The collaboration between the Scottish folk-pop icon and the Glaswegian alt-pop brothers has already proved rather fruitful before, with the massive 2024 single ‘Home’. Both have enjoyed huge success before and after that, but have since come together again not just for another single, but a whole album. Their styles mesh so well as seen by the singles released so far, and I cannot wait to hear if they keep that same vibe and quality up through a full-length release! Strap yourselves in guys and girls, this is gonna be a fun one!
The albums namesake opens things up; a simple acoustic guitar and catchy vocal line setting the pace perfectly. The rest of the instrumentation builds in amazingly, the bass drum and some slide guitar and subtle strings coming in more and more through the verse. It all then explodes fantastically into the chorus, the harmonies making it sound MASSIVE and somehow making it even more catchy than it already would have been! It gives off vibes of everything from Mumford & Sons to Dan Davidson to James Bay, that big Americana/folk-country sound that blew up a decade or so ago and has been going strong since. It’s a simple track but an absolutely phenomenal way to open the track and introduce people to the trio’s sound! Absolutely a highlight this early on!
‘Arabella’ leans even more into the band’s folk stylings, and the Scottish really shines through here immediately. The slower opening leads into a faster, infectiously catchy chorus, and the bouncy, up-tempo folk keeps up throughout. It’s a surprisingly short song at just 2:17, but packs such a punch regardless, and feels like the perfect length for the music crafted. It’s the perfect blend of old, traditional folk and a modern pop leaning, and it makes for such a fun listen. Another amazing song!
‘Milarrochy Bay’ has more of that pop-folk sound to it, almost giving off slight Ed Sheeran vibes. However, those perfect vocal harmonies in the choruses are inherently country, giving off big vibes of Parmalee or Restless Road. It’s a huge, arena-filling chorus, and one that’ll be stuck in my head for days to come. It’s another big highlight track, and one that easily makes it onto our playlist!
Things slow down a bit with ‘Happy Place’ rather needed to break down the album a little, keeping it interesting. It feels more like an anthem, more ballad-like, yet is still catchy and a lot of fun. The lyrics here are also incredible. It’s also the first track to hit the three minute mark so far, it definitely feeling like a great radio-hit. It’s just a damn good, well written song that feels impossible not to love given how many bases it hits. Another one off this release that is a must-check-out!
‘Islay’ keeps the slower pace, kinda giving me ‘Iris’ vibes, if it was more folk and more Scottish. It gives off a similar vibe to the previous song, but also reminds me a little bit of The Pogues, for some reason!
Tracks like ‘The Tide’, ‘Blood and Bone’ and ‘All Roads’ have a similar slower pace and vibe, even if the former does have the trios rather typical faster chorus. None are bad tracks at all, and are spread pretty perfectly through the album that it breaks up the pace well. However, if I didn’t lump at least a few together here somewhere, I’d repeat myself a bunch and look like a crazy-obsessed fangirl! So yeah, check these tracks out if you like some slower folk!
Of course they’ve done their own version of ‘Cotton Eye Joe’. And, of course, it kinda slaps! A slower, more folk take on the classic bluegrass track is a genius idea, and has also finally taught me the words! It fits the collaborations’ style perfectly, but also still carries the same energy as the original. It’s a song I love anyway, and this is a great take on it which is a lot of fun, and definitely worth a listen!
‘The Wedding’ has a great bounce to it, being a short but sweet track based around the (maybe slightly overused these days) Arabian Riff. Make no mistake though, this is still a great, fun song! Meanwhile ‘Drinking Song’ is so very traditional folk in the best possible ways. I love that sort of style with a modern product on it, it feeling massive alongside being written amazingly. It’s another big highlight, and another one that easily makes it onto our Spotify.
The closing track is another short, simple folky track, and draws the elements of the album together perfectly. It’s chilled-out, acoustic and light-hearted, and incredibly catchy thanks to those vocal harmonies. At barely two minutes, it’s rather indicative of the album as a whole, and all the instrumental build is so good. Definitely a pretty grandiose way to close things out!
Overall: This is a really awesome collaboration and release from start to finish! Every song is amazing in its own right, while it all flows together pretty perfectly, making for a really easy, chilled-out listen. And, as I’ve said already, the trio work so damn well together, to the point where if I didn’t know any better, I’d assume they’d always been a full band. If you are at a fan of either artist, or just a folk/Americana fan in general, this is well worth checking out. It’s not normally my sort of style, but I found myself loving it from start to finish, and will definitely be spinning it again in the weeks and months to come!
The first big week of New Music Mondays of the year, join us as we check out some of the awesomest album and EP releases in rock, metal and country!
Alter Bridge: Self-Titled
Following a return to form with 2022’s Pawns & Kings, the band very much continue in that same vein with album number eight. I’ve seen a lot of love from other outlets for this, and while it took a little getting going for me, after a couple of listens I can see why! The first couple of tracks, while perfectly good, didn’t hook me in much. However, the one-two punch of ‘Power Down’ and ‘Trust in Me’ were excellent, and harkened back to the bands early couple of albums in the best ways. From then on out, I was hooked! From Tremoni once again being a riff machine to Myles’ effortlessly incredible vocals to both rhythm guys working their asses off, it’s classic AB at its finest. Songs like the now-obligatory Tremonti one, ‘Tested and Able’, beautiful ballad ‘Hang By a Thread’ and single ‘Playing Aces’ are all massive other highlights. However, after a couple of listens there really isn’t a bad track on the album; it’s an hour of excellent hard rock music that only Alter Bridge can do!
While I don’t think it has the strongest individual tracks from their careers, as an album as a whole it’s incredibly solid, and one I will definitely be revisiting time and time again. Plus, I do think the singles will grow on me even more if/when I see them live. If you are a fan of the band or hard rock in general, this is an absolute must. 9/10
Zach Bryan: With Heaven on Top
Firstly, kudos to Bryan for still releasing ‘Bad News’ after the backlash from half of his fanbase and everything that’s gone on over the last week. The cajones it must have taken is commendable, and it’s stuff that definitely needs to be talked about still!
As for the album itself, I think it’s impossible for me not to love Zach’s music. This was on my most anticipated albums of the yearlist for a reason, and it certainly lives up to a lot of that hype. There are some absolutely fantastic songs on this release. ‘Appetite’, ‘Say Why’, ‘Dry Deserts’, and ‘Always Willin’’ are up there with any of his best tracks, in this writers humble opinion. They are by far the only good tracks here, too. His lyrics are incredible; he’s one of the best storytellers in the game today. The emotion he conveys in his work is truly incredible. And the addition of the strings and brass add so much to the sound, making everything so epic and impactful and somehow adding even more to the emotion.
However, this is a LONG album. The guy never leans and, though this isn’t still as egregious as American Heartbreak, being his second longest album at 78 minutes is still insane. And, there is definitely some slower stuff in here that sounds more like filler. The last four songs are average, and some of the stuff after ‘Bad News’ didn’t do much for me, either. There is an absolutely perfect Country-Americana album in here, just like his last three, but it is bloated and needs some of the fat trimming.
It is unmistakably a fantastic album, don’t get me wrong. While stick not quite as good as his self-titled effort, it’s every bit as great as Great American Bar Scene. There’s a reason he is one of the biggest artists in the world, and his work really does speak for itself over and over again. I just wish he’d let go of a couple of songs so we got a more concise release. So, though I do have critiques on this album, I will still be spinning a lot of it for the rest of the year, and would recommend it to anyone even slightly interested. I can’t give it any less than an incredibly solid 9.5/10
OCT: On Company Time
It’s finally here. I’ve been obsessed with this band for a solid year plus at this point. Every single has been excellent. So to finally have a full album release from this is so damn exciting.
What’s even more exciting is that it’s fucking awesome! And yes, we’ve heard a lot of the songs off it already across the last couple of years, but the new ones are just as good, honestly. ‘Pop! Pop!’ is glorious, pop nonsense, ‘Meat n’ Cheese’ has been teased so much I’m already obsessed, while both ‘Bathhouse Homies’ and ‘Tall Warm Glass of Milk’ are excellent, as expected. Every song is amazing, and this is such a fun 34-minute listen. While the comedy is flawless, they are absolutely phenomenal musicians, vocalists and songwriters on top of that, crafting something truly special with this album. It’s 80s cheese-pop but with some of the catchiest choruses and harmonies that I’m sure I’ll be hearing all year. I am already addicted to this album, and am sure I’ll be spinning it plenty for months to come. If you are in any way curious, I cannot recommend it enough! I’m both shocked and not at all shocked, but this solidly gets the first 10/10 from us of 2026!
UUHAI: Human Herds
We’ve already checked out this awesome album! Read our full review here!
Beyond the Black: Break the Silence
The German symphonic metallers returned with their sixth studio album last Friday. If you know the band or the genre, you’ll know exactly what to expect here. I’ve been a fan of them since 2018’s Heart of a Hurricane, and I loved their self-titled release a couple of years back. While I don’t think this is quite as good as both of those releases, it is still a damn solid metal album. From the opener to the typically-incredible ballad ‘Ravens’ to the LOVEBITES-featuring ‘Can You Hear Me’, there are some amazing tracks on here. Heck, there isn’t a bad song throughout. However, for whatever reason, the album as a whole didn’t catch me the way I expected/hoped it would. Maybe it felt a touch safe? They are as big as they have ever been so are clearly doing something right, and it wasn’t like this wasn’t enjoyable. It’s a damn solid symphonic metal album, and I liked the more electronic elements added into their sound recently, but I wouldn’t quite put it up there with the two previously mentioned albums. For that, it gets a still-solid 8/10 from us!
