Tag Archives: blues

Simon McBride: This is my evolution

Photo courtesy of Franz Schepers.

After the success of Hard Rock Hell’s ABC Weekender, Simon McBride is back with an explosive 13 date tour of his own in 2022 covering the UK and Ireland and a brand new album released on the 11th March.

Simon McBride tour

The northern Ireland guitarist has played for Ian Gillan from Deep Purple and played guitarist/co-wrote on Don Airey’s albums as well as toured with Joe Satriani, Jeff Beck, Joe Bonamassa and Grammy nominee Derek Trucks.

Simon enthuses about the tour, “I can’t wait! After such a long time off, I’m ready and all fired up to perform again doing the one thing I love. It’s going to be great to be back on the road again with two great musicians and my good friends, Dave Marks and Marty McCloskey…these two are an unstoppable force of nature when it comes to delivering a show. Get ready for the fireworks!”

What inspired your latest single, ‘The Fighter’? Was it inspired by the pandemic at all?

“To be honest that song was written before the pandemic. That song is really about having a goal in life and never giving up till you get there. Never stop fighting, keep believing in what it is you want to do in life and never give up and that’s really what it is. 

“It’s kind of like a little inside to my whole life. I never stopped fighting and never stopped searching for that ultimate end, whatever that is. I suppose from my point of view it’s just being in the music industry and keep getting more and more successful. That’s my goal. I say to people that I’ve been in this industry for say what, 30 years or a bit less? I was only a kid when I started, I was like 13. And I only signed to a major record label 4 years ago you know after 26, 27 years. It took me 26, 27 years to get there. Some people give up after 5. You’ve got to keep fighting for what you believe in and what you want to do you know. From my point of view, I’m just thinking that this is what I do and I don’t know how to do anything else. It doesn’t matter what I have to do, I’ll do it. So that’s primarily what it’s about. 

“I understand people are writing songs about the pandemic and stuff but I didn’t really want to do that. Not to belittle anybody else, but I always found that a little bit cheesy. There’s a lot more to life than talking about covid. It’s a bad memory and for a lot of people it’s something they’ll want to forget. Hopefully we’re on the right track to getting there.”

‘The Fighter’ has a slightly heavier sound compared to your previous singles and album – leaning more towards hard rock riffs than bluesy rock. Is that something you’re building on with your upcoming album?

“I’m at the age in my life and stage in my career where I just say to myself I’m going to play what I want to play and that’s it. Years ago when I first started with the guitar scene in England, the blues rock scene was the scene to be on because of the likes of Bonomassa. I don’t class myself as a blues artist or a blues rock artist. I’m an 80s child so I grew up in the 80’s hard rock, hair metal and all that stuff so that’s me through and through. That’s what I still listen to. The likes of ‘The Fighter’ they are a lot more hard rock than anything. I’m just playing what I want to play. 

“There always will be an element of blues no matter what you play in a rock sense because rock basically comes from blues anyway. You think early Led Zeppelin, they’re just basically you know alterations of old blues guitar riffs. Everything evolves into something so this is my evolution. I do like playing other stuff but rock, hard rock is probably my home. And plus everybody else that I’ve played with, Ian Gillan or Snakecharmer, it’s all hard rock. 

“People put people in categories of blues rock or rock blues. I did see that once, blues rock and rock blues, and I thought, ‘what’s the difference?’ I like the days when it was just rock, pop, classical, jazz, blues. Done! People put a title around me and I think that’s fine, whatever! People can listen to my music and make their own determination on what it is to them. Hard rock is what I do and probably what I know the best.”

Simon McBride

The last album you released was in 2012. After a gap, you released a string of singles in 2019 and 2020, followed by this upcoming album. What happened during your time away and why have you decided to release an album now?

“The funny thing is, people think that I haven’t been around because I haven’t been releasing my own stuff which is kind of true but there’s been a lot of things happening. I’ve done three albums with Ian Gillan, I’ve done three albums with Don Airey, one album with Snakechamer – so seven albums, I have done stuff! It’s just not Simon McBride at the front. I had a family and kids. I’ve been busy doing stuff. 

“This album was ready to go three years ago, so I wrote these songs four or five years ago, but then covid hit so we had to pull the reins. We had a chat about it and I talked about the idea of releasing it over lockdown and basically they said ‘you might as well drive down the road and throw it out the window.’ The only way to promote an album these days is to tour and if the tour’s not there then what’s the point. There’s a lot of people worse off than me within the music industry. I’ve been fortunate enough, I have my own line which keeps me busy so I do that a lot of the time and now with touring coming back hopefully things will be busier than ever.”

Are there any venues you’re looking forward to playing again on your tour this March are are they all new venues for you?

“I think I’ve played maybe one or two of the venues before. There’s not really one jumping out at me thinking ‘I can’t wait to play at that place’ because I’ve no clue what they’re going to be like so it’s always a new experience. I think over the years because I haven’t really done a UK tour in three years, I think some of the venues have fell by the wayside a little bit during the pandemic and stuff like that. But I like trying new places and new venues. I’m excited to play them all.”

You can see Simon McBride on his UK and Ireland 2022 tour this February and March.

Fabrizio Grossi: ‘Hopefully next year it gets really busy for both bands!’

Fabrizio Grossi has been a part of the rock and blues music scene for well over two decades now, through his solo projects and bands like Starbreaker and Supersonic Blues Machine to even working with the likes of Steve Vai and Chad Smith, both playing and producing. Earlier this year he released the debut album for his latest solo venture, Soul Garage Experience. We managed to sit down and speak to him after this release about how the album went and his plans on touring with it! Give it a read or check out the video down at the bottom!

You put out the debut album of Soul Garage Experience in September; it seems to have gone down pretty well?

