Tag Archives: News

New Music Mondays: Twin Atlantic!

Guess who’s back! The first content from us of 2022 and of course it’s the fan favourite, New Music Mondays! We couldn’t leave this behind in 2021, especially when there are so many more amazing albums slated to be released in the next 12 months.

So, what lucky singular album and artist gets to say they were the first band for NMM 2022? check them out below…

Twin Atlantic: Transparency

Scottish alt-rock band Twin Atlantic have been going a lot longer than I imagine anyone but their die-hard fans realised. Now on their sixth studio album, the band have been going solid for nearly 15 years. While I have only ever heard a couple of tracks by them, namely the banger that is 2014’s ‘Heart and Soul’, I would say I’m a fan of the band, even if I know very little from them. They always felt a little too far under Biffy Clyro’s shadow for me to give much time to it, unfortunately.

This was not what I was expecting.

Leaning a lot heavier into the alt side of things, it feels more like a pop album than a rock one. It’s closer to the KoL/Imagine Dragons style of US pop-‘rock’ than anything I have heard from the band before. The tracks themselves aren’t actually that bad, but it was such a shock to the system expecting something a fair bit different to what I got. Tracks like ‘One Man Army’ and ‘Dance Like your Mother’ stand out as rock/early 2000s British pop mashups, like a heavier Scissor Sisters. In fact, the latter track is by far the highlight of the album, what a bop.

Not a bad album at all, and if you’re into your alt/indie rock it’s definitely worth a listen. 6.5/10

And there we have it folks! Just one this week but it definitely starts to ramp up again towards the end of the month. And it was a pretty decent album to kick things back off with, too! Until next week!

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New Music Mondays: Volbeat, Devin Townsend and More!

As we get closer and closer to the end of the year, we are finding less and less albums coming out. However, there is still some life in 2021 rock music. This week is the last big one before Christmas hits us. Four new metal albums (sorry rock fans) were put out and we’re here to check out all of them and let you know what we thought!

Volbeat: Servant of the Mind

One of the most promising metal bands of the last few years, Volbeat have never seemed to be given the opportunity they deserve over here. However as much as I loved Seal the Deal…, the band definitely seemed to plateau with Outlaw Gentlemen…. The band have promised this to be heavier than their last release, going back to their roots. From the more recent singles they at least do make that happen. This is the last big album of the year I wanted to review in depth so you’ll have to wait for an overall score, but I can at least tell you it’s better than Rewind, Replay, Rebound!

Devin Townsend: The Puzzle AND Snuggles

That’s right, the Strapping Young Lad alum has treated us to not just one but TWO albums this week. Both are very different albums, though. Snuggles is a seemingly never-ending soundscape of relaxing, almost ethereal-sounding 40 minutes. All the tracks run together perfectly and almost feel like one of those CDs you used to be able to buy if you struggled to fall asleep.

The Puzzle is a messier, slightly heavier affair. Neither were anywhere near what I had expected going into them, though. I’ve never been the biggest fan of Devin’s work to begin with but I at least appreciate tracks like ‘Hyperdrive!’ and ‘Daddy’. Both are actual tracks, not just a collection of sounds. I appreciate the attempt at taking bedroom-pop in a more rock/experimental direction, but I found very little redeeming in either album at all. It was a chore to listen to what I did, honestly. I’ll rate both together and give it a frankly generous 2/10

Of Mice and Men: Echo

Despite a turbulent last few years for Of Mice and Men, the band returned with their seventh studio album this last week. Despite having seen them at a festival a few years ago, I still know next to nothing about the band besides the odd passing song that a friend may have liked. But, coming into this almost completely blind, I have to say I was pretty impressed with this album. It’s nothing ground-breaking, simply good metalcore music. Highlights include the lead single, ‘Obsolete’, ‘Pulling Teeth’ and the albums title track. 7/10

And there we have it, the last big week of rock releases of 2021. We will still keep up with New Music Mondays, of course, as there are still a few albums yet to be released, but it’s rather slow for a few weeks!