Coleman Jennings: Ride On
An awesome sophomore EP from the old-school country artist. From the lyrics to the emotion-filled vocal delivery, it was very quick and easy for me to get hooked. The title track opens things up perfectly, while ‘Marinaville’ is another bop. At just 17-minutes long, it is short and sweet and none of it is bad. It’s not going to be for everyone, but I really enjoyed it, and would recommend it to anyone even slightly into an older-school country sound. I’d love to hear a longer form release from Coleman, but the fact that he’s getting this big already says it all! 7.5/10
Nanowar of Steel: The Genghis Khan EP to End All Genghis Khan EPs
We’ve also checked out this amazing EP! Review here.
Bullet: Kickstarter
The seventh album from the hard/sleaze rockers is a lot of fun, and a great thing to turn on and just rock out to. It’s very AC/DC and the genre of bands that spawned from being heavily inspired by them, so if you’re into that you’ll love this, too! From the title track to ‘Open Fire’, ‘Avenger’ to ‘Strike At Night’, it’s all damn good. It’s 40 minutes of balls-to-the-wall rock that knows exactly what it is. It certainly doesn’t reinvent the wheel, but as far as bands like this go, these are up there with some of the front runners with albums like this. I wouldn’t revisit it a lot, but I certainly wouldn’t turn it off if it came on again; it’s an incredibly easy listen. I’m sure a lot will love this, and while I still had a good time, I feel like a 7/10 is pretty fitting!
Krushor: Taste of Hatred
The debut EP from the thrash-death metallers is 13-minutes of sheer aggression, and I fucking love it! Four amazing tracks packed full of amazing riffing, drumming and harsh vocals, what’s not to love? All four tracks are as good as each other, and for a debut release it shows that the sky is very much the limit for the Finnish quintet. The band are all incredibly talented, and all have a time to shine throughout. If you are at all into the heavier side of metal, I cannot recommend this release enough! It gets a very solid 8/10 from me!
Orchid Throne: Buried in Black
This is an absolutely awesome prog-metal release! It incorporates everything from doom to death to alt to folk, and does it all masterfully. It’s hard to even find a band to compare it to; maybe all the eras of Opeth rolled into one, but even tat doesn’t quite do it justice. It’s dark and epic and everyone works their asses off throughout, all being at the top of their craft. Heck, I’d have been happy to have just taken the epic opener ‘Dreamworld’, but we still got six excellent tracks after that too! My only slight issue would be the mix, it didn’t sound quite as big as it could have, but it’s a minor gripe and may be as much of an issue with my speakers than the album itself. It’s another release that won’t be for everyone, but it grew on me the more and more I listened, and for another debut album it’s really something special. A very easy 8.5/10, definitely a band to keep an eye on!
Part two of our list, and things are already starting to heat up! I thought I’d take this quick time to highlight some honourable mentions, as there were so many albums that sadly didn’t quite make the cut that are well worth checking out: Badflower. Dropkick Murphys. Russel Dickerson. Bleed From Within. Cam. Ron Pope. Heaven Shall Burn. William Prince. Jordan Davis. And, knock her all you like, but the new Sabrina Carpenter album slaps!
80 – Star Circus: From the Wreckage
We kick off part two of this years list with a long-anticipated sophomore album, and one hell of a sleazy, AOR/hard rock release! I’ve been a fan of the band for a few years now, and was pretty hyped when this was announced and we got sent it, and for anyone who’s read our review, I was certainly not disappointed! Nearly 50-minutes of awesome riffing and instrumentation, and packed full of choruses big enough to fill stadiums! Feeling like a modern version of Glenn Hughes or Night Ranger, it’s a lot of fun, and an incredibly easily listen that I’d recommend any rock fan check out! If/when you do, you’ll easily hear why we gave it a whopping 9.5/10, and why it easily made it onto our list!
Listen to: Chained to You, One Hit Wonder, and Last Dance
79 – Paradise Lost: Ascension
The godfathers of death-doom returned this last September with their first new studio stuff in half a decade, and proved that they are still one of the best in their genre. This is an hour of moody, gothic heaviness, and I love every bit of it. The riffs are the main highlight, as expected in this music, but some of the vocal lines are surprisingly catchy too, even when screamed! And the whole thing is just epic, flowing perfectly one track into the next. It’s certainly not for everyone, and is no small undertaking, but if you are at all into doom music, this is very much the album for you! It was, you guessed it, another massive 9/10from us when it dropped, and a few listens later it still very easily sits at that. A welcome, easy addition to this spot on the list!
Listen to: Tyrents Serenade, Salvation, and Sirens
78 – Rival Pack: BURN
As I’ve said before, 2025 was the year of the hardcore return, and few did it better this year than this Netherlands-based collective. Frankly, the fact that they sit on barely 100 monthly listeners at this point is nothing short of criminal! This isn’t even half an hour of absolute aggression and fury that would put plenty of other artists to shame. It’s a great way to get out some anger, as it makes me just want to throw people around a pit, and at the same time is a great fun listen. It’s a typical sound for the genre and doesn’t do a lot out of the ordinary, but what it does do, it does to perfection. I’ve spun this a lot since June and haven’t yet gotten bored of it, sure to keep spinning it plenty in the new year, too! From the riffing to the screams to the breakdowns, it’s all so good. Somehow it was one we hadn’t checked out for NMM, but give this a listen and try to tell me it is anything less than a 9/10! An amazing heavy album, and well worth its placement on here. On a weaker year, it could have gotten far higher!
Listen to: Closing In, Killer in the Pool, and Don’t Waste My Time
77 – Luna Marble: Self-Titled
The debut album from the bluesy hard rockers only came out last month, but has quickly established itself as a force in this list! This is a powerhouse of 70s riffs and psychedelia from start to finish, as well as being packed full of some awesome, arena-filling choruses to boot! It’s honestly refreshing to hear a band inspired by Led Zeppelin but not sound like a clone of them. It’s a more modern sound, reminding me a lot more of something like Brave Rival. These guys have truly mastered their craft and sound already, insanely impressive for a band so young and not having been going all that long. Everyone is exceptionally talented; from the riffing to the drumming, synth to the actually-focused-on bass to the soaring, powerful vocals it’s all incredible. I’ve fallen in love with the band since this early November release, and if you are at all into more of a classic rock style it is an absolute must-listen! It’s very easy to hear why it got a massive 9/10 from me, and it more than earned its slot here!
Listen to: All of my Love, So Long, and Redemption
76 – The War & Treaty: Plus One
Firstly, I don’t remember this album being this damn LONG. As much as I love the band, 66 minutes is a lot to sit through, and I think it’s a big reason as to why I’ve stuck to the tracks I like and very rarely revisited the release as a whole. It’s most likely the reason that it’s a touch lower than their previous release was on these lists. The highs are in the sky, but there is a fair bit of needless filler too, in this writers opinion, which stopped it from being quite as excellent an album as Lover’s Game. However, it’s still a damn good album, and produced some of my favourite country-adjacent tracks of the year. The duo lean even harder into their Southern Soul style than ever, putting out a truly unique release different to anything else on this list. And, honestly, it’s the more country/Americana stuff that I find myself going back to the least. They have really found their niche and bounce off of each other somehow better than ever, crafting something honestly special here, despite the length. It’s crazy to look back on our review of it and see my opinion has changed a bit on the slower stuff. Honestly, I’d stick with the 9.5/10 over top marks. However it’s still awesome, and very deserving of a slot of this list, that’s for sure! Check this out, especially the opening half!
Listen to: Call You By Your Name, Stealing a Kiss, and Love is on Fire
75 – Feuerschwanz: Knightclub
Power metal ‘Gangnam Style’… do I need to say anything else?! The band put the fun in power metal like few other bands can, and it makes this a fantastic listen! Don’t get me wrong, they can also get serious and ‘proper power metally’ when they want to, but the slightly more light-hearted nature is a lot of fun, and has kept me coming back to a lot of this album again and again. And even though the release may appear front-loaded (aside the massive closer), there are some truly incredible folk metal songs throughout, and I couldn’t name you a bad song. I have fully gotten on-board the power metal train the last couple of years or so, and this is honestly one of my favourite releases in the genre since then! It is a resounding YES in answer to the question posed in my review, and I fully stand by the 9/10 I gave it back then. It more than deserves this slot on the list, and would have gotten higher if it weren’t for a couple other power metal albums further on…
Listen to: Knightclub, Valhalla, and Sam the Brave
74 – Carter Faith: Cherry Valley
Another debut album, this one for a sure-fire future country megastar. Her Dolly-esque vocals and her fantastic lyric/songwriting are a winning combination, that’s for sure! Her quick wit lyrically is second to very few currently. She definitely adds some modernness to the neo-traditional sound though, and even some epicness with songs like the opener. It’s simple and rather chilled-out as a whole, but packed full of both fun and emotion. And, even at its pretty stacked length, it’s full of amazing songs and it an incredibly easy listen. A lot of it came out as singles beforehand, but despite being a marketing/income tactic, it’s also easy to see why, as there are so many standouts. It gives off Sabrina Carpenter vibes at times, and I mean that as the uttermost of compliments! It’s very easy to hear why I gave this a 9/10, and it’s stayed firmly in my rotation since the start of October when it was released. If you are at all into country music check this out, especially given how MASSIVE a name she’s going to be sooner rather than later. Heck, ‘If I Had Never Lost my Mind…’ still gives me goosebumps now, that alone should encourage you to listen!
