Tag Archives: folk

Interviews & Features

When Rivers Meet: ‘The response from the Rapids has been incredible!’

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We had the pleasure of sitting and chatting with the wonderful Aaron of the blues-rock power couple When Rivers Meet the other week. Check out as we chat about their latest album, upcoming tour and much more!

Your latest album dropped a few weeks ago, it seems to have gone down really well! Have you managed to see much of the fan and critical response?

We really have, and honestly, it’s been quite overwhelming in the best possible way. We always put so much of ourselves into making a record, so once it’s out there, you never quite know how people are going to connect with it.

The response from the Rapids has been incredible. We’ve had so many lovely messages, comments and conversations with people telling us which songs have connected with them and what the album means to them. 

We’ve also been really pleased with the critical response. It’s lovely to see the album getting recognised, but ultimately, we’re just grateful that people are listening to real music. 

Is there a certain theme running through the album, or is it more on a track-by-track basis? 

I think there’s definitely a thread running through the album, but it wasn’t something we set out to create as a concept album. A lot of the songs came from different experiences and emotions, so each track has its own story and its own place on the record.

There are definitely themes of love, relationships, resilience, letting go and finding your own strength running through it. There’s also a sense of independence and standing our ground, which is something that’s really important to us, both personally and as a band.

You recently welcomed a child together. How has that changed things in terms of the music? I know at least the closing track of the release seems to be about it, and as a future father certainly touched me!

Becoming parents has definitely changed things for us, but in a really positive way! Music has always been such a huge part of our lives, and now we have Bobby, it’s about finding that balance between being musicians and being Mum and Dad.

And yes, the closing track ‘Bring Life’ is very much connected to that! It’s quite special knowing that something so personal to us can resonate with other people, particularly those who are about to become parents themselves.

Has your sound changed or evolved much from your early EPs to now?

Yes, definitely. I think our sound has naturally evolved as we’ve grown as musicians and songwriters. Our early EPs were very much rooted in traditional blues, with quite a raw, stripped back sound. Over the last 3 albums, we’ve explored more of our rock influences, and our music has become, heavier introducing dual guitars, Keys and extra harmonies into the mix.

We’ve also become much more confident in our songwriting and production. We’ve also opened up to co-writing with our producer and drummer on the last two albums, and I think that’s allowed us to experiment more without losing what makes us sound like When Rivers Meet.

We’ve never really wanted to put ourselves in a particular box. We love blues, rock, Americana and all sorts of music, and those influences have gradually found their way into what we do. But at the heart of it.

Have you got much of a tour planned for the rest of the year to support the albums release?

Absolutely! We’ve just finished our September and October Rhythm Rust & Static trio tour, which was our first tour back since having Bobby, and it was brilliant to get out playing live again.

We’ve now got our biggest tour of the year coming up in November and December, the Backbone Tour, where we’ll be heading out across the UK with our full six-piece band.

You’re rather involved on the social media side of things, do you have any advice you could give to a band or artist just starting out, in that regard?

I think the biggest piece of advice we’d give is to be consistent and be yourself. Social media is such a powerful tool for independent artists, but it’s important to remember that it’s not just about promoting your music, it’s about building a connection with people.

Do you have a dream tour lineup you’d want to be a part of? Anyone you’d want to support still or friends you’d want to bring along?

There are so many bands we’d love to share a stage with! We’ve been really fortunate to support Blue Öyster Cult at the London Palladium last year, and we’ve been invited back to support them in Glasgow next April, which is fantastic.

We’d absolutely love to tour with someone like The Black Crowes, Rival Sons,Thunder, G’N’R to name but a few. They are all incredible live bands, and we think our music would sit really well alongside theirs.

As for bringing people along, we’ve met so many brilliant musicians and made some great friends over the years. One of the best things about touring is getting to share those experiences with other artists, so putting together a tour with some of our favourite people would be pretty special!

If you could have written one song from history, what would it be and why? 

That’s such a difficult question because there are so many incredible songs out there! But I think we’d have to go with The Chain’ by Fleetwood Mac. It’s such a brilliantly written song, the way it builds, the emotion behind it, and that iconic bass line. It’s one of those songs that manages to be quite simple in places but incredibly powerful. We love music that takes you on a journey, and that song does exactly that. It’s timeless!

Pick up tickets to the Backbone tour here while you still can!

Reviews

Thread: The Brand New EP from Emily Ann Roberts!

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A year removed from last year’s awesome Memory Lane, the country singer-songwriter is back with another massive, highly anticipated EP. The Voice alumni has been killing it in the decade since she nearly won the competition, with so many amazing albums, EPs and singles under her belt. She has been a constant, fantastic force within the country scene for years. Hell, the singles from this release so far have been great, and have me incredibly excited to give this a spin. Without further ado, let’s dive in!

The title track sets the tone for the EP perfectly. It’s a chilled-out, slowish number that highlights Emily’s phenomenal vocals. She makes it all sound so effortless, even when she puts a bit more power in in the choruses. It gives off big Colby Caillat vibes in the best ways possible. The instrumentation is simple but fits excellently behind the vocals, and some of the harmonies throughout on her voice are great. The chorus is big for the style, and effortlessly catchy. I’m honestly shocked it wasn’t a pre-release single, but will surely be a big radio hit now that it is out! A great start to the release!

Speaking of singles, the most recent, ‘Lonely Boy’, is up next. Again, her vocals are phenomenal from the jump, and the real focal point of the track. It’s also a bit more uptempo, there being a little more to the instrumentation and feels a lot like a 90s/early 2000s radio country hit. There’s a touch more power to her voice throughout as well, really getting to show off her impressive range, and the lyrics here are great too! The chorus is sure to be stuck in my head for days to come, a real earworm, but the whole track is catchy in its own right. And all the strings, be it the guitars or fiddle, really kill it through the whole nearly-four-minutes. It’s even better than the opener and certainly an easy early highlight, a very good choice for a single. No wonder it’s already caught some momentum! 

The higher tempo and more barn-burner vibes continue through ‘Garden Grow’, and it’s amazing! Speaking of barn burner, it actually reminds me of the Dan Davidson track of the same name. It’s got a bit more of a Shania or Reba vibe to it, the guitars giving it a rocky edge that I loved. The lyrics are amazing too, maybe my favourite of the release, and once again the harmonies on Emily’s vocals through the chorus are phenomenal. We even get a short-but-sweet duelling solo between the guitar and fiddle, which bridged the gaps between choruses excellently. I am honestly a little obsessed with this track already; it’s one of my favourite country songs of the year at this point, honestly. A song that easily makes our playlist, and one I’d recommend to anyone!

