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new music mondays

New Music Mondays: The Rolling Stones, Devildriver and More!

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Some massive albums for us to check out this week, from rock to metal to country!

The Rolling Stones: Foreign Tongues

Owen: This week saw the release of the 25th studio album from arguably one of the most all time influential groups in the rock genre. Jagger and crew still have a lot to say after over 60 years of releasing music together. Foreign Tongues is a contentious listen for me. On the whole it’s an inoensive album, however Jagger himself has been open about the fact that this could be the last of a long and storied discography. I can’t help but ask myself if they are going out with a whimper or a bang? Opening track ‘Rough and Twisted’ feels like classic Rolling Stones; this track is exactly what fans would expect of an album opener. However this feeling quickly fades as the tracks play on, melting into some generic tracks that lack identity. A pleasant surprise did await me on the ninth track, a cover of ‘You Know I’m No Good’ from the late Amy Winehouse, not something I expected to hear from Jagger and co, and expected even less to enjoy so much. The  cover is faithful to the original whilst simultaneously leaning into the strengths of this group. 6/10

Devildriver: Strike & Kill

We’ve already checked out this awesome album! Read the full review here.

Jack White: Frozen Charlotte

The White Stripes legend himself is back with his first solo effort in nearly two years. We sadly missed that release, but I do remember enjoying his two previous back in 2022. And, honestly, I really dug this, too! The opener is classic White goodness, all fun bluesy riffs and quirky, catchy vocals. And, honestly, it keeps up the high quality and expected/hoped for sound from there on out! ‘There’s Nobody There’, ‘Dollar Bill’ and ‘Making Contact’ are also massive high points for me personally. However, the whole album is great from start to finish, and the fact that 13 songs go by in this much of a flash is a true testament to Jack’s writing and musicianship. Honestly, this may be the most I’ve enjoyed an album of his since the early White Stripes days, it really is that good! It’s bluesy yet poppy, and filled with so many catch hooks from both the guitar and the vocals. Heck, White himself sounds more renewed and focused than he has in years. If you are at all a fan of his sound or genre, do yourselves a favour and give this a spin. I’ll certainly be listening to it plenty moving forward, that’s for sure! An easy 8.5/10

Chevy Beaulieu: Self-Titled

This is honestly a masterclass in country music. It’s 40 minutes that spans everything from Southern rock to more traditionalist styles to ballads, and I loved every second of it. There’s even hints of more of a modern pop-country vibe at times. It’s a lot of fun from front to back, and constantly keeps things interesting. It’s honestly impossible just to pick a couple of highlights too as it’s all so good, so much of this ended up on my personal playlist. And the fact that when we chatted to him he said that over half of it was written by him and, in this day and age, it makes it even more impressive!

He’s been growing his name pretty fantastically in Canada over the last few years, and it’s easy to hear why! He’s an incredibly talented writer, singer and player, and clearly has an ear to pick others that are equally as talented. I’ve already spun this a couple of times this weekend alone, and don’t feel like I’ll be slowing down much in the coming weeks and months! He fits perfectly into the modern country scene, and I can see this release pushing him to even greater heights within it. Give this a spin if you are at all into country! 9/10

Eva Under Fire: Villainous

Max: I was a bit stuck on this one. It’s a clearly good album, but didn’t do anything for me really. To be fair maybe I am not the target audience and I probably shouldn’t have spent the last week listening to Toe but I really struggled to get into this album. The production is really really good, that cannot be understated, and there was a nice rhythm to the album. I should also say that the breakdowns were mostly really good and the feature from Maria Brink was great as one would expect. With all that being said, I couldn’t connect to the songs. It felt very radio ready which isn’t necessarily a bad thing, but I have never liked music like that all too much. And, for the most part, I couldn’t tell you which song is which as they all had a very similar arc to them. With all that said, it is a good, inoffensive album. 7/10

Adam Lambert: ADAM

The modern Queen frontman returns with his first new solo LP in three years. It’s a grandiose, perfectly polished pop-rock opera, and I do think people’s milage with it will vary based on what they’re into. The closest thing I feel myself comparing it to is Marianas Trench or Nothing But Thieves, although there is definite inspiration from his time with Queen, too. I do like both (all three?) bands, but I’m a touch up and down with this. Opener ‘RAT CITY’ is awesome and sounds absolutely massive with those harmonies. The industrial-tinged, Lexie Liu-featuring ‘PROCELAIN’ is a lot of fun. ‘Rage’ had a catchy, techno-infused pop-rock hook to it. A lot of the rest of the album I could take or leave. None of it is bad by any stretch, and Lambert is clearly an incredible vocalist, but it just didn’t land for me. Then again, I am hardly his target audience, I imagine. It’s at least varied enough to stay interesting, and if you are at all curious it’s well worth giving a try. However, I probably won’t revisit it too often, and can’t give it much more than a 6.5/10. Good moments, but overall not my thing.

As Oceans Divide: Self-Titled

The debut EP from the metalcore/melodeath Canadians goes hard for its full 18 minutes. Fitting in perfectly between Trivium, Killswitch Engage and In Flames, the release is packed full of great riffs, solid drums, brutal screams and some damn catchy clean melodies. The opener is a great example of their heavier side, while the likes of ‘White Noise’ and ‘Cursed Oblivion’ almost boarder on melodic metal. And the all-out assault of ‘World Collapse’ is also excellent. As you can tell, I love this release! The band are insanely talented and have a VERY bright future ahead of them if they keep putting out music like this. I have no qualms in saying that this is one of my favourite EPs of the year so far, and it’s up against some stiff competition there, too! If you have even a passing interest in the heavier side of music, give this a listen ASAP, you’re bounce to love it as much as I do! 9/10, I already can’t wait to hear more from them!

The Plot in You: Self-Titled

A cheating release next. I have been rather vocal about my dislike of bands putting out almost all the album as pre-release singles before it drops (as much as streaming algorithms like that), but this release honestly takes the cake in that regard. I remember Atreyu doing a similar thing recently, as did Annisokay, and I wasn’t really a fan of either. Combining previous EPs together for the sake of having another album out takes away from both the value of the individual EPs, and the album they produce. Then again, it’s not like we checked out any of the EPs, so it’s new from a review standpoint.

Musically, it’s fine. It’s the side of metalcore that is ‘not really my sort of thing’ like Bad Omens or Northlane (although fuck do Northlane slap live), so knew I wouldn’t have a huge amount of milage in it to begin with. The heavier tracks like ‘Forgotten’, ‘Been Here Before’ and ‘Spare Me’ are good fun, but they feel few and far between when they alternate the even-more pop-centric tracks in between them. If you are a fan of the band you’ll probably get some enjoyment out of it, and it is definitely a popular style and sound these days. However, it certainly isn’t for me, and I found myself getting a bit bored by the end. They’re certainly talented players, but unless you’re a fan of modern metalcore I probably wouldn’t recommend this album. 5/10, incredibly average.

Allison Russel: In the Hour of Chaos

Owen: In the Hour of Chaos is the third album Russell has released since her solo debut in 2021. Previous member of groups such as Birds of Chicago, and Our Native Daughters, Russell is well versed in many genres and a skilled vocalist and songwriter. This third instalment is an impressively collaborative affair, with ten out the eleven tracks featuring other artists, notably Norah Jones, Chibueze Ihumoa, Ruby Amanfu, and many more. Thematically the album is  pushing a message of hope in the face of chaos and despair, which feels sadly needed in the world right now. Sitting between various genres and inviting many dierent voices into the album supports this message for me, Russell and her contributors deliver a message of unity and optimism. 8/10

Among Legends: Lose My Grip

This is a fantastic punk release! The sophomore album from the Canadians is a lot of fun; and energetic and attitude-filled half-hour! It’s also 12 fantastic tracks, each as fantastic as the last. ‘Sound the Alarm’, ‘Hollow’ and ‘Band Dudes Fuck Off’ are personal highlights, but the whole album is super solid and goes by in a flash. The band wear their inspiration on their sleeves in the best way, everything from Blink to Pennywise to Lagwagon, but also with a slight hardcore edge to it that I love! It’s a style that deserves to be massive again, and these guys are so good that they could easily lead that charge! They have a big new fan in me, and clearly I need to holiday in Ontario to go see this live! If you are at all into punk or pop-punk this an album you have to listen to. I’ll be spinning it a lot in the coming weeks and months, and it gets a massive yet easy 9.5/10. Goddamn, I loved this!

The Devil Wears Nada: In Lust We Trust

The sophomore album from the Swedish melodic rockers is a damn fun half-hour! It’s massive-sounding AOR/arena rock, and the production helps the writing and playing reach its lofty heights no end! From the huge riffs to the melodic synth, the anthemic choruses to the awesome solos, it’s all so good. And, from ‘Last Forever’ to ‘In Lust We Trust’ to ‘Shotgun Wedding’, there are so many bangers throughout! Having said that, every song on here is awesome, and it goes by in a flash. I had a lot of fun listening to this, and the band have a huge new fan in me! I honestly can’t gush over it enough, and if you like that 80s revival sound, this is an absolute must-listen. I don’t have much else to say about it other than check this out immediately! 9/10, I’m just throwing them out this week!

Andrew Farriss: The Prospector

The sophomore solo album from the INXS co-founder comes a full half-decade after his debut. Much like his first release, it’s a chilled-out, old-school album that combines so many different elements. Country, Americana, bluegrass, folk, rock; all of it is moulded together rather masterfully throughout. The closest comparison I find myself making immediately is Sons of Town Hall, in its essence and vibe at least, and if you read my review of their last album you’d know how big of a compliment that is. Somewhere between that and a Drew Holcomb or early Keifer Sutherland. This feels like not just a story, but a journey through its 38-minute runtime, and I am all for it.

