The incredible Anglo-Austrian duo are set to release their highly anticipated sophomore album tomorrow! Featuring a lot of the singles they’ve put out over the last few years, it’s a real celebration of where they pair are in 2026, as well as a hint of where they are headed with some new songs smattered in for good measure. We’re big fans of the pair here at Overtone, even chatting to them last year and getting some hints of this. So, to say we’re hyped that it’s finally here is an understatement. Let’s dive right in!
The title track opens things up perfectly; a hauntingly beautiful acoustic guitar riff that soon has Lewis’ vocals fitting incredibly over the top. Isabella soon harmonises perfectly too, it all building up fantastically to an almost Southern rock sound. The drums and other instrumentation coming in for the chorus was a fantastic choice, adding some great dynamics to it, and makes it feel effortlessly massive. The particular blend of folk, country and rock is awesome and is pretty uniquely their own. Heck, the bridge is phenomenal, giving off elements of the Who in the drums, Slash in the subtle lead guitars, and yet the vocals still firmly ground in Two Ways Home. It’s an absolutely amazing choice for an album opener, and is a definite early highlight!
‘Waiting on Luck’ is a song I’ve loved since first got into them a couple of years ago. It was a fantastic single back in 2022, once again showcasing the bands mesmerising harmonies, and a bit softer a side to them. Isabella kinda takes the lead vocally this time, but the pair do a fantastic job of always showcasing each other’s talents and working together flawlessly. That chorus is also incredible, and has been stuck in my head periodically since I very first heard it! Even though it’s been out a while, it’s a track that I can’t seem to ever get enough of; simple and soft-rock-infused-country, but is so damn good. So far, two for two on excellent songs! And, acoustically (track 13), it was certainly a standout to me when we saw them at The Long Road last year!
The first new track on the album, ‘Room for Love’, is just as good as the previous two tracks! It definitely keeps the soft rock-like vibe to it, the blues edge to it almost giving it a Lenny Kravitz feel to it. However, by the time the chorus hits, the massive harmonies and big-band-instrumentation, it definitely brings in their country-adjacent sound too. It’s all so good, the instrumentation being as much of a high point as the vocals in this track. That riff through the bridge is awesome, and I love the touch of the chatter and keys behind it, making it a real feel-good moment. I’m coming across as a fangirl already, but this is another great track! It’s all fantastic so far!
We get both the full band and the acoustic version of ‘Polaroid Kids’ on this release. While both are similar, they still channel different energies, and it’s well worth checking both out. Heck, after multiple spins of both, I’m still not sure which I like more! The stripped-back nature of the acoustic one focuses more on the lyrics and the harmonies, but the emotion in the full band is palpable. I do have to say I think the spoken word bit fits better with the electric, in this writers humble opinion. However, as I said, both are excellent. They’re anthemic, ballad-like songs and the electric one breaks up the flow of the album perfectly to that point. And, lyrically, it’s maybe my favourite track on the album.
The most radio-country track here, ‘Feet on the Asphalt’, is a great, upbeat, track not too far removed from something like Russel Dickerson or Thomas Rhett. It’s catchy as anything and infused with enough rock to keep it high-energy. And, once again, the vocal harmonies are like only TWH can do, grounding the track to them despite it being a different feel again. I love the playfulness between the pairs vocal delivery in this track keeping it light and catchy throughout. You guessed it, it’s another amazing track, and one that easily makes our playlist!
‘Medicine Man’ is a more blues/rock based country bangers. It feels a touch darker than most on the release, and almost gives off ‘Wanted Dead or Alive’ vibes. And, it has one of the best choruses on the album! We also get a previously-unheard acoustic version of it to close out the album, pushing it much father into the country category in the best way. It takes on more of a Hank Jr vibe to it, the two tracks being so different in sound but both being excellent in their own right.
The following few tracks, ‘She Keeps Time Like a Casino’, ‘Hot Rain’ and ‘Signals in the Smoke’ are all slower songs, much more country-ballad territory. All are excellent songs in their own right, and even though they are one-after-another, it doesn’t feel like the momentum of the release drops at all, most likely due to the high quality. I like ‘Hot Rain’ building to more of a rock ballad by the end, the distorted guitars and soloing adding so much depth to the sound. It’s probably my favourite track of the few, but none of them are bad by any stretch!
‘Hear a Heartbreak’ has more of a soul feel to it, the steady plod and vocal delivery being more akin to Rag’n’Bone or Hozier. It has a fun bounce, energy and swagger to it, and once again when both of their voices entwine together, it’s phenomenal! And it still has enough of their unique brand of rock edge to it to keep it succinct to the album too, a true testament to their writing talents. It’s yet another major album highlight on a release packed full of them!
Meanwhile, ‘Colder Water’ is a straight up Western track, and I am all for it! It’s like I was trapped somewhere between an Eastwood and a Tarantino movie, it was awesome! It’s catchy, and packed full of some fun melodies from both the vocals and the instrumentation. Then you have the last non-acoustic track on the album, ‘Slower Kind of Love’. Honestly, it kinda bridges the gap rather perfectly, having plenty of acoustic elements to it while also having some great drumming for the choruses. It all builds perfectly to the massive bridge and crescendo too, the track being put together excellently. It’s another track I’m a little obsessed with, honestly, and yet another high point of the album!
Overall: This is an amazing album! It explores just about every avenue of country, folk and blues music across its runtime, being long but not feeling like it at all. It’s such an easy listen that goes by in a flash, somehow still leaving me wanting more! Every song is as good as the last, and it’s the perfect showcase of their recent output. If you are in any way into any of the genres named, do yourself a favour and check this out, you won’t be disappointed!
The incredible UK blues rock/NWOCR stalwarts played a hometown gig over the weekend, packing nearly 100 people into the amazing Hallamshire Hotel! The first stop of their April tour was set to be a doozy, being backed by other local bluesy heavyweights in Eddie & The Wolves and Luna Marble. We’ve been excited to head down to this for weeks now, and there was no way we weren’t going to be raving about it afterwards! Check out all of our thoughts below.
Opening things up with a special acoustic-duo performance where the bluesy Luna Marble. I recently got into them off their amazing debut album, and it was cool to hear a lot of that in a different style here. Plus, for just the two of them, their acoustic guitars and vocals, goddamn did they produce a huge sound! Maria Rico has one of the best live vocals around at the minute, and not only that but has the charisma and stage presence to hold the crowd in the palm of her hand throughout a more subdued set. Meanwhile Dragos backs her up perfectly, providing some amazing playing and backing vocals throughout. Hearing the tracks unplugged takes you on a different journey, but has definitely left me wanting to hear it with the full band soon, too! And we even got a sneak preview of a new song, which went over a storm with the live crowd. They were the perfect openers for this show, and are a band that are rightfully already gathering plenty of momentum for themselves in the UK rock scene!
Next up were the amazing Eddie & the Wolves. Yada yada best band in the world, yada yada future of rock… you know the drill by now. I just want to quickly thank not only the two bands and the venue for having us on the bill with them, but for every single person who came down to see us. We all had a blast up on stage, as warm as it was, and it felt like the crowd enjoyed it too! We’d taken a month off to do some studio stuff, so getting back up in front of a packed out venue was truly something special. And, it at least sounded good on our end, so hopefully it did out front, too! The setlist is refined and we’re firing on all cylinders. We’re all over the place this year so be sure to catch us somewhere else soon if you couldn’t make it here!
