Tag Archives: interview

Idolvein: ‘We have a pretty ridiculous bank of demo tracks!’

We had the pleasure of chatting to the amazing alt-metallers Idolvein about their recent single output and their tour! Check it all out below!

How would you describe your sound?

Pretty eclectic really. Whilst we always aim for something catchy that’s going to separate us from the next band, we’ve written various tracks across the rock and metal spectrum. We’ve ranged from some frenetic tech metal, synth-led style material to some more post-hardcore/hard rock style tracks too. Our latest single even takes a lot of influence from blues guitarists and some soundtrack style stuff, so we never feel particularly compelled to limit ourselves to a specific sound.

You dropped “Where We Became Spirits” nearly a year ago, how has it been since then?

It’s been good! The tracks on that EP were really just a way of us establishing our sound and the overall aesthetic we’ve wanted to use to present this project. Since then, we’ve tried to build upon what we started with those songs, creating a diverse group of singles that are releasing throughout 2026.

You also just dropped a new single the last couple of weeks, right? “Enrapture Me” seems to be doing really well!

Thank you very much! The response has been great so far and people seem to be enjoying the change-up in vibe. Whereas our first single this year “Today’s the Day I Die” somewhat bridged the gap between last year’s EP and the sound we’re starting to develop now, this latest track feels like a bit of a standout because it’s a lot different to what we’ve previously released. Whenever we’ve played it at a show, it’s tended to grab attention as it usually tends to be the most atmospheric song on the night and feels pretty unexpected at a metal show.

Is more writing still going ahead now?

With the recording of all this year’s planned releases now complete, it is something we’re  beginning to start actively looking at again. We have a pretty ridiculous bank of demo tracks that’ll likely be worked on further, plus we often have new riffs and ideas circulating between us all the time. It probably won’t be too long until we’re starting to consider the next step with recording more material.

What is the writing process like for the band?

Historically, it’s started with either Jack or Caelan bringing some form of instrumental track to the table in the form of a demo. This then gets shaped and potentially restructured by whatever vocal parts come next, then it’s a collaborative effort between everyone to finalise their parts before the song’s recorded in the studio. There are obviously exceptions to the rule where someone may take the lead on putting pretty much everything together, but usually it’s a little more collaborative.

Had quite the run of shows already, right? I saw some photos from both Derby and Notts, looked like great gigs!

They were good fun! Those were our first two shows of the year. In Nottingham we opened for WREX alongside Ruena, who both put on an amazing show. In Derby we celebrated the release of our first single of the year, so that was cool as well. We brought along an Idolvein branded Costco cake for everyone to chomp on too, so that definitely helped bring the vibes.

Busy rest of the year planned in terms of shows? Saw the co-headline with Endscape, how was it?

That was a great tour! We had a lot of fun playing alongside those guys and we hope to see them on another show soon. Later this month we’ve got shows in Cheltenham with Black Orchid Empire and Mansfield with Syncolima, both of which we’re very excited for, plus a tour in July with our friends in Infirm of Purpose. There’s some more stuff planned for later in the year too which hasn’t been announced just yet. It’ll be an exciting rest of the year!

What do you think of the state of the scene currently?

It’s a tough one because there’s so many great bands out there, plenty of which we ourselves  have been fortunate to play with at this point, but the nurturing of both live and original music has dwindled so much over time that a lot of bands are struggling to justify the time, effort and resources required. We’ve thankfully managed to land on a pretty cohesive group where we’re all looking to move in the same direction, but even a strong collective can struggle when the current landscape so heavily favours the soulless pursuit of social media acknowledgement in  place of artistic integrity. That also doesn’t begin to factor in the growing number of AI tracks finding their way onto platforms and generating horrifically large numbers of streams from unknowing listeners.

With that said though, there’s enough talent in the scene, plus support from publications like yourselves to help overcome the growing challenges and turn the tide!

Do you have a dream tour lineup you’d want to be a part of? Anyone you’d want to support or friends you’d want to bring along?

The obvious heavy hitters right now would be touring with bands like Bring Me the Horizon and Bad Omens, but it’d be cool to have some sort of all over the place all day event. Us and Endscape can open up the day, then Giant Walker, Lowlives and The Five Hundred, probably Philip Sayce to bring some blues licks, after that Novelists, Bilmuri, Meshuggah, Bring Me the Horizon and John Mayer, then Tate McRae to end the night with some pop vibes. Stylistically very cohesive, of course…

If you could have written one song from history, what would it be and why?

Probably whatever’s got the highest streaming numbers right now. We could use the royalties to fund some more stuff for the band and record more of our music! Otherwise though, something like ‘Everybody Wants to Rule the World’’s always a good shout. Generational tune.

Thanks very much for taking the time to interview us! We always appreciate anyone who takes an interest in our band. If you’d ever like to hear some previews of our upcoming tracks or projects we have coming up, please email us at deceivedaudio@gmail.com. We’d be more than happy to share new stuff for any early access reviews, interviews, etc. Thanks again!

Caelan, Ryan, Oli and Jack – Idolvein

All the Damn Vampires: ‘A blend of synthwave and alternative metal with a hint of goth!’

We had the chance to sit and chat to the amazing Davey of All the Damn Vampires! Check out as we talk about his latest album, their live plans and their hopes for the future!

What inspired you to go with a throwback-style sound for the band? 

I’ve always been a big fan of cinema, and the way music elevates what you’re watching. I feel like the 80’s and 90’s had some of the most impactful scores, and some of the best music in general, so I wanted to take a little bit of that feeling and apply it to my sound. 