It’s another album that has plenty variety too, keeping me constantly interested and entertained. And, it all flows together masterfully, track-into-track. It’s very much designed to be listened to in one sitting, though tracks like ‘Southern Cross Shines’, ‘Honesty’, ‘Something Stronger’ and ‘Someone For Everyone’ are personal favourites. Every track is awesome though, and it makes for a rather easy, relaxing listen, even when it’s a little melancholic at times. I’ll be spinning this album a lot in the coming months, as I’m sure anyone who listens to it will be doing! While I have checked out his previous release, I do think that this is a step up in quality, and he has a big new fan in me. I can’t give it any less than a 9/10!

Pythonic: Laws of Karma

Less than seven months after their last release, the third EP from the brutal death metallers/deathcorers is five venom-soaked, brutally awesome songs. The title track lands a brutal shot to the face right from the get-go, and sets the tone for the project immediately. The rest of the tracks follow its lead; a brutal yet melodic 18 minutes of music. The band are all extremely talented and have crafted something here that stands out from their peers from its perfect blend of aggression and catchiness. I already can’t wait to hear more, but until then will be spinning this plenty and checking out their older stuff, too. A very solid 8/10!

News

The Order of the Fly to Play the UK for the First Time!

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This August, We Are Horror Records is bringing The Order of the Fly to the UK for their “25 Years of Decay” tour (the first time they will play on UK soil no less!) alongside a run of shows featuring some of the underground’s finest weirdos, ghouls, punks and grave-dwellers.

Starting at Halfway to Horror Punk Fest in Birmingham, the quintet then go on a run of four more shows across the UK! Dates can be found below!

15th August – Halfway to Horrorpunk Fest – The Rainbow, Birmingham

18th August – The Fulford Arms, York

20th August – Nice N Sleazy, Glasgow

21st August – Exchange Basement, Bristol

22nd August – The Fiddler’s Elbow, London

Pick up your tickets here!

Support for each show are some of the best local bands in the scene, spanning from everyone from Hellbound Heist to Garbage Day Massacre!

These aren’t corporate arena tours backed by giant budgets and algorithm sorcery.
These are DIY shows built by real people, in real venues, trying to keep alternative culture alive one sweaty room at a time.

And honestly? That only works if people actually show up.

If you’ve ever said:

“Nobody brings bands like this here anymore…”

This is the moment that sentence matters!

Features, Reviews

Phoenix Lake and Friends Rock Saltbox!

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Nottingham locals Phoenix Lake headlined a packed line up at Saltbox, hot off the release of their debut album ‘Seraphina: The Fall From Eden’. Friday night drew a good crowd to the bar-venue in  Nottingham, and with four bands taking the stage that evening it wasn’t long before that crowd
got energetic.

Opening the night and getting room on the right level were 7eventh Sea, another Nottingham based metalcore band with heavy riffs and high energy breakdowns. Their thirty minute set was impressive from start to finish, their track ‘Falsified Dreams’ was a particular standout from the set. Vocalist Stee Owen had a commanding stage presence and skilled vocals to back it up, and drummer Aaron Gregory was incredibly tight throughout the dynamic and technical set. Fans of  Lorna Shore and While She Sleeps keep an eye on these lads over the next few years.

With the room filling as more people arrive, Aethoria took the stage next. Hailing from Ipswich this  hard rock group are a perfect accompaniment to headliners Phoenix Lake. Very similar in style and sound, but with their own attitude and a good hit with the crowd in the room. After some initial technical problems with the microphone, vocalist Mecia had the room in the palm of her  hands for the rest of their time on stage. A confident band with a solid sound, raising the energy once again in the room.

The crowd are raring to go by this point two solid sets down and two bands left to perform, next up: Black Lakes from South Wales. Entering the stage draped in black cloaks and kilts alike the
five piece metal group started strong with some high energy tracks. It appeared a good portion of the crowd were fans and had come down to check them out, and their energetic frontman knew how to play to the crowd well. While they performed well I think due to the strong showings of the other bands Black Lakes were the weakest set of the night. Their strong start felt like it waned as the set progressed, leaving me expecting more of a band this high in the billing.

Any feelings of disappointment were quickly dispelled when headliners Phoenix Lake took the stage. Coming out to a roaring crowd the Nottingham band felt the hometown love in Saltbox as they tore into their hour long set. Vocalist Lana Phillis doesn’t have to rely on just her impressive vocal talents to hold her own on stage with the rest of the band, interacting seamlessly with the crowd and letting the other band members take their moments to shine. A healthy dose of tracks off the new album was to be expected as the band tours the UK to promote its release.

Luckily for us the album is brilliant and the new songs sound great live. The group obviously revelled in having a home town crowd show so much support, it will be great to see what lofty heights the four piece can reach off the back of the album. Phoenix Lake are on the road around the UK throughout April and the beginning of May, be sure to check them out as they rightfully show off what they have created together! A truly amazing night packed full of incredible music!

Written by Owen Hathaway.

Reviews

Forest of Forgetting: Eye of Melian Continue to Craft their Own Genre!

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Time for an interesting one! From the brain of Delain’s Martijn Westerholt, and featuring three incredible rock/metal/pop/symphonic musicians, the quartet have crafted some of the most interesting metal-adjacent music around in the last couple of years. It’s so hard to classify, given it is not quite metal but has elements, and orchestral and symphonic and very inspired by epic movie scores. Heck, even they themselves say they’ve created a new genre here. I’ve heard a couple of the singles and am excited to dive in and see what the rest of the release has in store!

The album starts with a beautiful piano melody from Martijn. ‘Of Willows and Shadows’ sets the tone of the release perfectly, building up so many layers, from the strings to percussion to the beautiful vocals. It feels suitably epic by barely 90 seconds in, the chorus sounding massive and surprisingly catchy for the style of music. It definitely has elements of Zimmer and even Elfman, but combined perfectly with a more symphonic metal structure and vibe, making it truly unique. The bridge is fantastic too, it really feeling like the track crescendos into something massive! It’s an absolutely incredible song in its own right, and the perfect way to open the album and hook in new listeners!

Single ‘Symphonica Arcana’ is a track I’m pretty familiar at this point, having listened a fair bit since its release and having had it stuck in my head at least a few times! That opening chorus is incredible and a definite ear-worm. Meanwhile, the instrumentation once again ebs and flows perfectly. And by the time the chorus comes back round it all feels huge, the strings and percussion being the vocals really putting it on another level. It was a truly excellent choice as a single as it incapsulates everything the band do so well, and is such a fantastic listen. If you haven’t checked this out already, what are you doing? Listen ASAP!

‘Child of Twilight’ focuses on some awesome guitar work to start things off, and the pace is a little higher than the previous tracks. It’s enough of a change of pace to keep me locked in and interested, which was nice! It almost has an Egyptian feel to it at times; it wouldn’t feel out of place in a Mummy movie. It’s another great chorus too, though every vocal part is so beautifully written and sung that it all stands out. Meanwhile, ‘Elixir of Night’ feels more like a whimsical childrens tale soundtrack, going back to the Elfman style perfectly. It’s also pretty short compared to a lot of the rest of the tracks, which honestly did it well. The more stripped-back instrumentation overall was fascinating, not reaching quite heights of the pervious tracks yet still felt monumentous. It’s yet another excellent song, and very much another early-album highlight.

The first single released from the album, ‘Blackthorn Winter’, is another that I’m fairly familiar with. It still doesn’t quite hook me in as much as ‘Symphonia Arcana’ for some reason, but is still a damn good song in its own right. The vocals remain a big high point of the release, and it is very much the same here. However, I also LOVE the violin solo tucked away in the middle of the track, adding even more depth and epicness to the song, as well as being beautiful in its own right. I cannot get over just how well crafted everything about this album is. Every moment, every note seems so very purposeful; the arrangements are phenomenal.

The other original single on the album, the recently released ‘Dawn of Avatars’, features the incredible Patty Gurdy and Troy Donockley as a guests. It starts out a little bigger than a lot of the rest of the album, instantly feeling grandiose. And it’s not long before both guests get highlighted, with Troy’s pipe-work prevalent early on and being a constant, great presence. Patty gets to shine plenty too, her hurry-gurdy playing adding yet another great layer on top of some already incredible instrumentation. It all combines together perfectly to create a truly excellent five minutes of symphonic music, and is another big highlight of the album. A track that easily makes our playlist!

Tracks like ‘Lady of the Night’, the title track, and honestly a lot of the rest of the album, continue the same path and vibe and sound that the first half of the release has set. It isn’t inherently a bad thing, every song is fantastic in its own right. However, I do feel like 12 tracks of a rather similar style is a little much for me, personally. I adore everything up to and including the title track, but the last few after that do start to make the album drag just a touch. Don’t get me wrong, I know this is very much my personal feelings and plenty will love a longer release. And as I said, musically each track is still phenomenal. It just felt like nothing we hadn’t already heard by that point of the album. At least ‘Nepenthe’ is on the shorter side and acts as more of an interlude to the closing track…

Speaking of, the bands cover of Bruce Dickinson’s ‘Tears of the Dragon’ is amazing. I also couldn’t think of a better way to close out the album. The band very much make the track their own, keeping the emotion and weight from the original while making it fit perfectly alongside the other 11 songs on this release. They somehow make it even more epic in the chorus too, the more basic rock band arrangement replaced by strings, bigger percussion and even some subtle horns. It’s a fantastic song as is, and this version is definitely up there alongside the original in terms of quality. And again, it’s the perfect way to close out such a huge album. Amazing stuff!

Overall: This is a really great album! It’s certainly not for everyone, it not containing many elements of traditional pop or rock outside of some of the structures. However, as someone who loves film scores and symphonic music, I absolutely loved it, and it was so fascinating to hear something like this even be possible, let alone crafted this well. If you are at all curious, I’d highly recommend checking out the release as a whole, though those first few tracks are really incredible. They are a band to keep a close eye on moving forward, and I’ll definitely be listening to this a fair bit in the coming weeks and months!

The Score: 8/10

Features

The Top Albums of 2025 – Part 5!