After a surprisingly painless changeover, the headliners too to the stage! We’re big fans of the band, and have seen them around a fair bit, so when I say they were on top form yet again here, you’d best believe it! All of them are masters of their chosen craft these days, and come together from their other projects for this one amazingly whenever they’re ready. And, we got a pretty varied setlist from them, too! From older songs to trying out new stuff to their biggest hits, we got a bit of everything, and it was all spectacular. It felt like banger after banger, and their hours set went by in a flash! It’s criminal that at this point they aren’t bigger, but regardless they are still putting on one hell of a show every time they step on stage. I feel like they have a big year ahead of them, and I for one cannot wait to see them again, as well as check out their new music as it drops!
Check out an interview we did with Indie too, here!
And there we have it, folks, a fantastic night full of amazing rock bands! All three knocked it out of the park and are a must-see for any fans of hard or blues rock reading this! The audience in attendance witnessed something special; three bands at the top of their game, playing their asses off, and in a pretty awesome venue to boot! We had a blast and can’t wait to see them all again ASAP!
For more than 50 years, George Thorogood and The Destroyers have remained one of the most consistent—and consistently passionate—progenitors of blues-based rock. And no one knows that better than the millions of fans who’ve seen them live. Formed in 1973 by guitarist, singer, and songwriter George Thorogood and drummer Jeff Simon, the Delaware-based band honed their sound on stages across the Northeast, building a devoted word-of-mouth following through their high-energy performances and blistering grooves.
The band have announced the final tourof the UK, as part of The Baddest Show on Earthtour of North America and Europe. There will be just two shows:Monday 29th June 2026 at University of Wolverhampton at the Civic Hall, followed by Tuesday 30th June 2026 at indigo at The O2 in London.
Speaking about The Baddest Show on Earth, Thorogood says, “When the lights go down, the downbeat hits and the audience erupts; all bets are off. The Destroyers are at their best when we play for the people, and these are some of our favourite—and rarest—performances from the past five decades. You wanted the baddest, you got it.”
Today, George Thorogood and The Destroyer – which currently consists of Jeff Simon (drums, percussion), Bill Blough (bass guitar), Jim Suhler (rhythm guitar), and Buddy Leach (saxophone)—have played more than 8,000 live shows. Career highlights include their record-breaking 50 States in 50 Dates tour in 1981; numerous high-profile tours alongside The Rolling Stones, Sammy Hagar, and ZZ Top, among others; over 15 million albums sold worldwide; plus landmark performances at Live Aid and Saturday Night Live.
Rock ‘n’ rollers Tuk Smith & the Restless Hearts are pleased to share a string of 2026 tour dates this summer. The 7-date stint will see them kick things off at Maid Of Stone festival before taking in the sights of London, Southampton, Wolverhampton, Leeds, Glasgow, and an as-yet-unannounced show. This follows a busy 2025 from the band, touring with Danko Jones and blessing Planet Rockstock with their Nashville-tinged melodies and riffs!
Mr Smith himself shared:
“I’ve always had a special place in my heart for the UK ever since I first started playing here a decade ago with my previous band. This is my first proper UK tour as a solo artist and I’m just as excited now as I was back then!”
In case you missed it, Tuk also put out an incredible EP just last year! We loved it, and you want to buy it, find it here!
Tuk Smith is the kind of rock ’n’ roll ambassador you didn’t think existed anymore. Punk maverick from rural Georgia, Biters frontman, producer and solo artist, he’s seen the best and worst of a music industry in constant flux. By turns it’s left him critically acclaimed, poised for stadiums, dropped, burned out, back in the game and beloved by those for whom rock is still everything. Now based in Nashville, and with his own label Gypsy Rose Records, he creates from a more real place than most.
“I want to do something that means something to people,” Tuk says, “because a lot of shit nowadays is so disposable and so plastic. I just don’t connect with that. I’d like to do things that impact people positively. It’s a weird time on the planet, so to have songs about hope, but not be cheesy about it, it’s something I think we need with songwriting. That’s the kind of music I want to hear.”
Again, there’s that dichotomy he speaks of. “Rock ’n’ roll is essentially the illusion of not giving a fuck, right? Like, you know Axl Rose was doing sit-ups and jump rope, and Paul Stanley was on a cardio machine, and they come out and act like it just happens. The point is I sit at that piano many hours, working on this stuff.”
The second album from the southern soul/country blues rising megastar drops this coming Friday to quite a bit of hype! The guy exploded onto the scene just last year with his critically acclaimed debut, especially when he was just 17 years old(!), so it feels like everyone has been waiting to see if he can follow it up with an equally good release. We got the chance to give it a bit of an early listen so desperately wanted to really sink our teeth in and see what the teenager has put together in barely a year. Let’s dive right in!
The album starts in a perfectly chilled way, with a low guitar melody backed by a simple beat. Ty’s vocals fit perfectly over the top, giving a country twang to the easy-listening pop instrumentation. And, while the track stays more stripped-back and slower, it builds in a few more instruments and definitely has a bigger-feeling chorus. Weirdly, I find myself drawing similarities to the likes of Cardinal Black and even The War & Treaty, that edge of soul and jazz and blues in there alongside the rest of the country, folk and pop. It’s a simple track but a beautiful one, and really sets the tone of the album perfectly!
‘Pedestal’ continues the same vibe perfectly, like a country-infused Newton Faulkner. It follows a similar formula to ‘Morning Comes’, but starting on just guitar and vocals makes it feel even bigger when the drums and the rest of the instrumentation comes in from the first chorus. I loved the little lead guitar licks too, being very bluesy, Ty showing off his incredible skills there, too. And at times his vocals and melodies even remind me more of that 90s alt rock sound, reminding me a little of Hootie & The Blowfish, Staggered Crossing and even Pearl Jam. While a little more relaxed than all those names, I really loved this track, and it easily makes it onto our playlist!
The pace and energy picks up for the bluesy ‘Don’t You Know’, showing off Ty’s range fantastically. Suddenly it’s more like Lenny Kravitz, and I’m fully down! From the great riff that runs through it to his more attitude-filled vocal delivery, the catchy hooks, the harmonies and those amazing horns, it’s all SO GOOD. And while I’d have loved the energy dialled up even 5% more, it’s still a fantastic track, and breaks up the album perfectly early on. It’s a song I am already desperate to see live, so hopefully he’s over I’m the UK soon! It’s maybe my favourite track on the album, and the second in a row that is a huge personal highlight!
‘Message to You’ slows things back down again. It’s certainly not an issue, as it’s a beautiful track in its own right and follows on from one of the more high-energy songs. The lyrics and vocals are bittersweet and packed full of emotion, fitting the tone of the track perfectly. Between it and ‘Woman’, they are the ballad tracks of the album. Both are excellent, slower, acoustic-based songs, and are put at pretty perfect places throughout the album; both feeling like earned emotional moments and helping the flow of the release. More amazing stuff!
The bouncy, bluesy energy returns perfectly with ‘Run Run Run’. Again giving off Kravitz vibes, it also has plenty of southern team and charm to it to cross over into country. It’s infectiously fun, and catchy as anything! It’s another absolutely excellent track that blends so many amazing sounds together like only Ty can do. His vocal style fits this sort of music amazingly too, almost more-so than the slower stuff. It’s also another one that I just HAVE to see live, and soon! And, though short, the guitar solo was also excellent, fitting the track to a tee. The talent on display is really off the charts. Honestly, I can’t get enough of it, and it’s yet another huge highlight on an album seemingly packed full of them!