The pace drops again for the final two songs on the album, but it honestly feels perfectly fitting. ‘When I Do’ still has a bit of anthemic vibe to it, especially in the big chorus, and there is plenty going on in the instrumentation. And the male vocal harmony pairs so incredibly with hers on this track, maybe the best of the whole EP. Then the release closes on the other single, the stripped-back ‘Laundry’. It’s a very simple arrangement, mainly focused around her vocals and an acoustic guitar. Once again that AMAZING vocal harmony comes in for the choruses, alongside a simple drumbeat and some more strings in the back. Despite the slower pace and chilled vibe, the arrangement is still great! Both songs are excellent in their own right, and fit in with the other songs on the EP perfectly. The closer is a great ballad and another good choice for a single, but that shouldn’t take away anything from ‘When I Do’. It is, however, the perfect way to close out the release, it really building to a grandiose sound by the end!

Overall: I absolutely loved this! Every track is as amazing as the last, and they all fit in perfectly with each other. Her vocals and lyrics are incredible throughout, but her backing band also work their asses off, killing it through the whole damn thing. I cannot recommend this enough to anyone even vaguely into country music, and I’ll be spinning it plenty in the weeks and months to come. Despite her being a big name already, this deserves so much more love than it will surely get. What are you waiting for? Go listen to it!

The Score: 8.5/10

Interviews & Features

Liam Price: ‘I’ve got some really good fans, some really good friends!’

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We had the pleasure of chatting to the rising UK country star Liam Price at The Long Road the other week about him playing the main stage there, getting to support Larry Fleet and much more! Check it all out below!

How’s this weekend been for you? Been pretty busy by the look of things!

Well, as you’ve seen, it was pretty wet yesterday. But everyone’s in the same boat, so to speak. And today the sun came out for our set on main stage, which is incredible for everybody! So, yeah, crazy weekend, but it seems to be my life at the moment!

Yeah! I suppose the rain packed out the VIP tent yesterday for you, too!

Yeah. I thought I was a big deal, but then I realized it was absolutely chucking it down out there and everyone was in there!

Is it a similar sort of set for the VIP one?

Yeah, just a stripped back, very intimate set. I’ll probably chuck a couple of covers in there as well.

You won the competition here last year. How is it to come back and do the big stage this year?

Yeah, I mean it’s just crazy. To do the little stage last year, little stage yesterday, and then all of a sudden you’re on the Rhinestone stage with a few thousand people! It was great turnout. So happy with everyone coming out and seeing me. That was really kind!

I saw you had quite the queue of people wanting to take photos and all this, which was pretty cool!

I’ve got some really good fans, some really good friends that support me all over the country, and I appreciate them greatly!

You say you’ve had a pretty full-on year so far. I saw you around the US, and you’re there again next month, right?

Yeah, I’m going to go and open for Larry Fleet! It’s going to be really cool. And he’s actually a massive inspiration for me. I tell the story; when I went in the studio to record ‘The Grass Ain’t Green’, I had to give a reference track about like how I wanted it to sound and mix, and I gave ‘Where I Find God’ by Larry Fleet. So, to get the call to go and play with him, like it’s crazy!

You’ve come from more of a tribute background. How is it kind of transitioning into a more originals kind of sound?

I mean, tribute background in terms of the country scene, but I’ve been writing songs since I was 16 years old! I was in like a pop-punk band back in the day.

But, yeah, I mean the transition’s been pretty simple, pretty easy. The main thing about this genre is people are so supportive for roots music, like, you know, grassroots. So, they want to hear anyone’s new songs, and that’s why it’s a pleasure to be part of this genre!

Yeah, definitely. I feel like because it’s still such a newish thing in the UK as well for this country music boom, anyone that’s kind of picking up some steam is so readily like is kind of let in!

Bang on the money. Long may it continue!

And then you obviously put out a single May, right? Are we expecting some more music to follow?

Priority this this year, just to keep writing and get some tracks together and and get them out. Maybe another EP! Potentially an album. But you know, writing and recording, it really is a huge cost. Easily upwards of, you know, fifteen K.

Yeah. I’ve spoken to a few people this weekend about what goes into the decision to put stuff out, and it’s so hard I feel, especially with streaming and all this nowadays.

Yeah, and nine times out of ten you’ll find the reason EPs are released is just because it’s all the budget allows at the time. For four tracks, you know. And I feel like they’re easier enough to get in a studio and do in a couple of days as well.

Have you got a busy rest of the year planned after September then? Have we got some more shows coming in?

yeah, I’ve got some shows. So I’m going to do the Larry Fleet thing, and then I’ll be doing just some individual shows. I’ll be playing at like Rodeos Barbecue, Wolverhampton, doing some stuff there, and Birmingham. I’ve just got little splinter shows all over the country. I’ll be playing the Ulster Hall in Belfast as well in December, which is like a bucket-list venue.

And obviously I’m busy with the tribute thing, some things have rolled over my head. But yeah, just doing a load of that. The the joy is you never know what’s going to happen, so we’ll see we’ll see what what opportunities come, you know!

I imagine the Larry Fleet thing was a little last minute, was it?

Yeah, I had a call and they just said we’d love you to come and to the open. I was like, when is it? Eight weeks?! I was like, all right, we’ll get we’ll get it together! And I’ve ended up getting another show on the back of that in North Carolina, so I’m going to go do a couple of shows out there, and then come back. At least it kind of covers the cost a little bit more, we’ll break even, a couple of days out of them!

My budget mainly goes on great food out there! I like barbecue and I’ll do all that stuff, no problem!

Do you have a dream tour lineup you’d want to be a part of? Anyone still on the bucket list?

It’s a bit of a crazy one, but I’m an absolute… like Chris Stapleton for me, is like God. So I’d love to be on that lineup. But then also I think why would I ever want to be on a lineup with him? He’s like totally going to wipe the floor. He’d outclass any singer in the world. Yeah, the guy’s unbelievable. He could sing the phone book, couldn’t he? Like, yeah, that’d be amazing. A tour with Chris Stapleton or maybe on a little bit of a lower level like Marcus King. But King’s blowing up now too! So, yeah, but anyone who wants to take me on tour, I’m available, I play anywhere!

If you could have written one song from history, do any spring to mind?

One of my favorite songs of all time is ‘Always on My Mind’ by Billy Joel!

Reviews

Halfway Home: The Massive Debut Album from Gareth!

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The debut album from the Irish country breakout star comes just a year after his two huge first EPs. We’ve had the pleasure of watching him grow in a big way the last couple of years, from one of his first shows with a full band to both EPs, so we have been excited for this one since it was announced. And, what’s even more exciting, our recent new edition Jade is writing most of this one. Let’s dive in!

The album opens strong with ‘One The Got Away’. The power of this man’s vocals will forever absolutely blow me away. Even when he’s fully belting it just sounds so effortless and you can really feel every single emotion in his voice. The instrumentation compliments it beautifully, too. It’s a beautiful way to open the album and is a fantastic early high point!

‘Keep Myself From Dreamin” is just giving big; more of a stadium country vibe. It’s catchy and a bit more upbeat than the first track. I really love how he reels in the vocals and makes them a bit softer and isolated in the bridge before going into the final chorus. I can see this song getting huge!