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Here we are guys, the top 20! Who do you thinks gonna be in here? Read below and find out!

20 – Brass Camel: Camel

Honestly, this is a prog masterpiece. I’ve gushed about it plenty already, but the sheer talent on display throughout this entire 40 minutes is incredible. Right from the 10-minute epic of an opener giving some of the best instrumentation I’ve heard in years, to the more radio-friendly ‘Pick of the Litter’ and ‘Borrowed Time’ to the equally grandiose closer, it’s a tour de force throughout. It’s like the perfect blend of ELO, Queen and Wolfmother, and is impossible not to have a good time when listening to. It dropped all the way back in April and I haven’t stopped raving about it since! It’s certainly not going to be for everyone, but I’m insanely jealous of the bands talents, and would recommend it to anyone interested! There’s a reason it got 10/10, and it lands a very deserving spot on our list!

Listen to: Zealot, Chain Reaction, and

19 – Drake Milligan: Tumbleweed

It’s no secret how much we fucking LOVE Mr Milligan here at Overtone, and once again he knocked it out of the park back last month with his sophomore album. The neo-traditional sound has made a big impact in recent years, and Drake is as good at it as anyone else. It’s 42-minutes full of boot stompin’ numbers or slower, beautiful ballads or old-school stuff, and all of it is done to perfection. And, after sitting with it for a couple of months, it just keeps getting better! While I do think it’s not quite as good as his monumental debut, it’s still an utterly fantastic country album, and one of the best of the year. We gave it 9/10 back when it dropped, but I do think it’s a bit higher than that now! There isn’t a bad track on the album, and while there’s maybe one too many slower songs in the middle, it’s still incredibly easy to listen to. A damn worthy addition to the list!

Listen to: Tumbleweed, Slow Dancing to a Fast Song, and How Much Beer

18 – Neon Union: Good Years

An absolutely phenomenal album that I’ve been obsessed with the last 11 months, and it’s absolutely criminal that they haven’t exploded from its release. There isn’t a bad track across the 12 on this, and most have been stuck in my head at various points of the last year! It’s southern-rock-infused country in all the best ways, and even the slower songs have a bit of an edge and distortion to them. If you are at all into country or southern rock at all, I cannot recommend this enough, it’s an absolutely phenomenal, damn fun album! It’s very easy to hear why it got top marks from us, and it very much deserves this high a slot on the list! I cannot wait to hear where they go from here, but for now am happy to keep sitting with this awesome album!

Listen to: Golden Rules, Bout Damn Time, and Made in Mexico

17 – Creeper: Sanguivore II: Mistress of Death

The sequel to their 2023 masterpiece, this had a lot of hype to live up to. And, like with Drake, I don’t think it’s quite as good as that. However, this is still an absolutely incredible gothic, throwback hard rock album, and more than deserves its slot on this list! The release as a whole isn’t quite as strong overall, but ‘Headstones’ is maybe the best song the band have ever put out, with ‘Blood Magick’ not being far behind! If you are a fan of their recent output, this is an absolute must-listen, and has been regularly in my rotation since its Halloween release. It’s packed full of massive, cheesy choruses and key changes, but also plenty of heaviness throughout to offset it. They’re a great old-school sound while still feeling plenty modern; no one is quite doing it like Creeper currently. It’s easy to hear why it got 9/10 from us upon its release, but I do think it’s crept (punk very much intended) higher than that after a couple more listens! I think hearing it live also helped me appreciate it a lot. It more than deserves its slot on this list, and I would recommend everyone check it out at least once!

Listen to: Blood Magick, Headstones, and Parasite

16 – Malevolence: Where Only the Truth is Spoken

The UK beatdown hard/metalcore titans returned with their latest album back in June, and honestly somehow blew me away even more than Malicious Intent did! They take everything great from that release and amplify it, even down to the epic, dark ballad. The anger throughout is fantastic, from the vocals to the riffing, and makes you just want to throw people around a pit constantly. It’s 42-minutes of perfect heaviness, without a bad song throughout. And I love the band steadily incorporating more melodic and groove metal elements into their sound, adding some mainstreamness to the brutality. I can see them continuing to grow and becoming a huge band in the scene in just a few years. It got a 9/10 when it dropped, but after a few more spins I definitely think it deserves higher now. An easy addition this high up on the list!

Listen to: If It’s All the Same to You, Salt the Wound, and In Spite

15 – First Time Flyers: Bound to Break

The debut album from the rising UK country stars is an absolutely incredible release. I’ve known them a few years now, so was a little worried I’d feel a bit like Tekkno or Popular Monster; feeling burnt out by the steady drip of singles and it watering down the album. However, that certainly didn’t happen here! Despite being familiar with a lot of it, I still love each and every single when I revisit the release, and the album tracks are right up there alongside them! The bands harmonies are maybe second to none currently, and they make every single track memorable, catchy and massive. Between that and the exploration of just about every sound currently around the top of the country world, and it makes for an incredible easy listen, even at its 15-track length! It got a very easy 9.5/10 from us back when it released, and I fully stand by that still today. I can’t wait to hear where they go from here, but I still cannot get enough of spinning this for now, and it more than deserves its spot on our list!

Listen to: Primadonna, Happier, and Gold

14 – Between the Buried and Me: The Blue Nowhere

The US prog metallers’ 13th studio album may somehow be their best yet, which is honestly saying a lot! The band really made the use of their gap between releases, producing something that transcends any genre they include, the result being something distinctly BTBAM. It’s 71-minutes of beautiful, heavy chaos written and produced perfectly by the band. From jazz to death metal, 80s synth to djent to to alt to blues/country, there are so many elements blended together amazingly. I think I mentioned it in my review, but this very much feels like the modern evolution of Mr Bungle. I’ve been obsessed with this release since September when it dropped, and have raved about it to anyone that would listen! One of the easiest 10/10’s I’ve given all year, and it very much deserves this high a spot on this list. Once again, it could be even higher on any given day, it’s just an incredible year for music!

Listen to: Things we Tell Ourselves in the Dark, Absent Thereafter, and Slow Paranoia

13 – Avatar: Don’t Go in the Forest

This honestly felt like such a return to form for the cinematic metallers. And that’s not to say that I didn’t enjoy their previous release, but more that this is so good, I’d put it up there among their best! It’s quirky, catchy and heavy in a way that really only Avatar can do. From power/folk to more metalcore to hard rock, everything the band do so great is very much turned up to 11 throughout this whole release. I loved it when it came out on Halloween, and have had it in steady rotation ever since. They’re just so interesting and fun, and it’s an incredibly easy nearly 5-minute listen. It flows together perfectly and all feels suitably epic. From the riffing to Johannes’ insane vocal range, it’s all so good. The 9/10 from us feels a touch low after a few listens, and it has definitely earned its high slot on here! Check it out if you’re at all curious!

Listen to: Tonight we Must be Warriors, Don’t Go in the Forest, and Death and Glitz

12 – Lady Gaga: MAYHEM

Believe me, I’m as shocked as you are! I’ve always been a Gaga fan, she got big while I was in secondary school, those first two albums are still incredible. Since then I had fallen off, but there has been no ignoring this release this year, and why should you? It’s awesome! From the three pre-release singles to so many amazing album tracks to the addition of ‘The Dead Dance’ on the deluxe thanks to her involvement in Wednesday, it is jam packed full of banger after banger. It’s also a welcome return to Gaga’s more rock-infused pop sound, clearly taking influence from everyone from Prince to Nine Inch Nails to Bowie. For a publication that is so usually everything-but-pop to put a generally pop album on this list at all, let alone this high, goes to show just how phenomenal this release is. If you doubt me at all, at least give it a listen first and try to tell me that you aren’t at least impressed by her vocals and songwriting. I wanted to see this tour so bad, but sadly couldn’t afford it, as the videos also look INCREDIBLE. We didn’t review it when it released, but after many listens since March, it can’t get any less than 9.5/10, and more than deserves its slot on this list!

Listen to: Abracadabra, Killah, and The Dead Dance

11 – Evan Honer: Everything I Wanted

Evan very much did it again in 2025. As if last year’s release wasn’t good enough already, just 15 months later he dropped another collection of incredible tracks. Heck, the title track may as well be my song of the year given how much myself and my wife have played it around the house. However, it is far from the only good song on the record; it’s packed full of them! Also, the more I’ve listened to it, the more I’ve somehow fallen in love with it. While not quite as emotionally soul-destroying as some of Fighting For, it very much still packs a punch, Evan being a phenomenal storyteller and chronicling what he’s gone through between releases. From his lyrics to his delivery, it’s perfect, powerful and beautiful. And instrumentally, while pretty simple for the most part, it’s a little on the rockier side this time, which was a great touch. Every song is as good as the last, and I’d recommend this album to absolutely anyone, though especially those into more of the country/Americana side of things. That 9.5/10 has easily turned into a 10/10 at this point!

Listen to: Everything I Wanted, Better off Lonely, and Lose a Friend

10 – Orbit Culture: Death Above Life

The melodeath Swedes have done it once again, putting out an album everything as good as Decent. They have quickly become the torchbearers for the genre, and I am all for it! It’s packed to the brim with amazing songs, being nearly an hour of perfect heaviness. I have had it on a lot in the last three months, and would recommend it to anyone at all into metal. They really are masters of their craft, and have been on an excellent roll as of late. It got top marks from me, and I fully stand by that still now! The band are incredibly talented, and are surely going to be a massive name in the metal scene incredibly soon!

Listen to: Inferna, Inside the Waves, and

9 – Ghost: Skélta

I want to preface this by saying that I don’t particularly think Ghost are an ‘album band’. They are utterly fantastic at producing insane singles, but Meteora was probably the closest they’ve come to making an A tier album… until now. Don’t get me wrong, it’s not a perfect album front to back. However, the five/six tracks that are good are up there with some of the best songs of the last few years. I do think it wasn’t the best idea to front-load the thing with the four best track on it, three of them being the singles. However yet again, DAMN are they fantastic songs. And the other few aren’t bad by any stretch, just a step below then others and more like Ghost album tracks.

