We finally got back to promoting some shows last week, and what a first gig back it was! Two awesome bands in an awesome venue, what more could you want?! Check out just how much of a blast we had below!
Y’all should all know the drill by now. Best band in the world with the best bassist, yada yada. In all seriousness though, it was a great fun gig! We sounded pretty good out end, and I am so thankful to everyone who came down a little early to check us out! Everyone who came down has made not only this event possible, but future ones too (yes, keep your eyes peeled!). But yeah, it was an incredibly fun, incredibly warm 45 minutes, and I feel like we’ve really refined the setlist over the last few months into all the very best songs. The upcoming album stuff in particular is really standing out currently, and I cannot wait to finally record it and start putting it out. If you haven’t seen Eddie & The Wolves yet, what are you waiting for? Get your asses down to a gig!
After a brief changeover, the mighty Juliet’s Not Dead took to the stage. Somehow it had been a while since I had seen them, so having them grace the stage at one of our own shows, at a venue I love, was truly awesome! And my god, they owned that stage for the full hour! The band were all on absolutely top form, sounding awesome, and really played their asses off through the whole set. Stevie is an amazing frontman, holding the crowd in the palm of his hand from start to finish. However, every other member of the band put on a show befitting of their get reputation, too!
And, as for the setlist itself, it was awesome! We got all the best tracks from their massive latest album, with the likes of ‘Open Fire’ and ‘Last One Standing’ being particular highlights in that regard. However, they also still managed to squeeze in a couple of older, firm fan favourites, too. The crowd were very much there to see them and they certainly didn’t disappoint, playing everything they could possibly want to hear! The band have been on the precepts of breaking out to the next level for a while now, and their stage show and performance very much reflect that. I already can’t wait to hear the new music they’re working on (which we even got a sneak preview of here too), and I’m sure that will almost certainly do that for them!
And there we have it folks, an awesome night of hard rock music from two hungry young bands! I may be bias but I don’t care, go and see the both of them whenever they are next near you, you certainly won’t be disappointed! And the venue is also great, the sound being excellent throughout. And, as I said above, there is certainly more of our shows to come there, so keep your eyes peeled!
Day two kicked off excellently with Alabama Crow! They had plenty of energy right from the jump, all putting on one hell of a performance. What’s more, they all looked like they were enjoying themselves together up on stage, which always makes for a great experience. And, what’s more, the crowd showed up big for them so early on. I hadn’t seen them live before but I am already desperate to see them again. Hell, they’d flown under my radar overall honestly, but definitely have a new fan in me. Certainly a band I’d recommend to anyone!
Now, y’all should all know by now my deal with Eddie & the Wolves. “Best band in the world”yada yada. But this was quite a bucket list venue and festival for us, so from the bottom of mine and the rest of the wolves’ (and Edd’s) hearts, thank you to every single person involved for looking after us, and everyone who came down early to check us out. We sounded incredible, and it was one of the most fun gigs any of us have ever played. Hopefully it won’t be the last time we grace the stage at KKs! Oh, and Eddie & the Wolves rock, obviously.
The sheer talent Red by Night have for their age is incredible! And, even with some early technical difficulties, they still won over so many people through this set! Being a bit of a change of pace again, it felt like a more modern indie/hard rock infused with the more traditional elements, which set them apart in a great way. And the energy they brought to the stage was nothing short of infectious! I wasn’t familiar with them heading in, but they’re another that have gained a big fan in me. These guys have a real bright future ahead of them, and I already can’t wait to see where they go from here!
Thieves of Liberty are another damn solid band representing the scene, and put on another incredible performance like they are known for! Blasting through some of the biggest fan favourites from their 2024 debut, it was a lot of fun to watch them do their thing. They feel like veterans of the scene already and carry themselves like pros, putting on an effortless, polished performance through their full set. It had been too long since I’d seen them live, and I won’t let it get that long again!
Our good friends in Fangslinger once again blew me away, along with the rest of the crowd! Their blend of hard and Southern rock, alongside a sprinkling of metal, will never not be awesome, and it is somehow just as fantastic live as it is on track! The quartets talents together and individually is off the charts, and in particular their vocal harmonies are spectacular throughout. The setlist was awesome, too! A journey through the very best from their debut album, hitting every excellent high. They’re another band at this festival who have exploded on the scene at high momentum, and look like there is no stopping them on their rise to the top! Their stage show grows more and more each time I see them, and they’re another one I’d happily recommend to anyone!
This House we Built have been gaining a lot of momentum in recent years, and rightfully so! They’re another band that bring so much energy and passion to the stage that it’s impossible to not have a good time watching them! They skirt the line between punk, sleaze and hard rock expertly, and played a fantastic set packed full of their two massive albums. And, on top of that, new track ‘Desires’ was an easy set highlight, making me immediately excited to hear where the band go next. For now though, this is was an awesome show, and they’re another band I’d highly recommend checking out!
Blue Nation are another band that I somehow hadn’t seen live yet, but was blown away by! I remember very much enjoying their last album back in 2024, and they are true veterans of the scene and even pre-NWOCR. It very much shows in their live performances, as they are so very polished and refined throughout. And, whether it was tracks from The Ordinary People or from their excellent, extensive back catalogue, it all hit so well in the fantastic live setting. They deserve every bit of the love and praise and push they are getting, and they are one of the best live bands in the scene today!
Then, the mighty Fury took to the stage! We saw them just last year on the same tour, but they turned everything up to 11 with this headline set! Playing the very best of their amazing latest album, alongside their earlier massive hits, the setlist was awesome throughout. And the stage show they put on was well befitting of a headliner, too! From the outfits to the extra drummers to the sheer energy and crowd interaction throughout, it was truly spectacular to behold! They’re another band where it’s incredibly easy to see why they were picked to headline, and they deserve every bit of praise and love they have been getting. Another band that feel like veterans of the scene, and are somehow better than ever before! An incredible and very fitting way to close out not just the day, but the festival as a whole!
And there we have it folks, two days of awesome hard rock music at one of the best venues in the country! All of the crew and staff were incredible all weekend, the sound was phenomenal and the crowd seemed to love every minute of it. Lord knows we did! I cannot recommend any of the bands or the venue itself enough, check them all out ASAP. And here’s to next year’s event already!
Somehow this was the first edition of this festival we’d managed to make it down to. Celebrating it’s 5th live year at the iconic KKs steelmill, it also played host some of the very best of the scene in 2026! We had a blast from start to finish (although we sadly couldn’t make the Friday pre-show party), and wanted to rave about just how excellent it was!
Kicking things off with a band were the awesome Revenant. I’ve been a fan of them for a few years now, loving their EPsand seeing them live back in February. However, this was somehow even better than that last time! They had me and the pretty packed-out crowd in the palm of their hands from start to finish, and put on a fantastic show fitting of the opening slot. From their heavy hitters like ‘Best Medicine’ and ‘e’ to so-far unreleased songs to even a cover medley or two, it was a really great 40 minutes of live music! And, the stage presence they all had together was magnetic. They are very much firing on all cylinders currently, and I already cannot wait for the album they’ve been teasing!
It had been far too long since we’d seen the last band, Joanovarc. Our last time was way back at Rockin’ the Bowl years ago, and the band have changed a lot since then. However, I enjoyed them just as much here as I did there! They had a heavier edge to them than I remember this time around which I loved, and it kept the energy high throughout. The sound as well was phenomenal, not just for them but for everyone throughout the weekend, and it certainly helped too. New tracks ‘Mechanical Overlords’ and ‘Money Machine’ were particularly highlights, but the whole set was pretty great! The band really feel like they’ve gelled these days, and it made for an awesome set!
Next up were the wild Germans, Sweet Electric. Being a long-time fan of Brad Marr from his early days in Massive, I can never not love the guy live. I have never seen a more born performer and frontman, he is so incredibly captivating to watch throughout. However, the band he’s surrounded himself with are also fantastic, matching his energy and stage presence perfectly. They all bounced around that stage from start to finish, and it was one hell of a set! And, on top of that, their setlist was awesome! Being heavy on their incredible new album, but still having plenty of the classic tracks from their debut that brought them to the dance, it was perfect. The crowd were loving it too, interacting a lot and hanging on every note. This was one of my favourite sets of the weekend, if not the whole year, and I already can’t wait to see them again soon!
Brave Rival took to the stage soon after and blew the packed-out crowd away! They were a bit of a change of pace after the hyper, sleazy energy of Sweet Electric, slowing things down and adding a dose of epicness to the proceedings. However, it made for just as fantastic a set! Lindsey Bonnick is one of the most underrated vocalists in any scene today, and the other three are such phenomenally talented musicians and songwriters. I had in my notes that they are like a blusier Evanescence, and that felt exactly right to me. The extended soloing section in the middle was particularly goosebump-inducing. They felt so very polished; ready for a step up to massive arenas and venues at this point. And as I said, it was a nice change of pace from the rest of the day so far. I had a blast with them and, while it wasn’t the first time I saw them, I thought they were even better this time, and it certainly won’t be my last!