Are we saying Vicecore is the name of the genre itself, now? It’s certainly a fitting title!

Yes! VICECORE is what I’m coining as the genre. A blend of synthwave and alternative metal with a hint of goth. 

What is the writing process like for you?

The process usually starts with a scene in my mind, maybe even a setting. For example, a cliffside ocean view at sunset waiting for the bad news but remaining hopeful. From there I’ll start playing and experimenting with various melodies that elicit emotion in me in the right way, and synth becomes the foundation. I build from there, and with VICECORE I find the right spots to tastefully add in guitar. The next most important thing is writing or collaborating with a singer to find the perfect top line to fit that vibe. 

What was it like getting to work with so many awesome guests on this release? 

It’s such an honor not only to work with so many great artists, but to also be able to do something I love and think is cool with friends. Finishing a track and leaving that space open for someone I respect and trust to add their part of it, is not only exciting, but very cool to listen to once it’s all comes together. 

Is there more writing still going on behind the scenes? 

I’m finishing up an album of remixes and reimaginings with friends, and I already have several new songs written and ready to go in the pipeline. 

Saw you recently got announced for Darker Waves, that feels like the perfect fit! 

It really is. I was super sad last year when it was announced, and that we weren’t on it. Especially it being a hometown show. Understandably so, as it wasn’t public knowledge that ATDV was performing live yet. When the festival reached out to me to offer us the spot, it felt really really honoring and cool. We’re very excited for this one. 

Have you got plans for more touring to promote the new album?

Absolutely, we are working on the live show right now, and then we will begin booking a slew of shows. 

Any plans/hopes to come over to the UK for a show or two? 

Definitely. I know we have a lot of listeners over there, and I always enjoy playing in the UK. I’d love to come over and put something together with Sunglasses Kid, Pensacola Mist, and Wolfclub. 

You seem pretty good on the social media side of things, any advice you can give to other artists just starting out with it?

Honestly, I feel like I’m terrible at it haha. I think the most important thing is consistency. Just post frequently, and around the same time. It might not be your greatest content, but  just content in general is valuable in larger quantities. 

Do you have a dream tour lineup you’d want to be a part of? Any bands you want to support or friends you’d want to bring along?

Obviously Korn and Avenged Sevenfold. One band, Korn, I had the pleasure of playing in live for many years, and the other, A7X, long time dear friends who I’ve also had the pleasure of releasing a song with ((O)rdinary Synthwave Edition). I know we would have a blast, and the respect, and support among musicians and friends with these camps would be such an incredibly rewarding touring experience. 

If you could have written one song from history, what would it be and why?

It’s hard to desire something that isn’t mine to have, but I would be pretty proud if I had written ‘Sweetest Taboo’, or ‘No Ordinary Love’ by SADE. Both such timeless classics, with incredible melody and vibes. 

Yonah: ‘I think the scene now is defined as more “indie rock” but there’s still folks doing the thing! I think the scene now is defined as more “indie rock” but there’s still folks doing the thing!’ 

The incredible indie rocker Yonah released his massive debut album today! Ahead of it, we sat and had a quick chat about it, the scene in New York and his touring plans! Check it all out below!

How would you describe your current sound?

I’d describe it as a reflection of my current taste, which is everchanging. My record Bird of Miraclesis rooted in my first major influences, which were mostly folk/indie rock music, but I like to think of my sound as something I can experiment with and mold from project to project.

How did someone from Manhattan get into writing this style? It’s not typically something I’d associate with the area as an outsider! 

I have to give credit to my mother for this one! I grew up listening to two records until I got my first digital device when I was 11. We had an old Subaru Outback that my great grandmother used, and we would listen to a perpetual rotation of Bob Dylan’s The Freewheelin’ Bob Dylan and Billy Joel’s Songs in The Attic. When I started playing guitar, my only reference for chords/style was Dylan. I’d also have to disagree slightly that New York is not the typical scene for this music–my major influences come from Bob Dylan, Joni Mitchell, and Elliot Smith, who are all artists that spent a significant amount of time in New York. I think the scene now is defined as more “indie rock” but there’s still folks doing the thing! 

The album is out at the end of the month, it seems to have some quite heavy themes, right? 

Yes indeed! I think writing about the songs is heavier than the actual process. I didn’t really conceptualize the weight of what I was writing about until after looking at the songs in hindsight. It’s about death and god and identity. Arguably the top tier heavy topics of this lifetime!

What went into the decision to release an album over another EP or standalone singles? 

I had a concept and I really didn’t want to bend to “the norm.” I understand it’s a risk but catalogue depth and vision is important to me. I prefer to test something I am truly proud of than run a bunch of tests. At this point I’ve also been working on a bunch of new music and have a ton of stuff I’m super excited to release following this record. I think I also just needed to do something substantial to mark this time of my life. It’s really an ode to much of my past and it would feel wrong to wait longer to talk about it.

Do you have a favourite track on the album, and why?

My favorite track varies between 2-3 songs but if I had to choose one it would be “Bugs Blood.” It was the first song I wrote for the album and, in a sense, it laid the foundation for the entire project. It’s about feeling small as a bug in the eyes of god, and it is my most religious song I’ve written. It also ended up being a pretty hard song to produce as we had to experiment with how “intimate” the record version should be. I had played this song mostly myself and a guitar until bringing it to Harper James (producer), and it became a holy puzzle to solve. In the end I’m pretty stoked about how it turned out.

Is more writing still going on in the background?