The band have really come into their own here somehow, though most (me included) thought they’d already done that with their previous two releases. It feels bigger, more epic and ambitious, and the scope is realised in a massive way. It’s like stadium-glam mixed with their usual sound, it’s awesome! Forge is honestly a musical mastermind, creating this true modern legend, and I feel they now have another album to rival their huge size. Even if you aren’t typically a Ghost fan, this is well worth checking out, as it’s that good it may just change your mind! It got a perfect score from us and it’s hard to argue with that, despite a slight breather track or two in the middle.

Listen to: Lachryma, Satanised, and Marks of the Evil One

8 – The Pretty Wild: zero.point.genesis

WHAT A DEBUT. From the fantastic scream that opens through 40-minutes of amazing modern metalcore to the epic, dark closing ballad, it takes the listener on an awesome journey. The dynamic between the two front-women is amazing, but the rest of the band also kill it throughout. Every song is amazing, be it more of a Bad Omens or Ice Nine Kills sound, and it’s easy to see why they have gotten so big so fast. I’m glad it’s getting the love it deserves from other publications, though, and it was definitely going to end up high on this list from the first time I heard it. From the massive choruses to the heavy riffing, it’s packed to the brim of awesome moments. If you haven’t already listened, do yourself a favour and do so immediately! It more than deserves its slot on this list, and the 9.5/10 I gave it, though it might even get a solid 10 after a few more listens!

Listen to: PARADOX, living ded, and AFTERLIFE

7 – Kyle McKeanery: To the River

Yet another artist I discovered just this year that I am now completely obsessed with because of their output this year! I remember interviewing him back in January and didn’t at all expect him to put out this absolute country/Americana masterpiece just a few short months later. At nearly an hour long, it’s insanely impressive that there isn’t a bad track on it, and it’s packed full of major highlights to boot. His vocals are powerful and packed full of soul and emotion, and the harmonies add even more of both. However, his songwriting is the real kicker here, some of the lyrics and choruses are my favourite of the year, no matter the genre! Whether it’s country, Americana, blues or rock, he does it all to absolute perfection. I’ve gone back since and checked out his previous stuff and, while I like that a lot too, Kyle really hit his stride here in a massive way! I have spun this in full a LOT over the last eight months since its release, and it is yet to get old. It got a 9.5/10 from us upon its release and it’s hard to argue that now! If you are at all even a passing country fan, check this out!

Listen to: Skeletons, Broken Hearts Hide, and Hold On Goodbye

6 – Chevelle: Bright as Blasphemy

This one was a long time coming! After being a mainstay on our most anticipated albums list the last two years now, the alt rock/metal duo finally graced us with their highly anticipated next release. And damn, what a release it was! I always thought it was going to be hard to top 2021’s NIRATIAS, but they followed it up with an album that is up there alongside it, that’s for sure. The riffs and drumming are still massive, and the lyrics are still full of depth, anger and emotion. It feels like there is more variety than ever in their sound though, especially with the slower, more reflective and beautiful ‘Blood out in the Fields’. They are still one of the most underrated band to maybe ever exist, and I’m so hoping that we finally get a UK or even European show from them off this album cycle. It got such an incredibly easy 10/10 from us at the time and I certainly haven’t changed my opinion of it since then! It was #4, on our list last time around, so the band are once again consistently high up for list. It could easily have been at the top if it wasn’t for this being such an insanely solid list this year, but it is very deserving of it’s #6 slot, that’s for sure!

Listen to: Pale Horse, Jimmy Jones – Cowards, Pt. 2, and Blood Out in the Fields

5 – Crowe Boys: Made to Wander

The highest rated debut album this year, and it’s easy to hear why! I checked this out on a whim as they’d been announced for The Long Road this year, and immediately fell in love. It’s nearly 40-minutes of incredible, emotional indie-Americana music, and in a year full of amazing releases in said genre, this tops them all. Sonically it is phenomenal, the instrumentation simple but the harmonies from the two brothers being so very beautiful. However, what really shines through are the lyrics and emotion. The vulnerability of their breakout hit. The beautiful optimism of ‘Bonfire in my Soul’. And I cannot listen to ‘Brother Song’ on track or live without shedding a tear still to this day. There truly isn’t a bad track on this release, and it is one I haven’t grown tired of in the countless listens I’ve done since its release back in June. For a debut album this is absolutely phenomenal, and is not only a testament to the boys’ insane talent, but the start of what is surely going to be an absolutely massive career as a band. Take a listen and tell me it doesn’t deserve even more than the 9/10 I gave it at the time!

Listen to: Bootstraps, Bonfire in my Soul, and Brother Song

4 – Paleface Swiss: CURSED

This slab of pure anger from the deathcore Swiss was somehow my first introduction to them, outside of Marc’s feature on last year’s Left to Suffer album. So, for me to become utterly obsessed with this band since this, that really says a lot. It certainly helped me get some anger out over the last year, that’s for sure! Marc has one of the most interesting, versatile vocals in the game right now, and really helps this album shine and stand out. Having said that though, that shouldn’t take away from the rest of the band working their asses off with some incredible riffing and drumming. Heck, we even get some awesome rapping/trap stuff, integrated into metal far better than most other bands and artists do it.

This thing came out in the very first few days of the year and I’ve been spinning it pretty regularly since then; it hasn’t gotten old yet. Sure, it won’t be everyone’s cup of tea, but if you are into the heavy stuff I can’t recommend this enough. The band have been going for a few years now but this very much felt like an arrival for them in a massive way.  Plus, shoutout to the deluxe edition, that added even more awesome carnage! They deserve so much more recognition and deserve to be massive thanks to this release, as well as their others, but hey, at least they got high on this list, right..? It got a 9.5/10 from us back in January, but I do feel like it’s jumped up to top marks now, and more than justifies being this high on our list!

Listen to: Hatred, Enough?, and Love Burns

3 – Those Damn Crows: God Shaped Hole

Our 2023 album of the year winners returned back in April and once again knocked it out of the park. Heck, this was a UK #1 album, an absolutely HUGE feat for a band of their size and style, and it should say enough about how fantastic this release is. It truly couldn’t have happened to nicer, more deserving guys, either. Yes, they were pipped to the post this time round, but that isn’t a reflection of this albums quality in any way, more just the insane quality of music released this year.

The NWOCR leaders’ fourth offering is yet another one without a single bad song on it. It’s radio-friendly hard rock at its very best, and is something that absolutely everyone should listen to as I truly believe they’d make a fan out of anyone. Whether it’s the riffing, solid drumming or Shane’s impressive vocals and captivating charisma that comes through his delivery, it’s all excellent for a full 40-minutes. And, while I gave it 10/10, I feel like it’s grown on me even more with subsequent listens, being certainly up there with Inhale/Exhale for me now. The band have gone from strength to strength in recent years and this feels like the icing on the cake of everything they’ve achieved so far! One hell of an album, and more than deserving of this spot on our list!

We have PLENTY of Crows content on our site, just search it up!

Listen to: Glass Heart, Lets Go Psycho!, and Spit & Choke

2 – ONE OK ROCK: DETOX

This may be the most slept-on album of the year. Hell, for a sadly hefty chunk of the year, I did just that. I loved it when it came out, but got so wrapped up in other music that it wasn’t until I revisited it before seeing them that I realised DAMN, THIS IS A FUCKING GOOD ALBUM! This thing is all killer, no filler; 37 minutes of pop-rock perfection. Whether it’s heavier stuff like the opener, ‘Party’s Over’ or the Paledusk-featuring ‘C.U.R.I.O.S.I.T.Y.’ to slower ballads like ‘Tropical Therapy’, ‘Tiny Pieces’ and ‘+Matter’, it’s all incredible. I honestly cannot express enough how much I love each and every song on this album. I discovered them off their previous album and liked it, but goddamn has this one made me fall in love with the band. How they aren’t one of the biggest bands on the planet is beyond me. Still, with their Western tours over the last couple of years, on top of this excellent release, they are certainly getting there! We gave it 9/10 when it was released but after many spins since February it definitely deserves more than that, maybe even top marks! Yep, 10/10 for this masterclass. I’d recommend it to anyone!

Listen to: NASTY, Delusion:All, and +Matter

1 – Architects: Sky Earth and Everything Between

There was nothing else it could have been. The return to form to end all return to forms. One of the biggest bands in modern metalcore took some risks in the early 2020s which, while definitely aided their popularity, it certainly alienated a fair few of their fans. Well, those fans are certainly back after this release. A UK #2 album, damn respectable, even if they were screwed out of the top spot by another week of Short n Sweet.

However, that shouldn’t take away from the majesty of this album. It’s the best thing they’ve done since Lost Forever, and you can quote me on that. It combines the bands aggressive early sound with their more recent lighter, pop-infused stuff, and it works perfectly. It’s arguably what everyone wanted their evolution to be, and it only took the world really pissing off Sam to make it happen. The fact that the slower songs are even bangers shows the quality of this album.

I gave it a more than deserved 10/10 from us, and if you want even more gushing about it, I’d recommend checking out the review linked. Every song is incredible and I’ve listened to it so much in the last eight months. A very deserving top album for 2025, and one that is a must-listen for anyone out there.

Listen to: Elegy, Blackhole, and Seeing Red

And there you have it, folks! Another year, another set of absolutely incredible albums from the rock, country, metal and even pop world! Are there any we missed or you think were misplaced? Let us know! Until 2026!

<-   Part 4

Features

The Top Live Acts of 2025!

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As I’m sure you can tell, we saw a lot of bands and artists this year! While just about every one of them blew our socks off, we wanted to mention a few of our absolute favourites!