Next up were local-ish glam rockers Midnite City. Another band that I have seen a fair few times at this point, but sadly one that I can’t quite get into. I love a few of their songs on track, and they are good live, but something about it doesn’t quite click for me as much as some of the other bands on the lineup. Don’t get me wrong, they’re a great band, and the tracks that I liked that they played were great. ‘We Belong’ will always be a fantastic live song, especially to close their set, but the crowd seemed a little low energy for a lot of it. Still, I’d happily see them again at another show like this down the line, and if you are more into the glam/sleaze stuff than I am you’ll most likely love it!
Even a member down due to an unfortunate family crisis, Doomsday Outlaw still killed it! Honestly, they stepped out onto the stage like they had something to prove, and blew the roof off the joint in the process. John is a fantastic frontman, and the crowd matched his energy throughout the set. And, the other three members held up their end excellently. You wouldn’t have even been able to tell that they were working stuff out a little on the fly, as they handled it like complete professionals and played their asses off. Blasting through a wide variety of their extensive back catalogue, running through all their excellent hits, the setlist was awesome too! I will forever love this band, and having seen them twice this year, they are still very much on top form!
I have somehow been waiting to see Hollowstar for years at this point. One of the early pioneers of this whole movement, they haven’t been hugely active in recent years, and had to pull out of last years event at last minute. However, they more than made up for it here, and they played their heart out for the packed out crowd, and everyone went nuts for them! Hopefully we finally get some more studio stuff from them soon (if their socials are anything to go by it’s a yes), but until then I’d happily see them again soon!
And just like that, we reached headliners The Lazys. Another band that I’ve been a fan of for years at this point and have finally had the opportunity to see live, and they didn’t disappoint! Over an hour of boot stompin’, high energy Aussie hard rock at its very best. Playing the very best from their three albums, including personal favourites ‘Nothing but Trouble’ and ‘Half Mast Blues’, to their more recent, explosive singles, and all played to perfection while the band threw themselves around the stage for the packed out, adoring crowd, it was the best way to close out a day like this! The band were so fun and polished, proving why they are born headliners, and I am already desperate to see them again soon!
A typically stacked edition of New Music Mondays this week, with everything from rock to metal to country for us to check out! Let’s dive right in!
Amon Amarth: The Allfather Awakens
We’ve already checked out this awesome album! Read our full review here!
Miranda Lambert: Crisco
Following on from 2024’s Postcards from Texas, the modern country legend is back with her 10th solo album. Right off the bat, I didn’t enjoy it as much as her previous release. ‘Snakeskin Boots’ is a pretty bad opener, and wastes a feature of the biggest star in the genre at the minute in Ella Langley. Things don’t get much better with the title track or ‘Cowgirl Curtsy’. I very much get the appeal; it’s like Barbie’s country music, or Kaitlin Butts’ latest stuff without the fun or Oklahoma theming. It’s certainly a far cry from the rocky and attitude-filled Four the Record, or even her last album. It’s just all a bit… slow, and while it is well written and performed, it was a bit on the boring side for me. Maybe it was the production on it compared to the last, but something about it just wasn’t for me.
As I said though, it isn’t a bad album. The more up-tempo ‘Cuttin’ Onions’ is fun, as is the preceeding ballad ‘Two Things Can be True’. ‘Whiskey Business’ is also good, and Chris Stapleton’s voice is so perfect it makes ‘A Song to Sing’ also great, as they duet together excellently. However, the album as a whole I could take or leave personally, and it’s not one I’d revisit very often. If you are a fan of her you will still probably get a lot out of this so I would recommend, or if you’re a fan of slower country girly-pop. However, I sadly can’t give it any more than 5.5/10
Kyle Gordon: Kyle Gordon is Everywhere
The album title is most certainly correct; Kyle Gordon is indeed everywhere. We’ve been a fan of him for a whilehere at Overtone, but the lead up to this release has seen him all over my social media, and even appearing alongside the likes of Daniel Radcliffe and (suddenly controversially) Edd Sheeran. It has built a hype up for this release even more so than his last two stellar releases. And, if the singles so far are anything to go by, we’re certainly in for another wild, fun and great album!
Speaking of the singles, they front-load the album. They’re broken up perfectly by narrator of the release Mr Radcliffe, following a similar formula from the last two albums of introducing and giving background to each track and the fictional band that wrote it. However, the album tracks are just as awesome, too! Downshift’s ‘Hero of Fallujah’ is a great dark-folk-rock banger, ‘We Are the Zorg’ is industrial awesomeness, and the funky ‘Congratulations’ rounds things out perfectly. However, every song is fantastic in its own right, and so creatively written.
Three albums deep and the formula has not at all gotten stale. The album still flows excellently, and him changing up the genre and style with each track shows Kyle’s phenomenal levels of talent. It’s silly and over the top and certainly not for everyone, but if you have even a vague curiosity this is well worth spinning in full! While I don’t think it’s collectively quite as strong as his other two works, it’s also hard not to view them all as one big project, and regardless it’s a lot of fun. A very easy 8.5/10 from us!
P.S. congratulations on Kyle on his doctorate!
Escape the Fate: The Last Goodbye
Max: This album doesn’t feel nearly as good as Imminence. It’s fine, it’s not horrendous, but it is nothing to write home about. I think the most noteworthy song on the album was ‘Paranoia’ which is a solid metalcore track. But, there isn’t anything particularly special about it which is a disappointment. Genuinely I think, hell I know that this band is capable of making better music but so much of this album was just bland and to be honest the lyrics were by far the worst part. So much so that I found myself cringing at some parts and that isn’t exactly what you would want. 5/10
These Wicked Rivers: Fire and Folklore
Derby’s greatest musical export are back with their highly anticipated new album. If you didn’t know already, we are huge fans of this band here at Overtone, and once again the Southern rockers don’t disappoint! Lead single/opener ‘Ain’t no Smoke’ has been routinely stuck in my head since we reacted to it when it dropped, while other singles, ‘Horse to Water’ and the Kezia Gill-featuring ‘Sing Another Song’ are also awesome and great representations of the album. However, the album tracks are just as excellent! ‘Better Man’ is a beautiful, emotional ballad, while ‘Brother oh Brother’ is a fantastic, epic Western track and ‘Love to Love’ and ‘Woodland Queen’ give more of a classic Rivers energy.
I like the slower, more country-like approach they’ve taken on this release, like a darker Blackberry Smoke, and it fits the bands style and John’s vocals fantastically. However, there’s still plenty of energy to it too, especially later in the album. They have not forgotten their roots or steered too far from their last album, but have evolved and grown, pushing the boundaries of their sound. It’s every bit as good as Force of Nature, and is an album I’d recommend to absolutely anyone. I love it already, while I also think the album will grow on me even more too with more listens. The lads have done it again, and it’s another incredble 9.5/10 from us!
The Paradox: Proceed with Caution
Jade: I came across this band last year and instantly fell in love. It took me straight back to my teen years, when I started to discover pop punk from watching all the teen comedies and chick flicks from the 90s and early 2000s. This band is so old school but also somehow feels really present.
This EP continues to show how fun and upbeat these guys are, as with their past releases. It just makes you let loose and it’s just such a vibe. There is just such a crazy amount of talent between the four of them. I’m completely hooked on ‘That’s Not Fair’; it’s the song that feels like I’ve been put in a time machine. I could just have it on repeat it’s so good. Another favourite is ‘Stoner Mentality’. It’s just so catchy, and is almost pop punk anthem worthy. I honestly just love every single song on this EP, I have nothing bad to say at all other than I wish there was more! I also feel like I need to just comment on how impressive it is that Eric Dangerfield, the main vocalist, plays a primary role in writing lyrics as well as composing. When someone has this much talent at such a young age you just know they are going to be absolutely massive. It makes me even more envious of the fact they had to drop out of the All Time Low UK tour earlier this year. It kind of devastated me back then, and now I want to see them even more. Honestly I just can’t wait to see what they do next! 10/10
Gavin Adcock: The Day I Hang it Up
Album three from the modern country rising star in as many years is every bit as good as his last releases. We somehow missed a review of last year’s Own Worst Enemy (though it’s good), but had a great time with ‘24’s Actin’ Up Again, and this gives very similar vibes to that. It reminds me of Koe Wetzel a lot, that brand of chilled-out, rock-infused country, and is a style I’ve really gotten back into the last year or so. The title track opens things up perfectly, while songs like ‘Get a Grip’, ‘Thing For You’, ‘Anymore’ and ‘Wannabe’ are all excellent too! Heck, there are other good songs throughout this, but the ones I’ve named so far are just 20% of the album…
Yes, this thing is 25 SONGS LONG and an insane 75 minutes. It’s not prog, it doesn’t need to be this long. Especially when a lot of it is a similar pace and energy. The guy has put out nearly three and a half hours of music across three albums in the last three years; talk about overkill. I know I must sound like a broken record at this point with this point as it isn’t my first time complaining about it, but it is such a massive issue across country music these days. There is an absolutely killer 9 or 10/10 album somewhere in here, but it is bogged down by so much unnecessary filler. Heck, it could have been two albums; save half of it for next year’s outing. He’s an insanely talented artist. His songwriting, vocals and the delivery/instrumentation throughout is amazing. But I find it hard giving it any more than 7.5/10 because it is just too damn long. I’ll most likely be spinning it again, hopefully it grows on me more, as like I said, it’s certainly good!