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Jack J Hutchinson Announces New Album & Tour!

London based singer and guitarist Jack J Hutchinson has just today announced his long awaited new album. Titled The Hammer Falls, it is scheduled for a February 4th release. An eight date headlining tour has also been announce to coincide with it!

The album, which we first heard about back at Rockin’ the Bowl (read the full interview here) features previously released tracks ‘Call of the Wild’ and ‘Straight to Hell’. Speaking on the album, Jack said “It’s my most personal record to date, but it touches on wider themes such as mortality and loss which affect us all.” muses Jack reflecting upon a period of time which was challenging for all walks of life, “It’s hard hitting, rammed with heavy riffs and guitar solos, but with lyrics and melodies that will hopefully touch and move people. It’s a banger, the songs are fun to play and have gone down very well on tour!

The tour begins in London at the famous O2 in Islington before travelling the length of the UK and even Scotland. It also contains a stop off at Planet Rock’s fantastic Winter’s End festival. Jack J Hutchinson and his band are fantastic live and it will not be a tour to be missed! Check out the full tour from the poster below and make sure to get your tickets!

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Amped: Is This The UK’s Next Big Rock Show?

The UK underground music scene is arguably the strongest it’s been in decades, even despite the pandemic. In order to highlight it, the amazing Anne Estrella put in a LOT of work to try and bring something special back to the fans – a format that hasn’t been around for a while in the genre to get some much needed exposure on the scene. Putting on a pilot for a TV show is a mammoth task – especially when that involves getting a film crew, a crowd AND three bands down to the same place at the same time and it all going off smoothly. I would say that they managed that and more.

Held in the awesome Waterloo Music Bar in Blackpool, the Lemmy-obsessed establishment is the perfect venue for a rock show. With posters and gig memorabilia plastered across every wall in the place, as well as there being alcohol from the likes of Motorhead, Iron Maiden and Kiss all to hand, this is definitely the most suited venue for gig I’ve ever seen!

The night kicked off with a short speech from Anne and her co-host, the ever-charismatic Brad Marr, before the opening video above kicked us off. Then came the first of the three bands on that night (all of which were surprises to the audience, I might add), the awesome Gorilla Riot.

Photo by conbotherwayhill

The heavy blues-rock band swaggered onto the stage like the very spirit of rock’n’roll personified. Bringing a bottle of Jack on stage with them to share before launching into one hell of a set full of huge, chunky riffs, catchy vocals, and plenty of swearing and attitude. Oh, and pyro too – we had pyro at such a small venue! Scared the crap out of the crowd most times it went off, but boy was it awesome. The five of them (three guitarists for the optimal crunch, I’m sure) rocked through a short-ish set that was very well received by the crowd before the show hurried along to its next act… the always awesome Bastette!

Now, this is the FOURTH time I’m speaking about this band since the start of September, after first having seen them at Rockin’ The Bowl and then two sets at Hard Rock Hell. You’d think I’d have gotten bored of talking about them by now, but I have to say that they only seem to be getting better and better each time. I will stress that I have said countless times at this point that they are going to be the next big thing, and I feel like I have to say it here too. All of them have developed into more competent, charismatic and confident musicians in such a short space of time. I can’t even begin to imagine what level they will be at in a couple of years.

Photo by conbotherwayhill

Last up we got the awesome Stevie R Pearce and the Hooligans. The veteran punk rocker brought the thunder through his entire set, having the crowd in the palm of his hand throughout as he rattled off some of his biggest hits. He was another that oozed charisma, a great thing when this is hopefully ending up on TV!

Photo by conbotherwayhill

Outside of the music itself, we got to chat to a lot of the people involved, from Gorilla Riot and Bastette to Anne and Brad and even Revival Black, who were there supporting the show as fans. Keep an eye out on our socials for more Amped updates and some interesting behind-the-scenes content.

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New Music Mondays: The Darkness, Exodus and More!

Another week, another six new rock albums to sink our teeth into. let’s not waste any time, let’s get into it.