Ice Nine Kills – Nottingham Arena, December 2025

The most recent entry on this list, there was no way this wasn’t making it onto here! I’ve loved this band for a while, and they somehow keep getting better and better! They’ve somehow perfectly turned their brand of chaotic horror-metalcore into an arena spectacle, and now I don’t think it can be anything less. This was one of the best stage shows I’ve ever seen, there being something for practically every track. From extras dressed as various horror villains to enough knives, chainsaws and pyro to make customs surely incredibly difficult, they had it all. And, on top of that of course, the band also played their asses off throughout! Spencer is one of the most effortlessly charismatic frontmen around today, having the crowd in the palm of his hand throughout despite the limited interaction. Meanwhile the rest of the players are some of the most talented bunch of instrumentalist and screamers he could have gathered. Heck, we get the horn section of BBF for most of it, too! I could gush about this band all day, but I’ll let you read our review of this if you want that!

P.S. shoutout to Creeper supporting, who would have surely made the list if they’d have had longer!

Drake Milligan – The Long Road 2025

For the second year in a row, Mr Milligan storms onto this list. And how could he not? He and his band are one of the most entertaining live acts around today. The sheer show they put on and sheer talent on display between all of them will always be incredible. And, for saying this was apparently his first ever open-air festival headline slot, it made it even more special! And, setlist-wise, it was pretty close to perfect! From old classics to plenty of new stuff that has since been released on album two, I couldn’t get enough from start to finish. It’s another set that I gushed over in the review plenty, so won’t go over it too much. However, I loved this from start to finish, and he somehow cemented me as an even bigger fan moving forward than I had been before! He’s going to be around for years and years to come, so I urge you to see him and his band live as soon as you possibly can!

Green Day – Download 2025

Somehow it’s taken me 28+ years to see one of my favourite childhood bands live, but to say they didn’t disappoint would be an understatement! This was a non-stop tour de force of huge songs from my childhood, and I loved every minute. From the best of American Idiot (seeing ‘Jesus of Suburbia’ live was a bucket list item) to old classics like ‘Welcome to Paradise’, ‘When I Come Around’ and even ‘Minority’, to the very best of the last few albums, there was a little something for everyone! And, some nearly four decades into their career, they still very much have it, sounding as fantastic as ever and performing their asses off for a solid 90+ minutes. It was one of the best headline sets I’ve seen in the 12 years that I’ve gone to the festival, and that’s saying a lot! They well and truly blew me away, and proved any and all doubters wrong on the night, I’m sure!

ONE OK ROCK – Manchester Apollo, October 2025

THIS is how you do a headline set! Reducing the venue from the AO arena was a blessing in disguise for this show, because I have never been in a crowd quite like this one. The whole building hung on every note, knew every word and went nuts the entire time. And, as such, the famously great live band played their asses off throughout. And it helps that we got one of my favourite albums of the year, DETOX, played almost in full, every track being an absolute banger. And, of course, we got all their hits sprinkled in for good measure. If you want more gushing just check out our full review, you’ll get to see just how much I loved it! They should be one of the biggest bands on the planet, and they seem to be almost everywhere but the UK. But, somewhat selfishly, I’m hardly gonna complain, because seeing them in such an intimate setting was one of the best shows I’ve ever been to!

Blacktop Mojo – Manchester Rebellion & The Hairy Dog, Derby, March 2025

A slight cheat one as not only is this two separate sets, but my band also supported on both of them! However, I did have tickets to the Derby show anyway, so regardless this would have made it onto this list! The first ever shows over here for Blacktop Mojo and Shaman’s Harvest (huge shoutout to them too, as they were also excellent on both shows) and they came to show out, as both bands blew the roofs off both venues! However, Blacktop just edged out both shows for me, putting on easily two of my favourite sets of the year. They played a setlist packed with some of my favourite tracks from them, from their older stuff to the fantastic latest album. And they played their asses off throughout, with Matt being an excellent frontman! Check out our review of one of the shows if you want to hear me talk even more about both bands, but there was no way they weren’t making it onto this list!

Evan Honer – The Long Road 2025

Honestly, this was a bit of a religious experience for me. It is no secret I have become a massive fan of Evan off his last couple of albums. His lyrics and songwriting are phenomenal and speak to me on another level to most other artists. So, hearing some of these tracks live, I’m enough of a man to admit that I cried. Every song was amazing, and some really hit home. The full band was a nice touch too, and the harmonies they were hitting were awesome and added so much to the sound. And, speaking of the band, they are all insanely talented, even switching instruments casually for a song! And Evan is such a great performer, being a great frontman and his vocals are just as good live as on track. Even with a shorter festival set in a tent, I was still blown away, and already am desperate to see him again!

Stray From the Path – Slam Dunk 2025

Once again with them, the energy was absolutely off the charts. I loved them the first time I saw them, and it was somehow even better this time around! From their awesome previous album tracks to the singles from their latest release, it was packed full of incredible tracks, performed to perfection. And it helped that the crowd were fully onboard throughout, going nuts and filling the place with crowd surfers. Every bit of energy the crowd gave the band, they gave it right back, too. Andrew is an insane frontman who really kept the crowd in the palm of his hand throughout the set. We were right down the front and it was crazy, and so much fun! It’s so sad that they have called it quits as they are such a good band, but they have very much gone out on top this year, with this set showing just that!

Check out our review of the festival here!

Kip Moore – O2 Academy Birmingham, March 2025

On top of absolutely loving his latest album, I adored my first time seeing the country legend live! He played a stacked, 25-odd song setlist packed full of the very best from Solitary Tracks, alongside all of his classic hits, to boot. And the show he and his band put on was nothing short of spectacular. It was simple, them playing and a fantastic lighting rig backing them, and there wasn’t even a huge amount of crowd interaction throughout. But, the sheer stage presence and vibes going on through it all were amazing. I couldn’t look away for the entire set, and neither could the rest of the packed out crowd. Easily one of the best acts of the year, especially so early on!

Check out our review of the gig here!

Florence Black – Winters End 2025

A band that I have loved for years now, and another that only seem to be getting better and better! Finally ascending to the rank of headliner among the Planet Rock crowd was nothing to be scoffed at, and the trio more than rose to the occasion. Blasting through the very best of their two studio albums, as well as their energetic cover of ‘Breadfan’, it was a setlist jam-packed full of awesome songs. And, the crowd were packed out and hanging on every single note, all being huge fans of the band. Heck, they even got a pit going, I’m pretty sure the only one of the weekend, impressive for a crowd that are not known for their energy usually. If you want to hear me gush more over it, check out our review of the weekend, but there was no way it wasn’t making this list!

Electric Callboy – Slam Dunk 2025

Seeing this band this year practically guaranteed them a spot on this list, didn’t it? They are the best live metal band around today, without question, and put on as good a show as any to close out their stage at Slam Dunk! It’s impossible not to have a blast watching them. The show they put on; fire and multiple confetti moments, the camaraderie between Kevin and Niko on stage, the campfire-acoustic break in the middle, all incredible. And, what’s more, they have the songs to back up their impressive show, too. Opening on the amazing ‘Elevator Operator’ and rattling through all the hits off Tekkno, to standalone singles like their BABYMETAL collab ‘RATATATA’ or recently (at the time) released ‘Revery’, to plenty of fun, amazing covers too, it was honestly the perfect setlist. And, of course, the band play everything to perfection, being one of the most polished, well-oiled machines around today. I love this band and am so impatiently awaiting the next album!

Brothers Osborne – O2 Academy Birmingham, January 2025

Another awesome country gig in Birmingham, this time from one of the bands that got me into the genre to begin with! My only complaint, and I’m sure I mentioned this in my review too, is that we only got two tracks off their awesome latest album, and they opened the show with them. It was a little odd. However, when you have a back catalogue as solid as Brothers Osborne, it’s hard to miss any of the other hits out! ‘Stay a Little Longer’ is still one of my favourite songs of the last decade, and the solo live gave me goosebumps. Meanwhile tracks like ‘Skeletons’, their Dierks Bentley collab ‘Burning Man’, and ‘Dead Man’s Curve’ all still stand out in my mind as great live memories, almost a full year later! The brothers have such a fantastic chemistry together, and the crowd loved every second!

LN – Winters End & Scruffy Murphy’s, June 2025

My discovery of the year, that’s for sure! I know technically it’s another two-show entry, but after seeing them at Winters End, there was no way I wasn’t also going to one of their own shows, too! The fact that a dark, heavy pagan metal band won over the Planet Rock crowd is a feat in of its own, but is a true testament to the bands talents as a live band. The eponymous LN is the most captivating front-person I’ve seen all year, being equal parts endearing and intimidating throughout both sets. And the rest of the band played their asses off at both shows; one to a huge festival crowd and the other to a tiny, packed out room, putting in the same level of energy to both. Their music is also sick, me being hooked on their songs for weeks after each show. They’re playing a lot in the UK and are quickly gaining a following, so see them ASAP, as they’re going to be big sooner rather than later!

Check out our review of Scruffy’s here!

Evan Bartels – The Long Road 2025

Another from Long Road and another that absolutely blew me away. As I said both in my review and to Evan himself, the fact that he can get such a fantastic sound and pack such a huge punch when it’s just him up there with one guitar is mind-blowing. The emotion and vulnerability on display throughout was insane, and has really stuck with me all these months later. Between that and the songs themselves being amazing, it’s hard to argue his inclusion on this list. I was already a fan, but this has cemented that feeling even more so in the few months since. I already cannot wait to see him live again, and hopefully once the album he teased drops, he’ll make it back across the pond again!

Bad Touch – Rescue Rooms, October 2025

A band that I go way back with but hadn’t seen in a good while, it’s incredible to see them still firing on all cylinders. While keeping up on their recent studio output, songs from that translated incredibly over to a live setting, while I got plenty of nostalgia seeing some of my favourites from my youth alongside them! Stevie is yet another frontman on this list who’s effortlessly captivating, holding the crowd in the palm of his hand throughout, but the rest of the band played their asses off around him as well. And, to see a venue like Rescue Rooms packed out for old friends was so heartwarming, as was getting to play alongside them once again. They really have gone from strength to strength in the NWOCR scene, becoming one of its prominent members, and it’s very much because of live shows like this!