Butcher Babies: NIGHTBLOOM
The first album from the LA metalcore band to not feature Carla Harvey on vocals, it feels like the band have a lot to prove because of it. Especially with Carla herself now killing it with both The Violent Hour and Lords of Acid. I was never the biggest fan of the band to begin with, and sadly this release did little to change that. It’s a very modern alternative to/metalcore sound, reminding me a lot of Bad Omens and that kind of ilk, which just doesn’t do much for me. It feels safe, without much if anything standing out or being memorable after the listen. It just feels a little bland and emotionless, so very corporate and overproduced. Even the screams and breakdowns do little for me, and are few and far between. The band was very much built on the interplay in vocals between Heidi and Carla, and without that it’s just another alt metal band in 2026. The closest thing to a “favourite track” is ‘Fever in my Neck’, and even then it’s not something I’d revisit all too often. If you’re a fan of the band or their current genre/sound, it’s probably worth a try, but it’s sadly not for me. It’s not bad, but I can’t give it any more than a 5/10. Distinctly average.
Doctor Nez: Nothing Short of Silver
The follow-up to their 2024 debut album, this EP is self-described as “the first instalment in a dark fantasy journey of an individual in the throes of a curse”. And, honestly, I kinda get that vibe! It’s dark and epic, and the story thread throughout certainly had me hooked. Musically it’s interesting too, slotting somewhere between Alice in Chains-esque heavy grunge, horror punk and just a touch of sleaze rock too. Heck, there’s even a doom-like edge to ‘Find Familiar’. It feels fresh and was a lot of fun! And, at 22 minutes spread across five songs and an intro track, it’s almost impossible to pick highlights, as it all flowed excellently! The band have a new fan in me, and I’ll be checking out their old stuff while also waiting patiently for whatever they have planned for a second instalment to this. A very solid 7.5/10 from us!
ASOMVEL: Set Your World on Fire
Album five from the UK heavy metal/rock’n’rollers picks up right where 2024’s amazing Born to Rock ‘n’ Rollleft off. It’s 37-minutes of balls-to-the-wall riffing and drumming, and some fantastic and catchy vocal lines from Ralph Robinson. ‘King of the World’ opens things up perfectly, while the likes of the title track, ‘Eye of the Storm’ and ‘If It’s Too Loud, You’re Too Old’ are all other huge highlights. However, it’s all fantastic, from start to finish! Even when they push the boat out with the ballad ‘World at War’, it was awesome and worked surprisingly well, slotting perfectly in a bit later into the album. Outside of that track you know exactly what to expect from the band, and they once again deliver in spades! It’s easy to hear why they have gathered so much momentum in recent years, and they deserve every massive opportunity they have gotten. The comparisons to Motörhead are still obviously there, but it is in no way a bad thing, and we very much lack bands like them of this quality these days. If you are at all a more old-school rock and metal fan, this is absolutely the album for you. It’s every bit as good as their last release, and gets an easy 9/10!
Gareth: Halfway Home
We’ve also checked this out early, aren’t you lucky? Read our full review here!
Frozen Crown: The Legend of the Six Kings
Following on from 2024’s excellent War Hearts, the Italian power metallers once again give us an awesome collection of tracks with album six. It’s a balls-to-the-wall start with the excellent ‘Lightning in the Sky’, while the likes of ‘Who Wants to Burn in Heaven’, ‘The One’ and ‘Through the Fire’ are also bangers. Their Goo Goo Dolls cover was a little odd, but certainly grew on me with more listens. There really isn’t a bad song throughout though, and the 36 minutes goes by in a flash. It could have maybe done with a ballad, but honestly the album was so concise I didn’t miss it until a second listen. It’s exactly what you’d expect from a modern power metal album, especially if you are familiar with the band already. It perfectly combines the style with an old-school heavy metal vibe, and everyone involved is so damn talented. While I wouldn’t say it’s quite as good as their last album, it’s still a damn solid album! 8/10
Imminance: Axis Mundi
Max: Honestly, I think this is one of the best albums that I have heard this year. The Swedish band Imminence are back with their 6th full length album and damn its good! Starting off with an explosion of energy, the album seems like it will be one of their heaviest efforts yet. However, about halfway through the album you have a change to a shoegaze post rock track ‘If Not Now, When’ and this was really pretty. To be honest, it feels like the band is stretching their legs and exploring and I don’t think anyone can complain at a combination of Loathe and Imminence in one track. The next song, ‘Didn’t Think About You (Lately)’, is an interesting one; its very electronic and is definitely explorative in nature and at first I was unsure. It’s just so disconnected from what you would expect. That being said, listen to it a few times and I think you will come round to it. I would be surprised if it is your favourite track on the album but it is really good.
Towards the end of the album, you have a still somewhat slower and softer song in ‘Shed Your Skin’ before falling right in to the aggression and energy of ‘Power Divine’ which is just a front to back brilliant Imminence track. As for the final track ‘Exodus’, I personally find it to be a brilliant ending to the album. The solo alone at the end of the ‘metal’ part of the track is fantastic, but I actually have a huge soft spot for the beauty of the orchestral and atmospheric ending and I don’t think that there is a better way to end an Imminence album than with a string instrument. 9.5/10
Egokills: Brainbanger
One of myfavourite albums of2023, I somehow almost missed this dropping, but am damn glad I didn’t! This is another incredibly fun 37 minutes of banging riffs, catchy melodies and overall great stoner metal vibes. From the opener/title track to ‘Swan’, ‘Transition’ to ‘Dead Flowers’, it’s all so good! At only 10 tracks too, it feels like everything gets time to breathe, and everyone gets their time to shine. It’s another album that I think isn’t quite as good as their previous, but that’s damn hard as I adore their self-titled release and still spin it to this day. Still, it is an awesome album that I’d recommend to anyone with even a passing interest in rock music, or any musician at all. It will most likely grow on me more with more listens, like I think the last did, and it gets a very solid 8/10 from us!
Sorcery: The Immaculate Sin
The first album from the Swedish death metallers since 2019, the quintet show that they haven’t lost even a single step in that seven years. It’s 45 minutes of brutality spread across 10 awesome tracks, with the band working their asses off from start to finish. ‘Set the World Ablaze’, ‘Terminate’ and ‘Flood’ are personal favourites, but every song is pretty awesome! It’s all maybe a little too similar, especially given the length of it, but if you’re a fan of the style you’ll get a lot out of it, and I honestly don’t think I’d be able to cut any to shorten it! The band are all insanely talented, with some great riffs and melodic moments throughout. If you are into a more 2000s death metal sound this is well worth checking out, and I’ll certainly be spinning at very least my favourite tracks again! A pretty easy 7.5/10 from us!
GHØSTKID: FOLLOW THE WHITE RABBIT
Album three from the alt metaller is a really interesting listen. After recruiting a whole new band for this project, Sushi seems rather rejuvenated and focused, releasing maybe this best album yet. From single ‘IVORY’ to the title track to the modern nu-metal ‘UNCONDITIONALLY’, there are some really excellent tracks throughout. However, there really isn’t a bad song throughout, as even the more Bad Omens-like poppier tracks fit excellently with the album and I had fun with them. It’s such a fascinating blend of styles, from metalcore to gothic, industrial to post-hardcore, and feels wholly unique to GHØSTKID. His vocals are amazing too, his cleans reminding me of Nico Sallach while his screams are excellent. It’s easy to hear why they’re becoming a big name in recent years, and this will surly push them to even greater heights! If you are at all interested I’d recommend checking this out, and it gets a very easy 8.5/10 from us!
Inherited: ALL4ONE
Jade: This is the first time I’ve come across Inherited. They place themselves as a combination of Groove Metal, Thrash Metal and Hardcore Punk. And you know what, I am getting all of that and for someone who wouldn’t class themselves as a fan of Thrash, I’m kinda vibing with this. The drummer Neill Ray does not hold back in the slightest, he absolutely beasts the hell out of that drum kit. Everything about this EP is chucky and the vocals are everything I love in any metal music. Super aggressive and absolutely filthy in the breakdowns. A band I could see going down very well at festivals like BloodStock. If you check out one track off this EP, my favourite is ‘WASTED SPACE’. Purely for the absolute chaos, insane drums and absolutely filthy breakdown, followed by the most whimsical outro. Now I’m not 100% sold, and feel like I need to experience the band live to get my final opinion. But based off this first listen, they are a band I’ll keep a lookout for. 8/10
Lee Brice: Sunriser
While another pretty long country release, this is a really great album! The opener/title track sets the tone excellently, while everything from ‘Killed the Man’ to the dark, rocky ‘Devil’s at it Again’, the bro-country ‘What You Know About That’ to the guest-featuring ‘Drinkin’ Buddies’, there is a hell of a lot to love on this thing. Don’t get me wrong, there’s maybe a track or two too many, but the good far outweighs the bad, and nearly an hour goes by surprisingly quickly. His voice is phenomenal, fitting both the upbeat party vibes and the more sombre, emotional beats perfectly. It’s certainly an album I’ll be revisiting plenty moving forward, and is one I’d recommend to any country fan out there! It was well worth the six year wait between releases, and it’s another incredibly easy 8.5/10 from us!