This next track, ‘1000 Lifetimes’, took my breath away. Starting stripped-back and slowly building and then getting hit with such powerful vocals and absolutely beautiful lyrics gave me goosebumps. The control he has over his voice is just incredible. And again you can really feel the lyrics; there is so much emotion. This is gonna be the first dance song for so many weddings!

‘Changing My Mind’, although still a very beautiful love song, has less of a ballad vibe. The drums give it more of that upbeat, kind of bouncy feel, which is definitely needed after the last track. I am really enjoying how the pace of each track has been different so far. This is again shown in the next track, ‘Everything I Love’. The use of instruments in the intro is unlike what’s already been done. Then this one is giving a slight Bro Country vibe. And I mean that in the sense of listing different country things, except it’s a bit less cringe. It still gives a soulful vibe which I have come to expect from Gareth from his previous releases of the last year or two!

If you want to listen to one song to really hear the versatility in Gareth’s vocals, from the power, control and just the notes this man can hit, then ‘Don’t Say’ is the one to check out. It really has it all! You can feel ever ounce of emotion behind his vocals, and his delivery is truly stellar. Another easy highlight, and one that makes our playlist!

This next track, ‘Mother’s Eyes’, brings it back to his Irish roots whilst also keeping the country style. The Irish instrumentals really go hand in hand with this style of country, and the song is absolutely beautiful. And of course it’s made even more emotional with a voicemail from his mum just before this track starts. It was a fantastic touch that adds even more depth and creativity to not just the song, but the album as a whole.

After all of the love we then get hit with a bit more stripped back breakup song in ‘High on Love’. I can only describe it as almost acoustic; it builds to having more of an instrumental backing, but it’s not too heavy and this track is definitely made for the vocals to be center stage. It serves the purpose of giving the track a little bit of texture. But he could just sing this with an acoustic guitar and it would be just as powerful! Clearly we need an acoustic version of the song as a bonus track down the line!

We get quite the contrast with ‘Nights I Can’t Get Back’, which has a much bigger band backing, going back to the much bigger stadium country feel. Don’t get me wrong, he still sounds absolutely incredible, but I almost feel like he just doesn’t need it after having listened to more stripped-back tracks. It’ll be an incredible song live, but it just doesn’t feel quite as intimate as some of the other tracks and the emotion is maybe a tiny bit washed out. Though it could just be down to where this track has been placed on the album; we’ve been hit so hard from the start already!

Yet, just 30 seconds into ‘If You Want Me Too’, and that’s kind of set my opinion of the last track. This one goes back to the softer strings and gentler band backing. It just feels so much more emotional and that’s just something that draws me into Gareth. He’s definitely an artist that almost just needs his vocals to be framed rather than have a heavy support from a band. He could switch from having a full band to acoustic and the power and emotions is still very much present. You’ll get what I mean when you listen to any of these tracks. ‘Try’ is another great example of what I’m talking about. The vocals in this track are just incredible and you get those isolated vocals which just give you instant goose bumps.

The album ends on the more piano-led ‘Happy for You’. It’s another style which works so well with his voice! It’s a great choice to end the album, giving quite an epic moment to close everything out on. Another highlight on an album packed full of them!

Overall: I must say I really am in love with this album. I had pretty high expectations for it, especially after having seen Gareth live twice already. I wasn’t disappointed. The songs are a bit more on the slower side of country music, which I expected. Yet it almost felt like listening to a full story. The album starts with being in love and ends in heartbreak. Other than (in my opinion) the bizarre placing of ‘Nights I Can’t Get Back’ the album as a whole had a really nice flow and I really would recommend listening to it in full. I will most definitely be catching this on tour, I just know it’ll be amazing!

The Score: 9.5/10

Reviews

Leave on a Light: Max McNown’s Best Album So Far?

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The modern country-Americana megastar Max McNown dropped his highly anticipated third album in as many years today! I remember loving his last album last year, so have high hopes for this one too. A couple of the singles I’ve checked out so far are great, so I’m excited to dive in and see what it’s about!

The album starts pretty slow, fittingly, with ‘Slow Down, Slow Down’. Max’s fantastic vocals come over the top of a simple drum beat and guitar chord progression. It builds up before dropping out even more for the first half of the chorus, just being guitar and vocals. It makes it hit even harder when everything explodes back in for the second half, too! It’s a short and sweet track at barely over two and a half minutes, but is beautifully written and the dynamics and production are a real standout point. A great way to open the album!

The chilled out, slower vibes continue through ‘First Born Daughter’, fitting somewhere perfectly between old school Western and modern indie-Americana. It builds a bit more naturally into a bigger, more stadium-filling chorus this time, and it’s one that will be stuck in my head for days to come! It’s a beautiful, heart-felt love song, and a massive early album highlight for me. And what a choice for a single too, although there were quite a few from this release… Great stuff!

I like the rockier intro for single ‘Done For’, it upping the energy and pace a little and being an excellent change of pace. It leads to an absolutely massive chorus that is over as fast as it starts, but is so very memorable. His lyrics are again amazing and his voice fits this sort of style so well, reminding me a little bit of both Kip Moore and Evan Honer simultaneously. It’s another short and sweet track, but we even get some time for a little guitar lead part, which was nice. I like the rockier edge to his sound a lot, and this is a track that easily makes it onto our playlist. If you’re going to check out any track from this album, let it be this one. I’m a little obsessed!

The higher energy continues later in the album through tracks like singles ‘Heart You Didn’t Break’ and ‘Standstill’, ‘Make my Peace’ and ‘Selah’s Song’. The former reminds me of Mumford and Sons in the best way, and is another MASSIVE highlight song. However, all are great songs in their own right, and break up the generally slower pace of the album perfectly, exactly what a release of this length and magnitude needs. It also shows Max’s great range of different sounds and styles, his vocals fitting it all so well, and it’s all fantastically written. They are certainly more of ‘my vibe’ of songs compared to some of the others, as much as I enjoy other tracks on here, and I’d recommend all of them to absolutely anyone!

The other singles, ‘Something to Someone’, ‘World Change Me’, ‘Famous to You’ and ‘Comets’, are all more great choices for pre-release songs, and fantastic representations of Max’s sound and talent. The former is an excellent indie-Americana song, complete with maybe the best chorus on the whole album. ‘Famous to You’ reflects that style perfectly, too. ‘World Change Me’ has a great Western edge to it, and the stomping pace is excellent. Then you have the slower, more ballad-like ‘Comets’, being arguably the best of this pace and style on this release. Don’t get me wrong, there were maybe too many singles for the album, but when it’s this long it makes sense for there to be, and each represent a different part of the album perfectly. And they’re all great songs!