Always, it never stops, haha! I am addicted to working on new material and it’s a problem. I have the entire follow up record demos ready and I am compiling a bunch of single options/collaborations with new producers. 

Do you have a busy live year planned to promote the album?

To be honest I couldn’t tell you what is in store other than for April. I’m hosting a house show for an early listen to the record and playing a show the night it releases. What comes next will be planned after. It is difficult for my brain to plan more than a couple shows at a time independently as I like to make my shows as intentional as possible. I’d like to start touring as soon as possible but for now the focus is local.

Any plans/hopes to come to the UK for a show or two?

Huge hopes, unfortunately nay plans. If someone can get me a gig I’d be there in a jiffy (DM’s wide open)!

What is the current scene like in NYC for this style of music? 

I think the major breakout act in the city is from Hudson Freeman’s project. When his album came out it helped me feel like this style of music doesn’t exist in a total vacuum. There are artists and bands that I really dig in the city that I think are somewhat close to my vibe, such as Babe City, Robert Leslie, Ken Park, and Mer Marcum. It’s not the most straightforward sonic reference but I think my music lives somewhere in the in-between.

Do you have a dream tour lineup you’d want to be a part of? Any artists you’d want to support or friends you’ll bring with you?

YES. I am deeply in love with the band Babe City in New York. Recently a buddy of mine showed me their music and I fell in love. I really hope to play with them. I also recently made a friend by the name of Arin Reedy who makes the most beautiful music and I think it would be so fun to collaborate or tour together. Big dream tour would be to open for Big Thief or Adrianne Lenker, Cameron Winter, or MJ Lenderman.

If you could have written one song from history, what would it have been and why?

Wowow, I love this question. Probably “I’m On Fire” by Bruce Springsteen. Every time I listen to this song I think to myself “wait, I am on fire. I’ve been on fire. And I would’ve been even more on fire in the 80’s.” I like the idea of making a revolutionary song.

AK and the Red Kites: ‘It’s quite an organic process really, no one fix way!’

We had the pleasure of chatting to the man himself from the blues/hard rockers ahead of their debut albums release next month. Check out the interview below!

The album’s out in just a few weeks time, right?

Yeah, 8th May, like the classic Mötorhead song! It’s easy to remember!

Is there an overarching theme to it, or is it more on an individual song basis?

It’s more of an individual song basis. It’s very much song driven so each stands out, which was very much the idea. Rather than having an overarching concept it’s more songs that stand up in their own right, I think! It’s very much song-driven, though the do go together nicely!

And there‘s four singles out of it now, right?

Yeah, ‘We Belong’, ‘Cosmic Train’, ‘Karmic Rituals’ and ‘Broken Love’ have all been released. We just released two singles on the same day, which might be a bit nuts, but we decided we would!

What went into the decision to drop two at the same time?

I don’t know really. One of the reasons is we’d already decided to put out ‘Broken Love’, and then there’s also a sync deal with Sony extreme that’s going on in the background. We just decided to drop one of those songs from that sync deal as well! So it was just to get it out there so people could sync it and stuff, really. ‘Why don’t we do both?’, and we did!

I feel like it’s harder than ever these days to work out when to drop new music, especially during an album cycle!

Yeah, for sure! We already had the plan anyway, ‘Karmic Rituals’ was almost sort of a bonus single! We’re generally putting stuff out every six weeks until the album, there’s another single two days before, on a Wednesday which is weird! It’s the title track of the album.

What went into the decision to put out an album at this point?

I think it was about finding the right time. The EP [Proverbial Storm, 2024] and the album were recorded as part of the same sessions with Mike Compus in Barnsley. It was a studio he was sharing with BMTH, they had a room in the same complex. I was going up there pretty regularly, we did it over a series of months. Then it was just deciding what to do with it. We released the EP and sorted the sync stuff out in the background and we’ve eventually just gone ‘here it is, this is the right time’.

What’s the writing process like for you guys?

It’s evolved. I do generally write a lot at home, and get a lot of the ideas. Then some of the stuff is worked out in the room. Someone will just play something, warming up or sound checking, and everyone joins in and you go ‘oh, that’s pretty cool, why don’t we do something with that!’. So it’s quite an organic process really, no one fix way. Sometimes it’s difficult, you’re not feeling very inspired. Other times it seems to be flying out everywhere.

I feel like listening to a lot of different music helps. Stuff out of your normal kinda box. For me it’s blues and classic rock and modern takes on that. But, I find if I just listen to that I get a bit stale. So I’ll go away and listen to Taylor Swift or folk music or anything, just stuff you wouldn’t tend to really listen to and it wakes something up, it comes back!

I think over the last few years it’s also become so much easier to incorporate elements of different genres in your music.

Oh yeah, there’s a lot of fusion going on. I think that’s partly the digital thing, with everything being so readily available. It’s not like the old days where you had what you had and listened to the one genre, you can find all this different music out there and it influences everyone across the board.

Is there more writing still going on in the background?

There’s new stuff, definitely. We’ve actually been in the studio recently and done a couple of tracks that are sounding cool. That will continue and could very well be the sessions from the next album. We’re always writing, though!

Are you doing much with Dust Coda at the minute?

Yes and no. We have an acoustic gig in a couple of weeks. It sounds alright! We will be looking to do another album but due to personal circumstances in the background we haven’t managed to do much. We will get back together soon though and doing new stuff!

Are there any different approaches you take to writing for Coda compared to AK?

No, not really! The writing process is largely the same, and then it’s the same sort of thing really, getting in the room with ideas. Then I do my best to do some Dust Coda-y sort of stuff!