Ruled by Raptors: A Shadow that Never Moves
Self described as a mini-album, this is nearly half an hour of brutal, excellent riffs and proggy, mathy arrangements. And, on top of that, there are some great melodic moments and some catchy vocal parts, too! ‘Fiends’, ‘Rescissory’ and ‘Static Collapse’ are personal highlights, but all of it is pretty excellent! I love the blend of styles, having elements of everything from punk to post-hardcore to metalcore to math rock, blending together into a really interesting melting pot. It’s a really great release that I would recommend to anyone into the quirkier side of rock and metal, and I already can’t wait to hear where they go from here! Until then though, I’ll certainly be spinning this again plenty. The closest thing I could find myself comparing it to is Tealdeer, but even then it’s a loose comparison. Either way, check this out! 8/10
Dexter and the Moonrocks: Friends that I Don’t Like
Firstly, I did not realise how crazy big this band has gotten. For a band of their weirdness to have 10M monthly listeners for their debut album is INSANE. It’s a real testament to how fantastic they are as songwriters and musicans, though. It’s crazy that it somehow feels like both a throwback to the 90s while simultaneously feels modern and unique in its own way. They’ve somehow described it perfectly themselves as “Western Space Grunge”. And, the album itself is awesome! ‘Mull it Over’, ‘Why Don’t you Say So’ and the Treaty Oak Revival-featuring ’12 Steps’ are all personal highlights, but there certainly isn’t a bad song throughout. It’s another album that’s maybe slightly long for the range of styles it encompasses, but is done in such a confident and excellent manor that it’s hard not to enjoy and admire it, still! If you are at all curious this is well worth a spin, and they are only going to continue to get bigger and bigger in the coming months and years. I feel like it’s another album that’ll grow on me, and I’ll certainly be listening again. For now though, it gets a solid 7/10!
The debut album from the Irish country breakout star comes just a year after his two huge first EPs. We’ve had the pleasure of watching him grow in a big way the last couple of years, from one of his first shows with a full bandto both EPs, so we have been excited for this one since it was announced. And, what’s even more exciting, our recent new edition Jade is writing most of this one. Let’s dive in!
The album opens strong with ‘One The Got Away’. The power of this man’s vocals will forever absolutely blow me away. Even when he’s fully belting it just sounds so effortless and you can really feel every single emotion in his voice. The instrumentation compliments it beautifully, too. It’s a beautiful way to open the album and is a fantastic early high point!
‘Keep Myself From Dreamin” is just giving big; more of a stadium country vibe. It’s catchy and a bit more upbeat than the first track. I really love how he reels in the vocals and makes them a bit softer and isolated in the bridge before going into the final chorus. I can see this song getting huge!
This next track, ‘1000 Lifetimes’, took my breath away. Starting stripped-back and slowly building and then getting hit with such powerful vocals and absolutely beautiful lyrics gave me goosebumps. The control he has over his voice is just incredible. And again you can really feel the lyrics; there is so much emotion. This is gonna be the first dance song for so many weddings!
‘Changing My Mind’, although still a very beautiful love song, has less of a ballad vibe. The drums give it more of that upbeat, kind of bouncy feel, which is definitely needed after the last track. I am really enjoying how the pace of each track has been different so far. This is again shown in the next track, ‘Everything I Love’. The use of instruments in the intro is unlike what’s already been done. Then this one is giving a slight Bro Country vibe. And I mean that in the sense of listing different country things, except it’s a bit less cringe. It still gives a soulful vibe which I have come to expect from Gareth from his previous releases of the last year or two!
If you want to listen to one song to really hear the versatility in Gareth’s vocals, from the power, control and just the notes this man can hit, then ‘Don’t Say’ is the one to check out. It really has it all! You can feel ever ounce of emotion behind his vocals, and his delivery is truly stellar. Another easy highlight, and one that makes our playlist!
This next track, ‘Mother’s Eyes’, brings it back to his Irish roots whilst also keeping the country style. The Irish instrumentals really go hand in hand with this style of country, and the song is absolutely beautiful. And of course it’s made even more emotional with a voicemail from his mum just before this track starts. It was a fantastic touch that adds even more depth and creativity to not just the song, but the album as a whole.
After all of the love we then get hit with a bit more stripped back breakup song in ‘High on Love’. I can only describe it as almost acoustic; it builds to having more of an instrumental backing, but it’s not too heavy and this track is definitely made for the vocals to be center stage. It serves the purpose of giving the track a little bit of texture. But he could just sing this with an acoustic guitar and it would be just as powerful! Clearly we need an acoustic version of the song as a bonus track down the line!
We get quite the contrast with ‘Nights I Can’t Get Back’, which has a much bigger band backing, going back to the much bigger stadium country feel. Don’t get me wrong, he still sounds absolutely incredible, but I almost feel like he just doesn’t need it after having listened to more stripped-back tracks. It’ll be an incredible song live, but it just doesn’t feel quite as intimate as some of the other tracks and the emotion is maybe a tiny bit washed out. Though it could just be down to where this track has been placed on the album; we’ve been hit so hard from the start already!
Yet, just 30 seconds into ‘If You Want Me Too’, and that’s kind of set my opinion of the last track. This one goes back to the softer strings and gentler band backing. It just feels so much more emotional and that’s just something that draws me into Gareth. He’s definitely an artist that almost just needs his vocals to be framed rather than have a heavy support from a band. He could switch from having a full band to acoustic and the power and emotions is still very much present. You’ll get what I mean when you listen to any of these tracks. ‘Try’ is another great example of what I’m talking about. The vocals in this track are just incredible and you get those isolated vocals which just give you instant goose bumps.
The album ends on the more piano-led ‘Happy for You’. It’s another style which works so well with his voice! It’s a great choice to end the album, giving quite an epic moment to close everything out on. Another highlight on an album packed full of them!
Overall: I must say I really am in love with this album. I had pretty high expectations for it, especially after having seen Gareth live twice already. I wasn’t disappointed. The songs are a bit more on the slower side of country music, which I expected. Yet it almost felt like listening to a full story. The album starts with being in love and ends in heartbreak. Other than (in my opinion) the bizarre placing of ‘Nights I Can’t Get Back’ the album as a whole had a really nice flow and I really would recommend listening to it in full. I will most definitely be catching this on tour, I just know it’ll be amazing!
We had the pleasure of chatting to Australia’s own Jayne Murphy, formerly of Lime Spiders, about her current solo work, tour and latest single! Check it all out below!
How would you describe your sound?
I would say my sound is a blend of pop, rock and punk delivered in an Aussie pub rock fashion. Raw. Unfiltered. Honest.
You’re currently in the middle of a tour, how’s it going so far?
Having a bunch of fun! Punters have really taken to the new single and the new line-up in a positive way. We’re sizzling right now performance wise.. There was even conga-line dancing at one gig! A lot of people are also interested in seeing me play being a former member and lead guitarist of the Lime Spiders.
You’ve put out a new single ready for the shows, what can you tell me about it?
‘Pocket Superman’ is about denouncing violence – denouncing domestic and family violence. In Australia, it’s a curse. It’s on the rise. Metaphorically, a Pocket Superman is a “personal safety plan”. It could be a preloaded text message calling for help, a whistle to gain attention or even a siren type device to attract the attention of others, to deter a stalker. I was careful to ensure the lyrics weren’t gendered, because domestic violence affects everyone.
Had another single this year, are they both standalone or are we building to another album or EP?
Yes, ‘Greedy Rich Boys’ was released in April 2026. It is on the drawing board that ‘Pocket Superman’ and other recent singles will appear on a physical album format in the future. Like a best of the singles since 2019. I’m hoping to have it released on vinyl through my distributor MGM Distribution (Australia) sometime in 2027!
What is the writing process like for the band?
I’m the principal songwriter for the band project. I write 100% of the lyrics and titles, and come up with the main ideas for the compositions. I don’t have a particular “formula” for writing songs. It might be a title, a melody line or a rhyming couplet that might come to my mind and underpins the structure of the song. Sometimes a song will just spill out of my mind completely finished. It’s quite bizarre when that happens. The quickest fully written song I crafted was in 9mins. During recording pre-production I’ll send a “skat track” (my term for a loosely recorded acoustic version of the song) to the bass player and drummer. They’ll usually write their own parts and then as producer I’ll make suggestions to them about their parts and how it applies to my vision for the arrangement of the song.