Listen to: Sex, Drugs, & Country Music, Grudge, and Burn my Memory
73 – Old Dominion: Barbara
Just two years after their amazing Memory Lane, the country megastars returned with yet another barn-burner! It’s a really interesting release for me, too. When it first released, I was adamantit wasn’t up there with their last album. However, the more I listen to it, the more I find myself enjoying almost every song a lot. While the singles aren’t as massive and memorable, it’s a shorter, more concise album, with less filler and far more killer than Memory Lane. It’s a chilled-out country album that feels like it leans more into their influences than trying to score another radio hit. The band really cut loose and wrote what they wanted to, and it results in a beautiful album that is packed full of heart and emotion. It combines a more traditional country/soul sound with their more modern elements, so if that sounds at all like something you’d be interested in, I can’t recommend this enough! It’s another one that definitely gets bumped up, as I only gave it 8/10 in our review, while it’s another easy 9 now, if not higher!
Listen to: Making Good Time, Man or the Song, and Talk Country
72 – Fit for a King: Lonely God
The Texan metalcore collective returned back in August with their eighth album, and it’s an epic, varied release! Whether it’s the more modern BMTH-inspired arena metalcore, or the brutally heavy riffing and breakdowns that brought them to the dance, or even a couple of slower ballads, this thing is packed full of a bit of everything from the genre! And the band do it all so well! From crushing breakdowns to epic soundscapes, I’m obsessed with all of it. I do typcially prefer the heavier tracks, but something about this band and this album had me loving every song. They’re perfectly spread out through the album too, the moments of levity incredibly offsetting the brutal times. I loved The Hell We Create, but this is up there alongside it, for sure! If you are at all into modern metalcore, this is certainly an album for you. A very solid 9/10 from us easily landed it it’s spot on our list!
Listen to: Extinction, Monolith, and Blue Venom
71 – Eld Varg: Destroyer
The Scottish melodic hard rock/metallers returned with a vengeance with this album last month. The riff-masters clearly borrow from plenty of old-school metal influences, but still somehow sound modern, maybe due to the album’s excellent production! I gushed over this album plenty in my review, but it is so very deserved. It genre-blends in all the best way, and really has a little something for everyone even slightly into metal. 41-minutes of epicness; from power and folk metal to more thrash to melodic hard rock at times. And, as said before, the whole thing goes by in a flash, and is well worth listening to in one sitting! The band are all so incredibly talented at playing and writing, and I can foresee this pushing them up a few notches in the scene by this time next year. It very much deserves its place on our list!
Listen to: Achamán, The Hell of Mirrors, and Crestfallen
70 – HARDY: Country! Country!
Album number four from one of Nashville’s biggest modern songwriters certainly washed out some of the bad taste in the mouth that Quit!! left behind. Leaning more into the country-hard rock fusion that made mockingbird so successful was definitely a step in the right direction, and lead to an album I have revisited a fair bit the last three months. Is it as good as mockingbird? Given that it’s here on this list and not at number 2, no. But hell, it made the list this year, and above a lot of other country albums, so that should say a lot!
Despite being long and certainly having some filler without a cool concept to explain it away, there are still some excellent country tracks across a lot of this, and it’s very much a return to form for THE CROW. There is far more great than not too, with most of this ending up on my personal playlist by now! There’s a lot of fun, but there’s also plenty of emotion shown at times, HARDY’s vocals and talent handling both styles masterfully. The length has most probably dropped it a few places on this list, don’t get me wrong, but it’s a surprisingly easy listen for over an hour. In fact, it may be the longest album on the list this year, which is an achievement in of itself, I guess! I gave it an 8.5/10back in September, but as predicted in that review, this has grown on me more since! It’s a solid, easy 9/10 now, and very easily makes it this high on the list. Hopefully he rearranges his UK tour next year, as I’d love to hear some of this live!
Listen to: Country Country, Girl With a Gun, and Y’all Need Jesus
69 – Solence: ANGELS CALLING
After sitting with this album for a couple of months now, I’ve finally gotten on-board with serious Solence, and I really love this release! This thing is an incredible pop/alt-metal album packed to the brim with amazing, catchy-as-anything tracks. Honestly, every track is as good as the last, and the album has such a fantastic flow to it, 27-minutes going by in a flash. It has hints of early 2000s US radio-rock, but with a distinctly modern European twist on top of that, especially with the Callboy-like electronic elements and screams. Oh, and then we just get some insanely technical solos thrown in for good measure too; this album really having a bit of everything!
I’ve had most of this album stuck in my head at various points over the last two plus months, and it has grown on me more and more. They fully deserve the fast rise they are having, and I can really see 2026 being their year with the sheer amount of touring they have planned! We gave it 8.5/10when it released, but it’s definitely higher than that for me now. A good album that’s grown on me even more with subsequent listens, it more than deserves to be rocking this list!
Listen to: Monsters in my Head, Where Were You..?, and All of the Pain Must Go
68 – Locash: Bet the Farm
The first album from the country duo in six years was more than worth the wait! This is a masterclass in bro-ish country, and is a release I’ve been jamming a lot from April all the way to now. It’s a lot of fun throughout, but also packed full of emotion, as well as some stadium-sized choruses and harmonies from the pair. And from the more Southern rock infused to the country ballads, they do it all perfectly. It’s a sound that’s definitely taken a step back in recent years but I’m so glad hasn’t died off completely. If you are into country at all, I’d definitely recommend giving this a chance, it’s impossible not to love it! And at under 40-minutes, it’s pretty short for a country release these days. We gave this a whopping 9.5/10 when it released, and if you take a listen it’s very easy to see why! If it wasn’t for country booming once again this year, it would have ended up higher, but it is still at a damn respectable point of the list!
Listen to: Hometown Home, Bring Em Back, and Shipwrecked
67 – Tetrarch: The Ugly Side of Me
The nu-metal revival continued to be in full swing in 2025, and this album was a large focal point of that! The bands third album followed up 2021’s amazing Unstable perfectly, building on everything that album laid out and coming out with an incredibly strong release overall. Every song slaps, and it makes for a fantastic, heavy, catchy just over half-an-hour! The duo of Josh Fore and Diamond Rowe is a real powerhouse, and will inspire this band continues to grow into a juggernaut in years to come. Especially if they keep continuing to grow and build on their sound, and put out better and better albums! From the crushing riffing to the massive choruses to the occasional awesome solo, it’s all amazing. It got a huge 9/10from us when it dropped, and has been in regular rotation for me since May, easily earning its spot on this list! For anyone who’s into nu or industrial metal, or just anything around that early 2000s sound, listen to this immediately!
Listen to: Never Again (Parasite), Live Not Fantasize, and Cold
66 – The Damn Shames: Trailers on Bricks
A release recommended to me by a good friend of the company, Kyle Daniel, and I’m so glad that he did! This is an incredible Southern rock album! From the instrumentation to the incredible harmonies to the arena-filling choruses, it’s all so damn good, from start to finish. Honestly, each of these 10 tracks are as good as the last, and it makes for a super easy listen from start-to-finish! The band are all insanely talented players and songwriters, and the fact that this is their debut album and it’s of this high quality is truly amazing. This somehow only got an 8.5/10 from us upon release, but after multiple revisits over the last six months, this is easily closer to a 9 for me! If you are at all into the country or Southern rock scene, this is very much the album for you. Hopefully either scene in the UK picks them up, as I’d love to see this stuff live! I look forward to hearing where they go from here, but for now I am content to keep spinning this record, hence why it ends up pretty high on this list!
Listen to: Who Killed Rock n’ Roll?, Another Spoke in the Wheel, and Quittin’ Time
65 – Epica: Aspiral
I mean, we finally got three new parts of A New Age Dawns on this release, that alone gets it onto this list! However, the other eight songs are also just as good, too! The whole thing is an epic, cinematic masterpiece that somehow feels like it goes by far too quickly despite it being an hour. I always felt like they were one of the more underrated symphonic metal bands, but they put out one of the best albums in the genre in recent years with this. From Simone’s incredible vocals and choruses to the insane instrumentation throughout, it’s easy to hear why it’s had me hooked since April. It got a huge 9.5/10 from us, and if you give it a listen you’ll easily be able to tell why! I’m always a touch hit and miss with the genre, but when it’s done as well as this it’s hard not to fall in love, hence why it’s here and in a pretty favourable position. It’s a big undertaking, but I’d highly recommend a full listen through of the album for anyone even slightly interested!