Do you have a favourite track from Hotter than the Sun?

I like them all, to be honest. I treat them all as my children. But I think maybe the title track, it’s just got a nice bass groove and has a laid back feel to it. I like ‘Broken Love’ as well, it’s really high energy and tempo, it’s fun to play live! But yeah, there’s none on there that I’m like ‘oh, I don’t like that one!’. It’s not always the case!

You’ve got a bit of a busy year planned, right?

Yeah! Coming up to the release we’re going out around the UK on a kinda tour. Doing a couple of festivals and up north and London. We have a hometown show, the album release, on May 9th. We’re out and about! And we’re looking at doing some more a little bit later in the year, and a few Dust Coda bits as well! Spinning the plates really and see what happens!

Caroline Romano: ‘The project as a whole sort of narrates that story from start to finish!’

We chatted to the amazing alt-pop artist Caroline Romano the other day about her latest EP and plans for the future! Check it all out below!

How would you describe your sound these days? 

I would describe it as a mix of alternative pop, with some organic band elements at times. It definitely swings between rock and mainstream pop.

The EP just dropped! Is there a certain theme or story behind it, or is each individual track a separate story? 

The entire EP tells the story of my experience falling in love for what felt like the very first time. In that process, I realized why all of my previous heartbreaks and “falling” into the wrong relationships were so necessary. The project as a whole sort of narrates that story from start to finish. 

What is your writing process like? Is your band involved at all? 

My writing process looks slightly different for each song I write. I’ll often start with a lyric or a concept I’ve written down in my phone, then go into the studio with a producer to build the track around that idea. Other times though, it will start with a track, and the lyrical idea will be written based on that. I’m very fortunate to live in a city like Nashville, where I’m able to collaborate with so many talented producers and instrumentalists. My band for the most part isn’t in the room when I write and record songs, but I definitely keep their specific parts in mind when writing, as I think that plays a big role in creating a fun live show.  

Do you have a favourite track on the EP?

My favorite track from the EP is “There It Is.” It’s a song that’s super personal to me, and one I’ve been waiting my whole life to write.

What went into the decision to release an EP instead of a string of singles or even another album?

The decision to release an EP came from listening to this collection of songs I had written, and realizing they all played a part in telling the same story. I think an EP was the perfect length to tell that story as well. 

Have you planned a busy year of live shows to support the release? 

Yes! I just played my very first Nashville headlining show on release day, and I’m working on some exciting other live show opportunities for the rest of the year. 

I saw you recently did a tour vlog, is that something you’d look to continue? It seems so hard to keep up the content grind these days!

I absolutely love touring and the process of getting ready to play a show each night. I’d love to continue doing tour/show vlogs, as it’s content that I genuinely enjoy making. It can be hard to balance everything on a show day, but looking back, I’m always so glad to have it documented. 

Any plans/hopes to come to the UK for a show or two soon? 

I don’t have any immediate plans to be in the UK, but it would truly be a dream come true to play there soon!  The second I’m able to make it happen, I’ll be over there. 

Do you have a dream tour lineup you’d want to be a part of? Any artists you’d want to support or friends you’d want to bring with you?

There are so many artists I’d absolutely love to tour with, so this is a tough one. Lorde, Erin LeCount, Paramore, and Taylor Swift are all artists I’d absolutely love to open for. And I have so many talented friends I’d want to bring with me, like Sierra Annie, Carter Rubin, and John Harvie. 

If you could have written one song from history, what would it be and why?

Oooh maybe “Blank Space” by Taylor Swift? I think that is as close to perfect as a song can be written, and it also just played a major role in my childhood.

RiotWeekend: ‘I couldn’t care less what box it goes into aside ‘is it good’!’

We had the pleasure of chatting to the amazing alt-rock/pop-punkers RiotWeekend about their upcoming sophomore EP, their future plans and the state of the scene. Check it out below!

How would you describe your sound?

It’s a hard one to pin down! I joined the band in October ‘24, and listening to their first EP and learning the stuff, you had two very distinct sounds to it. The heavier and the more pop punk sound. We were recently on BSBTV; we won song of the month back in November and they said we can’t put an influence on this, they sound like RiotWeekend. Comments have come in saying Holly has a very 90s pop-esque vocal. Then alt rock, pop punk instrumentals. Somebody mentioned Evanescence and that made me think are we somewhere between that pop-punk, Blink-182, Simple Plan, but with a more Evanescence style vocal. I said to the guys are we like a UK version of ADTR. Not quite as heavy, but we mix that sort of metal and punk.

It seems to be a lot more of a prominent thing these days; bands not necessarily fitting into one specific genre. I don’t think it particularly matters as much any more!

From our point of view, ‘is it listenable and is it fun to listen to? Great’. I couldn’t care less what box it goes into aside ‘is it good’. The guys at BSB were saying you get a lot of guys pushing for that Being Me sound or that All Time Low sound, and they said it was refreshing to see artists do something that is their own.

The EP is out soon, you have a couple of songs out from it already, right?

So ‘Harry’ is the first single that we released back on the 1st of November. Then ‘Days in December’ was released in January, I don’t know why! We are also releasing ‘Smile’ as a single, and we have a video coming out of that as well!

What can we expect from ‘Smile’ and the other track, compared to the other singles so far?

‘Autumn Leaves’, much more pop punky. It fits in with ‘Never Again’ and ‘Fine’ off the first EP. ‘Smile’ is in line with ‘Harry’, and is jointly our favourite track on the EP. We’re really excited for that one to come out!

