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Features

The Top Albums of 2025 – Part 4!

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As we approach the final few, our list heats up, but there are still so many incredible releases for us to be checking out! See who’s 40-20!

40 – Volbeat: God of Angels Trust

The return of the Danish metal titans after a few years off has been a more than welcome one, as their ninth album is pretty incredible! You always know exactly what to get from the band, but rarely do they misstep, this being another great, similar release in their catalogue. Whether it’s chuggy almost thrash or their slower, more anthemic, stadium-filling stuff, they do it all as well as they ever have here. It’s 44-minutes of awesome hard rock/metal music in a style that’s only Volbeat can seem to pull off. When I first reviewed it, I wasn’t quite as sold on it as their previous album. However, after a good few spins since, it has grown on me a lot and is definitely up there with that release! It’s packed full of high points, from huge choruses to awesome riffs, and is a must check out for anyone who’s even a passing fan of the band! It still got a 9/10 from us then, but may even be a touch higher now. It very much deserves its slot on the list, and would have been higher had it not been such a good year!

Check out our reaction here!

Listen to: By a Monster’s Hand, Acid Rain, and Better Be Fueled than Tamed

39 – Ian Munsick: Eagle Feather

This is an absolutely INCREDIBLE country-Americana album that has somehow grown on me even more since first hearing it back in April. This thing is packed full of excellent track after excellent track, even at over an hour in length, and it goes by in a flash! His voice is so interesting for a country artist, and packed full of emotion throughout, just like his lyrics. From beauty to heartbreak, it’s all covered perfectly throughout, and by one of the best storytellers around in country today. And, whether you’re into a more neo-traditional country sound or not, this is well worth checking out, as I truly think it has a little bit of something for everyone. Want country rock? Check out ‘Stampede’. More of a pop sound? ‘God Bless the West’. Straight yo Americana? The opening two tracks. There’s a reason we gave it a massive 9.5/10 when we reviewed it, with the length being the only thing that still may keep it from top marks. However, it still more than deserves its slot on this list, and may get even higher on another day!

Listen to: Horses Not Hearts, God Bless the West, and Fixin’ Me

38 – Whitechapel: Hymns in Dissonance

Absolute brutality for 43-straight minutes, and an album I’ve seen talked about a lot in lists like this, and for very good reason! As much as I enjoyed Kin, I know there are those in the bands fanbase who didn’t, and see this as a return to their former sound, as well as a return to form. Honestly, it’s hard to argue! From the riffing to the drums to the screams, it’s all crushingly heavy and so well written and performed. And, every song is incredible, it all flowing together so well. It’s certainly not a release for everyone, but if you are into the heavier side of metal, I’m sure you’ve already checked out this masterpiece already! We only gave it an 8/10 back in March, but it has definitely grown on me a lot with more listens. An incredibly worthy entry to the list!

Listen to: Prisoner 666, A Visceral Retch, and Mammoth God

37 – Whiskey Myers: Whomp Whack Thunder

Somehow an album I missed until a couple of days too late, this is another excellent release from one of my favourite country artists. The band can really do no wrong at this point, as we loved their last album too! This release follows that one up perfectly, packed with awesome southern rock instrumentation and some incredible vocals, lyrics and melodies from Cody. And, from boot-stompin’ rockers to slower, emotional ballads, this album once again has a little bit of everything! If you are at all into country, southern stuff or hard rock, this is an absolute must of an album for you! There isn’t a bad track on the album and it goes by in a flash! It more than deserves its slot on this list, and it gets an incredibly easy 9/10 from us!

Listen to: Time Bomb, Rowdy Days, and Midnight Woman

36 – Biohazard: Divided We Fall

The return album from the hardcore thrash legends was everything as good as it was expected to be. It’s the perfect encapsulation of the anger in the world currently; from the lyrics to the riffing to the breakdowns, it’s all so great and fitting to the recent climate. It’s also an incredibly fun listen, and all 11 tracks on it are awesome and highlights in their own right. It’s impossible not to have a good time and actually feel something listening to this, and I’d recommend it to anyone to try at least once, regardless of what sort of music you like. It got a massive and very easy 9.5/10 from us when it dropped, but it may get even higher than that after a few more listens. It’s the perfect hardcore album of this style, and is very close to being the best album in the style this year… more on that later…

Listen to: Fuck the System, Eyes on Six, and Fight to be Free

35 – Ward XVI: Id3ntity

Overtone’s most anticipated album ever at this point I think finally dropped back in summer, and honestly lived up to the hype, insanely! Part three of the Psychoberry trilogy ends things in fitting, grandiose and dark fashion, the band doing their usual genre-blending just as perfectly as ever. From hard-rock to folk to gothic to heavy to modern metals to flashes of everything from Reggaeton to electronic, there is a bit of just about everything, and a hell of a lot of different instruments. And, in typical concept fashion, it all flows perfectly and seamlessly together. There really isn’t a bad track on this thing.

The band are not only known for putting on one of the best live shows, underground or otherwise, but their studio work really speaks for itself too at this point. It’s a fun, epic listen from start to finish, and one that I’d recommend to anyone! I am desperate to see it live so hope we get another tour or some festival slots in 2026, but I am more than happy to keep spinning this in the meantime. A solid 9.5/10 from us and a worthy addition to the list!

Check out our interview with them here!

Listen to: Regeneration, Macabaret, and Blood is the New Black

34 – Jon Pardi: Honkytonk Hollywood

The neo-traditional country legend returned back in April to follow up his 2022 release. I loved this when it came out, but for some reason then didn’t revisit it much for a while. However, when coming back to it when getting this release going, I remembered just how fucking excellent it truly is! From front to back this album is packed full of banger after banger. Be it a catchy country-rock radio hit or slower, emotion-filled ballad, it’s all so good. It’s almost an hour long but doesn’t feel it at all, going by in no time at all. I did enjoy Mr Saturday Night, but this definitely tops it, honestly up there alongside California Sunrise for me! There’s a reason he’s still one of the biggest names in the genre some ten years after he broke out, and output like this is a fantastic example of it. It got a massive 9/10 from us back then, and I am very inclined to agree with that still now, if not a 9.5! Much like with previous entries, if it was a smidge shorter it may have gotten even higher up, but it still earns a damn good place on our list!

Listen to: Boots Off, Rush, and Love the Lights Out

33 – Shiraz Lane: In Vertigo

Album number four from the AOR/sleazy hard rock quintet blew me away a couple of months ago when it released, and still does so whenever I go back to check it out now! It’s packed full of massive riffing, arena-filling choruses and absolutely stellar production. The band have really stepped up with this release, and this is coming from someone who was a big fan of their last couple of albums! Each of these 10 tracks are truly as good as the last, and the album is worth a listen if you are at all into rock music. It’s insane that they aren’t a bigger name worldwide, but this release is certainly set to push them to that level, I’m sure! It’s an incredibly fun release, as well as having moments of heartfeltness and some great ballads. It was a very easy 9.5/10 upon release, and after a few more listens it’s hard to say any differently. Another well-earned entry into our list!

Listen to: Stone Cold Lover, Dangerous, and Sayonara Love

32 – The Smith Street Band: Once I Was Wild

For anyone who hasn’t guessed by now, this isn’t typically my sort of music. However, the phenomenal writing and emotion bleeding from every single song drew me in and made me a massive new fan of this band last month. It’s on the heavier side of indie rock, definitely giving off Frank Turner vibes in the best ways. And yeah, this is a beautiful, bittersweet release that you cannot stop once you start, 41-minutes going by in a flash. Maybe it’s more of a reflection of my questionable mental health currently, but hey, this is my list, I can do what I want! This is an incredible, powerful, grandiose release that everyone needs to listen to at least once. It’s given me goosebumps, made me laugh and cry, and it’s only been out for a month! Instrumentally or vocally it’s nothing special, but it all works so well with the powerful lyrics that I really can’t get enough of it. 9/10 doesn’t seem to do it justice after a few more listens, so it would definitely get higher than I gave it before.

Listen to: Once I Was Wild, Constellation, and The Morning After

31 – Finger Eleven: Last Night on Earth

The Canadian alt-rockers’ return to the studio after a decade didn’t disappoint, and very much lived up to the hype! From the absolutely MASSIVE riffing to the catchy as anything choruses to, once again, some of the best production around today, everything about this release works so well together. And it’s also paced perfectly; the slower and faster tracks complimenting each other excellently and making for an incredibly easy 40-minute listen! It’s very much a throwback to the early 2000s radio rock sound that I grew up, so there is a touch of nostalgia here too, but give this a listen and try to tell me it isn’t excellent, it’s impossible. It’s equal parts beautiful and rocking, and it’s easy to see why they’re such a big name across the pond. A surprisingly slightly low 9/10 from us last month, it’s a truly amazing album and another I’d wholly recommend to anyone even slightly interested!