Listen to: Cross the Divide, Arcana, and Eye of the Storm
64 – Humming Whale: Chasing Rabbits
Another debut album, and this time a fantastic blend of so many different metal styles! Somewhere between hardcore and prog metal, it’s a blend that shouldn’t work anywhere near as well as these guys make it! I already gushed over this album in my review not long ago, so I feel like cliff notes are probably more preferred, right? Incredible instrumentation, catchy, powerful vocals, great cleans and harshes, and some epic songwriting. Like it somehow combines Tool, Godsmack and Turnstile. If that sounds at all like your sort of thing, go check it out ASAP! Their creativity and uniqueness is off the charts, and I can see a huge future for them if they keep on putting out stuff of this quality. For now, I’m more than happy to keep spinning this release, an easy 9/10, and it easily made it onto this spot on the list!
Listen to: Chasing Rabbits, Waves, and Black Waters
63 – Born of Osiris: Through Shadows
This brutal slice of technical metalcore from back in July is somehow something I haven’t revisited too much since its release, but upon doing so am blown away all over again. Instrumentally this is absolutely phenomenal from the very first note; the riffing to the solos, drumming to the electronics and synth, it’s all mind-blowingly good. And the vocals too, be it screams or the odd clean, all fit it so well. I’ve really gotten into the heavier side of metalcore since the mainstream side of it has lightened up, and adding a tech and electronic edge to it is like a match made in heaven. And heck, some of it is catchy, as well as being heavy and djenty, it’s really awesome! I knew I had this album in my list for a reason, but I can’t believe I even slept on it for a few months again, even after giving it 9/10 back in July. If you are even slightly into metal, but especially modern Machine Head, Periphery or Shadow of Intent, this is one to put on immediately!
Listen to: Seppuka, Through Shadows, and Activated
62 – Lanie Gardner: Faded Polaroids
The second album from the rising country star, somehow she keeps just getting better and better! She’s incorporated a little more rock elements since her debut, and it’s made for an incredible, fun country album. And even on her slower tracks, they’re also radio-country ballads, and just as good as the rest of the songs. And even at its length, it’s still an easy listen without a bad song throughout. Her vocals are incredible, as are her lyrics, and they all fit perfectly over the instrumentation, whether it’s country, southern rock, Americana or more of a pop leaning. It got an incredibly easy 9/10 from us, and there was no way it wasn’t getting a strong spot on this list. She has such an insanely bright future ahead of her, and I don’t suspect this is the last time she’ll be on a list like this!
Listen to: Boys Like You, Boot Down, and Buzzkill
61 – Once Awake: Far Out and Beyond
I have such a weak spot for old-school melodeath this year, and the fifth album from the Norwegian quartet delivered that in spades back in April. This thing is an epic nine tracks crushing brutality, riffs, breakdowns and some huge, catchy moments to break them up. There is not a track to skip, and I’ve done it in full numerous occasions since its release. Heck, it’s so good it even prompted me to go to Derby of all places to see them live, that should be the biggest endorsement there is! For those into the heyday of In Flames or Bodom, this is an album you need to spin, you’ll surely be as obsessed as I’ve been. And it actually has our first 10/10 review of our list so far, and it more than deserves that rating! It’s a phenomenal album, and only reason it’s not even higher up is because of the sheer amount of awesome releases from 2025, and the wide variety of styles we cover. I challenge you to find me a better straight-up melodeath album over the last year or two, I think you’d be hard pressed to find much!
Listen to: Where’s All the Silence Gone, Injustice, and Kill the Concern
Though we are in the home stretch of the year, we still have some awesome EPs being released for us to dive into. Let’s check them out!
Wounded in Forest: Antihuman Artist
The debut EP from the Finnish death metallers is a 22-minute powerhouse of heaviness. The riffing is awesome, the drumming relentless, and the duel vocalled screams lend themselves perfectly to the sound! It’s a pretty traditional sound for the genre, but the varied screams and shrieks definitely add an interesting element, as well as the great production giving it a more modern feel. Tracks like karaoke the Son of a Bitch’ and ‘Godspeed Filthy Warrior’ are personal highlights, but there isn’t a weak link on this whole release, it going by in a flash! It’s certainly not a release for everyone, but it’s a must for anyone with even a passing interest in death metal. It’s a very easy 7.5/10 from us!
Josiah Kaye & The Bonnevilles: Winter
While we don’t typically talk about cover releases often, this is a fantastic collection of countrified tracks for, to state the obvious, the winter season, and is a really great listen! From the traditional ‘Silent Night’ to ‘Silver Bells’ to more modern stuff like a better version on 1975’s ‘Wintering’, it’s packed full of fantastic, fitting tracks. And somehow, a basic Americana-folk arrangement still somehow carries a festive feel to it throughout. It’s a simple, beautiful release that honestly I’d happily listen to not just for the festive season. If you’re into country-folk stuff, and aren’t a grinch, do yourselves a favour and check this out! His vocals are incredible and it’s insane that this is my first introduction to Josiah, I’ll have to keep a closer eye on him for his original stuff. 8/10, it would have gotten even higher if they were original tracks!
Kakihara: Love Songs, Pt. 2
The first release from the Scottish hardcore band in a couple of years honestly threw me through a loop a little. Firstly, where is part 1? Secondly, I didn’t expect hardcore heading into this, but I was blasted by crazy heaviness for a solid just eight minutes across its five tracks. Honestly, it’s fucking awesome! Any regular readers of this site this year will know just how much I’ve gotten into hardcore, and this is no different, capping off the year in aggressive, heavy style. The flow through the whole thing is exceptional; I barely knowing where one track ends and the other starts without looking. And from the crushing instrumentation to the brutal vocals, it’s all performed so well! I can’t pick highlight tracks, it’s all one big performance and all of it slaps. Do yourselves a favour and check this out ASAP, you won’t be disappointed! 9/10, DAMN.
This has somehow been both highly anticipated by me for ages, yet also came out of nowhere. Announced officially less than a month ago and only having two singles put out pre-release, it kinda feels like it’s been a fast project. However, I’ve heard at least two others when seeing him over the last 18 months, and in that time my hype has grown more and more. He is easily one of my favourite country stars currently around,no secrets there, and I truly believe this could be the album to take him to megastardom, if it’s as good as I hope. Without further ado, let’s dive in.
‘Cryin’ Shoulder’ is the perfect way to open this album. It’s also a song I completely forgot I’d heard before until now. It’s a simple, neo-traditional country track very much in a style of Brooks and Dunn. Heck, it’s barely two minutes long, but so damn catchy; a real earworm of a chorus! And not only that, but they still manage to squeeze in a cheeky little solo in the middle! It’s everything that Drake is about wrapped up into a neat little package, and kicks things off in style!
‘Hearts Together’ keeps the classic vibes rolling, this time in much more of an Elvis style. It’s a fantastic love song, packed full of perfect harmonies, some great lead guitaring and some excellent fiddle from Miss Kelly Hagen. I love that this sort of sound has really made its way back to the mainstream, with both Zach Topand Neon Union also doing it fantastically just this year alone. It’s of course another infectiously catchy track, and one that I can already invision being a firm favourite live. It also has one of my favourite solos from Ryan DeMers, it fitting the track excellently. The wife is going to love the song too, that’s for sure!
The title track has been stuck in my head periodically since I first heard it at TLR back in August. Hell, I even reacted to it when the studio version dropped and got even more obsessed. It’s arguably the perfect slow country ballad, and a cracking choice for a single. The lyrics are heartfelt and Drake delivers them with so much emotion, making you feel every line. And, of course, his band go hard throughout, the track building perfectly throughout and sounding truly epic by the end. And yes, both the pre and the chorus are catchy as hell. It’s as great on track as it is live, and a huge early highlight of the album. It’s been on our playlist since the day it was released!
‘Turn it Off’ keeps the pace slower and chilled, but Drake’s charisma eeks through still, keeping it constantly interesting. It’s another beautiful love ballad too, a style that he does to perfection. It reminds me of Everette’s ‘She Got That From Me’ (which is a MASSIVE compliment, trust me) but a positive version, like the negative of that track. It’s another simple song, a steady pace and simple arrangement, but there’s just something about when Drake does this sort of thing, man. His vocals are smooth as velvet throughout, them definitely being the focal point and highlight of the track. To the shock of I’m sure no one, it’s another excellent song!
Tracks like ‘Like the Moon’ and ‘Good as Gone’ are more slower, Midland-esque songs. That certainly isn’t a bad thing as both songs are still excellent. However, we have had a few similarly paced tracks in a row now, and it’s gotten a little hard to talk about them without repeating myself.
‘Slow Dancing to a Fast Song’ has been a firm favourite live over the last 18 months now, and it’s easy to hear why. I’ve heard it both timesI’ve seen him live, and it’s somehow just as good on track as it is in that setting. It’s such a fun concept for a song and is pulled off to perfection by Drake et al. From the excellent, catchy chorus to the fun, bouncy verses to some awesome lead lines again from the guitar and fiddle, it’s all so well done! Another firm highlight for the album, not that I ever doubted that it would be, and another that easily makes our playlist.
Another single and another we’ve already checked out, ‘Old Flames, Old whiskey’, is of course another banger. It’s a chorus ripped straight out of 90s country music, and it’s nice to have two upbeat tracks in a row. It’s another track that I’ve gushed over plenty since the moment it was released. It’s a simple, straight-to-the-point track that any country fan is bound to love! And yes, of course it’s another highlight!
