are Shiraz Lane, we promote peace, love and Rock ‘n Roll, what you see is what you get. So we need the right kinda team for that! And that’s why we’re doing things like this, to make friends to help out!

Are we looking at next year sort of time for the album, then?

We’ll see! Like I said, the goal is to like what we’re releasing. We’d normally have the songs for an album but do we just want to release an album or do we want to release an album. When we released Vibrations Pt. 1, the only reason we did it was so we could release Pt. 2, Pt. 3 etc. We feel like we have the songs, but right now we want to give something to our fans. We want to record an album and have a video for every single one of them, then put it all out for people to enjoy, and have them enjoy it live as well.

We’re gonna release an album when we have all songs that we’re content with and that fit together well. We’ll see when that time comes. But especially in this modern age as people, they’re all about fast-food music. ‘I want it now!’. They seem to have forgotten what goes into creating the art. What I’d like to do, depending on what happens, is put out an EP, album, whatever comes. But I think we need content right now, and then the album when the time is right. We just want to give our followers something new and cool.

And do you guys have a plan for the next say five years?

Actually we’ve been so fucking bad when it comes to this! So we always go with the flow and last year we realised, this is shit. We all work day jobs, naturally. You don’t make money looking like this and doing this stuff! Not in this age. But I’m hoping everyone finds their passion not just in music, but outside of it. It builds perspective and helps the music. For me, I do vocal coaching. But then we also need a month of us just all in the same room together!

We need the right people around us not just in Europe but in the UK, South America, Japan, everywhere! Step by step. Our goal is to just get in the face of everybody, really.

Are you planning any more gigs over here?

We’re hoping to! I can’t say that we’re planning but we’re hoping today that we’ve made lots of connections. I’m here to have fun but through playing you’re trying to make more connections so you can play more. So we’ll see. I can’t say anything but I’ve made some connections here.

And do you have a dream tour lineup you’d want to be a part of?

Okay, so I’m gonna go with Shiraz Lane headlining, obviously. But I’d want Hardcore Superstar and The Cruel Intentions. And do a co-headline tour where all the bands exchange spots throughout. I love these bands, and I think it’s something that should and would work.

This one is more of a dream, but Guns N Roses, Hanoi Rocks and Shiraz Lane. Original lineup GnR, but if we don’t have it, any lineup. Maybe actually the Use Your Illusion lineup. I’d also add Skid Row from 1990 before Sebastian Bach went a bit rubbish.

Skid Row and then Michael Jackson being the headliner would also be cool. MJ from the Bad era. Toto from the 80s too!

The Top 10 Most Underrated Guitarists

Guitarists are some of the most respected people in rock music. However, there are some that don’t get the credit they deserve. Whether it’s them being more on the unknown side or being associated with bands not universally liked, it has meant that some guitarists don’t always get the praise they should do. So, we thought we’d do a lost of ten of the most underrated guitarists of the rock world. Check it out down below and let us know if you agree!

10: Wes Boreland

Starting out with a slightly more obvious one. I have seen praise for the guy, just nowhere near as much as there should be. Yes, the riffs he writes for Limp Bizkit aren’t the most technical of things. But damn if they aren’t all great. Just have a look at the video below and tell me that this isn’t damn impressive and entertaining. And that isn’t even mentioning his solo stuff, which is just as weird but just as damn impressive. The whole band get far too much hate considering how talented each individual member is.

Check out our review of Still Sucks here

9: Kirk Hammett

I thought I’d get the most hated on guitarist out of the way early. Whether it’s him using too much wah, having to live up to Dave Mustaine or just generally being a part of the worlds most-cool-to-hate metal band, poor Kirk drew the short straw for sure. But the man is far too heavily criticised. He has written some of the best solos in metal history. From the likes of ‘The Unforgiven’, ‘Fade to Black’, ‘One’ and even more recently with stuff like ‘Judas Kiss’, all have been great. Yes, he likes to use the wah peddle a lot, but it does give him his own distinctive sound and honestly it works perfectly. While not being one of the core songwriters of the band, his contributions to the biggest band in metal are still legendary, and he deserves a lot more credit for them.