Do you have a busy rest of the year and into 2027 with gigs and studio stuff?
Gigs in September and October. Sometimes I do solo gigs in record stores and small bars. Heading into the studio late November/early December to record a new single. Another tour is slated to run from 12th to 28th February 2027. Then another recording session to probably lay down the beds for another three singles. And as I mentioned earlier, I am looking to put together a single compilation in physical form, as a lot of the singles are only available in digital/streaming format!
You’re pretty up on the whole social media game, any advice you could give for a band just starting out?
Hmmm, social media can be quite a “hit and miss’ affair when you want to ride that algorithm, haha! I guess the best advice for bands starting out on socials is to be “strategic”. Research “best times” to post content. Collaborate with like minded bands. And even if you’re not getting the volume of likes and interaction you were expecting, persistence is the key. Don’t be shy to get family and friends involved. Quality content is important. Brush up on those Canva and Adobe Express skills!
Do you have a dream tour lineup you’d want to be a part of? Any bands you’d want to support or friends you’d want to bring along with you?
Good question. Big question. I think my dream tour lineup would be Foo Fighters, The Runaways, Green Day, Placebo, Blur and Flowers For Jayne. There’s quite a few bands I’d like to invite to tag along. So many talented younger bands out there as well. Might have to “draw straws” for that decision, haha!
If you could have written one song from history, what would it have been and why?
Ahhhh! Wow! Just one song?? Tricky! I guess it would have to be, “I Am Woman’ by Helen Reddy!
The viking metal legends return this coming Friday with album number 13. The band’s last release, 2022’s Great Heathen Army, was a good entry into their discography, but did feel like it played it a little safe with the sound. However, with the singles we have heard from this release so far, it feels like not only have they started experimenting more than ever, but they are firing on all cylinders too! So, when this came across our emails, there was no way we weren’t diving right into it! Without further ado, let’s do this.
The album opens perfectly, with ‘Gjallarhorn’ setting the tone excellently. The catchy chanting with the guitar following the melody is insanely memorable, and will go over a storm live. The faster riff comes in behind, and soon it all launches into the expected powerful melodeath the band are known for. Jocke Wallgren kills it on the drums from the get-go, and Johan’s unmistakable vocals are fantastic the moment the verse hits. And, despite the harsh vocals, there is an element of catchiness throughout, one that I will surely try (and fail) to scream along to on subsequent listens. It feels and sounds massive, from the production to writing, their folk and power metal elements adding so much to the base sound. The track is balls-to-the-wall throughout, and is a really great showcase for the rest of the album! Great stuff!
Single ‘Eight Legs of Thunder’ continues the vibe excellently from the opener. The riffing is awesome, the verse is chuggy, heavy greatness, and the lower growls from Johan are amazing! A great harmonised, melodic guitar lick leads to a massive, infectiously catchy chorus, one that is sure to be stuck in my head for days to come! The guitar solo in the middle is phenomenal too, technical and packed full of emotion, as well as having some truly amazing harmonies throughout. It has plenty of time to breathe too, being a decent chunk of the tracks runtime. It’s classic Amon Amarth in all the best ways, and is up there alongside their big heavy hitting tracks, in this writers humble opinion. It’s an amazing song, and one that easily makes our playlist!
The first album track from the release, ‘Kvasir’s Blood’, continues the heaviness, but is a little more plodding in its pace. I like it dropping down for the verse, it giving the heavy vocals even more weight. I also love the call-and-response in the second part of it, adding more depth and catchiness to it all. It all builds into another massive, power-death chorus, fitting the tone of the song excellently while still being very Amon Amarth. The dynamics of the track are great throughout if I’m honest, with bits dropping out and exploding back in at the perfect moments. And we even get some timing changes with bridge too, it also being another killer riff. The whole thing is another really great song, and memorable despite it being packed in by singles.
Speaking of singles, the last two from the release are up next. The lead single from the album, ‘We Rule the Waves’, dropped way back in July of last year, and is very much another typical Amon Amarth track! The lyrics are a little Wind Rose-like, especially in the chorus, but it will still go down a storm live as it’s insanely catchy. And instrumentally, it’s your typical epic death-infused metal. If you know anything about the band, this is exactly what you’d expect, and that certainly isn’t a bad thing! Then, however, ‘Upphaf’ changed things up rather dramatically. The band don’t do enough acoustic tracks, and this really highlights their range perfectly. Johan cleans up his vocals a bit, still growling but more spoken-word, almost singing. And it fits the stripped-back instrumentation perfectly. It’s the folkiest track on the album, and is such an excellent change of pace at the halfway point of the album. It’s another huge highlight of the album and a track I’d recommend to anyone, even if they aren’t typically into the band! It’s certainly a style they need to explore more!
Tracks like ‘Die with a War Cry’, ‘Raven God’ and ‘Oden’s Hunt’ are more standard tracks from the band. None of them are bad by any stretch, and fit the album excellently, but when they’re pretty similar I don’t want to keep repeating myself over and over in this review! They definitely have their place on the album, and I’d happily listen to them again not just as part of it but also on their own. I’m a big AA fan and these are sick, but you certainly know what to expect heading into them!
The title track, while also having a similar vibe, is another track that honestly has single written all over it! From the opening, ‘The Pursuit of Vikings’ style riff and pace to the the guitar melody following the already catchy verse vocals to the awesome chorus, it’s all so damn good. It’s perfect Amon Amarth, and another huge high point of the album! I really hope this becomes a fixture of their live sets, as I’d absolutely love to see it in person. It’s a track that I will be revisiting plenty in the weeks and months to come!
Then, we reach the epic closer, ‘Ascending Like an Eagle’. At almost seven minutes in length, everything gets plenty of time to breathe, and the whole band get a chance to shine. It’s heavy and fast, but also incredibly catchy and melodic, and goes by in a flash! It feels like it draws together almost everything before it on the release, and finishes things off perfectly! It’s yet another firm highlight of the album, as if the release isn’t already packed full of them!
Overall: This is a really awesome album! It’s exactly what you’d expect from the band, with a few twists and turns thrown in for good measure. Every song on it is excellent, and as I said there are a few that I would put up there alongside their very best! All of them work their asses off throughout and show why they are so beloved and respected in the scene, all being masters of their craft. If you are a fan of the band or their general style/genre, I would absolutely recommend giving it a listen ASAP! It’s my favourite they’ve put out since at least at least Berserker, and I’m going to HAVE to see this live soon!
We chatted to the rising stars of Japanese heavy metal, Fireflame, about their debut full-length and future plans. Check it all out below!
How would you describe your sound?
We define our sound as Modern Heavy Metal, which strives for a seamless fusion of classic 80s heavy metal and modern metalcore. We dislike being boxed into a single specific subgenre. Rather than simply mimicking the past or sounding overly modern, we pursue a style where both worlds are perfectly balanced and blended.
The album’s been out a couple of months now, it seems to have gone down really well! Is there a particular theme or story behind the album, or is it more that each track is its own story?
The album is actually built as a cohesive concept! Excluding the bonus tracks, all 12 main songs are interconnected, telling one continuous story from start to finish. Central to this narrative is the overarching theme of “the persistent inner fire within those who continue to fight for something they cannot give up.” Through this story, we wanted to convey a powerful message about facing adversity and refusing to bend, no matter what obstacles stand in your way!
What is your songwriting process like?
The main process usually begins with Connie Flames (Ba) and myself (FireRay, Gt) putting together rough demos. Once we have those initial demos, we bring them straight into the rehearsal studio.
We jam and play through the songs together as a full band, shaping and refining the arrangements and details on the spot. It’s through this hands-on studio session work that everyone’s ideas and energy come together to give the final song its full form.
Is there more writing going on already?
Yes, absolutely! We’ve actually already completed 3 brand new tracks, and we have several more demos in the works!
Even though our 1st album Force Against The End was just released, we’re already focused on and excited about the next album. We can’t wait to push our sound even further!
Do you have a busy rest of the year and start of 207 planned with live stuff?
Now that our debut album is finally out, we’re currently planning a tour and getting ready to hit the road. It’s definitely going to be a very busy and exciting time for us!
What is the heavy metal scene like in Japan? I feel like I’m starting to see more and more bands from the country!
Compared to its peak, heavy metal definitely isn’t in the mainstream spotlight here anymore, and honestly, our hometown scene in Osaka has declined quite a bit.
However, we have amazing bandmates of our generation who share the same passion, as well as inspiring seniors who support us. Because of that, I truly believe we can rebuild and reignite the scene from here and we want to be the band leading that charge!
You’re quite active on social media, do you have any advice you could give bands just starting out, in that regard?
Honestly, we don’t really have advice to give because we’re still just a starting-out band ourselves! Haha.
But if there’s one thing, it’s simply to keep doing it over and over again. Just put content out there constantly, stay active, and keep pushing without overthinking it!