‘Girl Like You’ is another catchy, up-tempo track, and one that will surely be a massive single in the months to come. Opening on another insanely catchy chorus, topped off with Drake’s cheeky charm, and keeping the bounce tempo up through the verses, it’s another welcome rockier track. It’s another simple, radio-friendly formula and structure, but is written and performed fantastically. The whole band is truly incredible, and I especially like the subtle keys throughout the track. It’s another that I want to hear live, as all the parts would be excellent!
Tracks like ‘Hard Headed Cowboy’ and ‘Lonely:30’ are more slower, traditional country stuff. It’s very Willie Nelson or Hank II, but in the best possible way. Both tracks are awesome, and fit well after a few faster numbers. Meanwhile both ‘Goodbye Ain’t All that Bad’ and ‘Talk Texas’ are still stripped back, but more up-tempo. The former honestly reminds me of his Christmas song, which isn’t at all a bad thing! It’s my favourite of the two, mainly due to the great fiddle melody and some great lead guitar throughout. The vocals and harmonies are great throughout, but it feels like the instrumentation is more of a focal point. Meanwhile ‘Talk Texas’ is just a damn fun, simple, bouncy track! It’s minimalistic drums and bass, focusing on the vocals and lead guitar and fiddle was awesome, and makes for a great late-album song.
‘How Much Beer’ is yet another track I’ve heard before, but we didn’t get a feature from the amazing Randall King live! It’s another song that’s destined to be a huge radio single, giving big early 2000s country vibes. It was also fantastic live, and went down a storm with an unfamiliar audience. It’s a catchy, blues-rock-based track, and both King and Milligan work perfectly together. Honestly, my only gripe is that it’s the album closer, I feel it would have worked better being earlier on, maybe swap with Tumbleweed. However, there’s a reason he’s a massive music star and I’m not, I guess! If you’re a fan of the light-hearted, boot-stompin’ side of country, I’d definitely recommend you check this out over an other on the release! It’s a lot of fun, and still a good way to close out the release; I just think it’s good enough to be close to the front. And the half time rockin’ at the end… DAMN… fucking awesome!
Overall: Of course, I loved this! I’d heard a third of it before its release so was almost guaranteed to, but it’s so good to finally have it out and get to check it out in full! Drake’s vocals and songwriting in his genre are second to none at this point, and he showcases both perfectly here. And, as I’ve said before, he has one of the best backing bands on the scene too, all getting their time to shine plenty throughout. I think the track order will take a touch of getting used to, as like I said, it’s not how I’d have arranged the album. But I’ll be listening to this plenty in the coming weeks, I’m sure it’ll grow on me even more! I think it was always going to be a tall task comparing this to his debut, but both are packed full of incredible country tracks, I think they’re just different as opposed to one over the other. This is an excellent release, and one I’d recommend to anyone!
We had the absolute pleasure of chatting to the wonderful Evan Bartels the other week at The Long Road! Join us as we chat his UK shows, latest EPand plans for an upcoming album!
Fantastic! It truly exceeded expectations. I thought it would be pretty good, but you never know when you’re at a festival with a bunch of other acts playing and you’re on at 12:30. But there was a couple of hundred people there, that tent was full! I thought ‘crap, this is crazy!’
Is it ever still nervewracking to go up there as a solo artist, especially at a festival like this?
That’s a great question! I would say sometimes. I’m never nervous in the sense of am I gonna mess up the song, it’s always more like, I hope people are receptive to this. But that’s another thing that you learn over the years when you’re building a set; it’s a lot like busking, doing a festival set as a solo artist where people don’t necessarily know you. When I was a kid I came up busking on street corners quite a bit. You’ve got to hit ‘em with some songs they won’t immediately walk away from. Then I find it’s just meeting people; you try to get to know the audience and let them get to know you and hope for the best! No one threw any rotten tomatoes, so that’s good!
Do you play with a band back home?
I do! I’ve had a band in the past that I’ve played with. Then when Covid hit and a lot of the touring opportunities dried up and a lot of the budgets froze it’s not been super practical sometimes to hire a band. That’s when I started touring more solo and focusing a lot on telling stories with the songs, try to make it a show that way. My goal is to be able to come back to the UK next year and have a band with me. We’re working towards it!
It would be fun to have a band. I’ve done it in the past and done full band records. It’s a different energy, there’s different tools you can use for the show.
You’ve been out here a fair bit this year already, right?
This is my third trip. I was here in March and did C2C, then came in May and did some shows with Charles Wesley Godwin. Now I’m back for the Long Road and doing a show at St Pancras Old Church in London.
We came into Long Road from Cologne, Germany, played a little festival there call Sound of Nashville. That was great because I met Nolan Taylor there, and Cameron Whitcomb, and he was great, we were all hanging out and drinking beers like ‘this is alright!’. Now the travel to get from Germany to the UK, I did not think that would be as harrowing as it was.
Did you fly out?
Yeah but we had to take a train from Cologne to Frankfurt, then flew, then a train from Heathrow to Paddington, then to Euston, then to Rugby. Like okay, that’s a long day!
Are there any comparisons you can make for here compared to back home?
I will say the one thing that’s mainly different is the way you do travel. In the US if someplace is 12 hours away, you’ll drive. I don’t know which one is easier. Here you might be on a train for six hours but at least you can sleep!
But the festivals, it’s funny how much the land here looks like where I grew up. It feels like we could be in Kansas right now! It’s beautiful!
You’ve got a busy rest of the year planned, right?
That’s the plan, yeah. I’ll be going out on the road in the States a few more times. Trying to sneak in another trip over here too. Doing a tonne of songwriting and starting to record the next album, There’s always something! Then on top of that you’ve gotta be a dad and a husband, mow the lawn and do the laundry! It’s an adventure, man.
You’ve had quite a busy year already, it seems! I saw you got played on Theo Von’s podcast which was cool!
Yeah, he gave me a shoutout for the new EP! That’s about as cool as it gets, honestly!
I also saw you were on tour with Brothers Osborne. Was the stage spinning?!
Yeah! I’ve done three or four shows with them so far this year and two of them, the stage was spinning. You were in the middle of the crowd and it slowly spins. They warned me about it, like ‘hey, just so you know, it spins, but it’s really slow’. And then you’re playing and it kinda messes you up a little bit! You’re looking out at the audience and you look down for a second and all of a sudden you’re looking at new people.
You touched on the EP before, and I remember being sold by the presser. Did you write it in a cabin, if I remember correctly?
So I wrote the songs in the tour van over the years. When we recorded it I built a little cabin behind my house and did it in there. I just did it as a passion project. I hadn’t put out music for a while so about a year ago I’d recorded some demos and my buddy Dave heard it (everyone calls him Squirrel). He was like ‘I’d love to help record this’. I didn’t know he was an engineer, we’d never really talked about work. Turns out he’d been like Rick Ruben’s house engineer for like 10 years. So he got these insane microphones and brought them out to the cabin and we recorded it all in there. We did a few takes of each of them and then picked the one that felt right. We recorded at night, I would just open a bottle of wine and play the song. There’s no metronome, no audio tuning, each track is the whole performance.
Once we got that, I had a few others friends; Paul DeFiglia, he played the organ and bass and double bass on it. Another great cat, Russ Paul, he’s a very renowned Nashville peddle steal player, so he did that. It’s funny, we recorded it in my backyard cabin, we did the bass at Paul’s backyard studio, the peddle steal we did at a buddies studio that was a backyard garage, and then we mixed everything in Squirrel’s studio which is a converted shed in his backyard! But I love the way it turned out!
What made you pick an EP over an album?
I knew it was going to be an album or an EP. I had 10 or 11 songs that I was considering for the project, and when I’d done demos of everything and listened back I didn’t want there to be any filler or anything that didn’t feel like it needed to be here. It was just a case of finding the songs that told the story that I wanted to tell. When we got done with that, where we landed was an EP. I’d rather put out a great EP than an okay album!
And you said you’re working on a longer release next, right?
Yes, we start recording next month! I’m hoping to land on between 10 and 15 songs because I currently have about 40. Whittle it all down and find the ones I love, not just like. That’s the goal!
Do you have a dream tour lineup?
Oasis. I wish I was on that tour!
You know who I’d love to do shows with? Jason Isbel. I’d love to watch him play every night on an acoustic tour. Or guys that are playing over here like The White Buffalo. James Bay too, I could listen to that guy sing the phone book every night and be happy! Those are a handful of them but if I start listing them we could be here all day and all night! You know who’s he sick actually, and I’d love to write some songs for her someday, is Adele. If she’s ever one of these pop artists that decides to make a country album, I hope she calls me!
It’s interesting you say James Bay as he’s had almost a mixed reaction to playing The Long Road.
I saw some of that! Crazy to me, good is good. I get where some people can be ‘well, he’s not country’, but by what metric? Compared to a lot of the bar-type bands, I’m not country. I think the thing that always shines through when you’re putting country or Americana or roots together is ‘is this authentic?’. When it comes down to it; if you don’t like James Bay you’re wrong! He’s got a great voice and great songs and I think it fits in in any country and any genre. And like, is Shaboozey everybody’s country? Or Morgan Wallen? Or cCharley Crockett? There’s so many different subsets and genres and opinions that I think a lot of people get lost on that. Music is like wine; if you have it and you like it then it’s good! The music part of country music is way more important than country. Everybody’s got a different opinion on these things.