Listen to: Adrenaline, Lock Me Up, and Perfect Effigy

30 – Dominum: The Dead Don’t Die

The second album on this list to be dropped in December of 2024, I have been obsessed with it ever since! They’re my favourite modern power metal band, and they knocked it out of the park once again with their second release. I loved their debut, but this builds on everything from that record and very much turns it up to 11. Every chorus is stadium-fillingly catchy, and the album as a whole sounds MASSIVE, from the instrumentation to the perfect production. Dr Dead is honestly a genius when it comes to power metal, and has crafted something truly special with this release, just like he did with Hey Living People. It’s another album I’d recommend to absolutely anyone, and don’t be surprised if you come out of it having found one of your favourite new bands like I have these last two years! It was another album we gave a huge 9.5/10 to when it dropped, and it’s hard to argue against that still all these months later. Yet another worthy addition to the list!

Check out our interview with Dr Dead here!

Listen to: One of Us, The Dead Don’t Die, and Happy Deadly Ending

29 – Chris Young: I Didn’t Come Here to Leave

Just because this is a little lower on the list than his last one, it doesn’t mean that this isn’t still a phenomenal country album, and album overall for that matter! Chris is one of my favourite artists full stop, and I think he’s found the perfect formula for his particular brand of noise. This thing is packed to the brim with awesome songs, from more up-beat numbers to ballads, and smartly alternates between the two for most of the release. It’s the perfect mid 2000s radio-country album, with just enough rock to keep it interesting, and there really isn’t a bad song on it. It hasn’t gotten nearly enough love as it deserves, even though we gave it an 8.5/10 back in October. However, after a few listens it has grown on me even more, it being an incredibly well-rounded release, and is easily 9+ now! From a drinkin’, party mood to a more emotional track or two, Chris does it all so well, and I can’t recommend this album to anyone even slightly curious. It more than deserves its slot on this list, and is another that could be higher on any given day!

Listen to: Some Around Here, I Feel a Cold One Coming On, and Pour Some Whiskey on It

28 – Coheed and Cambria: The Father of Make Believe

Some more proggy alt hard rock, this time from the American legends and their tenth album. I’m going to put it straight out there; as beautiful as the opener is, it’s a terrible way to kick off the album. Especially when after that it’s a tour de force of everything Claudio and co. do so damn well. I get how much of a storyteller and concept artist he is and ‘Yesterday’s Gone’ probably fit the narrative better, but ‘Goodbye, Sunshine’ is a banger and would have been an excellent opener. That being said, the album as a whole is phenomenal. It’s the best flow an album has on this entire list, every song following on perfectly from one to the best, and an hour (1:15 for the New Entities edition) is so easy to sit and rock through. As much as I loved Vaxis II, this is something else dude. I’d put it up there alongside their best releases, for sure. From prog to slower ballads to heavier, hardcore-punk infused stuff, there is so much variety to keep you going, too. I wish I was even a fraction as creative as these guys, and I can never get enough when they put out new music. It got 9.5/10 and for damn good reason!

Listen to: The Father of Make Believe, Meri of Mercy, and Blind Side Sonny

27 – Rivers of Nihil: Self-Titled

I’m going to make a potentially wild claim here, but I stand by it: technical death metal may have never sounded so good as it does on this album. This has absolutely everything, from heaviness to scream, huge clean melodies to technical riffing and soloing and even some sexy sax, and the band pull it all off perfectly. The talent throughout is off the charts, and I’ve listened through all 10 tracks of this a fair bit since it dropped back in May. If you are at all into the heavy stuff, I truly cannot recommend this release enough! It got one of the easiest 10/10s I’ve ever given, and very easily made it this high up the list! If it wasn’t for some insanely strong albums later on, it’d have gotten even higher!

Listen to: The Sub-Orbital Blues, Despair Church, and Evidence

26 – Stray From the Path: Clockworked

Dropping the same week as the previous entry, it just edged it out for a higher spot due to how incredible the lyrics and overall vibe is. I told you hardcore was back in a big way this year, and no one does it better than the Long Island metalcore/hardcore punkers. The bounce, the heaviness, the attitude, it’s all fantastic from start to finish. It’s angry, and perfectly fitting for the current state of the world. It feels like an absolutely wild time for a band like this to be calling it quits, but they’re very much going out with a bang! We adored their last album but this one may be even better, honestly! 9/10 sounds far too low in retrospect, another album that could potentially get top marks now I’ve listened to it a few times! Check it out if you are at all curious!

Listen to: Fuck Them All to Hell, Shot Caller, and Can I Have your Autograph?

25 – Fury: Interceptor

Talk about an entire album being stuck in my head for nearly four months now! This is a hard rock/AOR masterclass from one of the very best in the NWOCR scene! From the riffing to the solid drumming to the stadium-filling choruses and harmonies, it’s all perfectly written and performed. The band have been going for a little while now and really have aged like a fine wine, this maybe being my favourite release from them! Every song is as good as the last, and it’s an incredibly easy 40+ minute listen. There’s a reason this got an impressive 9.5/10 from us, and just give it a listen if you don’t believe me and try to tell me it’s any less! It’s an incredible album, and one that is more than deserving its place here!

Check out our interview with them here!

Listen to: Interceptor, On the Town, and DTR

24 – Kip Moore: Solitary Tracks

This is how you do a long release well! The modern country/Americana legend blew me away at the start of the year, and produced an album that I have revisited plenty of times throughout the last 10 months. How is that someone can do a 22-track, 85-minute album, and it’s still all THIS GOOD? And, from up-tempo country bangers to more soft-rock inspired stuff to ballads, it’s got it all, and done perfectly. If any of that catches your fancy, check out this album immediately! It’s not going to be an album for everyone, but goddamn do I love this to pieces. It’s another that has grown on me more and more, and once again the 9/10 we gave it doesn’t feel enough any more! Certainly Kip’s most complete work to date!

Listen to: High Hopes, Like Ya Stole It, and Live Here to Work

23 – Sarayasign: Shadows of the Dying Light

Oh look, even more incredible AOR music! It’s like a heavier, groove-metal infused Bon Jovi, and I still can’t get enough two months later. And it’s somehow another album over an hour in length that is packed full of bangers, making for an incredibly easy listen. It’s all pretty epic stuff, and relatively cheesy (if done so well it’s only boarderline) so it certainly won’t be for everyone. I love it though, and it’s honestly a crime that they aren’t bigger than they are currently. They deserve to be playing this to huge festival crowds, as it would fit so well. They’re all insanely talented players and songwriters, and have crafted something special here! If you are into rock in any capacity, give this a spin, you’ll surely get as lost in it as I do. An incredibly easy 9.5/10 from us easily cemented this it’s high position on our list!

Listen to: Worlds Apart, Shades of Black, and Throne of Gold Part III

22 – LessDMV: Epitaph II

Y’all should know by now how much I adore Julian’s work. It’s been all over Overtone’s various avenues for a few years now, and this somehow feels like the culmination of all of it. 53-minutes of incredible, gothic hard rock/metal, all of it being excellent. Julian and his brother are amazing at writing heavy stuff or emotional ballads, and he has one of the best vocals across any genre today. And while its main aspect is gothic, it feels fresh; there isn’t really anyone sounding like this around currently. It’s packed full of memorable moments and some of the best tracks across all his projects, as well as being a release I have revisited again and again since its release in May. Some of it still gives me goosebumps or blows me away all these months later. I know he’s already teasing new music, but I can’t get enough of this still to be able to focus on anything else he’d put out! It was an incredibly easy 10/10 in our review, and I still fully stand by this now!

Listen to: Hysteria, The One, and In the Dark

21 – Blake Shelton: For Recreational Use Only

The big man himself put out his highly anticipated follow-up to 2021’s Body Language, and somehow topped that already stellar album! Right from the excellent opening track through the other three excellent singles and every amazing album track around them, it’s 40 minutes of perfect 2000s country music. The fact that he’s been putting out music for nearly two and a half decades now and is still releasing stuff of this calibre is amazing, especially in country! ‘Texas’ has been a frequent ear-worm for a solid year at this point, but there is plenty more to love alongside that on this album. It’s another album that still puts a lump in my throat all these listens later, and got an incredibly deserving 9.5/10 in its review!

An excellent way to cap off part 4, now… let’s get to the last few…

Listen to: Texas, Hangin’ On, and Cold Can

<-   Part 3.                          Part 5   ->

Features

The Top Albums of 2025 – Part 3!

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Part three of our list and things are really starting to heat up! We’ve already had some excellent albums across genres, and here are 20 more! Are there any missing that you think will be in the top 40?