Crowe Boys – The Long Road 2025

The final entry and last Long Road one, once again, I’m not scared to admit this brought me to tears. It’s not been the easiest year mentally for me and the wife, and ‘Brother Song’ had us both crying. That’s the true power of not only the Boys’ songwriting, but their incredible delivery as a duo. They weren’t able to bring their full band over for the shows, but they arguably didn’t need to, the pair did a phenomenal job on their own! The harmonies were off the charts throughout, and both delivered such emotion and impact with every track. They had the small stage packed out, and everyone clung to every note. I sadly missed them on the Front Porch the next day, but I am so very glad I got to see this incredible set!

Features

The Top Albums of 2025!

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Here we are, that time of the year again! The month where I go insane and try to rank 100 out of the over 500 albums I’ve listened to this year into the order in which I enjoyed them the most. It’s equal parts subjective and objective, and I’m convinced I’ve left off so many excellent albums, so if your favourites aren’t here, I’m sorry and they are most likely awesome! Without further ado, let’s dive into the chaos, shall we?

100 – Eli Young Band: Strange Hours

Yep, that’s how strong we’re starting. I told you it’s been a tough year! The Texan country band put out their seventh studio album back at the start of August, and it’s been a mainstay in my rotation since then. It was the perfect summer album, combining catchy vocals and harmonies with their brand of country which perfectly combines pop, rock and Americana. I’ve been a fan of the band a few years now, and this is easily my favourite release from them in that timeframe. It’s a strong album from start to finish, being an incredibly easy 43-minutes of chilled-out, catchy country to listen to! It’s so well written and put together, the perfect inoffensive release into the genre that covers pretty much all bases. So, if you even have a passing interest in the genre, I’d definitely recommend checking it out! We gave it a solid 9/10 upon release, and I very much stand by that now!

Listen to: Nothing on the Wild, All Good with Me, and Everybody Else

99 – Circus 66: Elements

Album #2 from the UK hard rockers blew me away back in March, and upon revisiting it for this list, I was blown away once again! It’s nearly 50 minutes of awesome, foot-stompin’, sleazy guitar riffing and soaring vocals, and I love it! The band are all insanely talented, everyone getting their time to shine plenty throughout, and have crafted an excellent collection of NWOCR tracks here. It’s impossible not to have a good time listening to this, and I cannot recommend it enough to any rock fans out there. It’s insane to me that they aren’t a massive band already, but they have killed it with this release and are very much looking like 2026 will be a breakout year for them! It’s very easy to hear why we gave it 9/10, and why it makes it onto our list!

Listen to: Replace the Pain, We All Need Saving, and Love on the Other Side

98 – An Evening With Knives: End of Time

This proggy alt metal release from towards the start of the year came five years after their previous studio album, and showed just how much the band had grown and matured. It’s heavy, groovy and melodic in all the best ways, and somehow combines together elements of everything from stoner and desert rock to prog to heavy metal to plenty in between! The trio are insanely talented, all playing their asses off from front to back, and have produced something truly special with this release, managing to sound pretty unique at a time when that is almost impossible! If you are into anything from QOTSA to Tool to even Machine Head and Devildriver, do yourselves a favour and check this out ASAP! It got a very easy 9/10 from us when it dropped, and I fully stand by that rating now, showing just why it made the cut for this list!

Listen to: Pride of Lions, Death and The Mistake

97 – Trick or Treat: Ghosted

This epic slab of old-school heavy metal mixed with more old-school power metal is just as fantastic now as it was in April when it first dropped. Combining sounds like Iron Maiden, Judas Priest and Hammerfall and their spooky, horror theming works perfectly, and makes for a solid album as it is. Then you take into account just how phenomenally talented every band member is, from the vocals to the drumming to the soloing and riffing, it’s all so good, and it’s so very easy to fall in love with this release. It’s stacked to the brim with awesome tracks, and even some awesome guest appearances from Adrienne Cowen and Christopher Bowes. 45-minutes still now goes by in a flash even after a few listens. If you’re into power metal you’re probably already checking it out from reading this, but if not I’d definitely recommend it to just about any music fan. It’s got someone of the biggest choruses of the year. Yet another very solid 9/10 from us, and incredibly deserving of its spot on our list!

Listen to: Craven Road, Bloodmoon, and Evil Dead Never Sleeps

96 – The Rasmus: Weirdo

The 11th studio album from the pop/alt metal band goes far harder than I feel almost anyone expected before it released! From genuinely heaving riffing to being packed full of their typically arena-filling choruses, it very much felt like a return to the top after a few years of honestly a little middling releases. Don’t get me wrong, it is still a touch cringy at times lyrically, but that is almost part of the charm with this sort of music! It’s barely half an hour and an incredibly easy listen, and a release I’d recommend to anyone into more of a poppy hook! It’s a sound I feel nostalgic for despite never really getting into it much in my teen years, so for anyone who was more into the band or stuff like Him, it would probably get even higher. It got another incredibly solid 9/10 from us and is more than deserving it’s spot on this list!

Listen to: Creatures of Chaos, Dead Ringer, and You Want it All

95 – Lacuna Coil: Sleepless Empire

The symphonic/industrial metal powerhouses very much returned to form in 2025, and this album is a huge indicator of that! This thing is catchy, heavy and packed with banger after banger. From the soaring operatic vocals to the harsh screams, both fit so well over the awesome, almost nu-metal infused instrumentation. It’s another album that goes hard from start to finish too, every song being as good as the last. They were a band I somehow didn’t get into much in my youth, so as a first full album by them I’ve check out, I’m a little obsessed! The only reason it is this low down is because it is so an insanely high quality year for new music! It still got another incredibly solid 9/10 from us, and if you’re even passingly into metal, I’d highly recommend giving this one a try!

Listen to: Oxygen, Scarecrow, and Hosting the Shadow

94 – Sleep Theory: Afterglow

Very much the breakout stars of 2025, the debut album from the metalcore upstarts has already set them up to be a huge name sooner rather than later. They channel massive early ADTR vibes in the best ways, especially since said band have taken a nosedive in recent years. It’s full of ch0nky riffs, huge choruses and some great screams, and is a fantastic 40-minute listen. I actually hadn’t revisited it too much since it’s May release, but having checked it out again while writing this list, I fell in love with it all over again. It’s incredibly radio/mainstream friendly, but that isn’t at all a bad thing. The band have worked their asses off on socials the last couple of years to make this a big release, and it has paid off in spades. However, the quality of the music is also high, certainly contributing to their fast success. If it was slightly more adventurous and innovative, it would have ended up even higher on the list but still, making it on here shows how high quality it is! I gave it 8.5/10 when it dropped, and I still agree with that now, but it may even sneak up to more like a 9 on some listens!

Listen to: Hourglass, Fallout, and Just a Mistake

93 – Cardinal Black: Midnight at the Valencia

This is a modern soft rock masterpiece. End of discussion. It gives off massive Genesis or Seal vibes, but definitely with a current day edge to it. Over half a year later and Tom’s vocals still give me goosebumps at times throughout. However, the arrangement of every song compliments his voice perfectly, everyone being incredible musicians and songwriters. While the band have certainly been on a lot of tongues the last couple of years, this truly felt like the year that Cardinal Black really broke out. And, this album is definitely a big reason for that! It’s fucking beautiful, and it’s an album that still makes me feel the same as I did the first time every time I spin it. The only reason it’s a little lower than maybe expected is because it does get a little samey after a while. However, when that similar stuff is all banging, it’s impossible not to love it, still! This got a whopping 9.5/10 from us and it’s hard not to still agree with that sentiment now!

Listen to: Ride Home, Breathe, and Morning Light

92 – Tanner Usrey: These Days

The first of a healthy handful of bands in this vaguely indie country-Americana sound that has gotten so big the last couple of years on this list. The fact that it is at this point in it certainly doesn’t diminish its quality either, as this is a fanatic release! It’s incredibly varied too, from blusy Southern rock to more of an indie flavour to even a more traditional country style. And, no matter the sound, it’s performed brilliantly and packed full of emotion from start to finish. My only slight complaint is that the pacing and arraignment of it is a little slow at times. However, every song is excellent, and it honestly has some of my favourite tracks of the year on it, the exceptional very much outweighing anything slightly less-so. I’d easily put this up there with his debut album, even if it hasn’t had quite as much love! We gave it a solid 9/10, and it more than earned its spot here!

Listen to: If you Call me Again, Bad Love, and With You

91 – Zach Top: Ain’t in it for my Health

Yes, I know, people are going to be BIG MAD for this being so low down on this list. He’s an absolutely massive artist for sure, and this is one hell of an album. My main bug to bare is that, as much as I love a classical country vibe typically, a lot of this is a touch on the slower side. That’s inherently not an issue at all, but it does get a touch old through the 50-minute length. However, there is no denying the HUGE talent on display throughout, from a songwriting, vocal and playing standpoint, and it’s easy to hear why he’s one of the biggest names in the genre currently. If you are at all a fan of traditional country music, this is well worth checking out. If it wasn’t for the genre having such a strong year again, this would certainly be higher up. We gave it a very solid 8.5/10, and it may have crept even higher than that since its release!

Listen to: Guitar, Splitsville, and Flip—Flop

90 – Pridian: Venetian Dark

The first debut album to make it onto our list this year, and it’s an awesome slab of modern metal from the Estonian four-piece. It’s the perfect blend of heavy, chuggy riffing, crushing drums and some awesome screams. Yet, it also still has moments of levity and cleanness throughout, the band clearly hugely talented to be able to put it all together! This thing came out all the way back in May and has spent the rest of the year pretty firmly in my rotation, blowing me away each time. It’s heavy, melodic and also rather menacing and gothic throughout, being an awesome combo! This is somehow one of the albums that we missed the week of its release, but it gets an incredibly deserving 9/10 now, and easily earned its spot on this list! Check it out if you are at all into melodic metal.