The Darkness: Motorheart

One of the biggest British rock bands of the early 2000s, while The Darkness may not be at their peak in terms of popularity these days, they are still on a run of form quality wise. Now onto their seventh studio album, the band are seeming like they are on a run of form if their previous release and the singles are any indicator. I intend to review this in full, however, so I shall leave the score out until that is done…

Exodus: Persona Non Grata

Bay-area thrash legends Exodus are often regarded alongside Testament as the forgotten extra members of the Big Four. It’s a fair assessment, given how good their musical output has been, even in this century. Blood In Blood Out was a fantastic and triumphant return from Zetro and their others recently were also great. This new album was no different. It’s a punch in the face from the very first note of the opening and title track and I love it. It’s thrash at its absolute best and I’d put it up against any other of the older thrash bands’ 2000s albums, and maybe even a lot of their albums in general. Highlights include the title track, ‘The Beatings Will Continue’ and ‘Lunatic-Liar-Lord’. 8.5/10

Converge: Bloodmoon I

Hardcore punk band Converge have gone a bit of a different direction with their latest release after adding Chelsea Wolfe to it. It’s definitely got some heavy parts and elements to it, but the more open cleaner parts on tracks like ‘Scorpion’s Sting’ and the opening track give it a real atmospheric feel to it. Add that to the fact that Chelsea has brought so much to the sound here, she’s been used perfectly, and we have the workings of a really good album. Oh, and ‘Coil’ is another massive highlight on the album. I had heard nothing about this band before today but I have come away damn impressed. I can’t wait for part 2! 8/10

Deap Vally: Marriage

Changing direction rather abruptly into female-led punk music, Deap Vally released their fourth album this last Friday, too. Another band that I hadn’t listened to before this, they were another band that rather impressed me. It’s not the sort of thing I typically listen to as I feel like it all sounds like a Runaways rip-off, but there was something about this that at least felt a little fresh. Parts of it even felt like it had pretty heavy Dorothy or White Stripes vibes to it, both fantastic modern artists. Highlights are the opening track and ‘Tsunami’. 7.5/10

Me And That Man: New Man, New Songs, Same Shit, Vol. 2

And now to change it up even more again, we have a dark country/folk album from the man behind the extreme metal band Behemoth. Me and That Man have been going for a while now as an interesting solo project for Nergal, and this album is just as out their and fun as the last. It’s an interesting album for sure, with somehow just as many Satan references as his main project. ‘All Hope Has Gone’ is a particular highlight as it gets to show off Garry Holt and Blaze Bayley in much different genres as they are used to doing, and it shows both have tremendous ranges. The same can be said for ‘Goodbye’ with Alissa White-Gluz and the legendary Devin Townsend. It’s so impressive hearing Alissa actually sing after only hearing her with Arch Enemy, she’s got a cracking clean voice. 8.5/10

Mirrors: The Ego’s Weight

Last but certainly not least we get metalcore/hardcore band Mirrors with their debut album. I had checked out a couple of singles from these guys already after their album announcement email, and tracks like ‘Beneath the Sand’ and ‘Purple Static’ are awesome, as are album tracks like ‘Hereditary’ and ‘Automata’. It’s a good album and a very good debut overall. I look forward to hearing more from these guys! 7/10

And there we have it, a VERY good week for new music, if I do say so myself. Check back next week when we will have another awesome few albums out!

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New Music Mondays: IDLES, L.A. Guns and More!

An interesting week of New Music Mondays this week, with nothing MASSIVE being released but a lot of truly solid bands putting out new albums still. Six bands and six albums in total, ranging from rock to death metal. Without further ado, let’s get on with it!