60 – Cory Marks: Sorry for Nothing Vol. 1 & 2

Yep, we’re starting off this part with a cheeky wildcard/twofer. Sorry. And yes, it’s even cheekier that Vol. 1 came out in December ‘24. However, it was the very first week for it, as the cut-off for this is end of November. And, with both being from the same collection, it counts, alright? So yes, technically it’s the top 101 albums of 2025…

Cory is the perfect blend of modern country music and early 2000s radio rock (dad rock as it’s now known *shiver*). And the fact that he cannot only pull off both styles perfectly, but combine them at times effortlessly too, across a full nearly 90 minutes is incredible and a true testament to his talents! There is somehow very little filler across both releases, too. If you are into country or rock at all (why are you reading this website if you aren’t into either?) then I cannot recommend these albums enough. From the chunky riffing to the arena-filling choruses, he’s an amazing songwriter, and he and his band perform it incredibly. He fits perfectly alongside people from both sides of his sound, and it’s easy to hear why we gave both parts a solid 9/10. It’s very much like all the best parts of Nickelback, and more than deserves its spot on our list!

Listen to: (Make My) Country Rock, Change the Game, and Wild Ride

59 – Arch Enemy: Blood Dynasty

This is a slightly odd release now, with Alissa rather abruptly leaving the band just a few weeks back. However, their last album with her at the front is maybe my favourite one since their earlier days, and it has somehow grown on me more and more! Its basis is the bands usual melodeath style that they do so far, but they build it into much more than that here. From clean vocals to thrasher bits to even a more epic power ballad, this release pulls so much from other metal facets, yet still feels distinctly Arch Enemy. And it’s a perfectly solid 42-minutes, with each of the 11 songs being excellent. As excited as I am for where Alissa goes solo, I’ll definitely miss her being in the band. However, not only have they managed to prove that they can make a banging album without Loomis involved, but really went out on a high with the Alissa-era. We gave it an incredibly solid 9/10, and there was no way it wasn’t making it this high on this list!

Listen to: The Dream Stealer, Don’t Look Down, and Vivre Libre

58 – DOROTHY: THE WAY

Another album, another year-ending list for the LA hard rocker. Yet again she smashes it out of the park with her studio release, this being up there with anything she’s put out prior. This thing is a solid blues-infused hard rock release, and the deluxe edition is somehow even better! From the awesome riffing to her powerful vocals and arena-filling choruses, it’s all so damn good, and there really isn’t a bad song throughout. It’s a shame that she seems to have no interest in touring the UK or Europe, as I’d love to see all of this live! This got a massive 9.5/10 back in March, and it’so hard to argue with that all these months later. It more than deserves its place on this list, and would have been higher if it wasn’t for so much awesome music dropping in 2025!

Listen to: MUD, TOMBSTONE TOWN, and UNHOLY WATER

57 – Testament: Para Bellum

After five long years off, the thrash legends returned back in October and really took no prisoners with this release! This thing is a masterclass of heavy thrash metal, and proves that they are still one of the top bands to ever do it. There are a number of bands from the 70s and 80s that have been putting out great new music in recent years, but I would argue none have done it as well or consistently as Testament. And nearly four decades into their music-releasing career, they went heavier than ever, which is fucking awesome! And yet they still squeeze a rare-heard ballad in here for good measure too, it being an incredibly well-rounded and easy to listen to album, even at nearly an hour! I gave it a 9/10 when it dropped, but I may even rank it a touch higher at this point, it really is that good! If you are at all into the band or the genre in general, I can’t recommend this enough, it’s up there with some of their best.

Listen to: For the Love of Pain, Infanticide A.I., and Meant to Be

56 – The Darkness: Dreams on Toast

The British light-hearted rockers returned with their first album since 2021 way back in March, and may have released their strongest album since their debut. It also marked the longest gap between albums the band had aside for their hiatus, which could potentially explain things. It’s a varied 33-minutes of rock music that is constantly interesting and a lot of fun throughout. Whether a foot-stomper, a stadium anthem or a ballad, this album has it all, and has just enough tongue-in-cheek to still feel so distinctly Darkness. Heck, there’s plenty of quirkier influence too, from ELO to Queen and even some country! I know the band are somewhat controversial lately due to the Hawkins’ comments about Yungblud, but that doesn’t stop this from being a damn good album written and performed by four incredibly talented musicians. If you are at all into rock music, this is a must check out for you! Heck, we gave it top marks when we reviewed it, so that should really speak for itself, right?

Listen to: I Hate Myself, The Longest Kiss, and Walking Through Fire

55 – Liam St John: Man of the North

Despite me still feeling like it doesn’t open well, this is an absolutely incredible blues/soul/Americana album. It’s packed full of emotion but also effortlessly swaggering and cool throughout. It also somehow feels like the perfect combination of old-school blues and a more modern twist. Liam has tapped into something truly special here, channelling his influences in a way to create a sound that we really don’t have a lot of these days, and it fits in across most rock and country scenes. And for such a new artist to be putting something out of this high quality is truly incredible. I discovered him at Long Road this year and was immediately obsessed, so the fact that this album came out just a couple of weeks later and cemented me as a firm big fan of his is a true testament to the man’s songwriting and talents. The only thing that’s dropped it a couple of places on this list is it’s length, though even then I’ve happily listened to it through a good few times since September, even if it does slow down in its last third. Another incredibly easy 9/10 from us, and another that is more than deserving of his slot on this list!

Listen to: Believer, forefathers, and Dipped in Bleach

54 – Daedric: As the Light Left

The modern metal powerhouse’s second album storms onto this list, just like her debut did back in 2023. This is the perfect mix of heavy and beautifully ethereal, and is impossible to stop listening to until it’s all finished. Her scream is incredible, and fits amazingly over the top of the heavy riffs, but her powerful cleans are just as good, and utilised perfectly throughout. I’ve said it before (in our review, no less) and I’ll say it again, Daedric is everything I wish Spiritbox was. They are somehow getting better and better every time they put out new music, and I am so excited to see the heights they can reach, as with output like this they more than deserve it! If you are at all into the aforementioned band, or anything from Poppy to THE DEFECT to Bad Omens, I cannot recommend this enough. It’s an excellent metal album that got a very easy 9/10 back in October, and was a very easy addition to this list!

Listen to: The Other Terror, Night Mother, and Dark Legacy

53 – Igorrr: Amen

There was no way this wild slice of experimentation wasn’t making this list. The Frenchman blew me away with his last release back in 2020, and this continues on from that album pretty perfectly. And, whether it’s epic blackened death metal, more orchestral, cinematic arrangements or straight up dubstep, everything he touches here turns to gold. Don’t get me wrong, this is certainly not an album for everyone, but I loved it and have revisited it multiple times since it dropped back in September. Gautier just does things completely different to everyone else out there, and honestly feels like a creative evil genius on par with Danny Elfman at this point. And somehow, this three-quarters-of-an-hour release that genre-blends and hops constantly goes by in a flash, reflecting on its quality. If you are at all curious or like his other work, do check this out! While I still maintain the opinion that it’s not quite as good as Spirituality and Distortion, it’s still a damn good album, and certainly deserving of the 9/10 we gave it, as well as it’s slot on our list.

Listen to: Headbutt, Blastbeat Falafel, and Pure Disproportionate Black and White Nihilism

52 – Vincent Mason: There I Go

For someone who I somehow hadn’t heard any of until the start of November, I have become pretty heavily obsessed with this album since! Having the energy, vibe and lyrical content of the more indie-Americana sound I love currently, but with more of a country twang to it, he’s got an amazing style. And, while this is another country release on the longer side, it’s packed full of incredible highs and doesn’t have a bad song throughout! It’s also packed full of emotion and catchy choruses, and what more can you ask for from country music? A good half of this album is on my personal playlist, and certain tracks still give me goosebumps over a month later. If you’re a country, Americana, indie etc fan, this is certainly an album you need to check out immediately! And the fact that it’s a debut album, DAMN. It was yet another album I gave 9/10 to in my review, and it more that deserves it!

Listen to: Little Miss, Damned if I Do, and Wish you Well

51 – Sumo Cyco: NEON VOID

Album four from the former Canadian teen pop-punker and her band seemed to have come out of nowhere this year. After not seeing much of them after their 2021 release, they exploded back onto my radar with a host of awesome singles leading up to this release. And the singles are hardly the lot of it either, as this whole album slaps from front to back! 41-minutes of fun pop-metal; equal parts heavy riffing and mainstream hooks. She’s such an interesting vocalist, powerful, catchy melodies and still the odd scream thrown in for good measure. After sitting with it for a couple of months, I honestly think it’s the most well-rounded album they’ve put out, every track being awesome and there being some interesting pace changes throughout. It got a solid 8.5/10 when we reviewed it, but I’d definitely say it’s closer to a 9 after a few listens. If you’re at all into stuff like Tonight Alive, Skindred or Butcher Babies, check this out ASAP!