Listen to: Cyanide Dreams, Ruin, and Void Resonance

89 – Slaughter to Prevail: GRIZZLY

One of the most hyped albums of the year, at least in the deathcore scene, and to my shock it was a bit more of a grower on me than an immediate hit. Don’t get me wrong, it hits hard right from the first listen, but something about it didn’t hook me in immediately. Maybe it was because, much like my issues with Falling in Reverse or Electric Callboy in recent years, we’d heard a good chunk of the album before its release, and had sat with it for a while. So, while none of it is at all bad, it did feel ever so slightly underwhelming.

However, coming back to this album a couple of times since, I’ve definitely grown to appreciate it more! Alex is one of the best vocalists and frontmen in the game today, and the band behind him have crafted nearly an hour of crushingly heavy (but still fun) deathcore. If you are a fan of the heavier side of metal, I cannot recommend this enough. They deserve all the praise they get and the size they have climbed to, and this album very much cements them at the top of their style. As you could probably guess by this point, it got a 9/10 from us when it released, but it may be even slightly higher than that now!

Listen to: Russian Grizzly in America, Viking, and Lift That Shit

88 – Julia DiGrazia: All In

Another massive debut album, this time from a woman who’s already becoming a powerhouse in country. Having gotten her first big break on her and Evan Honer’s (more on him later) cover of Tyler Childers’ ‘Jersey Giant’ back in 2022, her rise has already been meteoric, and capped off perfectly by this collection. Whether it’s blues/southern tinged country rock, classic country or more of an Americana sound, it has a bit of everything across it’s just 30-minute runtime. Every track is as good as the last, and makes for such an incredibly easy listen. She’s already becoming a massive name in the scene, and it’s incredibly easy to hear why. If you haven’t already, give this a spin, you’ll surely love it as much as I do! It got a massive, and rightly deserved, 9.5/10 in our review, and if it wasn’t such a strong year, it would have gotten even higher on our list!

Listen to: Rollercoaster, Two Truths and a Liar, and Life’s Been Good Lately

87 – Kyle Gordon: Kyle Gordon is Wonderful

This was maybe the hardest album to place on this list. It nearly didn’t make it at all, as comedy music seems to be such a controversial topic these days. However, Kyle has crafted something truly special here, and it’s an enjoyable release with or without the fantastic comedy wit, so there was no way it wasn’t sneaking on here. I was already a fan of his, but the concept and creativity of this release really blew me away. 10 different genres from 10 different ‘artists’, detailing the most “Wonderfully Ridiculous Songs of All Time”. Whether it’s Europop, nu metal, indie or traditional country/bluegrass, Kyle is an INCREDIBLE songwriter, and does each style so well. I challenge you to check this out and try to tell me you don’t love it, I honestly think it’s impossible! It was another one I missed out on reviewing when it dropped, but I can’t give it any less than 9/10! I’ve spun it a lot in the last eight months since its release, and I don’t think I’ll be stopping any time soon!

Listen to: We Will Never Die, Crawl to Me, and My Husband’s Ghost

86 – Lorna Shore: I Feel the Everblack Festering Within Me

The other kings of modern deathcore very much do their own thing, and sound fantastic doing so! This thing is over an hour spread across just 10 songs, and is much symphonic/power metal as it is anything else. It’s epic, grandiose and wildly ambitious, and the band pull it off like only Lorna could. From the crazy heaviness of the blastbeats and breakdowns to Wills now iconic vocals, the band followed up on Pain Remains pretty perfectly! If you are into the band or genre at all and somehow haven’t checked this out already, do so as soon as you can! It won’t be for everyone, but I loved this, and the genre has very much grown on me over the last year or two thanks to bands like Lorna and Slaughter. It got a very easy 9/10 back in September, and it’s hard to argue against that after another few listens! It more than earns its spot on this list, and could have been higher if there weren’t so many excellent heavier albums alongside it!

Listen to: Prison of Flesh, In Darkness and Forevermore

85 – Dillon Carmichael: Keepin’ Country Alive

Four years after Dillon’s breakout success with Son of a, he returned in a major way with this album back in June. It’s Southern rock tinged modern country music, and a lot of fun across its 14 songs! It feels like it would have fit perfectly into the mainstream scene a decade ago, somehow combining the bro-country style of FGL with more of a Blackberry Smoke or TC3 flavour. Then again, he has plenty of Jon Pardi vibes to him too, it making sense that he supported him the other year. Yes, it’s a touch cringy and stereotypical when it comes to lyrics and theming at times, but that almost adds to the charm when it’s this good. From the powerful vocals to the catchy melodies and choruses to some awesome riffing and instrumentation throughout, it’s impossible not to fall in love with this! There really isn’t a bad track on the album, and three-quarters-of-an-hour really goes by in a flash. If you have even a passing interest in country music, this is a must to be checking out! It got a massive 9.5/10 from us, and you only have to listen to see why! It more than deserves this slot on our list!

Listen to: Raised Up Wrong, When She’s Drinkin’, and No Matter How Hard I Try

84 – Ghost Hounds: Almost Home

Perfectly combining old-school rock’n’roll, soul and country music, the fifth album from the Pennsylvanian natives has honestly been a little underrated this year. I’m not sure if it’s due to it being the first release since their change in vocalist, with Tre Nation personally scouting out SAVNT to replace him, but this is an incredible release that just hasn’t got the love I feel it should have. There are some genuinely excellent blues rock tracks, be it boot-stompin’ or more slower, emotional ballads. However, to address the elephant in the room, it’s not quite as high as I expected it to be because it does drop off a fair bit by the end. The first half of it is excellent, but the second half is maybe one too many slower tracks in a row. Still, just think how good those opening six songs are that it makes it this high on our list! And still, the latter tracks aren’t bad, I just wish the album was a little better arranged! If you are into blues or southern rock, or more of a slower country style, this is well worth checking out. It was another easy 9/10 from us, and well worth its spot here!

Listen to: She Runs Hot, Past the Point of Rescue, and You’ll Never Find Me

83 – Phear: Save Our Souls

This powerful explosion of melodic metal is somehow the third album from the Canadian band, and they have a big new fan in me this year because of it! It’s the perfect mix of heavy riffing and drumming and catchy, melodic leads and vocals. It vaguely reminds me of Fozzy back when they were good, around Sin and Bones. I was a little late to this, not checking it out until the start of summer, but it blew me away and I have since gone back to check out both their other releases. That’s how good this is, and it’s honestly their best release to date. The band are so talented, both as songwriters and players, and they have crafted something brilliant here. We don’t get enough of this sort of sound any more, though it is making a comeback in the last couple of years, and these guys are continuing it on perfectly! If you are at all into a more melodic side of metal, think Metallica meets Alter Bridge, I cannot recommend this enough. It’s another easy 9/10 from us, and I already can’t wait to hear where they go from here. Hopefully it’s not another five years, next time!

Listen to: Aftershock, Narcosynthesis, and Bleed

82 – Jonah Kagen: Sunflowers and Leather

Another entry into the ‘emotional indie-Americana’ category for this list already! This whole thing is bittersweetly beautiful from start to finish, the perfect blend of Zach Bryan and Evan Honer. And somehow and nearly an hour and 16-tracks long, it still goes by in a flash and is an incredibly easy listen! The lyrics throughout are a massive highlight, but the instrumentation fits them all so very perfectly. I’d somehow never heard of him before this release, but he’s another that’s won me over massively and has a big new fan in me because of his 2025 release! And, anyone who is into any of the sounds that I’ve mentioned previously, check this release out ASAP. There are still a couple better releases in this style, in my opinion, but it still more than deserves this spot on the list, and got an easy 9/10 back in September!

Listen to: Sunflowers and Leather, Black Lung, and The Reaper

81 – Mark Morton: Without the Pain

This was not the album I expected from the Lamb of God guitarist this year. His last solo album back in 2019 was a groove metal romp featuring some of the biggest names in hard rock and metal. Switching gears, his second solo release does the same but with country, and honestly it’s just as good! From Jaren Johnston to Matt James, Cody Jinks to Charlie Starr, there are some massif names attached to this, and all do a great job of bringing Mark’s tracks to life, vocally. It’s an incredibly fun album that is definitely heavy on the rock and southern elements, but still is distinctively country. Mark could certainly have a career in the genre if he ever chose to leave LoG, not that I ever hope he does! I’m pretty sure it appeals to both country fans and those into a more heavier sound, so just about everyone reading this should check it out! Despite talking to Matt James about it when I played with him, I still missed this release when it dropped. However, it’s one of the easiest 9/10’a I’ve ever given, and a fitting end to part one of our list!

Listen to: Hell & Back, Without the Pain, and Dust

Part 2 ->

Reviews

Josiah Kaye, Wounded in Forest and Kakihara: EPs Galore!

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Though we are in the home stretch of the year, we still have some awesome EPs being released for us to dive into. Let’s check them out!

Wounded in Forest: Antihuman Artist

The debut EP from the Finnish death metallers is a 22-minute powerhouse of heaviness. The riffing is awesome, the drumming relentless, and the duel vocalled screams lend themselves perfectly to the sound! It’s a pretty traditional sound for the genre, but the varied screams and shrieks definitely add an interesting element, as well as the great production giving it a more modern feel. Tracks like karaoke the Son of a Bitch’ and ‘Godspeed Filthy Warrior’ are personal highlights, but there isn’t a weak link on this whole release, it going by in a flash! It’s certainly not a release for everyone, but it’s a must for anyone with even a passing interest in death metal. It’s a very easy 7.5/10 from us!