Do you have a dream tour lineup you’d want to be a part of? Anyone you’d want to support or friends you’d want to bring with you?
Supporting heavy metal legends like Loudness, Judas Priest, or Bullet For My Valentine would be an absolute dream come true and it’s something we are determined to make happen!
As for who we’d bring with us, we want to bring everyone who has supported us on this journey. It sounds like a big dream, but we’re going to make it reality!
If you could have written one song from history, what would it be and why?
That’s a tough one! But the first song that came to my mind is “Painkiller” by Judas Priest. To me, it’s the ultimate heavy metal anthem from the legendary drum intro to the relentless riffs and twin guitars, it completely defines what heavy metal is.
Yet another MASSIVE week for new releases, from country to rock to metal. Let’s check it all out together!
Kenny Chesney: Silver Sands Marina
The country legend is back with album 21, following 2024’s Born surprisingly closely. Firstly, he clearly read my last review back then, as this is almost half the length of that release, and much better for it. Secondly, this is an awesome collection of classic Chesney music, and I love it! While the opener kicked things off a little low energy and awkwardly, lead single ‘Carry On’ follows it up excellently and is a certified banger. Tracks like single ‘Goldfish’, ‘Shot a Car Into Space’ and the Colbie Caillat-featuring ‘What We Got Going On’ are also big highlights, but there really isn’t a bad song throughout! Sure, it’s a touch on the slower side again, but when it’s a shorter album it’s a hell of a lot less of an issue. That and the guy is pushing 60, so it’s rather expected. It’s so very late 90s, early 2000s country, and I loved every second of it! It’s crazy that at this point in his career he’s still putting out such high quality material, and it gets another solid 8/10 from us!
Tom Morello: Everyone Gets Everything They Want
The first solo album from the guitar legend in nearly five years is an interesting one. It feels like a tail of two halves, yet both halves don’t necessarily run as the first six tracks and then the last six. The instrumental opening into the title track had me pumped, and both are awesome tracks! Then it got a little weird for a bit. I genuinely had to watch the video for ‘Adjourn It’ to be able to hear that it was actually Serj, and a couple of the tracks after it didn’t do much for me. The song with KNEECAP was surprisingly pretty good, as was the Worldwide Rebel Songs-like ‘The Last Rung of the Ladder’ and the Audioslave ish ‘Pretend You Remember Me’. However, as an album as a whole, I don’t think I’d revisit it a whole lot, just the songs I like. Tom is still a phenomenal guitarist, and has clearly passed that gene down to his son who gets plenty of time to shine on the tracks he’s on, and I still surprisingly like his folky vocals. But his songwriting is in a strange place at the minute, tugged between his earlier solo stuff and a more modern metal sound, and it leads to slightly mixed results. I’d still prefer an all-out RATM track or two, but this is still good, and I’d recommend it to anyone even slightly interested! 7/10
Europe: Come This Madness
The rock legends are back with their first new studio album in nearly a decade. And, honestly, it is far better than I feel most expected it to be! ‘One on One’ is the perfect opener, setting the darker, heavier AOR tone of the album up excellently. From there, we get a solid 10 other tracks, all slotting together amazingly and leading to a very easy 41 minutes of listening! This sort of sound fits Joey’s vocals these days perfectly, and the band all work their asses off throughout, all getting plenty of time to shine, whether it’s big riffs, awesome solos and drum fills. Tracks like ‘Come This Madness’, the epic ‘Scandinavian Eyes’ and ‘The Devil’s Back’ are all personal favourites, but there really isn’t a bad song throughout! If you are at all an old-school rock fan, this album is an absolute must, and a showcase of just how amazing the band are still, nearly fifty years into their careers. 8.5/10, awesome stuff!
Warren Zeiders: No Breaks
Jade: I’ve not come across Warren Zeiders before, but straight off the bat I really like his voice. It’s really easy to listen to, super smooth with a little bit of a twang to it. He’s got that sound that fits quite nicely into what you would class as stadium country, but has a slightly more stripped back feel to it. You really get that feeling with the title track. It’s quite soft and builds up to more of an epic chorus. And the vocals in the chorus are pretty damn dreamy. I get my fix of country cringe with ‘overrated’ featuring Bellah Mae. More upbeat than the previous tracks, catchy and their voices blend like butter. What more could you ask for from a country love duet!
I do enjoy more of the upbeat side of country, and although a lot of the tracks on this album are more on the slower side, they are all so different which just pulls you into it more. It has the potential to be the most incredible experience at a more intimate gig, but could easily fill a much bigger venue and give massive energy. Especially with the more stripped-back verses that go into the catchy, punchy choruses. ‘Drinking Game’ is the perfect example of this. I really enjoy how much range Warren has in terms of style. He has switched between stadium country, to bro country and then even hitting us with a slightly more rocky vibe. The way he uses his voice in ‘Looks Good On You’ and ‘Souvenirs’ is giving a more country Nickelback vibe, and I’m here for it.
Honestly I could absolutely gush over every single one of these tracks, which has me presently surprised. It’s almost like there is a song for everyone on this album which is pretty refreshing for country artists these days. Regardless if it was a slower track or not, each track does its own thing, I wouldn’t really say any are one in the same. I have very much come away a fan and will be going back to check out some of Warren’s earlier stuff. 9/10
Lacrimas Profundere: Lay Me Down O Silent Fear
We’ve already checked out this awesome album! Read the full review here.
Volucrine: Chapter V: Renewal
Max: I don’t have the longest review out there on this one but here are my thoughts. The album is a pretty hard hitting and enjoyable ride front to back coming in at a somewhat longer 52 minutes, spread across 13 tracks. I’d say that there is a relatively standard formula of chunking riffs, some decent clean vocals, and then a breakdown or screamed chorus which I initially thought was this bands strongest point. However the clean vocals and more melodic points started to become more and more enjoyable. And then you get to my favourite track in the album hands down, ‘Drift’. I get that’s its the cliché emotional song in the later half of a metal album but damn is really good. Just everything about it is gorgeous and I wish for more like that. However it does also expose the album to its biggest issue in my opinion, Pacing. whilst it is mostly fine with no disjointed or jarring moments, the flow between ‘Swans’ -> ‘Drift’ and ‘Drift’ -> ‘The Future That Never Was’ is quite abrupted and feels a little out of rhythm with the rest of the album.
That being said, that is a rather weak criticism that is only used when you need to say when an album isn’t perfect. So ignoring that, the album is really quite good and one that I would recommend. Hopefully I can catch this group on tour at some point. 8/10
Wheeler Walker Jr.: Pullin’ Out
The apparent final album from the crass, comedic country genius is an expectly damn fun half-hour. If you are familiar with him already, you know exactly what to expect. If you aren’t, you may be in for a shock! It is certainly a lot if you’re a bit more conservative on the sex and drugs side of the world, but it’s hard not to have a good time with it regardless. It’s cleverly written, and the music is always surprisingly excellent and well produced behind the silly vocals. Tracks like the bluesy ‘Whiskey Dickin’’, ‘Old Piece of Shit’ and ‘Why Aren’t Suckin’ my Dick?’ are all personal favourites, but the whole album is pretty great! It’s a hard one because while I do think the joke may have run it’s course a little, it’s hard to not still love his music and his creativity, and it will be sad to see him go. If you like silly country music, this is absolutely the album for you! 8/10, I’ll certainly be listening to this plenty moving forward!
Nothing but Thieves: Stray Dogs
Following up 2023’s excellent Dead Club City, the English alt rockers have gone a bit heavier with Stray Dogs, and certainly in a good way! The title track sets the tone perfectly, while songs like ‘Testosterone’ and ‘AI.Jesus’ follow its lead. It’s a little bit Royal Blood or Deftones, you know, if Deftones were good. Then you have more expected-sounding tracks like ‘Evolution’ and ‘Baby Kool’. The album does sadly lull a bit too long in energy around the middle, but even those slower songs are still good. While I wouldn’t say it’s quite as monumental or memorable as their last release, it’s still a damn good album in its own right! The band are all so damn talented and, while they are a massive name, they deserve to be even bigger with their stellar recent output! There is plenty of greatness to sink your teeth into, and it goes by in a flash despite its length. A very solid 8/10 from us, and another album I will happily be revisting soon!
AJJ: Dirty Old Power
Album nine from the folk-punkers is an absolutely fantastic half-hour of music! While I remember somewhat enjoying 2023’s Disposable Everything, but it is also an album that I’ve revisited a lot since, and has grown on me a lot. This album, however, hit me immediately and I had a blast throughout! Honestly it’s hard to pick highlight tracks too, as I enjoyed every one in its own quirky way. Every song is different as well, making the album so interesting throughout. It’s chilled-out (aside for ‘Phlamethrower’), fun but also so very well written and put together, with some of the lyrics being really damn good. The band are true masters of their craft at this point, and have crafted something truly special together with this release. If you like the quirkier side of rock and folk music, I’d definitely recommend you check this out ASAP. I’ll certainly be spinning this again plenty moving forward, and it gets a very easy 8.5/10 from us!