Indie/alt rock band IDLES return with their fourth studio album this week, CRAWLER. Considering the last one peaked at #1 in the UK, safe to say the expectations were pretty high for their follow-up. I can’t say I’d listened to them at all really up until now, but I definitely enjoyed a fair amount of what I heard. Tracks like ‘The Wheel’ and ‘Stockholm Syndrome’ reminded me of old-school, Ramones era punk stuff, while lead single ‘The Beachland Ballroom’ and ‘Progress’ shows off their more pop side. It definitely got a little boring for me by the end due to their limited range and sound, but it was okay to stick on in the background and tune into when something good happened! 7/10

L.A. Guns: Checkered Past

Former G’n’R founder Tracii Guns returns with his glam metal band, L.A. Guns, and their third new album in three years, Checkered Past (yes, it’s actually spelt that way, I hate it too). The singles have a surprising amount of country twang to them but they definitely let things get a little heavier with their album tracks. It’s a fun album overall, just not necessarily the sort of style I was expecting from the band. Highlights include ‘Get Along’, ‘Bad Luck Charm’ and ‘That Ain’t Why’. 7.5/10


Rammstein axe-man Richard Kruspe brought his industrial side project back for a fourth album this last week. It’s weird, but of course it was going to be. I mean heck, the second track is a metal cover of Willie Nelson’s ‘Always on my Mind’ with his Rammstein friend Till Lindemann, so that alone should give you a scale of the weirdness. In all though, it’s a damn enjoyable album. ‘FREEZE MY MIND’ is another great track on the album, as is ‘HYOTHETICAL’. 7/10

They Might Be Giants: BOOK

There are a lot of capitalised album titles this week… just saying. Now, onto the least rock band we have covered so far… I loved this album. ‘Rock’ duo TMBG released their 22nd album last week and is a 40+ minutes of bouncy, feel good music, even if the lyrics usually aren’t. ‘I Broke my Own Rule’, ‘I Can’t Remember the Dream’ and ‘Super Cool’ are all great tracks if you are into this sort of music. If not, stay tuned for the heavier stuff next, but if you are, you’ll be glad to know I’m giving it a solid 7.5/10

Unleashed: No Sign of Life

Picking up the pace immediately are Swedish death metal titans Unleashed. Now 14 albums deep into their career the band have long since perfected their sound so this was more of the same. If you like this band or death/thrash metal at all, you’ll love this. Highlights include opening track, lead single ‘Where Can You Flee?’ and the track below. 7.5/10

Silent Planet: Iridescent

Last but not least this week we get American metalcore band Silent Planet and their fourth studio album, Iridescent. Coming into this completely blind my first impression was that it’s a lot heavier than most metalcore bands I am familiar with these days. It struck me as more of a hardcore album outside of the clean vocals. It was okay, I guess. I wouldn’t say it was anything special either, though. All the tracks were just kind of there, and very little (if anything) stood out to me. ‘Panopticon’ was maybe the best among them and showcases what this album is about the best, so check it out if you’re interested and see if you enjoy it more than me. If not…. 4.5/10

And there we have it. As I said before, it’s not been the biggest week ever in music and we have a couple of bigger weeks coming up before the end of the year, but it was pretty solid with most albums being at least enjoyable. Good but not ground-breaking, but that’s all one can really ask for!

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Gypsy Pistoleros Gunning For Christmas #1

Yes, you heard that right. Sleaze-flamenco favourites Gypsy Pistoleros are trying for the converted UK Christmas number one slot this year with their cover of Ricky Martin’s ‘Livin’ La Vida Loca’. Backed by the Guru of XMas Hits Jon Morter (responsible for the Rage Against the X Factor campaign back in 2009) and with the campaign well under way (with a little help from the guys at Hard Rock Hell) it has a real chance of gaining some real steam and a chance of winning it back for the rock crowd for the first time since Rage Against the Machine over a decade ago!

Not only that, but all proceeds from the track go towards the amazing Shelter charity.

The track itself is awesome (if you haven’t listened to it already above); a great new take on a classic original song. We love it and would personally love to see it get as much plays as possible, so stream the hell out of it, buy it and keep on this site to watch it on YouTube over and over! Just imagine how amazing it would be if not just a rock band, but a smaller one part of the NWOCR scene get’s this much mainstream media attention!