Josiah Kaye & The Bonnevilles: Winter

While we don’t typically talk about cover releases often, this is a fantastic collection of countrified tracks for, to state the obvious, the winter season, and is a really great listen! From the traditional ‘Silent Night’ to ‘Silver Bells’ to more modern stuff like a better version on 1975’s ‘Wintering’, it’s packed full of fantastic, fitting tracks. And somehow, a basic Americana-folk arrangement still somehow carries a festive feel to it throughout. It’s a simple, beautiful release that honestly I’d happily listen to not just for the festive season. If you’re into country-folk stuff, and aren’t a grinch, do yourselves a favour and check this out! His vocals are incredible and it’s insane that this is my first introduction to Josiah, I’ll have to keep a closer eye on him for his original stuff. 8/10, it would have gotten even higher if they were original tracks!

Kakihara: Love Songs, Pt. 2

The first release from the Scottish hardcore band in a couple of years honestly threw me through a loop a little. Firstly, where is part 1? Secondly, I didn’t expect hardcore heading into this, but I was blasted by crazy heaviness for a solid just eight minutes across its five tracks. Honestly, it’s fucking awesome! Any regular readers of this site this year will know just how much I’ve gotten into hardcore, and this is no different, capping off the year in aggressive, heavy style. The flow through the whole thing is exceptional; I barely knowing where one track ends and the other starts without looking. And from the crushing instrumentation to the brutal vocals, it’s all performed so well! I can’t pick highlight tracks, it’s all one big performance and all of it slaps. Do yourselves a favour and check this out ASAP, you won’t be disappointed! 9/10, DAMN.

Features, Reviews

ONE OK ROCK and Paledusk Tear Down Manchester Apollo!

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WOW. What a fucking show! My first time at the venue and also my first time seeing either band. I was at least pretty familiar with the headliners, but didn’t know Paledusk that well. I went into the evening expecting to enjoy it, but I wasn’t quite expecting the level of performance throughout!

Firstly, the Apollo was packed. The gig got downgraded from Manchester arena to this venue, and the result meant that it was sold out and packed full of die-hard fans who showed up early to get down close. We queued well over half an hour, and we arrived 20 minutes after doors. Everyone was ready, that’s for sure!

I wasn’t too familiar with the openers heading into the show. I knew the name and had checked out a couple of tracks before the show, but that was about it. However, they have a HUGE new fan in me from this set! Firstly, the sheer energy and showmanship on display throughout their 40-minutes was insane. I’ve seen fewer spin-kicks in a Bruce Lee movie than I saw guitarist Daidai; the guy was all over the stage with them! Then you had frontman Kaito’s infectious energy too, throwing himself around with almost as little regard. He also held the crowd in the palm of his hand throughout. I thought they may have struggled given the heaviness compared to the headliner, but the crowd were more than down to bounce around and even got a pretty decent circle pit going when instructed. I’ve also never heard a crowd cheer a breakdown before, but it was pretty fun to see every time!

And we haven’t even spoken about their music yet! Their quirky, whacky, heavy, melodic music. It was all over the place in the best way possible! They are all insanely talented players, performers and vocalists, and I immediately want to be seeing them back over here again ASAP.

Then, after a brief changeover, the headliners took to the stage. It at first seemed a little odd when it was barely 8:05, but they tore the roof off the place for a solid two hours! After a fantastic little video package set the tone for their latest release, they exploded on with recent hit ‘Puppets Can’t Control You’. Now, y’all know I loved DETOX, so the fact that they played almost all of it was incredible. From personal favourites like ‘N.A.S.T.Y’, ‘Tropical Therapy’ and ‘Delusion:All’ to more unexpected cuts in ‘Party’s Over’ and ‘The Pilot </3’, it was all incredible live and sounded so very close to the track. But don’t fear, because old-school fans still had plenty to sink their teeth into. From ‘The Beginning’ to the beautiful, empowering ‘Stand Out Fit In’ and perennial set closer ‘We Are’, the setlist was honestly damn near perfect!

And the performance… GODDAMN. Honestly, I was looking forward to seeing them at the UKs biggest arena, but seeing essentially a stadium-level band back home putting on that caliber of show to a 4k cap venue was truly something special. The band played, sung and headbanged their hearts out from the very first note to the very last. And, because of that, the crowd fed them that very same energy back. I can’t recall a time when I had been part of a crowd so loud and passionate, except for maybe Drake Milligan, and even then it wasn’t for the full show. The crowd felt like just as much a part of the show as anything else; singing every word back to the band and jumping around and clapping constantly. I can honestly say it was one of the best sets I’ve seen from an all-round perspective, and not one I’ll ever forget!

And there you have it, folks. Two of Japan’s biggest and best rock bands playing a more intimate show in one of the UKs honestly best venues (aside for the tiny amount of toilets, wtf?). The sound for both was great, even when under the balcony, so massive props to the sound guys too! I honestly cannot recommend seeing either band enough, they both blew me away for somehow both different and similar reasons. Honestly, if I wasn’t working tomorrow I’d be on the first train down to see them in London, they were THAT good. Hopefully both manage to make it back over here soon, be it together again or separate, as I’d be right there buying tickets the moment they went on sale! If you get the chance to see them live, take it, but even if not, you have got to listen to them on track too!

Reviews

President, Wells Ferrari and More: EPs Galore!

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A stacked week of EPs for us to check out, from metal to indie to rock. Lets check it all out!

PRESIDENT: King of Terrors

The new mystery masked band (definitely not fronted by Charlie Simpson) have dropped their debut EP this weekend. Does it live up to the insane hype around them? Personally, no, but I’m certainly not the target audience for this sort of music. It’s very Sleep Token, and y’all know how I feel about them. It’s a touch more interesting and heavy than them, but still incorporates a lot of the same pop and electronic elements around the big riffs and occasional screams. It’s not bad, don’t get me wrong, but I don’t think it’s quite worth all the hype. ‘Fearless’ was a fun, almost Skillet-esque track, while the riffing in ‘Dionysus’ was good too. However, the good moments were few and far between, and there are only so many trap and hip-hop beats I can hear in metal before I immediately get bored of them. If you are into this sort of thing awesome, you’ll surely get a lot out of it, but it wasn’t for me at all. I can’t give it any more than 5/10, sorry lads!

Wells Ferrari: Wasted Time

The sophomore EP from the indie-Americana duo is just as good as their last, drawing together their last string of single releases into the perfect 23-minute release. The band’s sound is excellent, being a slightly more chilled out version of the likes of Mumford & Sons or even Evan Honer. The lyrics throughout are fantastic and packed full of emotion, while the pairs vocal harmonies are a solid highlight time and time again. From the excellent title track to ‘Bending’ to the epic ‘Cloud of Rain’, there are so many fantastic songs. However, there really isn’t a bad song on here; all of them are excellent. It’s the perfect release to throw on and sit back and chill-out to. The band are on track to become massive in the scene sooner rather than later, and this release will surely push them closer to that. If you are at all into the genres I’ve mentioned check this out as soon as you can! 8.5/10

Delilah Bon: PRINCELESS PRINCESS

Delilah follows up her phenomenal 2024 album with this four-track collection released between all her heavy touring schedule. It honestly feels like it acts as an extention of EHFF, bridging the gap between that and whatever is next. I do have to say it’s not quite as memorable as the album, but is still a damn good release! The opener/title track is awesome and been stuck in my head since I first checked it out. ‘CINDERELLA’ is a fantastic track too that I’m sure will go down a storm live. Meanwhile ‘BUSH’ is tongue in cheek and got a chuckle out of me, though I’m sure she makes some good points for women.

It’s impossible for Delilah to put out something I don’t love though, as her vocal ability is so insanely underrated. From her rapping to screaming, it’s all so good, and she’s very much kept it all turned up to 11. And she is PISSED throughout this, it making the delivery of her fantastic lyric writing even better. The instrumentation is great too, the electronic and heavy punk guitars fitting together perfectly, making an amazing backdrop for the vocals.

It’s a short release that has immediately made me come away wanting more, but for now I am more than glad to settle with this. A great addition to her already stellar discography! 8.5/10

Last Hyena: Suspect Your Elders

The first live gig we covered here at Overtone, this band have a special place in my heart for that. Add to that the fact that they are insane instrumentalists and songwriters, and I was damn hyped for this release. They didn’t disappoint at all, this is awesome! The mainly instrumental 16 minutes is a solidly awesome listen of proggy, mathy stoner rock, and blew my mind in multiple places. We even got some gang vocals on the opening track, a big highlight and made the track somehow even better. There isn’t a bad one on here, though. It certainly won’t be for everyone, but if you are at all curious I cannot recommend checking it out enough! The riffing throughout is top notch, and everyone is working their asses off from start to finish. A very easy 8/10!

House of Hosts: Reckoning

The debut EP from the hard rock/alt metallers is a home run right out of the gate! This is a fantastic release from start to finish, packed full of a big riffs, arena-filling melodies and some great screams here and there. I love this new generation of bands that are inspired by the likes of Godsmack, Nonpoint and Breaking Benjamin, and I would argue this release is up there with a lot of what those bands have put out! There’s even a slight hint of Tool at times, which I love! All four tracks are amazing and highlights in their own right, picking just one or two is impossible. If you are at all into hard rock or metal, stop reading this right now and check this release out immediately, it really is that good! I’m going to be spinning this a lot in the coming weeks and months, and I can’t give it any less than 9/10. If it was a full release, it may have even gotten top marks!

Eirra: Instructions Unclear

The indie-pop songwriter put out her debut EP this weekend, and it makes for a fun, chilled-out release! It’s not typically the sort of thing I listen to, but I honestly had a blast listening to this! From the quirky electro-pop of ‘Mona Lisa’ to the more acoustic indie-folk of ‘Soho’ and ‘Somehow, Someday’, there’s a hell of a lot to love. It’s easy to see why she’s a rising star pegged for big things in the future, and as a first non-single release, this is a fantastic start! If you are into the lighter stuff, check this out, you won’t be disappointed! Throw it on and just sit back and relax and get lost in it, I know I did! A surprisingly (for me) solid 8/10 from us!