What’s the writing process like for you guys?

Most of the tracks that I’ve come to were already written. The main song written from scratch was ‘Smile’. It’s going to sound mad; we organised a writing session on the day and I had work, and by the time I got back Rabi and Rob had essentially completed the whole track. They programme the drums and then I make alterations, but they had essentially done the whole track in the day. We tend to find they get a riff and then just go with it!

Is there more writing going on even with the EP coming out?

Yeah! Without saying too much, it’s a bit of a secret, but there are a lot of tracks in the background. We want to keep the momentum going!

What made you choose an EP over an album or multiple singles?

For us it was kinda easy. A) three of the tracks had been there quite some time. There’s been a few changes of the lineup and we had these tracks in the background throughout that we wanted to get out. Rather than drop them one by one, let’s do them collectively with a new song, and then we’ll carry on work with the other stuff. This EP buys us a little time to do something else for the end of the year or next year. And B), they hadn’t dropped a song for quite some time!

As much as I like singles, it’s so much nicer to dive into a handful of tracks and really see what the band is about.

I mean, I don’t know too much about how the guys like to listen to their music, but I’m an LP guy. I still buy CD, I like having the sleeves and everything. I like listening to bundles of tracks all in one go. So I think the next one might be a bit longer!

What would you say the state of the scene is these days? We’re so focused on rock, metal and country that we don’t get to see much punk and alt often!

I think the problem Gilford way, there is a scene for the heavier stuff, the New Cross Inn do really well on metal nights, like proper death metal. It’s packed out! I think the biggest problem however, and there are some really great promoters and venues out there that I don’t want to offend, but a lot of them expect the artist to do things. That’s where it becomes difficult. Back in the day I used to put on shows and it was very much… I would find an artist that I knew would sell the venue out, maybe two, and then have one or two others who I expected nothing of. I’d build them up, and I had artists that built up and I could put on headlining them venues later on.

That doesn’t happen any more. We find promoters do hardly any promotion. You’ve got all these Facebook pages where you don’t see the posters put up unless you the band do it. So, yeah, it’s struggling, but we are noticing pop-punk, alt rock, is there. It’s popular!

It’s just so hard getting people out these days, even if it’s a show geared to a younger audience, compared to pre-Pandemic times.

They’ll go up to the O2 and watch a band that is known. They almost forget that those bands started out where we are. We are noticing a slight pickup in cover bands and tribute acts. We’re playing Shinefest this year and they have some fantastic band, but a lot of them are tributes. Same with Gilfest. In fact the best show we played last year was with Not Green Day. We played to a packed venue and we did really well on merch sales! We’ve noticed to try and get on with a few of these tribute bands to help grow! We are seeing when we do that, the fans are there, they then get your name, and they’ll come and see you next time!

Have you got a busy rest of the year planned live?

Yeah, we’ve got the EP release on the 28th, the day after it launches! We’re in Gilliam on the 30th. We have the festivals, including Chesham Fringe Festival. There’s a couple of shows that we’ve working on in the background as well!

Do you have a dream tour lineup you’d want to be a part of?

If we’re talking establish bands and me personally: anything with Dallas Green, so Alexisonfire, You+Me. If it was a lineup of four it would be Alexisonfire, Thrice, Blink-182! A bit different, I know!

Violent Omen: ‘My emotions are very positive because this is a huge event in my musical life!’

We had the pleasure of chatting to Serg MP, bassist and vocalist of the technical thrash Ukrainians Violent Omen! Check it out below as we talk about their reunion after a decade, writing new music and hopeful plans for the future!

Firstly, what prompted the reunion of the band after all these years?

I had a conflict with drummer Yuri and guitarist/vocalist Dmitro. In fact, it wasn’t something spontaneous, because it had been building up for a long time. A band is like a family, and sometimes there are moments of crisis between members, so it would have happened sooner or later because there were misunderstandings and hidden resentments towards each other. Since we were still young and inexperienced, these misunderstandings turned into a huge public scandal and mudslinging. Now, with the passage of time, Yuri and I deeply regret allowing this to happen, because the band was at its peak with three albums and had great prospects, but unfortunately, we destroyed everything ourselves. Ten years later, I happened to meet Yuri near my home, and we were able to talk and resolve all our issues from the past. After that, we decided to create a new death metal band, Tria Prima, and only then did the idea of reviving Violent Omen come up. I hadn’t seen or spoken to Dmitro since 2014, when he left the band. When Yuri suggested that they get back together, he refused and said that he was ashamed that he had been involved in it and had accidentally ended up in Violent Omen. Dmitro was always strange, so I’m not surprised by his response.

‘Path of Illumination’ has not long dropped, what can you tell me about the track?

The new single is based on the book Angels and Demons by American author Dan Brown. Angels and Demons is a fascinating journey into a world of mystery and intrigue. I had this idea back in 2014 for a new album, but as you can see, it took more than 10 years to realise it, but better late than never. In fact, we planned to make another song the first single, but due to problems with electricity in the country caused by rocket attacks, our plans changed, because everything was already ready for the track ‘Path of Illumination’, and we really wanted to release our single on the band’s 17th anniversary, because it was very important and symbolic for us. In part, this track reflects the direction, and in part it doesn’t, because we ended up making all the songs on the album different so that they wouldn’t sound alike, and you’ll hear that for yourselves later, but at the same time, this track shows our crazy thinking, which is also present in other songs on the album.