A lot of the other songs on the album are more slower, beautiful songs. They all fit the vibe and tone of the album excellently, and are very good songs in their own right. ‘Isn’t That Love?’ is probably my favourite of the bunch. However, all of them do have a slight album-track feel to them, and there’s just too many of them. I don’t mind a longer album generally, but 17 tracks when a lot of it channels the same sort of vibe and energy is a little much for me. Now, he is a massive name so is clearly doing something right, and there will be plenty of people who love all of these. They’re all well written, well performed and recorded songs, but when put together in the same collection I personally found it a little hard a listen, especially by the end. Still, if you are a fan of Max, they are still well worth a listen! The closer is also beautiful, giving me goosebumps, so there is that! The poem in the middle is phenomenal.

Overall: I certainly had a good time with this album. As I’ve said before, he is an incredibly talented musician and not a single track on here is bad by any stretch. And as I said, if you are already a fan of Max or his general style, you may have a lot of mileage for this release! However, it is a touch too long for me personally. There’s a phenomenal album tucked away in here spread across maybe 10 tracks, but the rest do bog it down, in this writers humble opinion. It’s very much a problem across the country spectrum though, and is probably why I’m not as big a fan of guys like Morgan Wallen and Riley Green. This is a great indie-infused country Americana album, and if you are a fan of the style it is very much worth the time and effort. But it’s not a release I’ll be revisiting in full all too often. It sadly falls just short of his sophomore release.

The Score: 7.5/10

Interviews & Features

Smithfield: ‘I think you just got to stay true to what you want to say!’

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We had the pleasure of chatting to the amazing country duo Smithfield at The Long Road the other weekend. Check out as we chat about their set at the festival, their UK tour and plans for the year!

P.S. their album drops tomorrow!

This is the first stop on the tour, right?

Yep! First show period on the tour!

Is this the first time you’re in the UK for a couple of years, right? I know you did C2C at some point.

Yeah, we did C2C in 2023. Played three stages there, and then tried to figure out the next few years. How do we get back over here?

So honestly, the festivals, The British country Music Festival’s kind of what started it all. So we got booked for that and then we were able to book all around that. And then Long Road came in last minute. We were like, ‘well?’ and we were like, ‘oh yeah!’

I thought you guys were announced a bit later than a lot of the bands. I didn’t realize you were booked a bit later on!

Like a third announcement.

How would you compare the scene in the UK and Europe to back home?

We always talk about how attentive the audiences are here. And, you know, they know the words to the songs that aren’t on the radio, aren’t the singles, and that kind of freaks us out sometimes, because we’re just like, “How do you know this?”

I thought the first time I was like, “Are they… Do they like us?” Because they were so quiet. I realized after, it’s because they’re so attentive and they’re really taking it in, even if they don’t know the music. They’re so, like, appreciative. Not that America’s not, it’s just a different culture. You know, it’s a little more rowdy, you know, fights and beer drinking, it’s just, it’s wild and it’s fun, but it’s wild. So it’s very different audiences.

I’ve seen a few people say that it’s very daunting playing to a crowd for the first song and it’s nothing and then that you finish and suddenly everyone cheers and it’s great.

Yeah, you’re like, “Oh, wow, they did like it.” They did like it!

You’ve got quite an extensive tour, at least over here and then a couple of stops in Europe as well, right?

So we have one day in Denmark. Yeah, and I think it’s a festival or something. Yeah, it’s called National Nights. The rest of the dates are us being bopped around.

Yeah, I saw some cool venues on there as well. Quite a spread of kind of stuff from, yeah, almost a dive bar to a more intimate kind of songwriting thing, which will be cool!

Yeah, so we have a British band over here. So we have a couple shows that are full band, but most of them are acoustic. So it’ll be a different vibe for if you want to come to multiple shows.

Is it a full band here?

No, this is just acoustic. The front porch felt like acoustic. Just felt right.

Yeah, we’ve done a few years here now, and yeah, I feel like a kind of acoustic set does really well on that kind of stage as well.

Porch sitting and picking, you know, that’s the thing!

Then we’ve got part two of the, I guess a double album, right? Next month?

Two weeks!

Are there any differences you can pick out between the two parts? Is there anything specific?

Well, they feel cohesive as one project, I feel like…

They do. But you as the producer might have a different perspective on that.

Yeah, I mean I could go into geeky producer stuff…

That’s fine, go for it!

I mean, part two was recorded in a live studio with the full band together. So we multi-track things and we’ll do it in a big studio. The first part was done… the best way I can describe it is like; a part is done, then he sends it to me, then I get the drums recorded and he sends it to me. This was like all the musicians in the room together making music, and so that was one of the differences. And honestly, it was a little more special to me to do it that way.

Yeah, for sure. I mean, I think it’s pretty cohesive.

It’s all meant to feel like one big album that just came out.

You’ve done at least a couple of kind of standalone singles as well outside of the EP, right? What went into the decision to put them out separately compared to the album?

Just being honest, we’re independent artists. It is so much easier to put out song-by-song than it is to put out a full album and what you have to put in on the front end to do that. But what’s cool is we’re putting out our first vinyl. It will have part one and part two and those standalone singles that came out in between.

That’s cool! I feel like it’s so hard to decide what to put out these days as an artist. Like a lot of the industry kind of pushes towards singles, but there’s quite a lot still leaning towards an album and EPs!

The West is wild to me, I mean it is. There’s no right way.

Well, and I think you just got to stay true to what you want to say, you know, like try to follow your North Star. If you lose sight of that, that’s when it starts becoming inauthentic. It’s like we just had a mountain of songs that we wanted to put out an album and a project, but I wouldn’t say force that. We just have a song at a time, go single, single, single. We had written so much, we’re like, this feels like a project. So it’s like, who cares what’s right and wrong these days? The West is wild!

I noticed you guys are pretty up on the whole Christmas singles and that kind of thing. Are we expecting something else come December?

You did your homework!

We shine at Christmas, yeah!

We got a couple things coming for Christmas, things that I’m actually working on while we’re in the UK.

I imagine that’s quite stressful, right?

You know, it’s interesting… yes and no. I mean, it’s making music at the end of the day, right? It’s something you love to do. We can’t say it will be originals, so what we’ve done since 2020 is every other year we do originals, the next year we do covers. So yeah, we’re trying to build up to where we’ll maybe eventually do a Christmas vinyl.

That would be very cool.

Our Christmas show is really special. We give back to charity with it, and we do it with several other artists. So Christmas has become a big thing for us, really has.  Accidentally.

I assume you’ve got everything in place for a Christmas show then back home?

Oh yeah, we haven’t announced it yet. But I can tell you it’s in December!

Have you got a busy few months when you get back home leading up to that, or?

Yes, it’ll be kind of a sprint until the end of the year. I mean it’s Halloween back home right now, so either holiday, when we get back, you’re going to be seeing Christmas.

It is, yeah, wherever you go it’s already Halloween. People were announcing Christmas stores in July!

What can we expect from the set tonight?