The track is up for pre-order now and is fully released on the 17th of December, so what are you waiting for? Get to it!

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New Music Mondays: Bullet for my Valentine, Radiohead and More!

A slightly tamer week than last week with less than half the amount of new albums released, but that doesn’t mean the quality is any less! Four albums spanning metalcore to rock, there is a lot to be excited about here. Join us in checking it out!

Bullet for my Valentine: Bullet for my Valentine

A band with more ups and downs than most, Bullet for my Valentine return to their heavier sound with their latest, self-titled record. Their seventh studio effort may bring back a lot of former fans as it is a lot closer to their debut album’s sound than their last couple have been. It’s heavy, it’s awesome, and you’re going to have to wait for a full review as there was no way I wasn’t going to check this out in full as a long-term fan!

Radiohead: KID A MNESIA

I just want to say right out of the gate… I’m not at all a fan of Radiohead. I don’t get it, it bores me. So if I offend anyone with these next few sentences, I’m sorry. But… it’s over two hours of boring nothingness. Like honestly the first 15 minutes I checked out felt like a joke, it was just repetitive, boring noise and barely present, terrible vocals. What was with the horns on ‘The National Anthem’? It sounded like bad experimental jazz, like that song from the show Preacher. And this thing is THREE DISCS and THIRTY FOUR TRACKS. I’m sorry but what the fuck?! I checked out a variety of tracks from each of the discs and none of it got any better. The one below is one of the very few tolerable tracks across the whole album. 2/10

Portrayal of Guilt: CHRISTFUCKER

Hardcore punk band Portrayal of Guilt are probably one of the heaviest bands we’ve covered on this series so far, as you probably could have guessed by the album title. The third album by the trio, after releasing their second only back in January, they definitely have a pretty distinct sound to them. This is another album that definitely isn’t going to be for everyone, and was even a bit much for me, but there was some good stuff in here at least, the odd riff and awesome vocal line. However, for the most part it was a terribly produced mess. ‘Fall From Grace’ in particular stands out as both a showcase of what the album is good at and terrible at, all compressed into just two-and-a-half minutes. If you’re a fan of brutal music, this may appeal to you, but if it scares you, I’d probably recommend skipping it. 3/10

Neptune Rain: Chaos and Light, Extended Edition

Originally an EP released as Neptune Rain‘s debut last year, it got extended into an album this last week with a further few tracks. It’s awesome, and one of the best debuts I have heard in a good long while. You can find our full review of it here.

And there we have it. A pretty quiet week thanks to a couple more delays, but still a pretty decent week depending on what sort of music you like!

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New Music Mondays: Limp Bizkit, Black Veil Brides, Mastadon and More!

I hope you’re ready for the madness. TEN new albums were released this past weekend. No delays or anything, just ten rock and metal albums that were gifted us. And, as usual, it’s my job to go through them and let you know how good they are. Let’s get on with it, shall we?

Limp Bizkit: Still Sucks

It’s finally here! After YEARS of teasing and at least one other working title (Stampede of the Disco Elephants), the mighty Bizkit have finally released a new album after a decade. You all know I’ll be reviewing this one in full ASAP so I shan’t do much of it here, but if the rest of the album is anything like Dad Vibes, it’ll be awesome.

Black Veil Brides: The Phantom Tomorrow

I have a very love/hate relationship with this band, in that I hate how much I love a few of their tracks. The band generally are fairly meh, in my opinion, but who can’t love ‘In the End’ or ‘Knives and Pens’. I tried to go into this album with an open mind though, and I have to admit I was actually pleasantly surprised. Yes, they have gone a lot more pop-metal than their first couple of records, but that sort of sound is VERY in right now. Plus, there is still some great riffs in here, showing how underrated Jinxx is as a guitarist. Tracks like ‘Scarlet Riot’ and ‘The Wicked One’ are particular highlights, while some of the other tracks are a little too built-around-just-the-chorus for me. 7/10.