Listen to: SHIVERS, VILLAINS, and CLOCKWORK

50 – H.E.A.T.: Welcome to the Future

There isn’t nearly enough cheesy AOR on this list this year, but arguably the modern kings of it gave us one of their best albums to date back in April. The second album since original vocalist Kenny’s return goes hard for a full 45-minutes, and is packed full of MASSIVE riffs and stadium-filling choruses. It’s impossible not to love this band and album, and every track is as good as the last, all of them being stuck in my head for days at a time at various parts of the year. It’s insane to me that they aren’t one of the biggest bands currently around, but this style of music doesn’t get nearly as much love as it should! It got a 9/10 from me when it dropped, but honestly after so many listens it may be even higher than that now. Check this out if you are at all into big, cheesy choruses, and I only wish I could have put it higher!

Listen to: Disaster, Running to You, and Tear it Down

49 – Muscadine Bloodline: …And What was Left Behind & Longleaf Lo-Fi

Oops, it’s another twofer… oh well, it’s my list, I can do what I want!

The first of this releases has been floating around high on my list since it dropped back in April. And, while it was left-over tracks from their 2024 release, Their follow-up back in November felt like it also fit the same vibe so well that In struggled to separate them. Both are fantastic country-Americana releases from the duo, packed with great harmonies, emotion-filled lyrics and some great instrumentation. And, at barely an hour across both albums, it’s not even that massive an undertaking, especially for country! It’s simple, chilled-out modern country music, and if you’re a fan of that at all these albums are a must! Somehow I missed reviewing Lo-Fi, but gave Left Behind an incredible solid 9.5/10, and it’s easy to hear why if you listen! Though I have found other albums and releases in this style I’ve enjoyed more through the year, both of these together easily still get that score, and are solidly entered into this list!

Listen to: Ain’t For Sale, Deer in the Headlights, My Meridian, and You Will be Loved

48 – Dinosaur Pile-Up: I’ve Felt Better

There’s just something about Dinosaur Pile-Up, man. There is no one out there doing what they do, and their brand of punk-hard rock-indie fusion is a hell of a lot of fun. This album thankfully picks right up where Celebrity Mansions left off six years prior, with Matt barely showing any signs of his life-threatening health issues over the last few years, aside for in his lyrics. Back when ‘Back Foot’ dropped they seemed like the next big thing, and while their momentum dipped a little, this has done a fantastic job of bringing them back on track! It’s yet another album packed full of awesome songs, with most of it ending up on my personal playlist after just a couple of listens. It’s also an incredibly varied album, with plenty of emotion and vulnerability on display at times, while they still show their fun, light-hearted side on the likes of ‘My Way’ and ‘Big Dogs’. From the big riffs, solid drums and anthemic choruses, it’s honestly the perfect Dinosaur Pile-up album, and I’d put it up there with their last couple of releases easily.

I’ve been obsessed with it since August, and would urge absolutely everyone reading this to give it a try. It was another big 9/10 from us back in August, but it may be even higher than that for me now!

Listen to: ‘Bout to Lose It, My Way, and Quasimodo Melonheart

47 – XIII Doors: Into the Unknown

The debut album from the Irish melodic hard rock band is just as good now as it was when I first checked it out back in February! The mixture of early 2000s radio-rock/arena-filling choruses and plenty of Tremonti-style riffs is perfect, and performed to perfection here. It’s another short and sweet album, just eight tracks packed into an excellent 33 minute package. There truly isn’t a bad track on this album, and there is so much to love throughout. The band have a massive future ahead of them, and this album will be looked back on as the launching pad for that in years to come! There’s a reason I gave it top marks in my review, and I’d recommend this album to absolutely anyone. There is no way it wasn’t making this list, and it more than deserves as high as it’s got! I look forward to hearing where they go in the future!

Listen to: Unleash the Beast, Face the Truth, and Into the Unknown

46 – Frankie Ballard: The Messanger

This is where I really wish I could have put albums higher up. Not to say that everyone above isn’t incredible and could have gotten higher up without the next lot, but this is where the list became almost impossible for me to order!

This is an absolute masterclass in blues, Americana and country. His first album in nearly a decade and it was more than worth the wait, in this writers humble opinion! To put it into perspective, two thirds of this release made it onto my playlist, and the other four tracks aren’t particularly worse than the rest! It’s packed full of great guitaring, emotional and fantastic vocal delivery and some infectiously catchy melodies and choruses. It dropped back in March and honestly I’ve lost track of how much I’ve spun it since then, even the album in full or its many, many highlight tracks. How I haven’t seen much love for it when it dropped or around this time of year is beyond me! If you are into any sort of facet of blues, check this out immediately, you’re bound to love it as much as I do! It was another release with top marks in its review, and it’s practically impossible to argue with that all these months later!

Listen to: Dirty Church Clothes, Shine, and Fenceless Freedom

45 – The Heavy Souls: Have you Got Soul

Our good friends put out their debut album back at the start of the year, and absolutely blew me away with it! An absolute powerhouse of hard rock/blues riffing from front to back, channelling the likes of Rival Sons and Wolfmother perfectly. And, on top of that, plenty of soaring, powerful vocals that fit perfectly over the top! Whether it’s a plodding blues pace or a more uptempo hard rock one, the band pull both styles off so well and it flows perfectly throughout. There is no wonder they have received such praise over the last year or so, and have really built themselves up to a force to be reckoned with already in the UK underground scene. An incredibly solid 9/10 back in February that still stands now, and a worthy addition to the list!

Listen to: Have you Got Soul, Sleepwalking, and She Said

44 – Wretched Path: Sea of Death

Somehow an album I missed when it dropped back in March, I’ve become a little obsessed with it since! The Finnish modern death metal band’s release has somehow slipped under the radar of a lot of people, 121 monthly listens for this is criminal, but I am very proudly one of them! This is barely half-an-hour of perfect brutality, not letting up from start to finish. It’s certainly not an album for everyone reading this, but if you are into your metal on the heavier side, this is an absolute must! From the riffing to the arrangement, drums to the screams, it’s all excellent, and a true masterclass of what death metal is in 2025. It prompted me to also listen back to their 2022 debut, which is also good, but this builds on everything on that perfectly. I can’t give it any less than 9/10, and it more than earns its spot on our list!

Listen to: Release of Violence, Apophis, and

43 – Kelsy Karter & the Heroines: Love Made me Do it

Nearly 11 full months on, this is still an absolutely excellent pop-rock album! I’m so glad Kelsy is getting the love her and the Heroines so sorely deserve, with them recently touring Europe supporting Halestorm, and this album surely went a good way into making that happen! This is packed full of so many incredible radio hooks, backed up perfectly by the excellent instrumentation. Whether it’s slower power ballads or straight up rock tracks, it has a bit of everything, and 50-minutes goes by in a flash! I gush about it even more in my review, and it was yet another 10/10 album, a score I fully stand by after god knows how many listens all these months later. As I said earlier in the Frankie entry, I really wish I could put this higher, and honestly on any given day it could jump up a good few places. It’s an absolutely stellar album and one that I’d recommend everyone check out at least once!

Listen to: Daughter of the Night, Laser to the Heart, and Painkiller

42 – Foreign Affairs: Brothers

Oh look, another phenomenal debut album! The sheer quality of this for a first release is absolutely insane, too. It explores so many different styles too, whether it’s indie, country, Americana or rock, all of them pulled off to perfection! It’s a powerful album too, emotion being a thread throughout and it still giving me goosebumps at times some three months later. The pair are so damn talented, both as players and songwriters, and have crafted something truly special with this release. It was a very easy 9.5/10 back in September, and I very much stand by that now still. It’s an excellent album and another artist that I can see being a massive name sooner rather than later!

Listen to: Killer Spell, I’m on Fire, and One Minute

41 – All Time Low: Everyone’s Talking

The modern pop punk legends returned with an absolute stormer of an album this year, topping the already great Tell me I’m Alive from 2023. It’s the closest they’ve sounded to their old-school sound in years, yet still have a modern edge and production to it. And it’s also packed full of incredible tracks and huge choruses, just like the band have become so well known for. On top of that, Alex proves that he is one of the most underrated storytellers in the business, weaving a tale of how he’s feeling the last couple of years. I was eagerly anticipating this since I first heard ‘SUCKERPUNCH’, and since the album dropped I’ve been a little obsessed! It got a 9/10 from us, but honestly after a few listens I may put it even higher than that now! It’s a fun, surprisingly deep album and is a great way to close out this part of the list!

Listen to: SUCKERPUNCH, The Weather, and Little Bit

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Part 4 ->

Features

The Top Albums of 2025 – Part 2!