You know, we love our acoustic set, honestly. I might love it more, I don’t want to say more than the full band, there’s a great time at full band, but I think you don’t get a chance to get to know us as well with the full band. Like, when it’s acoustic and just the two of us, it’s very intimate, it’s very interactive, you get to just kind of get to know us more. I was telling a few people already that for our shows we just want to make you feel like part of our family, because that’s what we are. And like we just want you to feel that way while you’re here. Like, acoustic is the best way to do that. Because you get to know us, you get to feel like that.

Is it a different approach going into writing a set list for an acoustic show between you guys as opposed to a full band?

Yeah, you’re spot on, because some of the songs that we have don’t really translate as well to just a guitar, especially the more track-heavy ones. The EDM music we do doesn’t translate well to acoustic!

I don’t know, I feel like on a front porch it’d be fun, right, in the rain?

Yeah, why not!

And also more of your like storytelling songs, sometimes those shine when you’re able to tell the story. So in a full band, if you got to go from song to song and just… it’s more about the energy and the party and the fun, harder to tell those stories, so our sets do change based upon what we’re playing. Some remain the same, but yeah, there’s songs we’ll play in our acoustic that we don’t play in full band and vice versa.

That’s cool though. So what you’re saying is we need to come down to the whole tour.

Yeah, you need to come to more than one show!

Then as kind of a lighter question, do you have a dream tour lineup you’d want to be a part of? Anyone you want to support or friends you want to bring along?

I’ve always wanted Little Big Town.

I was going to say, I don’t want to speak for the other because I look up to them so much and they’re, I mean they’re very similar to us, very harmony-driven, but I think that their audience would, because they love them, would love us, and there’s just not a lot of us in country music, so. What about you?

I mean you kind of took mine, but another, I think Keith Urban would be awesome. He was a big influence on me just with country music, and I think it would just be cool, I think it’d be a cool combo, we could go out and sing harmonies with him on some of his songs. All three getting to be part of harmony stuff, I mean we still do cover one of his songs all the time. I think we’re covering one in the front porch set. I’ll have to look at the setlist. Keep you on the edge of your seat. Maybe we will, maybe we won’t!

Features, Reviews

The Long Road 2026: The Big Bad Review – Day 3!

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We kicked things off with a bang on the Sunday on the Interstate with the incredible Errol Linton. We had no idea who he was and very much just stumbled across him, but he and his band were phenomenal. Some of the best blues players I’ve ever seen all combined together, and they all played their asses off for their entire set. From all the soloing to the catchy writing, it was like I was back in Louisiana at the start of the blues and jazz movements, and he very much has two big new fans in me and my wife!

Then we headed over to the Rhinestone stage for last year’s talent contest, Liam Price. The guy has had a real whirlwind year since that contest, and has gained quite the rabbis following in the process. It’s easy to see why too, as he put on an amazing set, especially for so early in the day. Something that I did appreciate that I haven’t touched on until now is that all the sets across the weekend have been pretty long, giving every artist plenty of time to breath and really showcase what they’re about. I think it worked fantastically for Price, who had the packed-out crowd hanging on every word through the entire half-hour. And, of course, the highlight was the beautiful ‘Little Star of August’, though that may be mainly due to my own impending child! The whole set was great though, and I can’t wait to see where he goes from here. I can see a very bright future ahead!

Ryan & Rory absolutely blew me away on the Rhinestone after Liam. I have been a fan of the duo since I interviewed them last year, but I wasn’t expecting them to be quite this fantastic live! And, as a running theme this year, they were pretty heavy in a live setting compared to the track, though some of that may be attributed to the volume of the stage. I certainly wasn’t complaining though, them walking the line between southern rock and radio-country perfectly! The duo are born showmen and work so well together, while their band for the show also put in the work and made them sound awesome! And their setlist was packed with awesome songs, from their brand new one that dropped a couple of days before to their older stuff. They really impressed me, to the point they have been one of the bands I’ve not stopped listening to since getting home.

Dan Byrne was an interesting one. Taking Rivers’ spot from last year of ‘why the hell is this act on this festival?’, the crowd once again showed up, filling Buddy’s more than for most artists I’d seen that weekend. And, being a fan of him since his days in Revival Black, I knew he was going to be good. He had one of the best voices of the festival, and seemed genuinely appreciative of people actually showing up for his set, putting on an energetic performance because of it. And I knew his music was awesome too, having loved his album the other month, so to hear a lot of it live was awesome! It was great to see the set so popular as he fully deserves all the love, and I’m somehow an even bigger fan of the guy and his band coming out of the weekend!

Rosalie Cunningham followed Dan, continuing on the wild Snakefarm takeover of ‘let’s see what out there genres Baylen will let us book’. However, I’m not complaining, as I thought she put on one of the most fun and interesting sets of the whole weekend! My brain kept comparing it to Jethro Tull, however right or wrongly, but her prog-infused folk-rock was fantastically crafted and written, regardless. And, what’s more, is her and her band performed it masterfully. Her vocals are just as amazing live as they are on track, and some of the riffing and arrangements honestly blew me away. It certainly wasn’t for everyone at the festival, but I had a blast and will certainly be keeping an eye out for when she’s next near me to see her again!

On the way out we caught a little bit of Buddy’s we caught a little bit of the legendary Jim Lauderdale on the Front Porch. After two full-on rock bands, Jim just sitting there with an acoustic and some slow traditional country was a bit of a comedown. However, it certainly wasn’t bad, and I’m glad I got to see a few songs. Then, it was over to Rhinestone for Ann Wilson. Musically and vocally she was brilliant, but my gosh was it Jesusy. Some of her songs are really well written and catchy, but when I feel like I’m being beaten over the head with a bible every couple of minutes I kinda zone out. I get that she was here for the Christian festival that sadly and tragically got called off, but it was like her religion got more concentrated and spilled out doubly at TLR. I’m not massively well versed on her music, so if she has less religious songs, please let me know as I’d love to hear them!

We took a bit of a wander afterwards, catching the cutest dog show every for a bit before catching the back half of The Felice Brothers. Both were fun and entertaining in their own way. I learnt that some owners have so much better control over their dogs than me and the wife do, but also how to try and make them do tricks better (it didn’t work). I also learnt that the rockier, higher tempo Felice Brothers stuff is right up my street, while the slower stuff wasn’t so much. Still, it was nice to sit and relax and watch both from a little further back, especially when the weather had held out all day!

Story time. I went travelling in the US back in the before times (2019), and when I was working for a woman in Santa Cruz she took me to a bluegrass show one night. I loved it, but was slightly too tipsy and lost the ticket stub, so forgot who I’d seen. Fast forward to when The Brothers Comatose were announced as Shakey Graves’ replacement and I went to check them out on YouTube I realised… I’d found them! You couldn’t make this up, folks!