Metalite: Discovery
Another band that I LOVEDthe last album of, and another band that once again knock it out of the park with their new album! It’s yet another amazing collection of fantastic modern power metal like really only Metalite can do. The release opens fantastically with the one-two punch of ‘Our Time has Come’ and ‘In Case of Emergency’, while ‘The Metal Elite’ and ‘Wings of Fire’ continue the excellence throughout. What’s more is there isn’t really a ballad on here either, it’s balls-to-the-wall for a full 46 minutes. Usually I’d feel like it would be an odd choice, but it absolutely works here! Every song is amazing, and it is a damn good follow-up to Expedition One. They are one of the most underrated bands in the modern power metal scene, and feel like true frontrunners alongside Dominum when it comes to quality output. I loved this, and it’s an incredibly easy 8.5/10 from us!
Max McNown: Leave on a Light
We’ve also checked this out in full, aren’t you lucky?! Read it here.
Coldrain: OPTIMISE = OPTDEMISE
Jade: I have very much enjoyed the odd coldrain track here and there over the past couple of years. However I will admit I’ve never taken the time to actually listen to an album in full. So what better time than now with this never release?
Coldrain is a band that gives me everything I love, from screams you’d expect in metalcore alongside melodic vocals, which combine in the best way. The opening track ‘OPTIMISE’ did not disappoint, and god did it remind me why I like this band so much. Masato’s vocals are just so impressive going between such cleans to those nasty, aggressive screams. Sais cleans really shine in the next track ‘CHASING SHADOWS’. I will say I have absolutely no idea what I’m taking about when it comes to any sort of instruments, but I can appreciate how hard the rest of the band slaps. Katsuma beats the hell out that drum kit throughout, and there is crazy impressive guitar from Sugi and Y.K.C. Of course we can’t forget how chunky the bass line is in these tracks thanks to RxYxO.
If you want a song that shows all of that then ‘INCOMPLETE’ is the one for you. And holy moly, I was not ready for “FREE FALL”. God damn I had to take a second for how heavy that was. Those screams are so filthy. Then to bit hit with a dirty breakdown midway too. That one is straight on my playlist! ‘EX-HUMANITY’ give a bit of a different vibe, still very good, but definitely more of a track with the intent of getting a message across to listeners. Which don’t get me wrong is the running theme throughout the album, touching on how people have changed and what humanity is anymore. This particular track just feels a little more direct to that sentiment. I wasn’t expecting a ballad on this Album, but ‘SING’ is exactly that, and it’s bloody beautiful and an amazing showcase for Masato’s vocals yet again. The album finishes on ‘SAVIOR’ which is way more walking the line of hardcore than the rest of the album. Kenta Koie features in this track, who I’m not personally familiar with, but god damn is he impressive! Those screams really are something else, and it fits so well alongside Masato’s vocals and the rest of the band. It couldn’t be a more perfect collab.
Overall, this has been a really great album, some tracks definitely outshined others but the stronger ones were spaced nicely through the album which gave it a good pacing. This is one I would definitely recommend checking out! 8/10
Pyre of Descent: Albedo
The first release from the German gothy, proggy metallers since the pandemic times is an epic 50 minutes of darkness and chaos. Let’s get the obvious out of the way, it’s certainly not going to be for everyone. It’s only six tracks, with the closer being over 13 minutes in length. However, I had a good time with it! Everyone involved is super talented, playing their asses off, and I love that the tracks flow into one another! It’s a heavier version of old-school goth music that I never knew I needed in my life until now! ‘Die for Us’ and the epic, plodding ‘At Sea’ are personal highlights, but the album as a whole is well worth a listen if you’re interested. The band very much have a new fan in me, and it’s a very easy 7.5/10 from us!
Scorpion Milk: Flesh Masks for Skulls
Following up on last year’s debut album, the band very much continues on its journey of cult post-punk/gothic-metal music. It’s dark but high energy and surprisingly catchy throughout. Opener ‘Dreaming Skulls’ is a lot of fun, and sets the tone for the EP excellently. However, every track on here is just as good as the last, and makes for an incredibly easy, fun listen. If you are at all into this sort of style, this is absolutely something you need to be checking out! The band have a new fan in me, and I already can’t wait to hear more from them. Mat McNerney is an incredible talent and mind in the music business, and doesn’t get nearly the flowers he deserves! 8/10
Godflesh: Decay
Less than two years removed from their last massive album, the doom masters are back with another crushing 40+ minutes of music. It is very much an acquired taste and not at all for everyone, including myself to be honest. It’s a lot of the same riff over and over, and the mix is very odd, the vocals being so low in it. ‘Living/Ending’ is probably my favourite on here, and none of it is bad at all, just not my thing. If you are into grandiose, traditional doom/stoner stuff, give it a spin, but I shan’t be trying it again, sadly. 4.5/10
Stryper: Throne of Thorns
Barely two years removed from their last album, the glam/heavy metal legends are back with their 15th studio effort. If you are familiar with the band it’s exactly what you’d expect, and that isn’t at all a bad thing! It’s packed full of awesome riffing, solid drumming and some catchy-ass choruses. Don’t get me wrong, it’s a tiny bit on the religious side for me, but it doesn’t take away much at all from the awesome writing and musicianship. Tracks like ‘Here in Your Heart’, ‘Carry the Flame’ and ‘Alone Again’ are all personal highlights. The whole album has their typical brand of grandiose, epic metal, especially when it comes to those more soft-rock choruses, and while it does get a very slight touch repetitive by the end, it’s impossible to think of any songs that I’d change or cut to change that. The band have added yet another great release to their solid, growing discography, and this is a must for any fans of the band. 7/10
Dylan Gossett: Ramblin’
As if last year’s Westward wasn’t good enough, barely a year later the modern country superstar somehow knocks it even further out of the park with his sophomore release! Right from the opener I was hooked, and wasn’t let go for the full 44 minutes. His blend of country, folk and Americana is phenomenal, and his lyrics and the delivery of them throughout is captivating. ‘Love and Such’, ‘Honeysuckle’ and ‘Head in the Clouds’ are all massive high points for me, but honestly the whole album is spectacular. Even with the ending quarter being generally o the slow side, it still went by in a flash, and I loved every minute of it. I honestly cannot rave about this album enough, and it’s just as good as his first, if not somehow even better. This is an album for anyone even slightly a fan of any of the genres I mentioned above, and I can’t give it any less than a 9/10. Amazing stuff!
Red Code: Traces of unease and discomfort, Pt. 1
The debut EP from the alt/prog metallers is a fantastic 23-minutes journey through each members’ experiences. Each of the five tracks are not only great, but so interesting and fantastically written, and all represents and sounds like a different sound and angle of the band. Because of that, it’s honestly so hard to pick individual highlight tracks, as this really feels like an EP worth listening to in full at least once! I already can’t wait to hear where the band go from there, and they deserve so much love already because of how good this is! It’s heavy and melodic in all of the best ways, and everyone involved is so very talented. An easy 8/10 from us, and I can’t wait for part 2!
Mikey Ball & The Company: Keep the Fire Burning
The sophomore album from the hard rockers is a short, sweet, awesome affair! It’s got not just an old-school rock feel to it, but almost a punk edge too. It gives off vibes of everything from Ricky Warwick’s solo stuff to Social Distortion to American Aquarium. And, at under half an hour, it’s an incredibly easy listen! ‘Pressure’, ‘No Time to Lose’ and the closer are all personal highlights, but the other four songs are also awesome! The band are all very talented players and songwriters, and work so well together. It’s a name that I’d seen around a lot recently but hadn’t had the pleasure of really checking out much until recently. However, the band have a big new fan in me, that’s for sure! I’ll be spinning this plenty in the week and months to come, I’m sure, and it gets an easy 8/10 from us!
Lawrence Rothman: Here Lies Love/Sawdust to Stardust
Another country release for us this week, this one a bit more slower and steadier. It’s a beautiful, stripped-back release, and if you’re into that sort of style you’ll love it! I had a lot of fun with it, even if it did get slightly long-in-the-tooth by the end. ‘A Word’s a Weapon’ and ‘Worn Out Woman’ are personal favourites of mine, but all are equally as great in quality as they are in sound. Lawence has gained a real cult following over his previous four albums, and it’s easy to see why. I’ll certainly be going back and checking them out, as despite it not fully being my thing, I did have a good time listening to it! It’s the perfect album to throw on and relax to, though some of the lyrics are really deep and emotion-filled at the same time. A solid 7/10 from us!
We had the pleasure of chatting to the amazing country duo’s Ryan and Rory at the Long Road the other week! Check out as we chat about the UK scene and their new album plans!
We chatted about a year ago now so, essentially, how’s the last year gone?
Ryan: Man, it’s crazy. It’s been pretty crazy. We’ve recorded an album!
Yes. I remember you kind of teasing it when we chatted!