The sophomore release from fast-rising country star Alexandra Kay is released this upcoming Friday. Her name has been seemingly everywhere the last couple of years so my anticipation for the release is pretty high! I’m familiar with at least a couple of the singles and love what I’ve heard so far, so join me in checking out what the rest of the album has in store for us!
Starting with some beautiful, folky strings, Kay’s beautiful vocals soon come in over the top of a great acoustic chord progression for ‘Better Off’. It instantly gives off vibes of Carole King or Paula Cole in the best ways. It builds up perfectly into a powerful, bittersweet chorus, and one that will be stuck in my head for days to come! The whole song is beautifully bittersweet, and is a damn powerful opener to the album, setting the tone rather perfectly!
‘Nobody’ picks up the energy a bit, having more of an Americana feel to it than the folky previous song. The driving bass drum is excellent, and the layers throughout from all the different strings is honestly phenomenal song production. It once again builds to a massive chorus, one definitely designed to be played to huge festival crowds. I’m honestly shocked it hasn’t been a single already because it’s hugely catchy and would do amazingly on the radio. Hopefully it’s a post release one! It gives off more Janet Devlin or Caylee Hammack vibes this time, which I love just as much. It’s a simple arrangement and in and out in under three minutes, but is a fantastic song and an easy early highlight!
‘Straight for the Heart’ changes the pace yet again, this time feeling more like a straight up radio-country track. It’s got a bit of a rock edge to it too, the chorus being massive, the distorted guitars adding a lot to the sound. It’s easy to see why it was chosen as a single and is doing incredibly already on that front. It’s got a little bit of the good Taylor Swift era to it, or even Erin Kinsey. Heck, we even get some awesome guitar soloing tucked away behind some of the vocals, which adds and even greater layer to it. This is another phenomenal track, and the second that easily makes it onto our playlist, it’s that good!
The energy drops back down with ‘Right Now’. It’s a beautiful modern country ballad, the focus on the acoustic guitar, electronic beats and Kay’s utterly incredible vocals. It’s a similar story on tracks like ‘Old Me’. Both are fantastic tracks in their own right, and though I am not usually into the more electronic based drums, they fit both of these songs perfectly. And of course, lyrically and vocally, Kay once again knocks it out of the park.
Speaking of ballads, there are a few more throughout. From ‘Hell Right’ to ‘The Last’ to the closer, there are some excellent, acoustic-based country ballads on this album! All three are excellent tracks in their own right, and are only grouped together as they are pretty similar and I don’t want to repeat myself over and over here, gushing too hard over her! They’re all packed full of amazing lyrics, beautiful choruses and some great instrumentation. The strings and piano on the latter give it the perfect finale feel to it, while the former is another big highlight for me! Heck, ‘Measure of a Man’ is also pretty ballad-like, though it definitely also has more of a rock edge to it like ‘Straight for the Heart’ does. I’d definitely put it up there with that track in terms of quality, too!
Tracks like ‘Tomorrow Problems’ and ‘Feminine Energy’ are more like that mid 2000s pop-rock country style that it’s so hard not to love. Catchy, bouncy songs about having a good time is what country is all about out, and both of these do that to perfection. They’re both awesome songs and a style that Kay does so well, showing that she really is multi-talented in the country world! Both are big high points of the album too, with the latter even having another great guitar solo in it. I haven’t spoke enough about it yet, but her band have also killed it on this album, from start to finish!
The final two tracks from the album, ‘Big Boy Boots’ and lead single ‘Cupid’s a Cowgirl’, give off similar Americana-pop-rock energy that I honestly love. She manages to let loose a little with both tracks, her attitude coming out perfectly. Of course the single is an excellent track, but the former is just as good as it, and could very well be a big single in its own right. However, both songs are incredible and once again huge highlights on an album honestly packed full of them!
Overall: This is an incredible country album! We sadly missed her debut release when it dropped, but having gone back and revisited it since I do enjoy it. However, this is very much a step up from that, Kay really hitting her stride in a massive way with this album. There isn’t a bad song on the album and some of them are easily up there with some of the best country tracks of the year. It’s very easy to see why she’s become such a big name so fast, and is quickly establishing herself to be one of the biggest names in the genre in just a few years! I can’t recommend this enough to anyone even slightly into country music, check it out immediately!
Another awesome week packed full of some awesome albums, from metal to rock to country. Let’s check them out!
All Time Low: Everyone’s Talking!
A singular single from this album convinced me and my wife to get tickets to their tour next year. Just to put into perspective the quality I’m expecting here…
The 10th studio album from the Maryland modern pop-punk legends lives up to my hype, that’s for sure! The band have matured like a fine wine; gradually evolving from their more rougher, punkier beginnings to this uber-polished, perfectly mixed arena-rock-infused awesomeness. It very much feels like the band have added elements of everything from Bryan Adams, Owl City and even Kip Moore and more pop-rock artists to their core sound, and it makes for an incredible listen. I remember loving their last release, but this very much takes everything that was great about it and refines/perfects it.
‘SUCKERPUNCH’ is of course already one of my favourite tracks by the band now, but it is far from the only highlight. From singles like ‘The Weather’ to tracks like ‘Falling for Strangers’, the heavier punk ‘Little Bit’ and the Ruston Kelly-featuring ‘Tread Water’, there is so much to love. However, there really isn’t a bad track on the album, all 15 songs being awesome and the 40+ minutes going by in a flash. They were a band I never minded as a kid but never quite got into much, but these last couple of albums have made me fully in on the band. If you are at all a fan of them, or of a more punk-pop sound, I would highly recommend checking this out as soon as you can. I’ll certainly be spinning it a fair bit in the coming months, that’s for sure! 9/10
Chris Young: I Didn’t Come Here to Leave
No pressure here, but this album has a LOT to live up to. I LOVEDhis last album last year, and the fact that he’s followed up on it barely a year later is definitely a bold move. Thankfully, Chris’ 10th album is yet another banger of a release from the country star! He has an incredible songwriting ability (I assume alongside others), be it country ballads or more southern rock-style boot-stompers. And honestly he has one of the best studio vocals in the whole genre currently. Don’t get me wrong, it’s another pretty long country release (thankfully not to Wallen levels), but there is so much awesomeness that the 14 tracks still go by in a flash! From the opener to ‘I Feel a Cold One Coming On’, ‘Pour Some Whiskey on it’ to single ‘Boots on the Ground’ to beautiful, bittersweet ballad ‘Just Keep Living’, there is so much to love. I have to say it’s not quite as good as Young Love & Saturday Nights, but it’s a damn solid followup and as I said, with barely a years turnaround between the two it’s an incredibly impressive release. Country has had one hell of a year again, and this is certainly going to be up there with one of my favourite releases in the genre in that time. And heck, it still feels like it’s growing on me with more listens! But for now, it gets a damn solid 8.5/10
The Last Dinner Party: From the Pyre
I have made no secret over the last year or two about not ‘getting’ this band. Though people throw around the term ‘industry plant’ maybe a little too easily these days, it definitely reeks of ‘throwing enough family money at it until it takes off’. You know, the GVF/Taylor Swift approach. We missed their debut album last year just before they exploded, but I remember checking it out due to the massive hype on socials and wasn’t too into it. Hopefully this sophomore release changes my mind…
It didn’t. This is music for early 20s, rich white girls that want to be hippies. It gives ‘music to listen to while spending daddy’s money on Vinted’ vibes. Don’t get me wrong, if that’s your thing, great, but it isn’t mine, sadly. And it is sadly too, because I did actively want to like this album. The Midsomer-like theming is an interesting concept, but never feels fully realised. There are flashes of its potential brilliance, especially in the one-two-punch of ‘Rifle’ and ‘Woman is a Tree’. However, then the pop edge comes in and reigns it all back in. And, honestly, because of that, this is a damn boring album. It feels a lot longer than 42 minutes, the album dragging and being a real struggle to get through in one sitting.
I know that some will probably be pissed at this review, but it’s just my opinion; there will be plenty who love this and I’m so glad they will get something out of it that I don’t. I know I am very much not the target audience, but at least I tried, right? Heck, at least the women are talented players and vocalists; I just find them painfully dull songwriters. And for that, it gets a 3/10 from me.
Sabaton: Legends
Fuck yeah, this is more like it! We’re big power metal fans here at Overtone and of course there are few modern bands doing it better than Sabaton. I loved their last album, but I really feel like this may be even better! ‘Templars’ opens the album perfectly, while tracks like ‘Crossing the Rubicon’, ‘Maid of Steel’ and ‘The Cycle of Songs’ are also big highlights for me. Of course, I have the same issue with this as I have with a fair few power metal albums in that it does all sound pretty samey. It’s 45 minutes of pretty similarly paced and sounding music, and even if it’s all great, it does get a touch old by the end. Still, if you are a power metal fan, of course you’re gonna love this! It’s a damn solid album from some of the best songwriters in the genre, even if they do stick to their standard formula a little too safely. The new metal history teachers show here why they are still one of the best around, and it’s an easy 8.5/10 from us!