As for the band and their set, HOLY CRAP. They were my introduction to live Bluegrass music, they’ve been the marker to which I compare all others from the genre, and they still hold up as the best I’ve seen. It was an hour of some of the best musicianship and playing I have ever seen, each and every member getting their own chance to shine throughout. The fiddle, banjo and mandolin solos utterly blew my mind, while the actual songwriting and vocals from Ben and Steve were excellent throughout. The crowd were surprisingly big into it too, given how short notice they had to check it out beforehand. Plenty were singing and dancing and clapping along throughout. And it was clear the band were enjoying themselves, laughing and joking around and all huddling up to jam together. The covers were certainly highlights, with an epic rendition of ‘Dreams’ being my highlight of the weekend, alongside their absolutely ridiculous Wheeler Walker Jr. nod. However, their own songs were just as excellent, with ‘Golden Grass’ and set closer ‘The IPA Song’ also being great. I honestly can’t gush over the band enough, I am so glad I got to see them again and already want to once more. I’d recommend them to absolutely anyone, on track but especially live!

And with that, we reached the closing headliner of the weekend, Maren Morris. I have to admit she wasn’t really my thing heading into the festival, though I had heard lots of people say how good she is live. I do have to say, she sounded great, that much is for sure! However, I’m not sure if it was the sheer exhaustion of the weekend catching up with me or the generally slower, poppy nature of her music, but I found myself flagging in the last third, and we left a couple before the end. As I said, she was so very good, but I don’t think it was quite my sort of music. Plus, there wasn’t much of a show, just her walking about the stage, barely acknowledging her band. As good as she sounded and as well written as her songs were, it was a touch boring to watch. I know plenty who loved the set and I’m so glad, I’m certainly in the minority. But it was still a fittingly big name, and a fittingly big conclusion to a great festival!

And there we have it, another great year at The Long Road! Some amazing bands and some of the loveliest people around, gathered at still my favourite site in the country. Despite the rumblings of unhappiness before the event, it is still run phenomenally well for the customers, and there is almost too much to do in just a weekend. I’d recommend the festival to anyone even slightly into your country or Americana music, and already can’t wait to go again next year!

Did you go? If so, who was your favourite artist?

<- Day 2

Features, Reviews

The Long Road 2026: The Big Bad Review – Day 2!

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Our second day started out with another artist we’d seen before, this time pretty recently, in Bec O’Malley. He opened for Mr Pardi back in May, and we really enjoyed him then. However, we enjoyed him even more this time around! The sound on the Rhinestone stage was pretty great all weekend, and Bec having a full band backing him this time filled out his music to a fantastic degree. It was a similar setlist to when we saw him previously, but it felt fresh and still excellent seeing it again, especially on an outdoor, festival stage. I said it then and I’ll say it again now, Bec is already set to be a MASSIVE name in the coming years, so I’d recommend seeing him in smaller slots like this while you still can!

Next we had a bit of a stroll up to the Interstate to check out the opening few of Brennan Leigh. She certainly caught our ear heading into the festival, and she didn’t disappoint live! She’s the perfect blend of old-school country and bluegrass, a style I hadn’t gotten much of so far over the weekend, so I was certainly down. Her and her band performed it masterfully too, everyone working together to produce a great sound. Sadly we could only stay for a few, as our good friends First Time Flyers made their triumphant main stage debut after a few years on other stages. Now, they always sound excellent, the quartet being a contender with Shires for best harmonies, but the level of show they put on on the bigger stage was fantastic. Right from the offset they had the big intro, making them feel like a massive deal, and the four of them (and their band) performed like their lives depended on it for the full hour! They have been kicking ass at this festival, and across the UK as a whole, for years now, but this felt like a band at the next level. Another artist I’d recommend absolutely anyone reading this to check out!

One of my most anticipated sets of the weekend was up next in Zandi Holup. I loved her album last year, still listening to it on the regular, so getting to hear it in a live setting was truly special. Honestly, her opening on her big breakout hit ‘Gas Station Flowers’ was unexpected, but set the beautiful, bittersweet tone of the set perfectly. From other album highlights like ‘Dirty Wings’ and ‘Wildflower’ to upcoming new tracks, it was a really great setlist. Her voice is so unique and powerful, and had me misty eyed on more than one occasion. And there was something about her stood there with her guitar, the only other accompaniment being an incredible fiddle player, that was so captivating, and filled out the sound so well in the packed out tent. It’s wild to me that I actually didn’t mind it not being a full band setup, and would love to see this sort of set again! She teased a new album for 2027 and I already can’t wait; hopefully we get a full tour off the back of it over here!

Another artist we were familiar with was up next on the Rhinestone, Uncle Lucius. Much like with Bec above, as much as I enjoyed them at The Bodga, they blew me away here! It started a little low energy which was odd, but the rockier numbers really hooked me in, and I was obsessed just a few songs in. They were another band that had had a big feel and vibe to them, the show being so well put together and flowed excellently, as well as sounding perfect. The band are so insanely talented too, playing their asses off throughout. It was a similarish setlist to when we saw them before, at least in terms of their own stuff, but it hit that much harder on a massive open field, and the crowd ate it up too!

Twinnie packed out the Interstate stage, and for good reason! She was fucking awesome! One of the most born-performers I saw all weekend, she kept everyone in the palm of her hand from the start of her set to the very end. Being another leading light of the UK country scene it’s no surprise, and her pop-infused sound had everyone singing and dancing along throughout. I don’t think it’ll be too long before she’s up in The Shires’ spot on bills like this, and it couldn’t happen to a more deserving artist. Another firm highlight of the weekend!

A lot of people had been impatiently waiting for Josh Ross all day. So imagine my surprise when the track I most wanted to see from the guy was what opened the setlist. ‘Hate How You Look’ is a banger and was awesome live. So, sadly, the rest of the set felt a touch deflating for me. I’m certainly not opposed to some pop-country, but opening the show on one of your rockier numbers and then slowing the pace way down for a bit kinda ruined the hype for me. Don’t get me wrong, he’s a great performer and a fantastic vocalist. However, I’d kinda checked out by the middle of his set. It’s a bit of a shame too because I was looking forward to him, especially with the hype surrounding his set. He certainly wasn’t awful and if you enjoyed him, that’s great! But I found myself struggling to get into it at times.

Over on the Front Porch, Ken Pomeroy was treating us to a fantastic acoustic set. She has such an interesting voice and way of songwriting, that I certainly enjoyed standing and watching for a few tracks. If it was a typical year where the weather was better, I’d have loved to chill out on the grass and watch the full set. Still, I am a fan of her work and it translated well live, even if there were a couple of slightly awkward pauses between songs. Then, back at the Interstate Jason Scott & The High Heat blew the roof off the joint. Their blend of country, Southern rock and Americana is fantastic and pretty unique, and translates excellently to a live environment, especially a dark, packed-out tent! And, from tracks from the upcoming Play Boy album to more firm classics, the setlist was pretty damn excellent, too. The strutted around like they owned the stage, and the crowd very much were on board with it, hanging on every note! I had a blast from start to end, and very much need to see them again ASAP!