‘Game Called Love’ is an almost Buffet-flavoured indie-country track, and is one that’s the perfect chilled vibe. It’s built for the beach, regardless of the lyrical content, and as someone who lives in the UK and as far away from the coast there as I can, alongside writing this review during a storm outside, this was absolutely what I needed! The subtle organ at times was a masterstroke, but all the instrumentation in this is so well put together and produced. It’s just a damn fun song, and one that will get even the most stubborn listeners dancing, or at least tapping their foot. I need this album to chill out, I’m starting to sound like a fangirl, aren’t I…?
Songs like ‘Leavin’ Carolina’, ‘Southbound’ and ‘Songs for You’ are more steady tracks like opening couple. All are good songs individually, as well as fitting the tone of the album perfectly. However, they certainly don’t stand out as much as some of the other tracks on the release. However, I honestly wouldn’t cut any of them, they all feel like they have their place here. The latter is probably my favourite of the trio.
‘Come on Over Baby’ is straight up classic blues in the best possible way. From some great acoustic riffing and playing to his New Orleans-drenched vocals and the build up into the massive, jazz-infused choruses, it’s all SO DAMN GOOD. Some of the guitar leads throughout are honestly phenomenal too, fitting the track excellently. The dynamics of the song are amazing, and make for a truly huge, well-earned final chorus. It’s a simple track so fantastically put together that it’s hard not to smile while listening to it. Old-school blues modernised into a 2026 package, and it’s impossible not to love it!
A piano leads ‘Through a Screen’, juxtaposing amazingly with the otherwise guitar-based album. It’s another ballad, but completely different to the others as it’s based much more around classical instruments. The strings swells are amazing, and it all once again builds to something truly magical at its crescendo. Once again, I can only marvel at the sheer talent on display from a writing and production standpoint. And I also love that it slowly strips back more and more to finish, closing out as it opened. Yet another fantastic highlight!
The only track on the album to feature a guest, the incomparable Marcus King does great on blues-funk number ‘Two Trains’. It’s got a great bounce and swagger to it, and both vocals complement each other perfectly. Also, the gospel harmonies through the choruses are fantastic, fitting the song so perfectly. It reminds me a little of mid-late 2000s Kid Rock, back when he wasn’t so cringy. And of course, a healthy dose of Lenny again for good measure. It’s another infectiously fun, really great track, and the fact that it has helped me get this far into the album without any semblance of fatigue is phenomenal.
The final three tracks round out the album excellently. They do feel like ‘Southbound’ et. Al, a little album track-y, but again all are that high quality that it would be a shame if they were cut from the release. The bluesy, almost TC3-like ‘Bad Guy’ is probably the stand-out from the three, but certainly none of them are bad. And ‘Good Morning Paris’ closes things perfectly with a moody folk-Americana sound that surprisingly feels like it brings in elements of most of the other tracks that precede it. And plus, the strings in the back end of it once again give it almost an epic feel to it. It’s a great way to close off, feeling like a true culmination of the last 16 tracks!
Overall: I didn’t know what to expect heading into this, but didn’t expect to love it as much as I did! For how long an album as it is, it is packed to the brim with standout tracks, and doesn’t once feel like it gets old or boring. Ty’s talent for songwriting and playing, across multiple instruments and sub-genres, is off the charts, and for a sophomore album to come out swinging this hard after such a big debut is incredible. If you are at all into any of the many genres this release covers, I cannot recommend checking it out enough. This will be certainly high on our albums of the year list come December, and I’ll be spinning it a lot in the weeks and months to come! The kid has an INSANELY bright future ahead of him!
We had the pleasure of chatting to the upcoming blues guitarist the other week about his recent UK shows, plans for more and what it’s like in the UK compared to back home. Check it all out below!
You’ve exploded onto the scene over the last year or so, how as that time been?
It’s been a great year! As a fan of this blues scene and UK blues players like Robin Trower, Philip Sayce and even Jimi Hendrix, it’s been a real thrill actually getting to have a stab at it myself!
How did you get into the blues scene? It’s not something as mainstream as it used to be!
Honestly, my answer for that would be that when I was in highschool, I took a music history class. My teacher took a special interest in me, really helped me get into this stuff and turned me onto the blues specifically. That’s where I went down the rabbit hole, right there. From there it was straight Stevie Ray Vaughan!
Definitely a good place to start!
You were over in the UK at the start of the year, right? How was the tour?
Yes, I just got back here Sunday last week [at the time of recording]!
It was the best tour of my life, man! I definitely feel like it was the most significant part of my career so far. It felt like a monumental experience for me. The Cluny [Newcastle], that crowd, the amount of love I received was unreal. I literally jumped off the stage into the crowd on the last song!
What’s the scene like back home compared to over here?
I mean, I don’t want to talk bad about my local music scene, but I would say for me personally that the scene in Scotland and the North East of England is incomparably better for me. I have better results.
Is it a case of it being a bit more saturated out there for that kind of music?
I guess so, yeah.
Your band for the tour were called The Yorkshire Puddings, how did that name come about?
Well, I met the guys on my last tour back in August with my band from America, we came and played like six shows in England and Scotland. These guys were opening for me in Newcastle. I met them there and we were borrowing their drum kit. The name came from… I wanted to have a way to separate the bands. One day when we look back on it, I didn’t want everything to be under the same name, I wanted the backing bands to be documented. The same way Jimi Hendrix had the Band of Gypsys and the Jimi Hendrix Experience, I wanted to do something like that! We wanted it to be something that people could look at it and instantly tell that it’s a British band.
And then you’re back over here in September, right? I saw you were announced for a festival!
I’m actually back in August! September is the last date of the run. I think we already have like eight shows in August. Then we’ve got Europe too, we’re playing Berlin in July.
Have you done much out in Europe before?
Never, just England and Scotland. I’m so excited to get into the German scene! It’s been a real privilege getting started in England and Scotland, I have a serious appreciation and love in my heart for both. The way these countries have embraced me has really helped my early career.
In terms of studio stuff, are you sticking to singles for now? Is there a longer release on the way?
We plan on something longer, of course, but for now we’re just trying to write songs, record them and put them out, you know. We’re recording one right now, actually!
I feel like it’s quite hard to put out these days. It’s geared towards singles but it’s so hard to keep up the grind sometimes!
Yeah! I’m going to put out some live recordings, too. I love live recordings; if I ever get one I really like I’ll put it out! From our last tour we got some, just takes a couple of weeks, you know!
Do you have a dream tour lineup you’d want to be a part of?
I mean, not so much a dream lineup, more so a lineup of countries. There’s so many people I’d love to tour with, I could list 30 people right now! You know, Buddy Guy, Jimmie Vaughan, the guys who are still standing! A tour with Eric Clapton would be great!
If you could have written a song from history, what would it have been?
Low key actually, ‘Johnny B. Goode’. I was saying this just the other day, that I can’t believe Chuck Berry made that song. Like he’s not covering it, he made that song. How someone wrote something so good is amazing. So I think I’d go with that!