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Part two of our list, and things are already starting to heat up! I thought I’d take this quick time to highlight some honourable mentions, as there were so many albums that sadly didn’t quite make the cut that are well worth checking out: Badflower. Dropkick Murphys. Russel Dickerson. Bleed From Within. Cam. Ron Pope. Heaven Shall Burn. William Prince. Jordan Davis. And, knock her all you like, but the new Sabrina Carpenter album slaps!

80 – Star Circus: From the Wreckage

We kick off part two of this years list with a long-anticipated sophomore album, and one hell of a sleazy, AOR/hard rock release! I’ve been a fan of the band for a few years now, and was pretty hyped when this was announced and we got sent it, and for anyone who’s read our review, I was certainly not disappointed! Nearly 50-minutes of awesome riffing and instrumentation, and packed full of choruses big enough to fill stadiums! Feeling like a modern version of Glenn Hughes or Night Ranger, it’s a lot of fun, and an incredibly easily listen that I’d recommend any rock fan check out! If/when you do, you’ll easily hear why we gave it a whopping 9.5/10, and why it easily made it onto our list!

Check out our reaction to them here!

Listen to: Chained to You, One Hit Wonder, and Last Dance

79 – Paradise Lost: Ascension

The godfathers of death-doom returned this last September with their first new studio stuff in half a decade, and proved that they are still one of the best in their genre. This is an hour of moody, gothic heaviness, and I love every bit of it. The riffs are the main highlight, as expected in this music, but some of the vocal lines are surprisingly catchy too, even when screamed! And the whole thing is just epic, flowing perfectly one track into the next. It’s certainly not for everyone, and is no small undertaking, but if you are at all into doom music, this is very much the album for you! It was, you guessed it, another massive 9/10 from us when it dropped, and a few listens later it still very easily sits at that. A welcome, easy addition to this spot on the list!

Listen to: Tyrents Serenade, Salvation, and Sirens

78 – Rival Pack: BURN

As I’ve said before, 2025 was the year of the hardcore return, and few did it better this year than this Netherlands-based collective. Frankly, the fact that they sit on barely 100 monthly listeners at this point is nothing short of criminal! This isn’t even half an hour of absolute aggression and fury that would put plenty of other artists to shame. It’s a great way to get out some anger, as it makes me just want to throw people around a pit, and at the same time is a great fun listen. It’s a typical sound for the genre and doesn’t do a lot out of the ordinary, but what it does do, it does to perfection. I’ve spun this a lot since June and haven’t yet gotten bored of it, sure to keep spinning it plenty in the new year, too! From the riffing to the screams to the breakdowns, it’s all so good. Somehow it was one we hadn’t checked out for NMM, but give this a listen and try to tell me it is anything less than a 9/10! An amazing heavy album, and well worth its placement on here. On a weaker year, it could have gotten far higher!

Listen to: Closing In, Killer in the Pool, and Don’t Waste My Time

77 – Luna Marble: Self-Titled

The debut album from the bluesy hard rockers only came out last month, but has quickly established itself as a force in this list! This is a powerhouse of 70s riffs and psychedelia from start to finish, as well as being packed full of some awesome, arena-filling choruses to boot! It’s honestly refreshing to hear a band inspired by Led Zeppelin but not sound like a clone of them. It’s a more modern sound, reminding me a lot more of something like Brave Rival. These guys have truly mastered their craft and sound already, insanely impressive for a band so young and not having been going all that long. Everyone is exceptionally talented; from the riffing to the drumming, synth to the actually-focused-on bass to the soaring, powerful vocals it’s all incredible. I’ve fallen in love with the band since this early November release, and if you are at all into more of a classic rock style it is an absolute must-listen! It’s very easy to hear why it got a massive 9/10 from me, and it more than earned its slot here!

Listen to: All of my Love, So Long, and Redemption

76 – The War & Treaty: Plus One

Firstly, I don’t remember this album being this damn LONG. As much as I love the band, 66 minutes is a lot to sit through, and I think it’s a big reason as to why I’ve stuck to the tracks I like and very rarely revisited the release as a whole. It’s most likely the reason that it’s a touch lower than their previous release was on these lists. The highs are in the sky, but there is a fair bit of needless filler too, in this writers opinion, which stopped it from being quite as excellent an album as Lover’s Game. However, it’s still a damn good album, and produced some of my favourite country-adjacent tracks of the year. The duo lean even harder into their Southern Soul style than ever, putting out a truly unique release different to anything else on this list. And, honestly, it’s the more country/Americana stuff that I find myself going back to the least. They have really found their niche and bounce off of each other somehow better than ever, crafting something honestly special here, despite the length. It’s crazy to look back on our review of it and see my opinion has changed a bit on the slower stuff. Honestly, I’d stick with the 9.5/10 over top marks. However it’s still awesome, and very deserving of a slot of this list, that’s for sure! Check this out, especially the opening half!

Listen to: Call You By Your Name, Stealing a Kiss, and Love is on Fire

75 – Feuerschwanz: Knightclub

Power metal ‘Gangnam Style’… do I need to say anything else?! The band put the fun in power metal like few other bands can, and it makes this a fantastic listen! Don’t get me wrong, they can also get serious and ‘proper power metally’ when they want to, but the slightly more light-hearted nature is a lot of fun, and has kept me coming back to a lot of this album again and again. And even though the release may appear front-loaded (aside the massive closer), there are some truly incredible folk metal songs throughout, and I couldn’t name you a bad song. I have fully gotten on-board the power metal train the last couple of years or so, and this is honestly one of my favourite releases in the genre since then! It is a resounding YES in answer to the question posed in my review, and I fully stand by the 9/10 I gave it back then. It more than deserves this slot on the list, and would have gotten higher if it weren’t for a couple other power metal albums further on…

Check out our interview with Ben here!

Listen to: Knightclub, Valhalla, and Sam the Brave

74 – Carter Faith: Cherry Valley

Another debut album, this one for a sure-fire future country megastar. Her Dolly-esque vocals and her fantastic lyric/songwriting are a winning combination, that’s for sure! Her quick wit lyrically is second to very few currently. She definitely adds some modernness to the neo-traditional sound though, and even some epicness with songs like the opener. It’s simple and rather chilled-out as a whole, but packed full of both fun and emotion. And, even at its pretty stacked length, it’s full of amazing songs and it an incredibly easy listen. A lot of it came out as singles beforehand, but despite being a marketing/income tactic, it’s also easy to see why, as there are so many standouts. It gives off Sabrina Carpenter vibes at times, and I mean that as the uttermost of compliments! It’s very easy to hear why I gave this a 9/10, and it’s stayed firmly in my rotation since the start of October when it was released. If you are at all into country music check this out, especially given how MASSIVE a name she’s going to be sooner rather than later. Heck, ‘If I Had Never Lost my Mind…’ still gives me goosebumps now, that alone should encourage you to listen!

Listen to: Sex, Drugs, & Country Music, Grudge, and Burn my Memory

73 – Old Dominion: Barbara

Just two years after their amazing Memory Lane, the country megastars returned with yet another barn-burner! It’s a really interesting release for me, too. When it first released, I was adamant it wasn’t up there with their last album. However, the more I listen to it, the more I find myself enjoying almost every song a lot. While the singles aren’t as massive and memorable, it’s a shorter, more concise album, with less filler and far more killer than Memory Lane. It’s a chilled-out country album that feels like it leans more into their influences than trying to score another radio hit. The band really cut loose and wrote what they wanted to, and it results in a beautiful album that is packed full of heart and emotion. It combines a more traditional country/soul sound with their more modern elements, so if that sounds at all like something you’d be interested in, I can’t recommend this enough! It’s another one that definitely gets bumped up, as I only gave it 8/10 in our review, while it’s another easy 9 now, if not higher!

Listen to: Making Good Time, Man or the Song, and Talk Country

72 – Fit for a King: Lonely God

The Texan metalcore collective returned back in August with their eighth album, and it’s an epic, varied release! Whether it’s the more modern BMTH-inspired arena metalcore, or the brutally heavy riffing and breakdowns that brought them to the dance, or even a couple of slower ballads, this thing is packed full of a bit of everything from the genre! And the band do it all so well! From crushing breakdowns to epic soundscapes, I’m obsessed with all of it. I do typcially prefer the heavier tracks, but something about this band and this album had me loving every song. They’re perfectly spread out through the album too, the moments of levity incredibly offsetting the brutal times. I loved The Hell We Create, but this is up there alongside it, for sure! If you are at all into modern metalcore, this is certainly an album for you. A very solid 9/10 from us easily landed it it’s spot on our list!