8: Myles Kennedy

Do I need to say any more than that solo in ‘Blackbird’? The rhythm guitarist of Alter Bridge often gets overshadowed by arguably one of the best guitarists of the current era in Mark Tremonti, but to sleep on Myles is a big mistake. His blues playing is off the charts and makes for a really interesting writing style when it comes to their hard rock/metal music. And he’s show plenty of versatility too, playing with Slash live at most of their shows as well as releasing two completely different solo albums. The man is insanely talented and not talked about enough when talking about great guitarists.

Check out our review of The Ides of March here

7: Mick Mars

While Motley Crue are another band that are rather unjustly hated on, it can be said that they are not nearly as talented as Metallica. However, Mars is definitely the most talented member of the glam band. I mean heck, just listen to the intro of ‘Live Wire’ and tell me he isn’t fantastic. While he isn’t hated on anywhere near as much as some of the others on this list, he simply isn’t talked about at all, which is a real shame.

6: Michael Paget

A more modern guitarist now, and one from a rather intriguing band. Exploding onto the scene in the early 2000s with some blistering riffs and solos, Bullet for my Valentine were touted as the next big thing. However, after a couple of dud albums (and a couple of great ones) they have cooled off dramatically. However, what has never changed is Page’s incredible playing. Whether it’s the punchy riffs and breakdowns of ‘Scream Aim Fire’ or ‘Knives’ or his amazing soloing on ‘Alone’, ‘Army of Noise’ or their iconic ‘Tears Don’t Fall’, the guy is a massively underappreciated technical player. If only the band hadn’t taken a hit in popularity, he may have had the respect he so sorely deserves.

Check out our review of Bullet For My Valentine here

5: Phil Demmel

Joining Machine Head after the questionable Nu-Metal days of the band was always going to be a hard thing, but to say Demmel made the most of it is a massive understatement. While 2003s Through the Ashes of Empires was already written by the time Demmel joined the band, he sure put on one hell of a performance in the studio. And from there he went to feature on a run of albums that is hard to rival in terms of quality. The praise heaped on The Blackening speaks for itself while Unto the Locust is a worthy follow-up from a songwriting perspective. Meanwhile, Bloodstone and Diamonds remains my favourite album the band have put out, a versatile, underrated gem (pun intended). And I haven’t even mentioned his early work with Vio-lence yet! A true underrated guitar god. The whole track below is a guitarist’s wet dream.

4: The Trivium Guys

Okay so a slight wildcard entry here as it’s a twofer, but it’s hard to say just the one of the Floridian metal titans. Matt Heafy and Corey Beaulieu complement each-others playing styles perfectly at this point, and Triviums albums prove that. Just go and listen to any of their last three albums, or any of their albums at all in fact, and tell me that they are not both incredible players. We all know The Crusade set them back in popularity in a lot of the fans eyes (I don’t know why, it’s a great album) so much like Bullet they are simply not as popular as they should be. But their guitar work on In The Court of the Dragon alone is some of the best I have heard, and the fact that no one is talking about it is why they make it onto this list.

Check out our review of Court of the Dragon here.

3: Dan Sugarman

The most relative newcomer on this list. He makes it so high up due to the fact that a lot of people I talk to don’t know of him. I have raved that much about Ice Nine Kills recently that I shall spare you another lecture, but their newest guitarist is VERY good. Just check out this video of him shredding to Assault and Batteries. The guy isn’t currently playing live with them but I can already tell he’ll knock it out of the park, if his studio stuff is anything to go by. Everyone go out and listen to Horrorwood now, you won’t be disappointed.

Check out our review of Welcome to Horrorwood here

2: Mick Thomson

Not even being the most appreciated guitarist in your own band must be hard. While Jim Root is a phenomenal guitarist and songwriter who definitely deserves all the praise he gets, his bandmate often gets overlooked. However, just listen to his solo on ‘Psychosocial’ or that BEAST of a riff to open ‘Surfacing’ and you will understand just how good he is. For a guy who seems to be the least appreciated out of EIGHT other band members, he is far too good to not get any credit. The video below of him recording some of the stuff for their 2008 album speaks for itself.

1: Jake Pitts

Yes, I know, but before you go hear me out. Yes, Black Veil Brides get a LOT of hate online, and for some parts rightfully so. The band are forever-pandering radio rock, trying to appeal still to this day to the disenfranchised teenagers of the world, the ones who hate mummy and daddy especially much. However, beneath all the edgy lyrics and makeup is a damn good guitarist, and one who is almost wasted in BVB. Jake and Jinx are both fantastic rhythm players, but Jake’s soloing in the likes of the video below is fantastic. It really goes to show why the band get as much hate as they do. It certainly isn’t because they write bad music. It’s a real shame because it makes the rest of the band underrated, hence why Jake is at the top of our list!