The southern rock megastars return this coming Friday with their studio follow-up to 2023’s Screamin’ at the Sky. It’s no secret that this band were massive for me in my formative years; I remember first seeing them back in ‘08 or ‘09 and being obsessed ever since. So, when this came across my emails, I jumped at the chance to take a real deep-dive into it! The band aren’t strangers to EP’s, having two Back to Blues releases pre-pandemic, but I honestly thought they’d be gearing up for another full-length by now. However, I’m certainly not going to scoff at any new music from the band, especially when it’s a pretty long release for an EP anyway! Written on the road when touring Screamin’, and recorded in 2025, I expect it to follow a similar sound than that release, though with BSC you can really get anything! Without further ado, let’s dive in!
Opening on the title track, an awesome, heavy riff bursts in to start things off with a bang. Chris’ powerful, unmistakable vocals soon come in over the top, feeling very BSC in all the best ways. The vocal harmonies that come in are awesome, adding a catchy element even through the verse. It all builds into the typically massive, arena-filling chorus that the band are so damn good at producing. And, lyrically, it’s fantastic too, powerfully uplifting and bittersweet in the best ways. It definitely hit me pretty hard, and is a message I’ve certainly needed to hear plenty over the years. And, we of course get a fantastic Ben Wells solo over some of the heavy riffing, though it was maybe a touch short for my liking! Still, the final chorus and massive outro take us home in style. It’s the perfect way to open the release; catchy, to the point and radio-friendly, while still keeping that heavy edge the band are known for!
The excellent riffs keep coming with ‘Neon Eyes’, it having a bounce and swagger to it that only Black Stone Cherry seem to create. I like it dropping back for the verses, and once again the harmonised vocals add a fantastic layer that would go down a storm live. A catchy pre leads to an equally huge chorus, complete with an awesome instrumental drop in the middle, a fantastic staple of the band. Another ripping solo comes over the bridge, the riffing behind it being just as awesome as the lead itself! I cannot get over how good that chorus is though, definitely an ear-worm that’ll be stuck in my head for days to come! It’s another awesome track, and even with it doing my pet peeve and fading out, it still easily makes it onto our playlist!
A similar vibe runs through ‘Caught Up in the Up Down’ (try saying that five times fast). Awesome riff, simpler chorus, huge chorus designed to be played to massive festival crowds, a great solo tucked away in the middle and an overall radio-friendly structure. However, don’t get me wrong, this is hardly a complaint. It’s an amazing song and has some fun elements throughout, from the amazing bass playing and tone to even the nuance moments like Chris pausing mid-flow before saying breath; a fantastic moment that really shines a light on the bands phenomenal songwriting skills. However, I just wanted to highlight that as a point of me not wanting to repeat myself over and over. Though I am a huge fangirl, I have to keep that in check at least a little bit for the review, right? Another awesome song that very much reminded me of their last couple of albums!
‘I’m Fine’ is a touch slower, or at least lower energy, and does feel like the ballad of the release. The closest comparison I came to was something like ‘Runaway’ or ‘Here’s to the Hopeless’, a ballad with still plenty of distortion and edge to it. And, of course, the lyrics are fantastic, another touching track full of emotion and positive vibes. It’s an excellent track, and a good slight change of pace which honestly was a welcome thing on a release short enough to probably not need it! Also, the instrumentation dropping out by the end to leave just the vocals was a MASTERFUL touch!
‘Deep’ is another slower ballad, this one focusing more on the acoustic and clean guitars (outside of the choruses) to make it even more of a traditional slower rock song. It’s a beautiful track and fits the tone of the release rather perfectly, easily drawing comparisons from me of ‘Peace is Free’. The band do these slower tracks just as good as they do the heavier blues stuff, and this is easily yet another highlight on a release packed full of them. Another one I’d highly recommend checking out!
‘What You’re Made Of’ perfectly picks the pace back up again heading into the final two tracks. It’s maybe the heaviest riff of the album too, bringing us back to their core sound after a couple of slower songs. It has a similar structure again to the other rockier songs, but has a real anthemic chorus that will be another easily stuck in my head. It’s a great track that brings us perfectly back round to the massive opening single. Then, we close the release on a fantastic cover, something that BSC do so insanely well. I’d argue this is even better than ‘War’ or ‘Can’t You See’, and features a perfect guest vocalist in Tyler Connolly of Theory of a Deadman. It’s a great song to being with, honestly maybe up there with the best written, but the band put their own heavy blues spin on it in the perfect way. It still honours the Simple Minds original while sounding like its own thing. It’s a lot of fun and the perfect way to close out a release like this!
Overall: This is an amazing EP! As I said, at seven tracks it’s pretty long anyway, but didn’t feel its length at all, the release going by in a flash each time I span it. Each song is as good as the last, and it feels like the perfect stop-gap release between albums while touring. I’d honestly put some of the tracks up there alongside their biggest hits, and I hope they become mainstays in their live sets! And, as I’ve said before, the messages present throughout are amazing, the band never failing to make me feel better! If you are at all a fan of them or the wider rock genre, I’d highly recommend checking this out as soon as you can!
The guitar virtuoso himself is back with his first solo album in nearly three years. Being a big fan of Mr Big, I’ve been excited for this since it first came across our emails, though I have to say I haven’t listened to much of his solo stuff in the past. We could be in store for anything! But still, if it’s anything like his band projects, we’re in for something special. Let’s dive right in and see what this is like!
Showing off his insane guitar talented right from the offset with some insane soloing, a great riff soon bursts in to start ‘Keep Your Feet Firm and Even’ off strong. The vocals soon come over the top and is surprisingly catchy for a verse! And still, it all builds to a HUGE chorus, the harmonies making it even bigger. It hooked me immediately and I already expect it to be stuck in my head for the rest of the day. We also get some more absolutely insane, blistering soloing tucked away in the middle of this. I love it dropping down to simple bass and drums to really highlight the guitar more, and builds up steadily again into the stomping stuff for the final parts. I love the melody of the main riff coming back as a solo too, real masterful playing and writing. And another big final chorus and solo takes us home in style. A fantastic way to open the album, and an easy early-album highlight!
‘Show Not Yourself Glad’ instantly kicks things up a notch into pure punk territory, and I’m all here for it! It does drop back in the verses to a more soft-rock style, and honestly the lyrics felt a little too on-the-nose for me. However, the harmonies are still fantastic, almost giving more of an ELO vibe. The two parts fit together far better than they have any right to. We also get some awesome soloing over a slower, stripped back bridge, feeling very reminiscent of his Mr Big days. His talent really is off the charts, and is highlighted perfectly here. And ending on that insane solo was definitely the right call!
‘Maintaining a Sweet and Cheerful Countenance’ keeps the pace high but dips back into his blues sound. I want to highlight his band at this point too, as both the bass and drums is going hard throughout, almost as hard as Gilbert goes. Once again the lyrics are a little blunt, repeating the song title an awful lot, but the instrumentation is so good it’s hard not to love it! The same can be said for tracks like, ‘Go Not Thither’, ‘Let Thy Carriage’ and ‘Turn Not Your Back’ all being blues and prog infused bangers. They have a similar structure of lower energy verses and sometimes choruses, while having some heavier instrumentation around them. And of course, the guitaring is the big highlight through them all! The latter is a big personal highlight of the album as a whole, giving off big Electric Boys vibes in the best ways. A track that easily makes it onto our playlist!