Listen to: Extinction, Monolith, and Blue Venom

71 – Eld Varg: Destroyer

The Scottish melodic hard rock/metallers returned with a vengeance with this album last month. The riff-masters clearly borrow from plenty of old-school metal influences, but still somehow sound modern, maybe due to the album’s excellent production! I gushed over this album plenty in my review, but it is so very deserved. It genre-blends in all the best way, and really has a little something for everyone even slightly into metal. 41-minutes of epicness; from power and folk metal to more thrash to melodic hard rock at times. And, as said before, the whole thing goes by in a flash, and is well worth listening to in one sitting! The band are all so incredibly talented at playing and writing, and I can foresee this pushing them up a few notches in the scene by this time next year. It very much deserves its place on our list!

Listen to: Achamán, The Hell of Mirrors, and Crestfallen

70 – HARDY: Country! Country!

Album number four from one of Nashville’s biggest modern songwriters certainly washed out some of the bad taste in the mouth that Quit!! left behind. Leaning more into the country-hard rock fusion that made mockingbird so successful was definitely a step in the right direction, and lead to an album I have revisited a fair bit the last three months. Is it as good as mockingbird? Given that it’s here on this list and not at number 2, no. But hell, it made the list this year, and above a lot of other country albums, so that should say a lot!

Despite being long and certainly having some filler without a cool concept to explain it away, there are still some excellent country tracks across a lot of this, and it’s very much a return to form for THE CROW. There is far more great than not too, with most of this ending up on my personal playlist by now! There’s a lot of fun, but there’s also plenty of emotion shown at times, HARDY’s vocals and talent handling both styles masterfully. The length has most probably dropped it a few places on this list, don’t get me wrong, but it’s a surprisingly easy listen for over an hour. In fact, it may be the longest album on the list this year, which is an achievement in of itself, I guess! I gave it an 8.5/10 back in September, but as predicted in that review, this has grown on me more since! It’s a solid, easy 9/10 now, and very easily makes it this high on the list. Hopefully he rearranges his UK tour next year, as I’d love to hear some of this live!

Listen to: Country Country, Girl With a Gun, and Y’all Need Jesus

69 – Solence: ANGELS CALLING

After sitting with this album for a couple of months now, I’ve finally gotten on-board with serious Solence, and I really love this release! This thing is an incredible pop/alt-metal album packed to the brim with amazing, catchy-as-anything tracks. Honestly, every track is as good as the last, and the album has such a fantastic flow to it, 27-minutes going by in a flash. It has hints of early 2000s US radio-rock, but with a distinctly modern European twist on top of that, especially with the Callboy-like electronic elements and screams. Oh, and then we just get some insanely technical solos thrown in for good measure too; this album really having a bit of everything!

I’ve had most of this album stuck in my head at various points over the last two plus months, and it has grown on me more and more. They fully deserve the fast rise they are having, and I can really see 2026 being their year with the sheer amount of touring they have planned! We gave it 8.5/10 when it released, but it’s definitely higher than that for me now. A good album that’s grown on me even more with subsequent listens, it more than deserves to be rocking this list!

Check out our reaction to them here!

Listen to: Monsters in my Head, Where Were You..?, and All of the Pain Must Go

68 – Locash: Bet the Farm

The first album from the country duo in six years was more than worth the wait! This is a masterclass in bro-ish country, and is a release I’ve been jamming a lot from April all the way to now. It’s a lot of fun throughout, but also packed full of emotion, as well as some stadium-sized choruses and harmonies from the pair. And from the more Southern rock infused to the country ballads, they do it all perfectly. It’s a sound that’s definitely taken a step back in recent years but I’m so glad hasn’t died off completely. If you are into country at all, I’d definitely recommend giving this a chance, it’s impossible not to love it! And at under 40-minutes, it’s pretty short for a country release these days. We gave this a whopping 9.5/10 when it released, and if you take a listen it’s very easy to see why! If it wasn’t for country booming once again this year, it would have ended up higher, but it is still at a damn respectable point of the list!

Listen to: Hometown Home, Bring Em Back, and Shipwrecked

67 – Tetrarch: The Ugly Side of Me

The nu-metal revival continued to be in full swing in 2025, and this album was a large focal point of that! The bands third album followed up 2021’s amazing Unstable perfectly, building on everything that album laid out and coming out with an incredibly strong release overall. Every song slaps, and it makes for a fantastic, heavy, catchy just over half-an-hour! The duo of Josh Fore and Diamond Rowe is a real powerhouse, and will inspire this band continues to grow into a juggernaut in years to come. Especially if they keep continuing to grow and build on their sound, and put out better and better albums! From the crushing riffing to the massive choruses to the occasional awesome solo, it’s all amazing. It got a huge 9/10 from us when it dropped, and has been in regular rotation for me since May, easily earning its spot on this list! For anyone who’s into nu or industrial metal, or just anything around that early 2000s sound, listen to this immediately!

Check out our reaction to them here!

Listen to: Never Again (Parasite), Live Not Fantasize, and Cold

66 – The Damn Shames: Trailers on Bricks

A release recommended to me by a good friend of the company, Kyle Daniel, and I’m so glad that he did! This is an incredible Southern rock album! From the instrumentation to the incredible harmonies to the arena-filling choruses, it’s all so damn good, from start to finish. Honestly, each of these 10 tracks are as good as the last, and it makes for a super easy listen from start-to-finish! The band are all insanely talented players and songwriters, and the fact that this is their debut album and it’s of this high quality is truly amazing. This somehow only got an 8.5/10 from us upon release, but after multiple revisits over the last six months, this is easily closer to a 9 for me! If you are at all into the country or Southern rock scene, this is very much the album for you. Hopefully either scene in the UK picks them up, as I’d love to see this stuff live! I look forward to hearing where they go from here, but for now I am content to keep spinning this record, hence why it ends up pretty high on this list!

Listen to: Who Killed Rock n’ Roll?, Another Spoke in the Wheel, and Quittin’ Time

65 – Epica: Aspiral

I mean, we finally got three new parts of A New Age Dawns on this release, that alone gets it onto this list! However, the other eight songs are also just as good, too! The whole thing is an epic, cinematic masterpiece that somehow feels like it goes by far too quickly despite it being an hour. I always felt like they were one of the more underrated symphonic metal bands, but they put out one of the best albums in the genre in recent years with this. From Simone’s incredible vocals and choruses to the insane instrumentation throughout, it’s easy to hear why it’s had me hooked since April. It got a huge 9.5/10 from us, and if you give it a listen you’ll easily be able to tell why! I’m always a touch hit and miss with the genre, but when it’s done as well as this it’s hard not to fall in love, hence why it’s here and in a pretty favourable position. It’s a big undertaking, but I’d highly recommend a full listen through of the album for anyone even slightly interested!

Listen to: Cross the Divide, Arcana, and Eye of the Storm

64 – Humming Whale: Chasing Rabbits

Another debut album, and this time a fantastic blend of so many different metal styles! Somewhere between hardcore and prog metal, it’s a blend that shouldn’t work anywhere near as well as these guys make it! I already gushed over this album in my review not long ago, so I feel like cliff notes are probably more preferred, right? Incredible instrumentation, catchy, powerful vocals, great cleans and harshes, and some epic songwriting. Like it somehow combines Tool, Godsmack and Turnstile. If that sounds at all like your sort of thing, go check it out ASAP! Their creativity and uniqueness is off the charts, and I can see a huge future for them if they keep on putting out stuff of this quality. For now, I’m more than happy to keep spinning this release, an easy 9/10, and it easily made it onto this spot on the list!

Listen to: Chasing Rabbits, Waves, and Black Waters

63 – Born of Osiris: Through Shadows

This brutal slice of technical metalcore from back in July is somehow something I haven’t revisited too much since its release, but upon doing so am blown away all over again. Instrumentally this is absolutely phenomenal from the very first note; the riffing to the solos, drumming to the electronics and synth, it’s all mind-blowingly good. And the vocals too, be it screams or the odd clean, all fit it so well. I’ve really gotten into the heavier side of metalcore since the mainstream side of it has lightened up, and adding a tech and electronic edge to it is like a match made in heaven. And heck, some of it is catchy, as well as being heavy and djenty, it’s really awesome! I knew I had this album in my list for a reason, but I can’t believe I even slept on it for a few months again, even after giving it 9/10 back in July. If you are even slightly into metal, but especially modern Machine Head, Periphery or Shadow of Intent, this is one to put on immediately!

Listen to: Seppuka, Through Shadows, and Activated

62 – Lanie Gardner: Faded Polaroids

The second album from the rising country star, somehow she keeps just getting better and better! She’s incorporated a little more rock elements since her debut, and it’s made for an incredible, fun country album. And even on her slower tracks, they’re also radio-country ballads, and just as good as the rest of the songs. And even at its length, it’s still an easy listen without a bad song throughout. Her vocals are incredible, as are her lyrics, and they all fit perfectly over the instrumentation, whether it’s country, southern rock, Americana or more of a pop leaning. It got an incredibly easy 9/10 from us, and there was no way it wasn’t getting a strong spot on this list. She has such an insanely bright future ahead of her, and I don’t suspect this is the last time she’ll be on a list like this!