Mastadon: Hushed and Grim

Another band I have struggled to get into over the years outside of a few tracks, this is the first attempt at a full album since The Hunter. I unfortunately have to say that after a rocky start, the album doesn’t pick up too much. I know that over their now eight studio albums they have proven themselves to be incredible ‘musicians musicians’, but it just bores me a little. There are some great riffs through most of this, but the vocals do and always have let it down in my ears. Still, I can appreciate their talent and how they are still at the point they are at all these years later. If you want to check out any, go for ‘Pushing the Tides’. 5/10.

Jerry Cantrell: Brighten

Alice in Chains main man Jerry Cantrell returns to solo work for the first time in almost two decades with his latest release. Is it too easy to just say ‘for fans of AIC’? It has a little more of a country swagger to it than his usual grunge sound, and honestly his voice suits it just as well. It’s a country rock album that just so happens to have a non-country voice fronting it, and it’s awesome. If anyone is a fan of either AIC or stuff like Brothers Osbourne or Cadillac Three, you’ll love this. It’s probably a good job I’m not doing a full review of this album as I would gush all over it! 9/10.

Bad Wolves: Dear Monsters

Bad Wolves return with their first new music since their sour split with former singer Tommy Vext with their new singer, Daniel “DL” Laskiewicz. Unfortunately, and maybe it’s just due to the recentness of the change, it doesn’t improve on their music at all. It never sits well with me when a band are WAY more famous for a cover they do than any of their original music, but (I’m sorry to anyone this offends), I can kinda see why. None of it is inherently bad by any stretch, but it suffers from the same issue as BVB, it’s music written around a radio-friendly chorus, meaning that none of the rest of the track matters that much so is just bland. If you’re into big vocal hooks and not much else, you may enjoy it! 4.5/10

Whitechapel: Kin

Whitechapel have been around for a while now, becoming one of the premier Deathcore bans these days. There has been a lot of hype around their latest release in the leadup, and I can see why. The band have matured and evolved their sound with each of their eight albums, and this release feels like the pinnacle of that evolution. All you have to listen to is ‘Orphan’ to hear the bands range and incredible writing and musicianship. It’s a fantastic listen for any fans of heavy music, said track and the album in general. Other highlights include ‘Lost Boy’ and ‘History is Silent’. 8/10

The War On Drugs: I Don’t Live Here Anymore

Alt/indie band The War on Drugs have been hitting us with their 80s nostalgia style of music for well over a decade now, and it continues with their fifth studio album. Sounding like a combination of Bryan Adams and modern day Kings of Leon. The sort of style/genre does bore me after a while, especially when the whole album is pretty damn slow, but as individual tracks they’re not bad. Not something I would go out of my way to listen to, but great background music! ‘Harmonia’s Dream’ is a particular highlight for me. 5/10

John 5: Sinner

Rob Zombie/ex Marylin Manson axe-man returns with another solo album that shows off just how wasted he is playing industrial music. Yes, he is damn good at playing simple, heavy, power-chord driven riffs, but damn is he a fantastic lead guitarist too that he simply cannot show off in those projects. This album shows that off to a tee right away, too. Just check out the first full length track on the album from down below and tell me it’s not a technical masterclass. I know a fair few people wouldn’t be able to get past the almost solely instrumental album, and it does get a tad repetitive for me by the end, but damn if it isn’t impressive and one of his best albums to date. 7/10

Running Wild: Blood on Blood

German heavy metal ban Running Wild have been going for an impressive 45 years at this point, releasing their 17th studio album this past week. Those facts alone, alongside the fact that they are pretty much the original pirate metal band, should immediately tell you how this album sounds. It all sounds like the last 30 years of Judas Priest, not that that is a bad thing! It’s good old fashioned metal and, outside of the style being done to death long ago, it’s still a really enjoyable listen. Highlights include the opening track and ‘Diamonds and Pearls’. 6.5/10

Small Town Syndrome: It Only Gets Worse

The newest band on our list are Grand Rapids’ newest emerging punk/alt rock trio Small Town Sindrome. I actually managed to have a sit down with an exclusive early access copy of the album and do a full review of it, which you can find here. As you can tell, I loved it, and gave it a solid 8/10, so I would urge anyone into the genre to check it out!