Broadie Christ: Big feelings
The sophomore album from the Toronto singer-songwriter is a damn chilled-out, easy listen. Though described as indie rock, I’d argue there’s a lot more to this than that! It’s as much alt and soft rock, as well as just a genuinely quirkier edge. The easiest way I can find to describe it is a combination of Pinegrove and early Randy Newman, and I mean that as the uttermost of compliments! The more I listened, the more I fell in love with the album. The opener didn’t hook me, but ‘IDWTBfriends’ is great, and by the time I reached ‘Pretty City’, ‘Sea Legs’ and ‘Now I Can’t Dance’ I was hooked. As I said, it’s a very easy listen, and 40-minutes went by in a flash. He’s a fantastic lyricist and storyteller, and the instrumentation written around it fits the tone perfectly, as well as being a lot of fun. It’s the perfect album to sit back and relax to, but also really dive in deep to if you get the chance. I’d highly recommend checking it out if you are at all curious, and it gets an incredibly solid 8/10 from me!
Preacher Stone: By the Horns
We’ve already checked out this awesome album! Read our full review of it here.
Tol Morwen: At the Gates of Valhalla
I love folky power metal, and this sophomore release is no exception! However, this does generally feel a little more technical than a lot of their contemporaries, some of the riffing and drumming being incredible. However, it still has the same level of epicness. It’s also heavy, having elements of black/death/extreme metal, especially with the screams. The atmosphere created throughout is phenomenal though, and instantly had me captivated. ‘Fate of the Gods’ is a more atmospheric black metal track, while ‘Ragnar’ is a straight up Amon Amarth style viking death metal song. Both are massive early highlights, while songs like epic single ‘The Shieldmaiden’ and ‘Rise of the Ancient Gods’ are also excellent. However, there really a bad track on this! It’s not for everyone, and at over an hour spread across just 10 tracks, it’s a big undertaking. However, I loved it, and if you are into the heavier, more grandiose side of metal, I would definitely recommend you check this out immediately! The band are so incredibly talented, and it’s yet another easy 8.5/10!
Biohazard: Divided We Fall
The hardcore punk legends returned with their first new album in 13 years this last Friday. Yeah, it’s a big deal. Especially when they returned at arguably the perfect time, given the state of the world, and clearly have plenty to talk about! Oh, and the album also slaps from start to finish! It’s angry, aggressive, slamming hardcore for a full nearly 40 minutes, and I love it. It just makes me want to throw people around in a pit and dance around through the whole thing. The riffing, the drums, the vocals, the lyrics, even the soloing, all of it is perfection for the genre, and I honestly can’t get enough. It’s so hard to pick highlights too, as each track is as good as the other. Most of it ended up on my personal playlist! It’s the perfect combination of Bodycount, Hed(PE) and Pro-Pain, so if you are into any of those bands, or just hardcore in general, I cannot recommend this album enough! Heck, even if you aren’t, check this out immediately, you might find one of your new favourite albums. I can’t give this any less than 9.5/10, and I’ll definitely be rocking this a lot in the coming months!
Of Monsters and Men: All is Love and Pain in the Mouse Parade
13 years after the Icelandic folk-rocky quintet’s massive breakout debut, they are back with their fourth studio album, and first of the post-pandemic era. Honestly, outside of their big hits I haven’t listened to much. In the nicest way possible, I can kinda see why. This is a boring release, dude. Much like with Last Dinner Party, this will most likely have plenty of fans, but I sadly found myself losing interest fairly quickly and often when listening to this from front to back. Don’t get me wrong, tracks like ‘The Actor’ and ‘Styrofoam Cathedral’ are good in isolation, but in the context of the album it dragged sooooo much. Please don’t kill me, OM&M fans (I also don’t like the other OM&M much, sorry), but yeah, I can’t give this much more than 4.5/10. They’re all talented players, but it really isn’t my thing.
Daedric: As the Light Left
The sophomore release from Kristyn Hope is yet another modern-alt metal/metalcore masterclass. We absolutely loved her last albumback a couple of years ago, but honestly she may have gotten even better in the time since! ‘The Other Terror’ opens things up perfectly heavily, while ‘Sand Tiger’ shows off a bit more of her more alt side (though still has some great screams). The rest of the album continues to skirt that line perfectly, too. Heck, ‘Dark Legacy’ gives big Skynd vibes in the best ways. It’s hard to pick highlights, but ‘Night Mother’ and ‘Dreamweaver’ are tracks that I have already revisited multiple times over the weekend. Honestly, this is everything I wished Spiritbox was, and it’s insane to me that Kristyn isn’t on the same level as them at this point. I’mma throw it out there, this is better than Tsunami Sea, @ me. I cannot recommend this enough to anyone into more of a modern metal sound, and I’m honestly shocked she managed to top her explosive debut! She’s an utterly fantastic vocalist, both cleans and screams, and her songwriting has really gone to yet another level with this album. It’s one of the easiest 9/10s I’ve ever given!
William Prince: Further From the Country
Album number five for the Canadian folk/country singer-songwriter is a damn fun listen. I love that he very much does his own thing and has his own sound, not following the current trends in the genre. It makes it stand out a lot from his contemporaries, and is a fantastic, more folk-based sound in its own right! From the writing to the arrangement to the mix, it all almost has an epic air to it. From the opener to ‘Flowers on the Dash’ to the beautifully dark-folk ‘Thousand Miles of Chain’ to the awesome closer, the whole thing is packed full of amazing songs! And, at under 40 minutes, it makes for an incredibly easy listen! It’s definitely one to throw on and relax to. William is a criminally underrated vocalist and songwriter in the genre, and he has an instant new fan in me from this! I’m definitely going to have to go back and check out his previous work, but for now this gets an incredibly solid 8.5/10
Shadows of a Silhouette: For Those That Know
Time for some indie now, as the local boys and good friends of oursput out their highly anticipated debut album this last week! What an album it is, too! It’s definitely on the heavier side of the genre, with the riffs taking center stage in a big way throughout. It gives off big QOTSA or early Royal Blood or early Black Keys vibes in the best ways. It’s also packed full of highlights, too. Between the opener, ‘No Matter Where I Go’, ‘Mona Lisa’ and ‘Hostages’, there are plenty of highlights, but there really isn’t a bad track on the release! The band are incredibly talented and it’s easy to see why they are gaining so much momentum already. The genre isn’t typically my sort of thing but I really loved this from start to finish, and would recommend it to anyone even slightly curious! It’s been a while since I’ve seen them live so must do that again, as I have a feeling all of this would sound incredible in a live setting. But, for now, I shall happily settle for having the album, and it gets a very solid 8.5/10!
Wretched: Decay
The first album from the melodic deathcore quintet in over a decade feels like it has something to prove, and they more than do this with this release! This is over an hour of brutality, technical riffs, great screams and some HEAVY breakdowns. It’s another album that’s almost impossible to pick highlights from, as it’s all so good, as well as all being a similar style, sound and aggression. However, ‘The Crimson Sky’ probably has the most of a bit of everything this album has to offer! If you are into the heavier end of metal, this is definitely one for you. It has everything from Machine Head to In Flames to The Zenith Passage in here, and it’s awesome. It’s not for the faint of heart as, like I said, it’s 65 minutes in length, but it’s well worth a listen through in full if you’re interested! I’m so damn glad this band is back to studio work, and they have put out honestly one their best releases to date after all this time off. A very solid 9/10 from us!
We had the privilege of chatting to the amazing Larry Fleet at The Long Road the other week. Check out below as we chat about his UK tour, his latest EP and his future album plans!
How’s the tour been so far?
It’s been great! People are showing up, filling up the rooms, literally packed every single night. Well, we’ve played two shows, but they’ve been packed! And tonight is gonna be great I think. Then Belfast in a couple of days is sold out, too! I think it’s good for these festivals and all this stuff going on. People are showing up, they’re singing the songs. We’ve already pretty much sold out of our merch and we doubled what we were told to buy! People are buying stuff, they’re having fun, singing songs, showing up, I couldn’t be happier!
Is this your first time out in Europe?
This is my first headlining thing. I came out and did London in ‘23 with Morgan [Wallen], at the 02 I was first of three, and then this year I was direct support for him touring. It went really well and I think it’s helping me sell a lot of tickets, too. Getting in front of his crowd, and there’s a lot of them, I think that’s helped us out. But this is my first headlining thing so I’m pumped about it. And I’m thrilled with how it’s turned out.
Are there any comparisons you can make from out here compared to back home?
There’s differences. I would say one thing I’ve noticed the last couple of nights is people listen to you when you’re talking. I tell stories, and when I’m doing that they’re silent and it’s like ‘wow, they’re actually paying attention!’. And then they sing every word you do, but that happens in the States too! But I think it can be more respectful and attentive here. Back home we’re coming out for a good time and they can get a little drunk and rowdy, while here they seem a little more respectful. I like it!
Yeah, I think even today we’ve been at a couple of the smaller stages and there’s been some learning almost from people coming out and being like ‘oh yeah, this is really quiet when I’m talking!’
Yeah! And some people don’t like it. They want people,to be rowdy all night because they’re playing rowdy kinda stuff, but I’m a singer/songwriter so I like when people listen. I wanna tell you the story of how it came about. It’s cool they wanna be a part of it.