‘Orderly and Distinctly’ is a bit slower in pace again, and also feels a bit pop-infused as well as soft rock. It feels more like a ballad track of the album, and perfectly placed too to break up the higher pacing so far! It’s a pretty beautiful song, and the lyrics here are much more interestingly written than other tracks on the release. It gives more of a Floyd or even Beatles vibe, but definitely in a good way! And we also get another amazing solo tucked away in the middle, once again melting my face off. Another clear highlight!
Tracks like ‘If you Soak Bread in the Sauce’ and ‘Speak Not Evil…’ are fun, bouncy, bluesy soft rock songs. Again, both are great songs in their own right, but definitely fit together well as a similar sound. The musicianship throughout both is off the charts, and the only reason they’re pushed together here is so I don’t come across as a big old fangirl from repeating the same praise over and over. However, the latter is one of my favourite tracks on the album, and may have my favourite chorus Gilbert has laid down in a good while!
‘Conscience is the Most Certainly Judge’ is another slower track, perfectly breaking up the rockier songs again. It’s a fun, bouncy song with a pretty decent chorus, but does scream ‘album track’ a little. Meanwhile ‘Every Action Done in Company’ is another prog-blues track that does Gilbert’s lyric-repeating technique to the max. Then you have the incredible riffing of ‘Spark of Celestial Fire’ and a straight-up blues track closes things off with ‘George Washington Rules’. All are good songs in isolation, with the closer being particularly fun and another highlight. However, they do reflect the extended length of the album, and none really bring much new to the release that we haven’t heard already. But still, I’d be lying if I said I didn’t have a good time listening to any of them, and the bands’ talents are that grand that they could make anything incredible!
Overall: This is a damn good release! As I’ve said multiple times throughout this, Gilbert is an insanely talented musician, and has surrounded himself with the same in his solo band, making this filled with some of the best playing around. And while some of the lyrics are great, overall it’s the weakest part for me. However, it does have some kick-ass, catchy-as-hell choruses! If you are a fan of any of his other work, you’ll surely enjoy this too, and I’d recommend it to anyone even remotely curious or big into 80s and 90s rock!
Another week, and some more awesome rock, metal and country release for us to check out!
Buzzcocks: Attitude Adjustment
The punk rock royalty returned with their 11th album this last Friday, their first in four years. It’s fine. For a band that formed a whopping half a century ago now, I at least have a lot of respect and admiration for Steve Diggle for what he’s done for the scene and who he and the rest of the band have influenced over the years. But this was honestly a tough listen. It feels and sounds incredibly outdated, showing that Steve hasn’t evolved at all as a songwriter after all these decades. It’s the same early-punk/power-pop as they were writing in the 70s. I know that will certainly appeal to some people out there, but the rest of the music world has very much left the band behind at this point. There are modern bands writing better stuff in this style, while punk got a lot more interesting after the bands heyday, in this writers humble opinion.
The closest to a highlight track I had was ‘Seeing Daylight’, but honestly I struggled to get hugely further through the release without losing interest. There are certainly going to be fans of this out there, the band are still sat on 600k+ monthly listeners, but I am sadly not one of them outside of a couple of older hits. This did nothing for me, and I can’t give it any more than a 3.5/10. Technically fine, but painfully dull.
Softcult: When a Flower Doesn’t Grow
The debut album from the self-professed riotgaze band is certainly interesting. Once again it’s not my sort of thing, I don’t ‘get’ any shoegaze at all really, but I at least see the appeal of it a bit. It’s not something I’d go out of my way to listen to, but if it came on in the background I’d probably have a good time listening. The band are clearly talented, and there’s some good drumming and riffs at times throughout. I think the vocals are my main issue; having them in that droning style throughout didn’t pull me in, despite some good lyrics. The run of ‘Naive’ through to ‘She Said, He Said’ was the best part of the album for me, but the whole thing is pretty solid overall, an easy 30-minute listen. If you are into a punkier, indie edge to shoegaze, this is definitely a release for you. A solid 6.5/10 from us, and it may grow on me more with more listens.
Francis Rossi: The Accidental
The new solo album from the Quo legend is a fun, if long, release! Opener ‘Much Better’ sets the tone perfectly, and songs like ‘Back on Our Home Ground’, ‘Going Home’, and ‘Beautiful World’ are all big highlights too. However, 14 tracks across nearly an hour, especially when all are a similar vibe and pace, is a lot. I love Quo as much as the next guy and it’s always great to have more songs that so distinctly like them. And when we aren’t getting new Quo any more, I’ll happily take Rossi doing the exact same sound for his solo ventures. So yeah, it’s a damn good rock album, and is a lot of fun to listen to. Very simple and to the point. But it does get a touch repetitive around the halfway mark, let alone by the end. I’d definitely recommend checking this out if you’re a fan of the band, or just into old-school rock music in general. It’s a solid 7.5/10 from us!
Kanonenfieber: Soldatenschicksale
We’ve already checked out this awesome album! Read our full review here.
HANABIE.: HOT TOPIC
The highly anticipated new EP from the Japanese metalcore band combines together a few of their latest amazing singles, alongside two new tracks, to create an awesome 15-minutes of heaviness! ‘ICONIC’ dropped recently and has been a mainstay on my rotation, while ‘Spicy Queen’ has been stuck in my head the last eight months since its release. And older track ‘GIRL’S TALK’ is of course a banger. Then you have ‘…About you’ and the closing track that are every bit as good as the others. The video-game-esque latter is honestly a big highlight of the whole thing from how utterly left field it is. The bands chaotic energy and heaviness is off the charts, yet they still have plenty of melody and catchiness to boot. There is no one out there like HANABIE., and they always make for a fun listen. They clearly don’t take themselves too seriously, which is refreshing these days. If you’re into the wilder side of metalcore, I’d definitely recommend checking this out! 8/10
Emily Scott Robinson: Appalachia
The folk/Americana singer-songwriter returns with her first studio album in nearly five years, and has produced something just as beautiful as ever. It’s 40 minutes of chilled-out, emotion-filled acoustic music, and I loved just getting totally lost and eveloped in it. It’s not tyically my sort of thing, at least not to enjoy this much, but something about Emily’s incredible vocals and lyric writing had me hooked. It’s almost impossible to pick highlights, though all three duet tracks are utterly phenomenal, giving even more depth to her sound. If you are into relaxed Americana-folk, this is certainly a release for you. Not one I’d revisit often, but certainly one I’d happily listen to again! 7.5/10
The Chuck Norris Experiment: Hot Stuff 3
Another in the Swedish punk-infused hard rock band’s collection of b-sides and it goes far harder than it needed to! Their ‘Stairway to the Stars’ cover opens the release perfectly, setting a great tone moving forward. That’s swiftly followed by album highlight ‘Hammersmith Palais’, with other album highlights like ‘The End of the Great Credibility Race’, ‘Habit to Support’ and ‘Electrify Me’ being spread through the album. However, the whole album is a great, fun release, and begs the question how a lot of these tracks haven’t made it onto full releases in the past. It’s impossible not to have a good time listening to this, and the band are so very underrated! If you are at all into the band or just the wider heavy punk genre in general, I’d definitely suggest giving this a listen! I can’t give it any less than 8.5/10. I wish more bands still did this style, and I’m so excited for them coming back to the UK this year!
