The Long Road: The Big Bad Review

Yep, you read that right. Overtone crashed a country festival. And, spoiler alert, it was fucking awesome. The Long Road 2022 celebrated the best of country, Americana and roots music, as well as having plenty of US pastimes as well on top of it all. We tried to soak up as much as we could of this fantastic, family friendly festival. And, we wanted to let you know just how much we enjoyed it!

After setting up and getting a quick lay of the land on the Friday, we found ourselves at the beautiful Front Porch stage watching Kevin Daniel. The North Carolinan/Brooklynite Americana songwriter did a fantastic job playing so early on and opening the festival for a fair few people. He rattled through a fantastic 40-minute set of some of his biggest hits. It was a great, chilled out way to start us off and ease us into an environment we hadn’t really experienced before.

Next up we ended up at the second stage, The Interstate, for Canadian pop-country Breakout star Jess Moskaluke. This was a little more of my sort of speed as she had a full band behind her and it had a rock edge, even if it was very pop. She reminded me a lot of Shania Twain, especially in her most recent single, ‘Knock Off’. She went down a storm in the tent for her entire set, having everyone dancing around and joining in. It’s very clear to me why she’s getting so big and she definitely has a new fan in me. I’m pretty sure each of the tracks she played has made it onto my Spotify, so that should say something!

More country here.

After taking in a few of the stalls, we headed back to the Insterstate stage for Priscilla Block. While she was still very good, she felt like a slight bit of a comedown after Jess. She’s a little slower and more ballady, which definitely isn’t an issue, but a quicker track or two might have been fun! Still, the stuff off her February album, ‘Welcome to the Block Party’, went down a storm. Plus, ‘Off the Deep End’ is a tune and everyone in the audience loved it. I’ll definitely be listening to her more of her moving forward.

Next up on said stage were the folk/indie rock band Fruit Bats. While they were even slower than Pricilla, they brought a fair amount of energy and stage-presence to the set. They gave it their all and, in turn, so did the crowd. I didn’t know them heading into the festival but, even though I’m not a huge fan of the genre, I’ve found myself listening to them a fair bit in the couple of days since. I’d love to see these guys again.

And now for something completely different (for Overtone, at least). That is a sentence I feel like I’ll say quite a lot in this write-up. Noble Jacks played an Americana set that I loved, and it’s opened my eyes properly to a whole new genre. Yes, I’d had a fair bit to drink at this point, but they were a lot of fun to listen to. The mostly seated crowd at the Front Porch were loving it too. A great way to spend a night, sitting around a fire, learning American Folk songs and getting drunk. What’s not to love?

Then we reached the headliner of the night, Drake White. One of the acts I was most excited for heading into this, he didn’t disappoint one bit. Whether it was his biggest tracks like ‘Livin’ The Dream’ or ‘Power of a Woman’ or snippets of covers of the likes of ‘Hard to Handle’, ‘Use Somebody’ or even Pearl Jam’s ‘Alive’, the setlist was packed full of fantastic songs. His band were top notch and Drake had the crowd in the palm of his hand from start to finish. It was one of the busiest times I’d seen the tent stage for a band, and I cannot imagine a single person came away disappointed. The Optimystic has been on a lot on my Spotify since this set and for very good reason. Drake White is the future of country music, and I’m sure you haven’t heard that here first.