How does it fit onto the album as a whole? Is there a certain theme or story behind the album?

No, it’s not a concept album, and each song is about a different topic. I am inspired by various topics, from the Aztecs to Japan’s Unit 731. I am very fond of history and its colorful characters. For example, the new album will feature songs about Billy Milligan and Killdozer, and each of these characters has their own dramatic fate that captivates you with its details and outcome. Incidentally, my inspiration for lyrics is similar to Steve Harris (Iron Maiden). The most interesting thing is that I never tried to imitate him in this regard; it just happened that way. I remember watching the movie Inception and being so impressed that I couldn’t wait for it to end so I could sit down and write the lyrics, and it happened many times with other songs. It’s cool when inspiration for ideas comes spontaneously and out of nowhere.

What’s it like getting together and playing in a room again after all these years?

My emotions are very positive because this is a huge event in my musical life. A lot of time has passed, more than 10 years, since I left the band, and there were still many unresolved issues within the band itself and between the members. But as you can see, time heals everything, and fate itself leads you to the right decision at the right time. To be honest, I thought it would never happen, but I was wrong. It will be very exciting to see the reaction of our fans when the long-awaited album is released! I am very pleased that this has happened!

Is the writing process still the same for the band now compared to back in the day?

No, because we have a new guitarist, and thanks to the new experience I have gained over the last 10 years, we have developed a new structure and approach to new music, which has become more sophisticated and professional. Previously, we took a simpler approach, especially to arrangements, but now we work hardest on arrangements to make them our strong point in music. Also, in the past, it was a completely different time, and we were younger and less experienced, but now we take this very seriously.

Do you have a favourite track on the upcoming album, and if so why?

I like all the songs in their own way, but I would probably single out the song ‘24th Faces of Lunacy’ about Billy Milligan. The song turned out to be my favourite crazy style in every way. It was the first song I wrote for the album, and it remained almost 90 per cent unchanged because it was already so cool and ready. It has everything! Two bass solos, a cool intro guitar solo, crazy vocals, technical and difficult riffs, as well as killer drums that bring it all to a climax. This song also has a special schizophrenic atmosphere!

Do you plan on doing some live shows to promote the album once it’s released?

There are no concerts planned for the near future because the country has been at war for four years now and there are no favorable conditions for this. Maybe in the distant future we will do some kind of tour if the opportunity arises. In the past, when times were better, we performed a lot and we didn’t have a single plan for preparing for concerts. Since we are a non-drinking band, we didn’t get drunk before concerts, but simply went on stage sober, put on a great show, and went to rest. Sometimes, right before the performance, I would play a couple of songs by Dark Angel or Raven on my player to get energized before the show.

Do you have a five year goal for the band moving forward?

Not really, because we’ve already done something unreal and recorded a new album. For us, the band isn’t a job, it’s more like an expensive hobby, so we don’t have any obligations, contracts or business models. But it would be nice to record another 1 or 2 albums in the next 5 years, that’s a realistic goal to achieve. Time will tell, but we are living in wartime and anything can change, and then there will be no time for the band.

Do you have a dream tour lineup you’d want to be a part of? Anyone you’d want to support, or friends you want to bring with you?

For us, going on tour in Europe is already a dream, because it’s a complicated operation for a band from Ukraine without a big label. It would be cool to go on tour with Atheist or with our Luxembourgish friends Fusion Bomb, that would be awesome! There are many great bands that I’ve been friends with for years, and it would be great to go on tour with many of them and have a blast. Tour life is always fun!

If you could have written a song from history, what would it have been and why?

Almost all of my songs are about history, so they’re already written! And if we’re talking about something new that I haven’t gotten around to yet, I’d like to write a song about the Unabomber. Theodore “Ted” Kaczynski (1942–2023) was an American mathematician, social critic, and terrorist known as the “Unabomber”. He conducted a 17-year mail-bombing campaign (1978–1995) targeting people involved with modern technology, killing 3 and injuring 23, driven by an anti-technology ideology detailed in his manifesto I recently watched a cool series about him based on real events, and it made a big impression on me. So maybe you’ll hear a song about him on the new album, but I can’t promise anything.

Otis: ‘All the music we love listening to is in album format!’

We had the pleasure of chatting to the amazing southern rockers Otis the other week about their recent single, plans for 2026 and what they make of the UK. Check it out below!

How would you describe your sound?

Oh yeah man, we get thrown into the blues and classic rock pot, as well as the Southern one! It’s kinda weird for us, the Southern rock thing, because really all rock comes from the south. Little Richard, Elvis… it took this combination of gospel and blues and standardised country music to make all those things happen. But we’re grateful for anybody who listens to us and they can call us whatever they want!

We’re happy to do it. And we’ve really been welcomed into the classic rock community. We’ve spent a good amount of time playing with bands like Foreigner and Cheep Trick and UFO. On the Southern rock side we’ve played with Wet Willie and members of the Almond Brothers… we’ve been very lucky that the older guys have seen the spark in us and said to come out with them and learn the ropes!

I feel like genres blend a lot more these days. You can fit into all sorts and people are a bit more open-minded about it!

Yeah, absolutely! Especially in the UK and EU, it seems more welcoming to loose Classic rock bands. In America, at least radio-wise, you had a rock hit 30 years ago, or you’re more active rock like Shinedown or Nickelback. But for what we’re doing, we’re kinda in that in-between place and they don’t know what to do with us on the radio over here!

You’ve just returned with a new single, right?