Danny Dela Cruz: So Long As There Are Stars
The debut solo release of the former Inglorious/Thrxnes guitarist is a real showcase of his sheer phenomenal talent. Five amazing instrumental tracks that show the breadth of his playing skills, and all excellent in their own right. Instrumental stuff is certainly not for everyone, but this is definitely worth checking out if you are even a little bit curious. Clearly inspired by greats like Vai, Sambora and Malmsteen, he firmly plants himself up alongside all of them with this release. ‘Life’ and ‘As the Pages Turn’ are personal highlights, but the whole release is amazing from start to finish. I’ll definitely be throwing this on again in the coming weeks and months, and it gets a very solid 7.5/10 from me. And to put that into perspective, that’s high from me for both an instrumental release and an EP!
Tinsley Ellis: Labor of Love
The blues guitarist followed up 2024’s Naked Truth excellently with this stripped-back release. The vast majority of it just Tinsley’s guitar and low, powerful vocals, but he packs so much punch and emotion behind it all that I was hooked throughout. From ‘Long Time’ to ‘The Trouble with Love’, ‘Sweet Ice Tea’ to ‘Too Broke’, there is plenty to love here. However, there isn’t a bad song throughout. Once again, it isn’t a release for everyone, and it does get a touch samey by the end, but Tinsley is such a good songwriter that it’s hard not to still have a good time listening. If you’re an old-school blues fan, check this out ASAP! I’d love to hear him with a bit more of a band behind him at some point, but this is also still great regardless! 7/10
TarLung: Axis Mundi
The Austrian sludge doom trio released their first new album in nearly five years last Friday, and go just as hard as ever with it! This thing is packed full of incredible riffs, solid drumming, heaviness and some amazing growled vocals. And they give everything plenty of room to breathe too, just eight songs spread across the 38-minute runtime. ‘The Valley of Nowhere’, ‘Sea of Drowned Souls’ and the title track are all huge highlights, but every song in this fits and runs together perfectly. The band are so insanely talented, and it’s criminal that they aren’t bigger than they are at this point! If you like your music heavy and sludgy, this is certainly an album you need to be listening to! They have a big new fan in me, and I will certainly be spinning it plenty in the weeks and months to come. A solid 8/10 from us!
Gitika Partington: Twelvefold Number 1-13
Yep, a whopping 13 full-length albums, all in the same day! We had the privilege of chatting to Gitika about the feat last week, and it makes me appreciate these even more than I already do. Each has a slightly different feel to it, though all keep within her vague folk/easy-listening style, and each certainly have highlight tracks. ‘They Dance an Eleven’, ‘Virginia Wolfe’, ‘Own My Shit’ and ‘I’m the Only One Who Knows’ are a handful of the songs that stood out to me. It’s an insane achievement to release this massive a volume of work anyway, but for a good portion of it to be high quality and enjoyable is even better. It’s certainly not my sort of thing normally, but I’m so glad I was sent through the presser for it as I did have a good time listening. If anyone’s at all interested, it’s worth a listen. And, while I probably won’t revisit the project outside of the odd song here and there, I didn’t hate it at all. Gitika should be hugely proud of what she has managed to accomplish here, and in terms of the music itself, I happily give it a solid 6/10, though it would be higher for the sheer balls and confidence in the work she has!
Contrasts: False Idol
The debut EP from the modern alt/metalcore Welsh collective dropped on Friday, and honestly blew me away! It perfectly walks the line between brutal heaviness and huge, arena-filling melodies that few bands can truly pull off well. And, because of that, all four of these tracks are amazing! It’s impossible to pick highlights as all are as good as the last. Even the slower ballad ‘Armageddon’ is awesome, and fits the tone of the release excellently still. These guys already did some great stuff in Upon Those Dying and Giving in to Ghosts, and they are very much continuing that trend here! I can see big things ahead in the bands’ future, and this is a fantastic jumping off point for all of that. I can’t give it any less than 8/10, great stuff!
Here we are, that time of the year again! The month where I go insane and try to rank 100 out of the over 500 albums I’ve listened to this year into the order in which I enjoyed them the most. It’s equal parts subjective and objective, and I’m convinced I’ve left off so many excellent albums, so if your favourites aren’t here, I’m sorry and they are most likely awesome! Without further ado, let’s dive into the chaos, shall we?
100 – Eli Young Band: Strange Hours
Yep, that’s how strong we’re starting. I told you it’s been a tough year! The Texan country band put out their seventh studio album back at the start of August, and it’s been a mainstay in my rotation since then. It was the perfect summer album, combining catchy vocals and harmonies with their brand of country which perfectly combines pop, rock and Americana. I’ve been a fan of the band a few years now, and this is easily my favourite release from them in that timeframe. It’s a strong album from start to finish, being an incredibly easy 43-minutes of chilled-out, catchy country to listen to! It’s so well written and put together, the perfect inoffensive release into the genre that covers pretty much all bases. So, if you even have a passing interest in the genre, I’d definitely recommend checking it out! We gave it a solid 9/10 upon release, and I very much stand by that now!
Listen to: Nothing on the Wild, All Good with Me, and Everybody Else
99 – Circus 66: Elements
Album #2 from the UK hard rockers blew me away back in March, and upon revisiting it for this list, I was blown away once again! It’s nearly 50 minutes of awesome, foot-stompin’, sleazy guitar riffing and soaring vocals, and I love it! The band are all insanely talented, everyone getting their time to shine plenty throughout, and have crafted an excellent collection of NWOCR tracks here. It’s impossible not to have a good time listening to this, and I cannot recommend it enough to any rock fans out there. It’s insane to me that they aren’t a massive band already, but they have killed it with this release and are very much looking like 2026 will be a breakout year for them! It’s very easy to hear why we gave it 9/10, and why it makes it onto our list!
Listen to: Replace the Pain, We All Need Saving, and Love on the Other Side
98 – An Evening With Knives: End of Time
This proggy alt metal release from towards the start of the year came five years after their previous studio album, and showed just how much the band had grown and matured. It’s heavy, groovy and melodic in all the best ways, and somehow combines together elements of everything from stoner and desert rock to prog to heavy metal to plenty in between! The trio are insanely talented, all playing their asses off from front to back, and have produced something truly special with this release, managing to sound pretty unique at a time when that is almost impossible! If you are into anything from QOTSA to Tool to even Machine Head and Devildriver, do yourselves a favour and check this out ASAP! It got a very easy 9/10 from us when it dropped, and I fully stand by that rating now, showing just why it made the cut for this list!
Listen to: Pride of Lions, Death and The Mistake
97 – Trick or Treat: Ghosted
This epic slab of old-school heavy metal mixed with more old-school power metal is just as fantastic now as it was in April when it first dropped. Combining sounds like Iron Maiden, Judas Priest and Hammerfall and their spooky, horror theming works perfectly, and makes for a solid album as it is. Then you take into account just how phenomenally talented every band member is, from the vocals to the drumming to the soloing and riffing, it’s all so good, and it’s so very easy to fall in love with this release. It’s stacked to the brim with awesome tracks, and even some awesome guest appearances from Adrienne Cowen and Christopher Bowes. 45-minutes still now goes by in a flash even after a few listens. If you’re into power metal you’re probably already checking it out from reading this, but if not I’d definitely recommend it to just about any music fan. It’s got someone of the biggest choruses of the year. Yet another very solid 9/10from us, and incredibly deserving of its spot on our list!