The replacement for Bailey Zimmerman, as well as being a living breathing Rolling Stone, Ronnie Wood took to the stage to close out the Saturday. Honestly, I didn’t really have much expectation heading in, but I ended up having a blast! Ronnie is a larger than life character, and his energy and happiness is infectious. And, to his credit, he still sounds pretty good for his age. Not only that, but he makes his rather brilliant soloing look so effortless… I’m not jealous at all… However, his band killed it too, matching his energy and drive and ability. It felt a touch odd waiting so long to bring out Imelda May, but when they did HOT DAMN, she was incredible. Honestly one of the best voices of all time, and hearing it live was phenomenal.

And, in terms of the setlist, it was pretty damn fun. Covering the expanses of his decades long career with tracks from both the Stones and Faces to even a couple of his solo bits thrown in for good measure. But, he threw in plenty of covers too, some even being country to fit in with the theme of the festival. From Willie to Hank, Chuck Berry to Aretha Franklin to, of course, a couple of Dolly, there was plenty of massive and fitting music to love. Sadly, the rain picked up rather lots towards the back half, and the crowd thinned out substantially. It did take away a slight bit from the set, but it was still enjoyable, regardless. It was a real party vibe, and a great way to close out the day!

<- Day 1

Day 3 ->

Features, Reviews

The Long Road 2026: The Big Bad Review!

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We returned to Stanford Hall for our fifth straight Long Road festival, and boy oh boy what a memorable year it was! The festivals curse reared its ugly head after a couple of years off, with Bailey Zimmerman having to pull out relatively last minute and being replaced by the Rolling Stones legend Ronnie Wood. On top of that, it was the first year out of those five where we didn’t have good weather, it being rainy for the most part and a couple of electrical storms actually stopping things at times. Despite that, it was a fantastic weekend still through and through! We saw plenty of incredible artists across all three days, and wanted to tell you just how much we loved them!

The first artist for us this weekend was Chanel Yates on the Interstate. I wasn’t too familiar with her outside of a song or two we checked out beforehand, but she honestly blew me away! Her particular brand of pop country is incredibly modern, drawing comparisons to the likes of Carter Faith and even Ella Langley at times, and translated fantastically well to a live environment. And, what’s more, she fully owned that stage! For a relatively new artist, she really had the crowd in the palm of her hand throughout. And, what’s more, her band killed it too, backing her up perfectly. Her massive hit ‘Big Girl Boots’ was a clear highlight, but so was her upcoming single ‘Sugar Honey Ice Tea’, the crowd fully behind it even though it’s not dropping until later this month. She has a big new fan in me, and I already want to see her live again soon!

Next up we headed over to the Rhinstone stage for Irish folk pop-rocker Jordan O’Keefe. However, he’s another artists that I’ve come away being a big fan of! It all felt a little heavier live, maybe because of the full-band backing, but it served him very well here! And still, his catchy, massive melodies and choruses shined through, the crowd hanging on every note throughout. His big hit, ‘History’, was of course a firm set highlight, but every track was great in its own way. And, for still pretty early on, the crowd was pretty packed for him; it’s clear he has a bright future ahead of him!

We have been a fan of Gina Larner since first catching her at the same festival a couple of years back. To finally see her again was awesome, and she killed it once again! Back on maybe my favourite stage at the festival, Buddy’s Good Time Bar, it had more of an intimate setting, yet we still got plenty of rockiness and a huge sound. And, until the weather intervened, the set was awesome! She is a criminally underrated vocalist, and her songwriting skills are amazing, blending folk, country, indie and rock together seamlessly. ‘Cocktail Menu’ was a particular set highlight, finally getting to see that song live was awesome! Also, her cover of Chris Cagle’s ‘Let There Be Cowgirls’ is always excellent, and has caused the song to be stuck in my head for the last few days yet again. Sadly due to the storms, they had to cut her off a song to the end and send everyone back to our tents. It was certainly a shame, but it just means we need to go and see her again soon!

The sheer musicianship on display throughout Striking Matches’ set on the Interstate stage was insane. For just the two of them up there, they really packed out the sound, and put on an entertaining show from start to finish. The pair are masters of their craft, writing some amazing music and also jamming out some incredible instrumental parts in and around them. It’s clear that the band are seasoned veterans, as they play off of each other perfectly. My only hope now is that we get them coming back over here soon with a full band, as I’d love an even bigger show out of them, even if this was pretty huge enough as is!

The legendary Steve Earle showed up to the Rhinstone with nothing but his guitar, and blew away the packed out crowd before him. That was all he needed, as his soulful voice and incredible storytelling took the crowd on a journey. He has so many huge songs, with the legendary ‘Copperhead Road’ of course being the one a lot of the fans came to see, and Steve pulls it off amazing still all these years later. We also get an incredible yet-unreleased duet with Zandi Holup (more on her later). The fact that he can get such a captivating show and full sound when it is just him is a sheer testament to the man’s talent, and it was honestly an honour getting to see what he does best. I’m glad I finally got to see him live, and would still recommend him to anyone who is a fan of his work!

The second male-female duo of the day for us, Smithfield, were fantastic on the Front Porch stage. Right from the jump, the harmonies between the pair had me locked in, they were so good. And, much like Striking Matches, the pair clearly work the circuit back home a lot as they put on such a polished, professional set. The covers medley was especially smooth, weaving through their influences a verse-chorus at a time to the adoration of the crowd. However, their originals were also excellent. Whether it was stuff off their debut, sneak previews of tracks from their upcoming album, or standalone singles, we were treated to the very best of their catalogue to this point. They’re another act that I’d love to see with a full band, but I know they are doing a couple of stops on this run with one, so hopefully I can see that sooner rather than later! They’re another band with a hugely bright future ahead of them!

I had become a fan of The 502s when getting ready for this weekend, but I didn’t expect them to be this good. Y’all know by now how much I love some horns, so having an hours set with a saxophone on the main stage was amazing for me! The band are so upbeat and uplifting, a fantastic change of pace and honestly it felt more akin to some of the ska bands I’ve seen recently. They were just so much fun, and had the majority of the crowd dancing along throughout. From heavy hitters like ‘Your Nonsense Makes No Sense’ and ‘Just a Little While’ to lesser known numbers like ‘Friday Night’ to even the so-far unreleased ‘Gang’s Back Together Again’, the setlist was packed full of awesomeness. It helped that they had a pretty hefty amount of time too, but I loved every minute of it. And, of course, the band played their asses off throughout, and looked like they had a genuinely great time doing so. This was easily one of my highlights of the weekend, and a band I’d recommend to anyone!