We have! We released a song called ‘I’m Wicked’ on February 5th. We won Classic Rock Magazine’s track of the week when it came out! There was tough competition so we really appreciate people getting in there and voting!

So far so good, people really seem to be enjoying the song! Last weekend was the first time we got to play it live so that was a lot of fun!

I know it’s been a couple of years since you put out a single, what prompted new music now?

Man, we were going wide open ‘till about 2020. Then I had thyroid cancer, I had to get it removed and take radiation treatment, and the original guitarist for the band went over to play bass for Black Stone Cherry, and the drummer wanted to stay home and do the family thing. So, we brought two new guys into the band and started touring and releasing music again in 2023. We released ‘There’s a Break in the Road’ in 2023, ‘Last Fool in the Line’ in 2024, didn’t release anything last year but released ‘I’m Wicked’ this year.

It’s good to get some new music out there, and we’re working to try and get a full release out! Doing all the behind the scenes business stuff to make that happen. People seem to really be digging what we’re doing, so we want to get some new music out!

That was going to be my next question! Are you looking for end of the year for a longer release?

That would be great! We don’t really have a date down yet but it’s something that we’re working on. All the music we love listening to is in album format, and it’s kinda hard to release music in the single format because people only get a little glimpse of what you’re able to do. When you put a record on and you listen to it front-to-back you get a really clear picture of what a band is about.

I have found it’s so much effort to keep up with the crazy single release schedule Spotify wants you to do these days, there’s so much that goes into each release.

Oh man, it’s exhausting! And really expensive, too! Ideally they want you to release a song every three months or so to keep the numbers where they need to be. At a point you have to look at yourself and go ‘am I putting out music out at the right pace for me and for the right reasons, or just keep the numbers happy?’. We always want to serve the music and put out the best thing we can, but you do have to kinda play the game sadly.

What’s the writing process like for you guys?

We’re a get in the room and hash it out kinda band. I may have a riff or some lyrics or an idea but I try not to develop it too far because once the other three guys get a hold of what’s going on it always changes into something far better than I’d have gotten to on my own! A lot of times I do end up using that root idea, but they manage to take it somewhere completely unexpected, which is a lot of fun. We all feed off each other during the writing process just like we do live. I think that’s the cool thing about being a band over being an artist, you can showcase that. With bands that we love like Humble Pie and Faces, it’s that interaction between those players live in a room that makes it so unique!

I imagine it’s still a nice groove writing with the newer band members?

Oh yeah, I think this lineup of the band, our songwriting has really improved. The two new guys, they’re so energetic and they were into what the band was doing beforehand, and then ended up being in the band, so it gives them even more of a renewed energy!

You’re right in the middle of a run of shows, right?

Yeah, tomorrow actually [at the time of recording] we’re playing with a band called The Damn Shames and Nigel Dupree. This will be a lot of fun as I’ve known Nigel, son of Jesse James Dupree of Jackyl. I’ve never got to see him play, and he’s never seen me play! Then we have a show in Ohio, so the touring’s kicking up for us! We’re still doing the weekend thing, which works for us as a lot who see us are blue-collar people, they can’t really swing going out on a Tuesday night. We’re weekend rock’n’roll warriors!

Have you got a busy rest of the year planned?

Yeah, there’s new shows coming in every day, so from now until November we’re gonna be hitting it! Hopefully some time to get back to the studio and get some songs down and get this record out!

Do you have any plans to come back to the UK any time soon?

Yeah, we’ve been over twice and really enjoyed our time, we’d love to come back! It’s just finding the right opportunity and make as much of an impact as we can while there. It’s tricky; we wanna go everywhere and see everybody but it’s hard to do! We wanna do festival stuff and club stuff, we’ll eventually make it happen. I know people want to see us!

Have you got any comparisons you can make of the scene here compared to back home?

For us we feel a lot more respect when we come over and play for y’all. There’s so much to compete with over here, with people on their phone or watching the game, but over there people just have a greater reverence for live music. Not that people don’t enjoy it over here, I guess our type of music is just something that doesn’t get seen as often over there. So we feel very respected when we come over there!

Pil & Bue: ‘It’s always very exciting and a little scary to put out new work!’

We had the pleasure of chatting to the amazing alt duo Pil and Bue the other day. Check out as we chat about their latest release, touring plans and the state of the industry!

How would you describe your sound? I tried all sorts of different ways to describe it in my review!

Atmospheric and…someone called it fusion rock. It’s hard to say… hehe.

What made you stick to a duo after all these years? Was there ever a point you considered adding other members?

It was only in the very beginning that we planned to add more members. We wanted to write a few songs first, and then get a band on its feet. This never happened, as we discovered the freedom of two. It was fun, and uncomplicated. It felt good. Still does. Sometimes it is challenging. Not many things to lean on to catch our breaths, haha. It is intense!

The album has been out a few days now, it seems to have been very well received!

We have received a lot of compliments and good reviews for it already, and of course that feels good. It’s always very exciting and a little scary to put out new work. We have spent a lot of energy and time on this, it’s a strange, meaningful and vulnerable thing. And right now we feel proud and satisfied. 

Is there a certain theme running through the album? Or is it more individual stories?

It speaks about the strange times we live in and a feeling of overwhelmingness. Everything seems to go faster, and wars are on the rise. We need peace and love. We need to slow down. Some of the songs are more about what goes on within. Internal matters, in order to try and stay reasonable and sane. We are getting older, but not sure if we’re getting wiser. Times are strange.

What made you return to the (Level) tag after a few years away from it?

This is our first release on our own label, except from level 1, and therefore it felt very natural to go back to it. 