Listen to: Craven Road, Bloodmoon, and Evil Dead Never Sleeps
96 – The Rasmus: Weirdo
The 11th studio album from the pop/alt metal band goes far harder than I feel almost anyone expected before it released! From genuinely heaving riffing to being packed full of their typically arena-filling choruses, it very much felt like a return to the top after a few years of honestly a little middling releases. Don’t get me wrong, it is still a touch cringy at times lyrically, but that is almost part of the charm with this sort of music! It’s barely half an hour and an incredibly easy listen, and a release I’d recommend to anyone into more of a poppy hook! It’s a sound I feel nostalgic for despite never really getting into it much in my teen years, so for anyone who was more into the band or stuff like Him, it would probably get even higher. It got another incredibly solid 9/10 from us and is more than deserving it’s spot on this list!
Listen to: Creatures of Chaos, Dead Ringer, and You Want it All
95 – Lacuna Coil: Sleepless Empire
The symphonic/industrial metal powerhouses very much returned to form in 2025, and this album is a huge indicator of that! This thing is catchy, heavy and packed with banger after banger. From the soaring operatic vocals to the harsh screams, both fit so well over the awesome, almost nu-metal infused instrumentation. It’s another album that goes hard from start to finish too, every song being as good as the last. They were a band I somehow didn’t get into much in my youth, so as a first full album by them I’ve check out, I’m a little obsessed! The only reason it is this low down is because it is so an insanely high quality year for new music! It still got another incredibly solid 9/10from us, and if you’re even passingly into metal, I’d highly recommend giving this one a try!
Listen to: Oxygen, Scarecrow, and Hosting the Shadow
94 – Sleep Theory: Afterglow
Very much the breakout stars of 2025, the debut album from the metalcore upstarts has already set them up to be a huge name sooner rather than later. They channel massive early ADTR vibes in the best ways, especially since said band have taken a nosedive in recent years. It’s full of ch0nky riffs, huge choruses and some great screams, and is a fantastic 40-minute listen. I actually hadn’t revisited it too much since it’s May release, but having checked it out again while writing this list, I fell in love with it all over again. It’s incredibly radio/mainstream friendly, but that isn’t at all a bad thing. The band have worked their asses off on socials the last couple of years to make this a big release, and it has paid off in spades. However, the quality of the music is also high, certainly contributing to their fast success. If it was slightly more adventurous and innovative, it would have ended up even higher on the list but still, making it on here shows how high quality it is! I gave it8.5/10 when it dropped, and I still agree with that now, but it may even sneak up to more like a 9 on some listens!
Listen to: Hourglass, Fallout, and Just a Mistake
93 – Cardinal Black: Midnight at the Valencia
This is a modern soft rock masterpiece. End of discussion. It gives off massive Genesis or Seal vibes, but definitely with a current day edge to it. Over half a year later and Tom’s vocals still give me goosebumps at times throughout. However, the arrangement of every song compliments his voice perfectly, everyone being incredible musicians and songwriters. While the band have certainly been on a lot of tongues the last couple of years, this truly felt like the year that Cardinal Black really broke out. And, this album is definitely a big reason for that! It’s fucking beautiful, and it’s an album that still makes me feel the same as I did the first time every time I spin it. The only reason it’s a little lower than maybe expected is because it does get a little samey after a while. However, when that similar stuff is all banging, it’s impossible not to love it, still! This got a whopping 9.5/10 from us and it’s hard not to still agree with that sentiment now!
Listen to: Ride Home, Breathe, and Morning Light
92 – Tanner Usrey: These Days
The first of a healthy handful of bands in this vaguely indie country-Americana sound that has gotten so big the last couple of years on this list. The fact that it is at this point in it certainly doesn’t diminish its quality either, as this is a fanatic release! It’s incredibly varied too, from blusy Southern rock to more of an indie flavour to even a more traditional country style. And, no matter the sound, it’s performed brilliantly and packed full of emotion from start to finish. My only slight complaint is that the pacing and arraignment of it is a little slow at times. However, every song is excellent, and it honestly has some of my favourite tracks of the year on it, the exceptional very much outweighing anything slightly less-so. I’d easily put this up there with his debut album, even if it hasn’t had quite as much love! We gave ita solid 9/10, and it more than earned its spot here!
Listen to: If you Call me Again, Bad Love, and With You
91 – Zach Top: Ain’t in it for my Health
Yes, I know, people are going to be BIG MAD for this being so low down on this list. He’s an absolutely massive artist for sure, and this is one hell of an album. My main bug to bare is that, as much as I love a classical country vibe typically, a lot of this is a touch on the slower side. That’s inherently not an issue at all, but it does get a touch old through the 50-minute length. However, there is no denying the HUGE talent on display throughout, from a songwriting, vocal and playing standpoint, and it’s easy to hear why he’s one of the biggest names in the genre currently. If you are at all a fan of traditional country music, this is well worth checking out. If it wasn’t for the genre having such a strong year again, this would certainly be higher up. We gave ita very solid 8.5/10, and it may have crept even higher than that since its release!
Listen to: Guitar, Splitsville, and Flip—Flop
90 – Pridian: Venetian Dark
The first debut album to make it onto our list this year, and it’s an awesome slab of modern metal from the Estonian four-piece. It’s the perfect blend of heavy, chuggy riffing, crushing drums and some awesome screams. Yet, it also still has moments of levity and cleanness throughout, the band clearly hugely talented to be able to put it all together! This thing came out all the way back in May and has spent the rest of the year pretty firmly in my rotation, blowing me away each time. It’s heavy, melodic and also rather menacing and gothic throughout, being an awesome combo! This is somehow one of the albums that we missed the week of its release, but it gets an incredibly deserving 9/10 now, and easily earned its spot on this list! Check it out if you are at all into melodic metal.
Listen to: Cyanide Dreams, Ruin, and Void Resonance
89 – Slaughter to Prevail: GRIZZLY
One of the most hyped albums of the year, at least in the deathcore scene, and to my shock it was a bit more of a grower on me than an immediate hit. Don’t get me wrong, it hits hard right from the first listen, but something about it didn’t hook me in immediately. Maybe it was because, much like my issues with Falling in Reverseor Electric Callboy in recent years, we’d heard a good chunk of the album before its release, and had sat with it for a while. So, while none of it is at all bad, it did feel ever so slightly underwhelming.
However, coming back to this album a couple of times since, I’ve definitely grown to appreciate it more! Alex is one of the best vocalists and frontmen in the game today, and the band behind him have crafted nearly an hour of crushingly heavy (but still fun) deathcore. If you are a fan of the heavier side of metal, I cannot recommend this enough. They deserve all the praise they get and the size they have climbed to, and this album very much cements them at the top of their style. As you could probably guess by this point, it got a 9/10 from us when it released, but it may be even slightly higher than that now!