Before we knew it we were at the headliners, the might Shires. Returning to the festival for the first time since its inaugural year in 2018, it was one hell of a triumphant comeback. And what followed was an absolute masterclass in live music from the very top of the UK country scene. Whether it’s the best of their brand new album in ‘Bonfire Song’ or ‘Getaway Car’, or career spanning hits like opener ‘Lightning Strikes’, ‘Daddy’s Little Girl’ or the massive ‘I Just Wanna Love You’, the setlist was amazing. We also got the perfect Dolly cover from them in ‘Islands in the Stream’. The pair have maybe the best harmonies in the game right now, working excellently not just on that track, but throughout. They are born performers too, even with the slight technical issues in the middle they handled it professionally, and the crowd ate up every minute they were on stage. And the band behind them killed it throughout too, playing excellently and providing the perfect backdrop of the duo. It is clear to see why they are such a massive name in the UK country scene, and they are born to out on sets of this magnitude and grandeur. What a way to close out day one!

Day 2 ->

Reviews

It’s a Dying Art: Little Big Town Return with Another Huge Album!

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The country vocal group legends are back with their 11th studio album (the Christmas one doesn’t count) and first since 2022’s Mr. Sun. The quartet have put out some of the biggest, most fantastic songs in the genre this millennium, and have had steady success throughout. I’ve been a fan of them for years at this point, and since the moment this was announced all of us here at Overtone have been excited! Without further ado, let’s dive in!

After a short vocal intro track, we launch right into their huge, Ashley Monroe featuring single, ‘Sucker for a Sad Song’. From the Western guitaring and vibes to the expectedly perfect harmonies, it had me in a chokehold right from the get-go. It’s a rather simple, stripped-back track throughout. Having said that, the chorus, while still a similar level as the rest, still sounds massive and catchy as anything with all the harmonies. The four work perfectly together, and have for decades at this point, and Ashley slots in amongst them amazingly. It’s a chilled out, Western-folky song that sets the tone perfectly for the rest of the album! And, at nearly six minutes in length, everything gets plenty of time to breathe, which is really awesome.

The chilled vibes continue through ‘The Door’, but it was cool changing things up with a male-lead, shorter song. It’s mainly just one guitar and vocals, with some added leads and strings to fill things out, but again the harmonies on the chorus are phenomenal, nearly taking my breath away. The lyrics are amazing too, emotional and heartfelt and devastatingly bittersweet. If you like slower, more traditional country stuff, this is absolutely the track for you, and is a massive early highlight!

‘Dying Art’ picks the pace and the rock a little bit, more of what I expected from the band heading into this. A simple, guitar lead verse builds perfectly into massive, arena-filled chorus. The harmonies are excellent again, but the instrumental fills out the sound perfectly. The dynamics for the song is great too, really making the chorus hit that much harder when everything around it is a little lower. And it’s catchy as anything, certainly one to be stuck in my head for days to come. The whole second half is amazing, too. From the male vocals to the women building in over the top to the awesome guitar solo, it’s all SO GOOD. And it slowly all dropping out at the end is perfection. I’m honestly shocked it wasn’t a pre-release single, it’s that good, but will probably do excellently still on the radio post-release! This is a song that easily makes our playlist!

Singles ‘Hey There Sunshine’ and ‘We Could Have it All’ are beautiful piano ballads, both handled in very different ways. The first is an emotion-filled, slower, simple song that is very much focused around the piano and female vocals, the odd guitar and string swell and harmonies adding even more depth to the sound and vibe. Meanwhile the latter has almost a Bowie or ELO with the multi-tracked vocals throughout. Instrumentally it’s got more to it too, with the drums and guitars and even some soloing coming in throughout. Both are great in their own right and were absolutely great choices for singles. ‘…Sunshine’ is definitely more of the country side of their sound, with the other leaning into rock power ballad status, so there is still variety through them. And, them being broken apart through the album was absolutely the right call!

Another single, ‘Over and Over’, brings back the acoustic guitar as the focus, and definitely has a classic country vibe to it. It’s maybe the most Fleetwood Mac-esque track on the album, but also has an air of late 90s/early 2000s folk pop, blending the two together seamlessly. And, having said that, it still feels so very Little Big Town. It’s catchy and so well put together and performed. And by the end it builds into a rather grandiose, rock opera sound and feel, which I really loved. It’s easily another big highlight of the album!

Tracks like ‘The Idea’, ‘It’s a Long Way to Your Heart’ and ‘Jet Plane’ are all more steady acoustic songs. Once again, all are great in their own right, but certainly have similarities in vibe. The former has some of the most heartbreakingly brilliant lyrics on the album, and is another firm highlight. The latter closes things in perfect fashion, just like the way the album opens. It’s country AF, and packed full of some truly excellent harmonies. Plus, the guitaring it in is awesome, almost Buffett-like at times. Meanwhile ‘Long Way’ is your typical Little Big Town ballad in all the best ways. As I said, all the songs are good and beautiful, but they definitely have a shared vibe through them.

‘Crickets’ has a fun bluesy/jazz feel and riff running through it. The vocals over the top definitely fit that feel to a T. It’s another excellent change of pace for the album, and certainly a welcome one after a few slower ones. Hell, it’s arguably the most different one o the release, and I really love it for that. However, it’s also a fantastic song in its own right, that’s for sure! It’s a lot of fun that still had plenty of hallmarks of a great LBT song to boot. It’s simple in its arrangement and very Louisiana blues in the best way. Another song that I’d highly recommend, and another firm album highlight!

The final single of the album, the Kelsea Ballerini featuring ‘Closing Time’, keeps the blues vibes going but slows them down into more of an easy-listening/Southern soul style. And, what would you know, it’s another excellent song! It’s a sort, simple song that gets straight to the point, and is a truly fantastic listen. And, just like Ashley, Kelsea slots in perfectly in with the band. The sheer levels of harmonies and vocal levels throughout are incredible, and the lyrics are great too. It kept me hooked though it’s two and a half minute runtime amazingly, and is another song I’ll be revisiting a lot. Amazing stuff!

The last song from the album, ‘It’s Coming Around’, is another Fleetwood-like song, it building very much like ‘The Chain’. That rocky folk/country sound is one that the band do so well, and this track is a real testament to that! It’s massive and packed full of huge, catchy vocal lines. Hell, we even get an organ solo which was a lot of fun, especially since it duels with the guitar! Once again, the last third of the song is incredible, and the band do such a good job of their stuff dropping gradually out to its base parts. It’s a song I would absolutely love to see live, so hopefully they’re back out here soon!

Overall: This is a damn good album! It’s actually been a couple of releases since I’ve checked out a full album from them, and what a way to jump back into them! The album as a whole was maybe a touch too slow at times, but when all the tracks are so damn good and pretty it’s hard for that to be too much of an issue! There are plenty of great songs throughout, and the band prove that somehow even nearly three decades into their career, they are still firing on all cylinders. If you like the band, or their lighter, folkier brand of country music in general, I would certainly recommend giving this a spin!

The Score: 8/10