Listen to: Boys Like You, Boot Down, and Buzzkill

61 – Once Awake: Far Out and Beyond

I have such a weak spot for old-school melodeath this year, and the fifth album from the Norwegian quartet delivered that in spades back in April. This thing is an epic nine tracks crushing brutality, riffs, breakdowns and some huge, catchy moments to break them up. There is not a track to skip, and I’ve done it in full numerous occasions since its release. Heck, it’s so good it even prompted me to go to Derby of all places to see them live, that should be the biggest endorsement there is! For those into the heyday of In Flames or Bodom, this is an album you need to spin, you’ll surely be as obsessed as I’ve been. And it actually has our first 10/10 review of our list so far, and it more than deserves that rating! It’s a phenomenal album, and only reason it’s not even higher up is because of the sheer amount of awesome releases from 2025, and the wide variety of styles we cover. I challenge you to find me a better straight-up melodeath album over the last year or two, I think you’d be hard pressed to find much!

Listen to: Where’s All the Silence Gone, Injustice, and Kill the Concern

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Features, Reviews

Ice Nine Kills, Creeper, Devil Wears Prada and TX2 Rock Nottingham Arena!

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It is no secret that two of these bands are very close to my heart. So, to be able to see INK get to headline arenas in the UK was already something special, but to do so alongside one of the best modern bands in Creeper was truly something else. I had tickets for this show from the moment they went on sale, and have been super hyped for it ever since. There was no way I wasn’t writing this review, so let’s dive right in!

TX2… the old adage is if you can’t say anything nice, don’t say anything at all…

I really wanted to enjoy The Devil Wears Prada. I’ve definitely enjoyed them in the past on track, even if not as much recently. The band are very clearly a talented bunch of musicians, playing well and crafting some good sounding stuff. However, for the most part their music isn’t really my sort of bag when it comes to modern metal/metalcore, especially when most of their short setlist was made up of newer material. Plus, the band felt just a little bit like they were more going through the motions here. I get that they were second of four bands on that night, but the place had packed out fairly considerably for their set, and I was left a little bored and distracted while they were on. It was probably more just me, as the pit looked pretty good, but I sadly wouldn’t rush to see them again live.

Creeper will never not be good live. The only time I’ve seen them recently was back at 2000 Trees where they blew me away, and they did that here once again! The band were on top form, blasting through the top hits of both parts of Sanguivore without barely pausing for breath. And how could they, when they barely had 30 minutes to work with? That is my only complaint about the show, is that in stacking the lineup, the openers didn’t get a whole lot of time to show what they’re about. Still, Creeper made the most of it, and even despite some early technical issues, put on a blinder of a show! From new bangers like ‘Blood Magik’ and ‘Headstones’ to previous album classics ‘The Ballad of Spook and Mercy’ and ‘Cry to Heaven’, there wasn’t a dull moment!

The band performed masterfully, too. Will has become an effortlessly charismatic frontman in recent years, taking what could be a cheesy gimmick and making it actually cool. Meanwhile, the renewed focus on Hannah with Mistress of Death has added a great dynamic as she is a born stage performer, too. And not to take away from the rest of the band either, who all played their asses off and had such fantastic stage presence, fitting the theme perfectly. They are about ready to take on venues like this on their own, and more than deserve it after their recent studio output and solid live shows. But for now, this was an amazing set, and I already look forward to seeing them again soon!

This was my third time seeing Ice Nine Kills. First back in a smaller club, then main stage at a major festival. Both times were awesome, and both times they upped the ante in terms of stage show. This, however, was on another level. They were made to play these huge arena stages, and they brought enough props and fire to prove just that. From the usual mask changes and prop axes and knives to new stuff like plenty of pyro, smoke and their backing screens. Everything was so perfectly and meticulously planned out, every track having a story and a show to it in its own right. Speaking of the screens, using them to play a little vignette to introduce every song was masterful, and fully on brand for the band. It’s a show that can only be put on at this sort of size of venue, and now I never want to see them on a smaller one again!

As for the set itself, it was pretty damn perfect. It was fairly similar to what I’ve seen before, but given that they are still on the Silver Scream duos’ album cycle, that was to be expected. However, the three new tracks they’ve released since I last saw them were all phenomenal, even the middling ‘Great Unknown’. Heck, both ‘The Laugh Track’ and closer ‘A Work of Art’ were incredible and so chaotic in the best ways, being easy set highlights. And, not only did we get their incredible ‘Walking on Sunshine’ cover live (the bass of RBF were there for the whole show, making it sound even more awesome!) but we also got a fantastic cover of The Mighty Mighty Bostones’ big hit. And, all the classics were just as good too, and performed to perfection by the band. Everyone on the stage was so damn talented, the songs being pretty technical throughout, and played them all amazingly well. And, for the first time watching them, it honestly felt like a more cohesive band, and less of just Spencer and backing. It was nice, and made the show even better! It was somehow the best set I’ve seen from them, and easily one of the best I’ve seen all year!

So there you have it, folks! Two of my favourite current bands playing blinding sets to a packed out arena crowd, what more could you want? Yes, while I wasn’t a huge fan of the opening two, I am just one guy with my own opinion, and I’ve seen plenty of love for both online too. But honestly, I cannot recommend Creeper and INK enough, both are INCREDIBLE live and are going to be the future of heavy music for years to come, mark my words! The next possible chance you have to check either out, do it!

Features

The Top Albums of 2025!

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Here we are, that time of the year again! The month where I go insane and try to rank 100 out of the over 500 albums I’ve listened to this year into the order in which I enjoyed them the most. It’s equal parts subjective and objective, and I’m convinced I’ve left off so many excellent albums, so if your favourites aren’t here, I’m sorry and they are most likely awesome! Without further ado, let’s dive into the chaos, shall we?

100 – Eli Young Band: Strange Hours

Yep, that’s how strong we’re starting. I told you it’s been a tough year! The Texan country band put out their seventh studio album back at the start of August, and it’s been a mainstay in my rotation since then. It was the perfect summer album, combining catchy vocals and harmonies with their brand of country which perfectly combines pop, rock and Americana. I’ve been a fan of the band a few years now, and this is easily my favourite release from them in that timeframe. It’s a strong album from start to finish, being an incredibly easy 43-minutes of chilled-out, catchy country to listen to! It’s so well written and put together, the perfect inoffensive release into the genre that covers pretty much all bases. So, if you even have a passing interest in the genre, I’d definitely recommend checking it out! We gave it a solid 9/10 upon release, and I very much stand by that now!

Listen to: Nothing on the Wild, All Good with Me, and Everybody Else

99 – Circus 66: Elements

Album #2 from the UK hard rockers blew me away back in March, and upon revisiting it for this list, I was blown away once again! It’s nearly 50 minutes of awesome, foot-stompin’, sleazy guitar riffing and soaring vocals, and I love it! The band are all insanely talented, everyone getting their time to shine plenty throughout, and have crafted an excellent collection of NWOCR tracks here. It’s impossible not to have a good time listening to this, and I cannot recommend it enough to any rock fans out there. It’s insane to me that they aren’t a massive band already, but they have killed it with this release and are very much looking like 2026 will be a breakout year for them! It’s very easy to hear why we gave it 9/10, and why it makes it onto our list!

Listen to: Replace the Pain, We All Need Saving, and Love on the Other Side

98 – An Evening With Knives: End of Time

This proggy alt metal release from towards the start of the year came five years after their previous studio album, and showed just how much the band had grown and matured. It’s heavy, groovy and melodic in all the best ways, and somehow combines together elements of everything from stoner and desert rock to prog to heavy metal to plenty in between! The trio are insanely talented, all playing their asses off from front to back, and have produced something truly special with this release, managing to sound pretty unique at a time when that is almost impossible! If you are into anything from QOTSA to Tool to even Machine Head and Devildriver, do yourselves a favour and check this out ASAP! It got a very easy 9/10 from us when it dropped, and I fully stand by that rating now, showing just why it made the cut for this list!

Listen to: Pride of Lions, Death and The Mistake

97 – Trick or Treat: Ghosted

This epic slab of old-school heavy metal mixed with more old-school power metal is just as fantastic now as it was in April when it first dropped. Combining sounds like Iron Maiden, Judas Priest and Hammerfall and their spooky, horror theming works perfectly, and makes for a solid album as it is. Then you take into account just how phenomenally talented every band member is, from the vocals to the drumming to the soloing and riffing, it’s all so good, and it’s so very easy to fall in love with this release. It’s stacked to the brim with awesome tracks, and even some awesome guest appearances from Adrienne Cowen and Christopher Bowes. 45-minutes still now goes by in a flash even after a few listens. If you’re into power metal you’re probably already checking it out from reading this, but if not I’d definitely recommend it to just about any music fan. It’s got someone of the biggest choruses of the year. Yet another very solid 9/10 from us, and incredibly deserving of its spot on our list!