Listen to: Russian Grizzly in America, Viking, and Lift That Shit
88 – Julia DiGrazia: All In
Another massive debut album, this time from a woman who’s already becoming a powerhouse in country. Having gotten her first big break on her and Evan Honer’s (more on him later) cover of Tyler Childers’ ‘Jersey Giant’ back in 2022, her rise has already been meteoric, and capped off perfectly by this collection. Whether it’s blues/southern tinged country rock, classic country or more of an Americana sound, it has a bit of everything across it’s just 30-minute runtime. Every track is as good as the last, and makes for such an incredibly easy listen. She’s already becoming a massive name in the scene, and it’s incredibly easy to hear why. If you haven’t already, give this a spin, you’ll surely love it as much as I do! It got a massive, and rightly deserved, 9.5/10 in our review, and if it wasn’t such a strong year, it would have gotten even higher on our list!
Listen to: Rollercoaster, Two Truths and a Liar, and Life’s Been Good Lately
87 – Kyle Gordon: Kyle Gordon is Wonderful
This was maybe the hardest album to place on this list. It nearly didn’t make it at all, as comedy music seems to be such a controversial topic these days. However, Kyle has crafted something truly special here, and it’s an enjoyable release with or without the fantastic comedy wit, so there was no way it wasn’t sneaking on here. I was already a fan of his, but the concept and creativity of this release really blew me away. 10 different genres from 10 different ‘artists’, detailing the most “Wonderfully Ridiculous Songs of All Time”. Whether it’s Europop, nu metal, indie or traditional country/bluegrass, Kyle is an INCREDIBLE songwriter, and does each style so well. I challenge you to check this out and try to tell me you don’t love it, I honestly think it’s impossible! It was another one I missed out on reviewing when it dropped, but I can’t give it any less than 9/10! I’ve spun it a lot in the last eight months since its release, and I don’t think I’ll be stopping any time soon!
Listen to: We Will Never Die, Crawl to Me, and My Husband’s Ghost
86 – Lorna Shore: I Feel the Everblack Festering Within Me
The other kings of modern deathcore very much do their own thing, and sound fantastic doing so! This thing is over an hour spread across just 10 songs, and is much symphonic/power metal as it is anything else. It’s epic, grandiose and wildly ambitious, and the band pull it off like only Lorna could. From the crazy heaviness of the blastbeats and breakdowns to Wills now iconic vocals, the band followed up on Pain Remains pretty perfectly! If you are into the band or genre at all and somehow haven’t checked this out already, do so as soon as you can! It won’t be for everyone, but I loved this, and the genre has very much grown on me over the last year or two thanks to bands like Lorna and Slaughter. It got a very easy 9/10 back in September, and it’s hard to argue against that after another few listens! It more than earns its spot on this list, and could have been higher if there weren’t so many excellent heavier albums alongside it!
Listen to: Prison of Flesh, In Darkness and Forevermore
85 – Dillon Carmichael: Keepin’ Country Alive
Four years after Dillon’s breakout success with Son of a, he returned in a major way with this album back in June. It’s Southern rock tinged modern country music, and a lot of fun across its 14 songs! It feels like it would have fit perfectly into the mainstream scene a decade ago, somehow combining the bro-country style of FGL with more of a Blackberry Smoke or TC3 flavour. Then again, he has plenty of Jon Pardi vibes to him too, it making sense that he supported him the other year. Yes, it’s a touch cringy and stereotypical when it comes to lyrics and theming at times, but that almost adds to the charm when it’s this good. From the powerful vocals to the catchy melodies and choruses to some awesome riffing and instrumentation throughout, it’s impossible not to fall in love with this! There really isn’t a bad track on the album, and three-quarters-of-an-hour really goes by in a flash. If you have even a passing interest in country music, this is a must to be checking out! It got a massive 9.5/10 from us, and you only have to listen to see why! It more than deserves this slot on our list!
Listen to: Raised Up Wrong, When She’s Drinkin’, and No Matter How Hard I Try
84 – Ghost Hounds: Almost Home
Perfectly combining old-school rock’n’roll, soul and country music, the fifth album from the Pennsylvanian natives has honestly been a little underrated this year. I’m not sure if it’s due to it being the first release since their change in vocalist, with Tre Nation personally scouting out SAVNT to replace him, but this is an incredible release that just hasn’t got the love I feel it should have. There are some genuinely excellent blues rock tracks, be it boot-stompin’ or more slower, emotional ballads. However, to address the elephant in the room, it’s not quite as high as I expected it to be because it does drop off a fair bit by the end. The first half of it is excellent, but the second half is maybe one too many slower tracks in a row. Still, just think how good those opening six songs are that it makes it this high on our list! And still, the latter tracks aren’t bad, I just wish the album was a little better arranged! If you are into blues or southern rock, or more of a slower country style, this is well worth checking out. It was another easy 9/10 from us, and well worth its spot here!
Listen to: She Runs Hot, Past the Point of Rescue, and You’ll Never Find Me
83 – Phear: Save Our Souls
This powerful explosion of melodic metal is somehow the third album from the Canadian band, and they have a big new fan in me this year because of it! It’s the perfect mix of heavy riffing and drumming and catchy, melodic leads and vocals. It vaguely reminds me of Fozzy back when they were good, around Sin and Bones. I was a little late to this, not checking it out until the start of summer, but it blew me away and I have since gone back to check out both their other releases. That’s how good this is, and it’s honestly their best release to date. The band are so talented, both as songwriters and players, and they have crafted something brilliant here. We don’t get enough of this sort of sound any more, though it is making a comeback in the last couple of years, and these guys are continuing it on perfectly! If you are at all into a more melodic side of metal, think Metallica meets Alter Bridge, I cannot recommend this enough. It’s another easy 9/10 from us, and I already can’t wait to hear where they go from here. Hopefully it’s not another five years, next time!
Listen to: Aftershock, Narcosynthesis, and Bleed
82 – Jonah Kagen: Sunflowers and Leather
Another entry into the ‘emotional indie-Americana’ category for this list already! This whole thing is bittersweetly beautiful from start to finish, the perfect blend of Zach Bryan and Evan Honer. And somehow and nearly an hour and 16-tracks long, it still goes by in a flash and is an incredibly easy listen! The lyrics throughout are a massive highlight, but the instrumentation fits them all so very perfectly. I’d somehow never heard of him before this release, but he’s another that’s won me over massively and has a big new fan in me because of his 2025 release! And, anyone who is into any of the sounds that I’ve mentioned previously, check this release out ASAP. There are still a couple better releases in this style, in my opinion, but it still more than deserves this spot on the list, and got an easy 9/10 back in September!
Listen to: Sunflowers and Leather, Black Lung, and The Reaper
81 – Mark Morton: Without the Pain
This was not the album I expected from the Lamb of God guitarist this year. His last solo album back in 2019 was a groove metal romp featuring some of the biggest names in hard rock and metal. Switching gears, his second solo release does the same but with country, and honestly it’s just as good! From Jaren Johnston to Matt James, Cody Jinks to Charlie Starr, there are some massif names attached to this, and all do a great job of bringing Mark’s tracks to life, vocally. It’s an incredibly fun album that is definitely heavy on the rock and southern elements, but still is distinctively country. Mark could certainly have a career in the genre if he ever chose to leave LoG, not that I ever hope he does! I’m pretty sure it appeals to both country fans and those into a more heavier sound, so just about everyone reading this should check it out! Despite talking to Matt James about it when I played with him, I still missed this release when it dropped. However, it’s one of the easiest 9/10’a I’ve ever given, and a fitting end to part one of our list!
Listen to: Hell & Back, Without the Pain, and Dust