Rory: Yeah, may or, maybe not be coming out next year. May, maybe not be early next year. I mean, I don’t know what we can say, but…Yeah, we’ve been playing a lot of shows. We’ve been, like we said, working on new music. We put the single out this past Friday, ‘Beer Wants Me’.
Yes, of course. Yeah!
Rory: We knew we were coming over here and we were like, this is the best way to celebrate this, to give it a turn and push that boat off the dock here in the UK for ‘Beer Wants Me’. Exciting!
Is that going to be on the album then? Is that the first single from that?
Ryan: Yeah, it’ll be on the album. It’s the beginning of our new chapter!
You’ve got two sets today as well, right? You’re on there and then the afterparty!
Ryan: Yeah, Main stage at 11 O’clock.
Long day.
Rory: It is what we’re here for. Long days. Exactly. Long Road, long day!
What can we expect from either? Is there going to be some differences between the sets? I feel like tonight’s is a bit shorter, right?
Rory: It’s shorter. It’s going to be like probably a little more high energy for the second set, but the first set is going to be all gas, no breaks. First set’s just, a good mix of you know, our songs that are out and then we have some new tunes coming out, a lot of new ones, which is nice!
I was talking to Zandi Holup yesterday about how country seems a lot more accepting of playing unreleased stuff than a lot of the other genres I’ve noticed. Like it’s really cool that people will dry run a new song live!
Ryan: We noticed that! So our first trip over here like six months ago or whatever, I mean, almost all that music is new to the people we’re playing for and it didn’t feel that way! It felt like they were listening with arms wide open.
Rory: Yeah, it was wild by the third set I was like, man, they know the words to some of this!
What can you kind of make comparison-wise from the scene back home compared to out here? Are there any similarities or differences?
Yeah, I mean there’s definitely some similarities and differences. The difference I’ve noticed is like here, we mistook the very first time for the attentive listening. We thought like maybe the energy wasn’t high energy. Because it was such attentive listening, and then by the next song everyone loves it. They don’t hate us. They were just really listening. So, that difference is pretty key, I’ve noticed!
Yeah, I have had a few people say that, actually. I feel like I need to head out to you guys and catch a country show now just to see the differences!
Oh, definitely. Have you been to Nashville?
No, I really want to!
It’s, it’s worth it. It’s rowdy dude!
It’d definitely be cool. I’ve done a few shows in the US, but not country, so that’d be cool.
You’ve kind of touched a little bit on the album. Is there anything more we can expect? Are there any interesting twists and turns on it compared to the stuff you’ve put out so far?
Rory: Yeah, so the record we feel like is the most complete picture of music we’ve been able to put together. We shot the video for ‘Beer Wants Me’ here on this trip, so we’re still filming it!
Oh wow, you’re getting some clips today? That’ll be cool.
Yeah! You guys are going to be in it today and tonight! It’s going to be a UK exclusive ‘Beer Wants Me’ video, which is very cool. But the record is… it almost picked itself. We’re so proud of all the songs and there wasn’t a disagreement about which one should be on there!
Have you guys got quite a busy year after you get home then? Are there any shows coming up?
Yeah, we do, for sure. We’re going to be putting out some new music, one more before the new year and then a lot of new stuff next year. We’re going to be going to radio, so the full, the whole nine yards.
Nice busy year, then!
Ryan: Yeah, it’s going to be busy as it gets!
Is there anyone you’d want to collaborate with in a writing room?
Yeah, for sure! Our dream collab is Lainey Wilson, for sure.
That’d be cool!
I think she’s like triple threat artist. Definitely one of our dream collabs. We already had a dream come true with Jamie Johnson, we have a song out with him. That was, that was pretty damn cool.
Thomas Rhett at the board. And we might want a song with Kenny one day.
And we’ll just say it, we’re Ella Fellas! She’s cool!
I guess that probably leads quite nicely to our next question of if you had a dream tour you’d want to be a part of. I imagine at least like Ella, Lainey maybe?
Yeah, I think either one of those, I’d be like, I don’t know if I’d believe it’s real. But that, I mean, man, the thing about country is we love so many artists, like there’s a lot of dream tours, like there’s a lot of them. Whoever we can have a good time with, honestly, who we’d enjoy to hang out with. We love, you know, getting to hang out after the show, going golfing before soundcheck, and you know, going and exploring a new town, meeting new people, that kind of thing, so wherever it gets us out and about! The hang is everything!
Then are there at least tentative plans to come back out next year, I imagine?
So, just like last time, we immediately started working on this trip the last time we were here, so we’re already talking about it. We’ve been kind of checking around for what would we be able to do show-wise and what cities and what not. But no, the plan is always to come back, because we’ve just had such a great time!
Ryan: And yeah, the move would be maybe putting out a new record and then come back over here! You know, one after the other.
The modern country-Americana megastar Max McNown dropped his highly anticipated third album in as many years today! I remember loving his last album last year, so have high hopes for this one too. A couple of the singles I’ve checked out so far are great, so I’m excited to dive in and see what it’s about!
The album starts pretty slow, fittingly, with ‘Slow Down, Slow Down’. Max’s fantastic vocals come over the top of a simple drum beat and guitar chord progression. It builds up before dropping out even more for the first half of the chorus, just being guitar and vocals. It makes it hit even harder when everything explodes back in for the second half, too! It’s a short and sweet track at barely over two and a half minutes, but is beautifully written and the dynamics and production are a real standout point. A great way to open the album!
The chilled out, slower vibes continue through ‘First Born Daughter’, fitting somewhere perfectly between old school Western and modern indie-Americana. It builds a bit more naturally into a bigger, more stadium-filling chorus this time, and it’s one that will be stuck in my head for days to come! It’s a beautiful, heart-felt love song, and a massive early album highlight for me. And what a choice for a single too, although there were quite a few from this release… Great stuff!
I like the rockier intro for single ‘Done For’, it upping the energy and pace a little and being an excellent change of pace. It leads to an absolutely massive chorus that is over as fast as it starts, but is so very memorable. His lyrics are again amazing and his voice fits this sort of style so well, reminding me a little bit of both Kip Moore and Evan Honer simultaneously. It’s another short and sweet track, but we even get some time for a little guitar lead part, which was nice. I like the rockier edge to his sound a lot, and this is a track that easily makes it onto our playlist. If you’re going to check out any track from this album, let it be this one. I’m a little obsessed!
The higher energy continues later in the album through tracks like singles ‘Heart You Didn’t Break’ and ‘Standstill’, ‘Make my Peace’ and ‘Selah’s Song’. The former reminds me of Mumford and Sons in the best way, and is another MASSIVE highlight song. However, all are great songs in their own right, and break up the generally slower pace of the album perfectly, exactly what a release of this length and magnitude needs. It also shows Max’s great range of different sounds and styles, his vocals fitting it all so well, and it’s all fantastically written. They are certainly more of ‘my vibe’ of songs compared to some of the others, as much as I enjoy other tracks on here, and I’d recommend all of them to absolutely anyone!
The other singles, ‘Something to Someone’, ‘World Change Me’, ‘Famous to You’ and ‘Comets’, are all more great choices for pre-release songs, and fantastic representations of Max’s sound and talent. The former is an excellent indie-Americana song, complete with maybe the best chorus on the whole album. ‘Famous to You’ reflects that style perfectly, too. ‘World Change Me’ has a great Western edge to it, and the stomping pace is excellent. Then you have the slower, more ballad-like ‘Comets’, being arguably the best of this pace and style on this release. Don’t get me wrong, there were maybe too many singles for the album, but when it’s this long it makes sense for there to be, and each represent a different part of the album perfectly. And they’re all great songs!
A lot of the other songs on the album are more slower, beautiful songs. They all fit the vibe and tone of the album excellently, and are very good songs in their own right. ‘Isn’t That Love?’ is probably my favourite of the bunch. However, all of them do have a slight album-track feel to them, and there’s just too many of them. I don’t mind a longer album generally, but 17 tracks when a lot of it channels the same sort of vibe and energy is a little much for me. Now, he is a massive name so is clearly doing something right, and there will be plenty of people who love all of these. They’re all well written, well performed and recorded songs, but when put together in the same collection I personally found it a little hard a listen, especially by the end. Still, if you are a fan of Max, they are still well worth a listen! The closer is also beautiful, giving me goosebumps, so there is that! The poem in the middle is phenomenal.
Overall: I certainly had a good time with this album. As I’ve said before, he is an incredibly talented musician and not a single track on here is bad by any stretch. And as I said, if you are already a fan of Max or his general style, you may have a lot of mileage for this release! However, it is a touch too long for me personally. There’s a phenomenal album tucked away in here spread across maybe 10 tracks, but the rest do bog it down, in this writers humble opinion. It’s very much a problem across the country spectrum though, and is probably why I’m not as big a fan of guys like Morgan Wallen and Riley Green. This is a great indie-infused country Americana album, and if you are a fan of the style it is very much worth the time and effort. But it’s not a release I’ll be revisiting in full all too often. It sadly falls just short of his sophomore release.