So far so good! We’re getting a lot of very good reviews and it seems to be working quite well on the radio so let’s see what happens! Just keeping my fingers crossed!

Did you write or record any of it during the lockdowns and COVID and all that kind of thing?

Well yeah, the whole thing started earlier, some of the songs are ones I’ve been collecting over the last 10, 12 years or so. I’ve collected enough material to do a couple of different records, that’s why it’s volume one! But some songs were started and really finished… because I always wanted to do a record like this but always ended up with an excuse to not do it, something else always came around. In addition there were a bunch of songs that I was preparing for the next Supersonic Blues Machine record that, after all the demos and the writing was done, I didn’t think it was appropriate for Blues Machine as it was starting to sound more like me and all my funk stuff more than Machine. Especially now with Kris Barras in it. So I decided to pull these tracks aside, which was a good thing as we were able to finish the Machine record and we’re now really happy with what we’ve got for that, it’s consistent.

So, I ended up with this bunch of songs and then in addition I ended up writing a couple of things during the pandemic. My idea was I already had a band that I was playing around town with a bunch of different friends, Stephen Perkins (Jane’s Addiction) on drums and Alex on guitar as well as a couple of other cats. We always kind of ended up in the jam nights or doing private events or whatever and we’re having good fun! So my idea was to put all these things together and then either use Garrett Holbrook as the singer or some other friends to be the singer. Some of these last tracks that I wrote during COVID I did what I always do and lay down some vocals and a bunch of idea. I’ve never really seen myself as a singer, I never really pursue it, but more just to document the song. But then I end up playing it for friends and family, Billy Gibbons (ZZ Top) and my wife both said “well, why don’t you sing?” And I’m saying “well, I put this thing down waiting for the real singers!” But everyone was saying that I delivered the message so what else did I want to do and so after listening under that new light from the Reverend I figured he might be right! So I ended up re-singing a couple of the tracks better and all of that and the feedback that I got was really good so it’s one less thing to worry about!

Everyone in the band is a singer though, so we all decided that in putting this thing together we wanted it almost like a variety show in that everyone is going to have their own time. Like Kiss or ELO or Fleetwood Mac, that kind of vibe where a lot of people sing. Everyone is going to have their own songs, which is just going to make it fun and we can always move things around!

We put out a single about nine/ten months ago to start seeing what the feedback was and the first feedback I got was really good. It was followed up by another single before I got wrapped up in another project, a short film tribute to a friend of mine who was one of the first COVID victims (find it here). Then I got back into it and we decided to release it now and hopefully we can get a few shows in this year and at the start of the next before all the madness with Supersonic kicks off again.

Is there lyrically a theme through the album or is it more on a song to song basis?

I wouldn’t exactly call it a concept in terms of like, The Wall. But there is a concept thread throughout all the songs. Sure, you might find the funny one or one that sounds happy, but if you listen to what the lyrics are and what they are talking about, I think they’re what connect all the songs.

For anyone who’s familiar with what I do with Supersonic, it’s very hippy, 70s; that kind of mentality with the lyrics. More Bob Marley, John Lennon type. Everyone in the band agrees with those messages and we have the same view about the world. But there are multiple people in the project and not everyone has the same thoughts on how they want to deliver that message, and you always have to be respectful of that. I cannot just start talking the way I want to talk if someone else doesn’t like to use my specific choice of words.

Here, it’s different. I don’t have to ask permission of anybody. I have a lot of friends and a bunch of people helping and singing and all of it, but they’ve decided to help me this time deliver my message the way I want to deliver it. So, I would say this is my unfiltered version of myself and it’s closer to early Little Stephens or Tom Morello or even Bob Marley or Peter Tosh. I don’t want to claim because of the guys I work with that I’m a blues man, I don’t have that background and cannot claim it, I was born in Millan and was raised the majority in Europe before coming to the US at a young age. I always loved funk and soul and reggae but eventually hard rock took over. But I would say what I bring is a combination of all of those styles. But yeah, it’s insane that after 50/60 years that these sorts of lyrics are still relevant!

I assume you produce your own albums too then? You don’t bring someone else in?

I guess that’s one of the perks of doing it for so long. It’s not that I do not like other producers or anything like that, but ever since I started playing back in Italy I always had a pile of records to show to the house engineer where we wanted to go, sound-wise. Those guys were probably great at doing what they were usually doing, that kind of Mediterranean pop sound, but when it came down to rock’n’roll, no fricking clue! So I had to start to get my hands dirty on it and had to learn a few things so I developed that passion for producing. I think I’m a good mixer and I like what I do with the productions of course, and I can definitely record several instruments. That helped me do what I needed to do and it became part of my package, it comes along with me. I can’t think of letting someone else change my song, I’m not that kind of songwriter, that I’m preparing stuff to give to other people. It just comes natural.

To be honest with you I wanted to do this record independently too, not with a record company. I had opportunities but I was tired, more because of COVID than necessarily the labels themselves, to take a number to fit someone else’s schedule. I had a good team around me so I decided to go out now instead of in a year, year and a half, because that’s what would have happened.

Are you planning a wider tour for the album, then?

We’ve been working behind the scenes on both projects; with Supersonic we’re up to rescheduling our tour for the fourth time in the last year and a half! And also I’m just trying to find a new pathway for Soul Garage. I don’t know how much we’ll be able to do this year because we’re almost at the end, but hopefully next year it gets really busy for both bands! Probably Soul Garage more in the early parts of the year and then Supersonic heading into the summer.

And there we have it, our interview with Fab! Make sure to check out both Soul Garage and Supersonic if you are in any way into rock or blues or funk music and keep an eye out for them touring, they will not be ones to miss!

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