As for similarities, when you go to a city it still feels similar to back home, you just have building that are 400 years older! The architecture is a little different but cities feels similar. All in all people have been super nice to us!
Somewhere in the South came out a month or so ago now, the response seems great so far!
Yeah! It’s funny because when it came out, we’ve only played it maybe once in the States; we didn’t play a lot in July. We came over here and were like ‘let’s try it out’ and Baylen started playing it on the radio, and just a few days ago we saw it’s like top 50 on a bunch of album charts over here! The songs been doing great and that whole EP, we’ve been playing pretty much everything on it and people are digging it!
It’s four different songs with four different styles. And that’s what I kinda wanted to do when I put it out. I’ve been sorta pigeonholed into what is just traditional country, but there’s a lot more than that. Here’s this blues, this soul, this rock. It gave me a chance to say here, this is what’s coming.
What made you choose an EP over another album?
Honestly, when I split with Big Loud at the end of last year, I wanted to go in the studio for a few days, see what I come up with, and show different songs with different styles. I just wanted something I could get out quick to show ‘hey, I’m here’. To show the record label has nothing to do with me being successful. I had a great relationship with the label but they can slow you up as they have a lot of artists, you can’t put out music when you want to. This allowed me to drop some songs to keep people with me.
You’re pretty active and successful on social media, do you have any advice for people on that front?
That’s something I have to work at! I’m not the greatest at it. One thing I can’t do is be fake. I know there’s a lot of people like me who want to see something real, so I try to give them something real. Whatever I’m doing, whether it’s something stupid or whatever, we have a fun sense of humour between us as a band so I try to let you in on what you do. When I’m hanging out with my kids, it’s just me being a dad! I try to make my music as honest as possible and I think that’s why things have worked out that way. I’m not trying to act like somebody else, so for advice just be yourself. Whatever you’re into, odds are someone else is gonna be into it too. Your demographic or crowd may not be millions, but it may be a couple hundred thousand! You can make a living!
You used to be in a bluegrass band as a kid with your family. Would you say it still influences your sound today?
For sure! That’s how I started. If you can play Bluegrass music you can play pretty much anything. Like sped-up jazz, almost! It’s a very hard thing to learn, so me learning that early on helped a lot. I still write songs so every now and then I have one that’s like ‘oh, this feels like a Bluegrass song’! I had someone ask me how I’d describe my music once and I said ‘it’s country Western bluegrass soul!’. I’m not always bluegrassin’, I like Southern rock and blues and all these other things too. But bluegrass is always still in my DNA, I love it. I played a bluegrass song in London last night!
Is there anything we can expect from the set?
I mean you can expect ‘Where I Find God’, that’s what kinda got me here. I’mma play a few new songs. Honestly I don’t even know what the set looks like. My drummer, I just kinda let him do his thing, and if we need to change it I’ll just call it out. We tend to play something different every night. If someone comes up and is like ‘hey, you didn’t play this song I wanted to hear’, well, come tomorrow night! Every night we try to make it a little different, that’s what keeps people coming back. It’s not just a rehearsal, you wanna be tight but you don’t want it to feel like a Chuck E. Cheese show, you want it to feel organic!
A quieter but still pretty stacked week of new albums for us to check out!
HARDY: COUNTRY! COUNTRY!
The third album we’ve checked out from the (shock) country star, and thank god it’s at least better than his last one! I was so obsessed with Mockingbird and the Crow, so Quiet! felt like a bit of a letdown in comparison.
This release very much does a good job of getting him back on track. There’s a LOT of fantastic stuff on here, from the opener through ‘Luckiest Man Alive’ and ‘Girl With a Gun’ to the likes of ‘Who Don’t’, ‘Gun to my Head’ and the wonderfully tongue-in-cheek ‘Y’all Need Jesus’ (though I did get called out by a line in it too, lol). And honestly, having named a bunch, I still wouldn’t say any of the other tracks are in any way bad! For an album that’s 20 tracks and 69 (nice) minutes long, that’s a pretty fantastic achievement! Don’t get me wrong, that is too damn long, and it definitely could have done with some of the fat trimmed, but that’s more of an issue with country in general still, so I’ll let off one of the most prevalent songwriters in the genre the last decade plus. And that hour was still a damn easy listen and went by in a flash!
I think he leant too much into the rock side of things with his last release, while now he’s managed to find that perfect balance between that and country, like he had with THE CROW. As I said, while not as groundbreaking as that release, it’s still a damn good album, and one I’d recommend to anyone who’s a fan of his, or into country or rock at all! HARDY is back with a vengeance, y’all, and I couldn’t be happier! I’ll be spinning it a lot for the rest of the year, I’m sure. 8.5/10, though it may grow on me even more with more listens!
Amorphis: Boarderland
I remember checking out the bands last studio album a few years ago and LOVING IT, so my hype heading into this was pretty high already. Safe to say it didn’t disappoint! Right from the offset ‘The Circle’ is an epic prog metal banger. That’s swiftly followed by the heavier melodeath single ‘Bones’, and tracks like the grandiose ‘The Strange’ and ‘Light and Shadow’ are also massive personal highlights. However, the whole album is excellent, there really isn’t a bad song on it! It’s a great continuation of the band’s discography, fitting in perfectly next to Halo. The band are incredible songwriters and musicians, and that is very much on full display throughout this release. If you are at all into prog, power or death metal, this is well worth checking out! 8/10
Foreign Affairs: Brothers
We’ve already checked out this album. Check out our full review of it here.
Beyond Extinction: Where They Gather
The debut album from the Essex death metal band goes hard throughout. The first thing I noticed was the amazing production, the release sounding and feeling MASSIVE. It somehow makes it seem even heavier too, in the best way possible! I haven’t actually checked the band out much since we saw them a few years back, but they have grown into a force to be reckoned with on record. From the brutal opener to ‘Seven Spears’ to ‘Earthmurk’, there’s a lot of awesomeness. And that’s not even mentioning the two amazing tracks featuring guests. Both Alex Teyen and Josh Davis kill it on their tracks, making both ‘Tyranny’ and ‘Apache’ (respectively) huge highlights, too. If you’re into the heavier end of metal I cannot recommend this enough! It’s easily one of the best death metal releases of the year, and will definitely be one I revisit when I need a heavy fix. The band are destined for big things sooner rather than later thanks to this album, and it gets an easy 8.5/10 from us!
Colbie Caillat: This Time Around
The eighth album from the folk-pop-rock singer-songwriter feels like it takes a bit of a country twang to it this time round. That’s hardly a complaint, I saw her at more of a country festival last year and she fit in there perfectly. This style is very much what she was made to release, as this is an incredible album, honestly! It maybe helps that it’s packed full of massive and awesome country guests, with every track feating someone, but that shouldn’t take away from Colbie’s immense writing and vocal talents. But yeah, the guests are great too, even Walker Hayes! Of course a lot of the songs are tracks that she’s released previously, but the guests add a great new twist to it all and leave it feeling still fresh! ‘Bubbly’ is always a great song, but Amos Lee makes it somehow even better! Between that, the opener, ‘Lucky’ and ‘I Never Told You’, there are plenty of amazing songs on this album. However, every song is pretty great, and makes for a fantastic 40+ minutes of chilled out country-folk pop! Plus, her cover of Posty’s ‘Circles’ is excellent! If you’re into more of a pop-country sound, or like Colbie’s music in general, I’d definitely recommend giving this a spin. It’s a great reimagining of her hits, and the original songs are definitely up there alongside them! It’s a fantastic duets album, and I’m shocked she’s never done one sooner! 8/10
Revocation: New Gods, New Masters
Album 10 from the tech death band, following up 2022’s massive Netherheaven. I remember checking it out but somehow didn’t write about it, so I’m glad I finally get to do that with this release. Especially when it’s an absolutely fantastic album like this is. It’s 44-minutes of heaviness and brutality and utter brilliance and some of the best drumming and guitaring I’ve heard all year. It’s honestly impossible to pick highlights as the whole thing is as amazing as it is similar, piecing together perfectly.
It certainly isn’t going to be for everyone reading this, but if you are at all curious it’s well worth spinning at least once in full! The band are all working their asses off throughout and have crafted something truly special with this release! The multiple guests also once again add so much to the release, with Travis Ryan of Cattle Decapitation being a particularly awesome guest! I loved this, and will definitely be listening to at least the individual tracks a lot moving forward. 8.5/10
Rage: A New World Rising
We’ve also checked this one out previously, aren’t you lucky?! Check it out here.
Sloan: Based on the Best Seller
The second album we’ve checked out from the alt rock/punk-pop band after 2022’s Steady. Honestly, I can’t remember anything about that album, but apparently I rather enjoyed it! This release is no exception, a fun, easy-to-listen-to old-school rock album. From the opener to ‘Baxter’ to ‘So Far Down’ to ‘Here We Go Again’, there is plenty to love on this release. While it’s not typically my sort of thing, I really enjoyed not only these tracks, but the album as a whole, it being another fantastic release to just sit back and chill out with. It’s easy to hear why they’re such a big band in their native country, and I would certainly make the case that they are somehow only getting better with age, as I enjoyed this more than their last release. If you like more bluesy, poppy rock, this is certainly the album for you! 7.5/10