What is the writing process like for the band?

Jam based. Often at soundchecks, we discover a riff. Record on our phone or similar. It is very often very inspiring to jam at soundchecks. Good sound, new room, new energy, new city… And then we listen to it after a while. A couple of months later, or so, to find out if it is something we want to build upon. And then we play around with it in the rehearsing room. Often the lyrics come last. However, sometimes a line or two appears in the beginning, and it stays with me through.

Do you have a favourite track on the album, and why?

I think mine is ‘that LITTLE sting’ at the moment. It has an untypical structure. It is two different song ideas merged into one. It is very playful and free. I like that. It’s fun to play it live too. 

Do you have a busy year planned touring in support of the album?

Indeed! Lot’s of gigs!

I saw you’re in the UK in August for Arctangent, right? Any other shows planned over here for around that?

That’s right! Not at the minute, but let’s see what happens. We have heard that Arctangent is great, so we are looking forward to that one. 

What would you say the music scene is like back home? If you’ve been to the UK before, do you have any comparisons you could make?

This is a good question. Here it is obviously much smaller than in the UK. a lot of DIY spirit here too, though. We haven’t played much in the UK thus far. 1 show in London, supporting Long Distance Calling. I think living up here makes the scene here a bit isolated, which also can lead to a unique sound, I guess.

Do you have a dream tour lineup you’d want to be a part of? Any bands you’d want to support or friends you want to bring on the road with you? 

Both of us started playing instruments because of Metallica, so it would be fun to open for them. We would love to bring our friends in Féleth (Death metal from above the arctic circle) with us. 

If you could have written one song from history, what would it have been and why?

Queen – The Show Must Go On. Because it is brilliant, and the show actually must go on. 

Scratch One Grub: ‘Full of emotion, heaviness and melodies!’

We had the pleasure of chatting to Welsh metalcorers Scratch One Grub the other day about their recent debut album, plans for the year and the state of the scene. Check it out below!

How would you describe your sound?

The Grubman – “Energetic, aggressive, furious, heavy, in your face. Elements of many genres combined.”

What inspired the release of an album practically to start with over an EP or more standalone singles?

Lewis – “Me and Grubman wrote an EP’s worth of material together and in the meantime, I had an EP’s worth of material. It just made sense to combine the 2 and create a full album. We could have released everything as singles or EP’s, which would have been good to keep up the streaming engagement. However, having an album to your name is something to be proud of and quite rare for grassroots bands to say these days. I think going forward, it will be more single and EP focused just so we can maintain listener engagement.”

Grubman – “Also gives the audience more to listen to and gives us a chance to tell a story and have more songs for the crowd to know before seeing us live.”

Is there a particular story or theme around the album, or is it more a story for each individual track? 

Grubman – “Individual based as a whole. We feel like the album in its entirety is showcasing the songwriting abilities. The album is paced very well and that takes you on a journey in itself.”

Lewis – “I like the idea of a concept album, but in my opinion, the idea for one has to be truly solidified and consistent. I’m not sure if we have the patience for that. Lyrically there are some cross cutting themes I suppose.”

What is the writing process like for the band?

Grubman – “Lewis and I come together with ideas and build upon them. They are passed onto the band for them to contribute any ideas they might have.”

Lewis – “Sometimes the initial ideas are very basic and brief which I love, as it leaves plenty of space for creative opportunities. My approach specifically is to riff around with a drum track and piece things together. Sometimes I set myself up to write something with a specific sound, otherwise sonically, we might lack diversity.”

Do you have a favourite track on the album? And if so, which is it and why?

Lewis – “‘Ysbryd’. There are so many layers to that song in every element of the music and it’s just a beautiful track in general. Full of emotion, heaviness and melodies.”

Grubman – “‘Absolution’. It’s the first song we wrote together over 5 years ago.”

Busy year planned promoting the album with live shows?

Grubman – “We did an album launch show and have an anniversary gig coming up too. We have other gigs lined up across South Wales with some amazing bands. The friends and connections we’ve made over just a year’s time are great and we love hitting local venues.”

Lewis – We’re constantly looking for shows, especially to follow up from the batch we already have that lead into the spring and summer. Can’t get enough of it!”

What do you think the scene is like these days? Welsh scene seems especially good! 

Lewis – “I think the South Wales metal scene is awesome! There genuinely is a great selection of gifted artist here and we are proud to say that we have made strong connections with a lot of them. I think South Wales will remain this way forever.”

Grubman – “We are proud to be a part of the Welsh metal scene!”

Do you have a dream tour lineup you’d want to be a part of? Any bands you’d want to support or friends you want to bring along?

Grubman – “Playing with Slipknot would be a dream, also playing some major festivals such as Bloodstock and Download.

Lewis – “Agreed, especially Download since we have attended many. Metallica is an easy and unoriginal answer, however my reason is that it’s because they play stadiums. Don’t get me wrong, I love Metallica and being a part of their lineup would be an honour alone, but not many metal bands can play the stadiums that they do.”

If you could have written one song from history, what would it be and why? 

Grubman – “‘Money for Nothing’. Best riff ever.”

Lewis – “My answer used to be ‘Happy Song’ by Bring Me The Horizon. Now though, I don’t really know. Does that mean that music history would have to be re-written to some degree? That can be considered a consequence to this wish and I wouldn’t want to do that. I am grateful that all the music we have now exists, no matter who wrote it. If you want a short answer then it would be this: History is constantly being written. Now that Scratch One Grub are here, we will create our own part.”