And there we have it folks, a rather mixed bag of quality for this weeks MASSIVE New Music Mondays. Some was awesome, matching some of the best albums of the year in terms of quality, and then some that were more of average quality. Still, I would happily listen to any of the albums again and most likely will in the next few weeks!

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New Music Mondays: Don Broco, Biffy Clyro and more

Six new albums were released this last Friday. Just to put that into a little perspective, that’s a lot of rock music to digest! Luckily, we do the majority of it for you so you don’t have to, giving you a gist so you only need to check out what sounds the best to you! Check it out below:

Biffy Clyro: The Myth of the Happily Ever After

The Scottish rock trio released their ‘Sister album’ to 2020’s A Celebration of Endings, and new Biffy music is always intriguing. I would like to think I am a big fan of the band, but they have also put out some questionable (in my opinion) music in my time. Heck, I thought the last album was pretty middle of the road, personally. I reviewed it when it came out and I think it got a 6.5 or 7, pretty middling for a band so big. I shan’t spoil much of my full review, which will be up soon, but I do have to clarify that it is definitely better than their last one!

Don Broco: Amazing Things

After much delays (a common and very annoying part of this series so far) Don Broco finally released their fourth studio album, Amazing Things. I have to admit I’ve never been the biggest fan of the band, but even I have to admit that they have done something special with this release. Again I shan’t say much as we should hopefully have a full review out of it soon, so stay tuned!

Dream Theater: A View From the Top of the World

Prog metal titans Dream Theater return with their much anticipated 15th studio album, A View from the Top of the World. Over an hour of music split between just seven songs definitely isn’t for everyone, but goddamn if this isn’t a rock musicians dream album. Heck, we get four different riffs across three time signature changes in the first two minutes of the album before any vocals have even come in. It’s safe to say the band have fully gone for it with this one. There is plenty of heavy riffage while still having the lighter, piano driven stuff throughout, both of which fit with James LaBrie’s vocals. And the epicness is still there, of course, the final track being a whopping 20+ minutes. If you can stomach the length though, it is one hell of a track, and my personal highlight of the album. 8/10

Cradle of Filth: Existence is Futile

Legendary extreme metal band Cradle of Filth are not only still going thirty years into their career, but are putting out maybe some of the best music they have ever done. This is another band that are not for everyone and for very good reason, one listen or even a look at the album artwork would explain it. Heck, I didn’t think I was into them until I took a proper listen a few years ago, and now I do really like them! This album is extreme metal at its finest, with opening track ‘Existential Terror’ and the ridiculously named ‘How Many Tears to Nurture a Rose?’ being definite highlights. 7.5/10


Another band that I have only gotten into recently, it was mainly off the back of one of the singles off this album, ‘THE BREACH’. That chorus alone makes it a great song and even a great album, it’s that good a chorus, but the rest of the album is also fantastic. The band have managed to find the perfect blend of heavy, BMTH-style riffs and Imagine Dragons-esque catchy vocal parts. All three of the singles are amazing, but there are redeeming qualities of just about every track on this album. 8.5/10

Every Time I Die: Radical

Finally we reach the other heavy band on this list, Buffalo’s own Metalcore titans Every Time I Die. This is the band I can get on with the least on this list, but that doesn’t mean it isn’t still a decent album. There is some surprisingly catchy parts throughout this album and The Butcher took time out of his busy schedule to write and record some HEAVY thrash riffs for this album. An enjoyable album for anyone into the heavy stuff, with Thing With Feathers being surprising awesomeness. 6.5/10

And there we have it, another week down. Hopefully soon the world can get its plastic and cardboard supply under control so all these albums stop being delayed and mess up my plans. Then we can finally get the BFMV and Devin Townsend ones I’ve been waiting all month for! Stay tuned next week, who knows who may be delayed by then!

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