And there we have it, our list of the top ten most underrated guitarists in rock. Did we miss any? I imagine we missed a bunch and can’t wait to be told about it! You can do so on our Facebook here or our Instagram here. And do let us know if you enjoyed this list and want to see more. I enjoyed the hell out of writing and researching this and if you want more I’ll gladly make it a regular feature! Heck, I’ll even do video ones, if you really want…

New Music Mondays: IDLES, L.A. Guns and More!

An interesting week of New Music Mondays this week, with nothing MASSIVE being released but a lot of truly solid bands putting out new albums still. Six bands and six albums in total, ranging from rock to death metal. Without further ado, let’s get on with it!

IDLES: CRAWLER

Indie/alt rock band IDLES return with their fourth studio album this week, CRAWLER. Considering the last one peaked at #1 in the UK, safe to say the expectations were pretty high for their follow-up. I can’t say I’d listened to them at all really up until now, but I definitely enjoyed a fair amount of what I heard. Tracks like ‘The Wheel’ and ‘Stockholm Syndrome’ reminded me of old-school, Ramones era punk stuff, while lead single ‘The Beachland Ballroom’ and ‘Progress’ shows off their more pop side. It definitely got a little boring for me by the end due to their limited range and sound, but it was okay to stick on in the background and tune into when something good happened! 7/10

L.A. Guns: Checkered Past

Former G’n’R founder Tracii Guns returns with his glam metal band, L.A. Guns, and their third new album in three years, Checkered Past (yes, it’s actually spelt that way, I hate it too). The singles have a surprising amount of country twang to them but they definitely let things get a little heavier with their album tracks. It’s a fun album overall, just not necessarily the sort of style I was expecting from the band. Highlights include ‘Get Along’, ‘Bad Luck Charm’ and ‘That Ain’t Why’. 7.5/10

Emigrate: THH PERSISTENCE OF MEMORY

Rammstein axe-man Richard Kruspe brought his industrial side project back for a fourth album this last week. It’s weird, but of course it was going to be. I mean heck, the second track is a metal cover of Willie Nelson’s ‘Always on my Mind’ with his Rammstein friend Till Lindemann, so that alone should give you a scale of the weirdness. In all though, it’s a damn enjoyable album. ‘FREEZE MY MIND’ is another great track on the album, as is ‘HYOTHETICAL’. 7/10

They Might Be Giants: BOOK

There are a lot of capitalised album titles this week… just saying. Now, onto the least rock band we have covered so far… I loved this album. ‘Rock’ duo TMBG released their 22nd album last week and is a 40+ minutes of bouncy, feel good music, even if the lyrics usually aren’t. ‘I Broke my Own Rule’, ‘I Can’t Remember the Dream’ and ‘Super Cool’ are all great tracks if you are into this sort of music. If not, stay tuned for the heavier stuff next, but if you are, you’ll be glad to know I’m giving it a solid 7.5/10

Unleashed: No Sign of Life

Picking up the pace immediately are Swedish death metal titans Unleashed. Now 14 albums deep into their career the band have long since perfected their sound so this was more of the same. If you like this band or death/thrash metal at all, you’ll love this. Highlights include opening track, lead single ‘Where Can You Flee?’ and the track below. 7.5/10

Silent Planet: Iridescent

Last but not least this week we get American metalcore band Silent Planet and their fourth studio album, Iridescent. Coming into this completely blind my first impression was that it’s a lot heavier than most metalcore bands I am familiar with these days. It struck me as more of a hardcore album outside of the clean vocals. It was okay, I guess. I wouldn’t say it was anything special either, though. All the tracks were just kind of there, and very little (if anything) stood out to me. ‘Panopticon’ was maybe the best among them and showcases what this album is about the best, so check it out if you’re interested and see if you enjoy it more than me. If not…. 4.5/10

And there we have it. As I said before, it’s not been the biggest week ever in music and we have a couple of bigger weeks coming up before the end of the year, but it was pretty solid with most albums being at least enjoyable. Good but not ground-breaking, but that’s all one can really ask for!

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