Listen to: Craven Road, Bloodmoon, and Evil Dead Never Sleeps

96 – The Rasmus: Weirdo

The 11th studio album from the pop/alt metal band goes far harder than I feel almost anyone expected before it released! From genuinely heaving riffing to being packed full of their typically arena-filling choruses, it very much felt like a return to the top after a few years of honestly a little middling releases. Don’t get me wrong, it is still a touch cringy at times lyrically, but that is almost part of the charm with this sort of music! It’s barely half an hour and an incredibly easy listen, and a release I’d recommend to anyone into more of a poppy hook! It’s a sound I feel nostalgic for despite never really getting into it much in my teen years, so for anyone who was more into the band or stuff like Him, it would probably get even higher. It got another incredibly solid 9/10 from us and is more than deserving it’s spot on this list!

Listen to: Creatures of Chaos, Dead Ringer, and You Want it All

95 – Lacuna Coil: Sleepless Empire

The symphonic/industrial metal powerhouses very much returned to form in 2025, and this album is a huge indicator of that! This thing is catchy, heavy and packed with banger after banger. From the soaring operatic vocals to the harsh screams, both fit so well over the awesome, almost nu-metal infused instrumentation. It’s another album that goes hard from start to finish too, every song being as good as the last. They were a band I somehow didn’t get into much in my youth, so as a first full album by them I’ve check out, I’m a little obsessed! The only reason it is this low down is because it is so an insanely high quality year for new music! It still got another incredibly solid 9/10 from us, and if you’re even passingly into metal, I’d highly recommend giving this one a try!

Listen to: Oxygen, Scarecrow, and Hosting the Shadow

94 – Sleep Theory: Afterglow

Very much the breakout stars of 2025, the debut album from the metalcore upstarts has already set them up to be a huge name sooner rather than later. They channel massive early ADTR vibes in the best ways, especially since said band have taken a nosedive in recent years. It’s full of ch0nky riffs, huge choruses and some great screams, and is a fantastic 40-minute listen. I actually hadn’t revisited it too much since it’s May release, but having checked it out again while writing this list, I fell in love with it all over again. It’s incredibly radio/mainstream friendly, but that isn’t at all a bad thing. The band have worked their asses off on socials the last couple of years to make this a big release, and it has paid off in spades. However, the quality of the music is also high, certainly contributing to their fast success. If it was slightly more adventurous and innovative, it would have ended up even higher on the list but still, making it on here shows how high quality it is! I gave it 8.5/10 when it dropped, and I still agree with that now, but it may even sneak up to more like a 9 on some listens!

Listen to: Hourglass, Fallout, and Just a Mistake

93 – Cardinal Black: Midnight at the Valencia

This is a modern soft rock masterpiece. End of discussion. It gives off massive Genesis or Seal vibes, but definitely with a current day edge to it. Over half a year later and Tom’s vocals still give me goosebumps at times throughout. However, the arrangement of every song compliments his voice perfectly, everyone being incredible musicians and songwriters. While the band have certainly been on a lot of tongues the last couple of years, this truly felt like the year that Cardinal Black really broke out. And, this album is definitely a big reason for that! It’s fucking beautiful, and it’s an album that still makes me feel the same as I did the first time every time I spin it. The only reason it’s a little lower than maybe expected is because it does get a little samey after a while. However, when that similar stuff is all banging, it’s impossible not to love it, still! This got a whopping 9.5/10 from us and it’s hard not to still agree with that sentiment now!

Listen to: Ride Home, Breathe, and Morning Light

92 – Tanner Usrey: These Days

The first of a healthy handful of bands in this vaguely indie country-Americana sound that has gotten so big the last couple of years on this list. The fact that it is at this point in it certainly doesn’t diminish its quality either, as this is a fanatic release! It’s incredibly varied too, from blusy Southern rock to more of an indie flavour to even a more traditional country style. And, no matter the sound, it’s performed brilliantly and packed full of emotion from start to finish. My only slight complaint is that the pacing and arraignment of it is a little slow at times. However, every song is excellent, and it honestly has some of my favourite tracks of the year on it, the exceptional very much outweighing anything slightly less-so. I’d easily put this up there with his debut album, even if it hasn’t had quite as much love! We gave it a solid 9/10, and it more than earned its spot here!

Listen to: If you Call me Again, Bad Love, and With You

91 – Zach Top: Ain’t in it for my Health

Yes, I know, people are going to be BIG MAD for this being so low down on this list. He’s an absolutely massive artist for sure, and this is one hell of an album. My main bug to bare is that, as much as I love a classical country vibe typically, a lot of this is a touch on the slower side. That’s inherently not an issue at all, but it does get a touch old through the 50-minute length. However, there is no denying the HUGE talent on display throughout, from a songwriting, vocal and playing standpoint, and it’s easy to hear why he’s one of the biggest names in the genre currently. If you are at all a fan of traditional country music, this is well worth checking out. If it wasn’t for the genre having such a strong year again, this would certainly be higher up. We gave it a very solid 8.5/10, and it may have crept even higher than that since its release!

Listen to: Guitar, Splitsville, and Flip—Flop

90 – Pridian: Venetian Dark

The first debut album to make it onto our list this year, and it’s an awesome slab of modern metal from the Estonian four-piece. It’s the perfect blend of heavy, chuggy riffing, crushing drums and some awesome screams. Yet, it also still has moments of levity and cleanness throughout, the band clearly hugely talented to be able to put it all together! This thing came out all the way back in May and has spent the rest of the year pretty firmly in my rotation, blowing me away each time. It’s heavy, melodic and also rather menacing and gothic throughout, being an awesome combo! This is somehow one of the albums that we missed the week of its release, but it gets an incredibly deserving 9/10 now, and easily earned its spot on this list! Check it out if you are at all into melodic metal.

Listen to: Cyanide Dreams, Ruin, and Void Resonance

89 – Slaughter to Prevail: GRIZZLY

One of the most hyped albums of the year, at least in the deathcore scene, and to my shock it was a bit more of a grower on me than an immediate hit. Don’t get me wrong, it hits hard right from the first listen, but something about it didn’t hook me in immediately. Maybe it was because, much like my issues with Falling in Reverse or Electric Callboy in recent years, we’d heard a good chunk of the album before its release, and had sat with it for a while. So, while none of it is at all bad, it did feel ever so slightly underwhelming.

However, coming back to this album a couple of times since, I’ve definitely grown to appreciate it more! Alex is one of the best vocalists and frontmen in the game today, and the band behind him have crafted nearly an hour of crushingly heavy (but still fun) deathcore. If you are a fan of the heavier side of metal, I cannot recommend this enough. They deserve all the praise they get and the size they have climbed to, and this album very much cements them at the top of their style. As you could probably guess by this point, it got a 9/10 from us when it released, but it may be even slightly higher than that now!

Listen to: Russian Grizzly in America, Viking, and Lift That Shit

88 – Julia DiGrazia: All In

Another massive debut album, this time from a woman who’s already becoming a powerhouse in country. Having gotten her first big break on her and Evan Honer’s (more on him later) cover of Tyler Childers’ ‘Jersey Giant’ back in 2022, her rise has already been meteoric, and capped off perfectly by this collection. Whether it’s blues/southern tinged country rock, classic country or more of an Americana sound, it has a bit of everything across it’s just 30-minute runtime. Every track is as good as the last, and makes for such an incredibly easy listen. She’s already becoming a massive name in the scene, and it’s incredibly easy to hear why. If you haven’t already, give this a spin, you’ll surely love it as much as I do! It got a massive, and rightly deserved, 9.5/10 in our review, and if it wasn’t such a strong year, it would have gotten even higher on our list!

Listen to: Rollercoaster, Two Truths and a Liar, and Life’s Been Good Lately

87 – Kyle Gordon: Kyle Gordon is Wonderful

This was maybe the hardest album to place on this list. It nearly didn’t make it at all, as comedy music seems to be such a controversial topic these days. However, Kyle has crafted something truly special here, and it’s an enjoyable release with or without the fantastic comedy wit, so there was no way it wasn’t sneaking on here. I was already a fan of his, but the concept and creativity of this release really blew me away. 10 different genres from 10 different ‘artists’, detailing the most “Wonderfully Ridiculous Songs of All Time”. Whether it’s Europop, nu metal, indie or traditional country/bluegrass, Kyle is an INCREDIBLE songwriter, and does each style so well. I challenge you to check this out and try to tell me you don’t love it, I honestly think it’s impossible! It was another one I missed out on reviewing when it dropped, but I can’t give it any less than 9/10! I’ve spun it a lot in the last eight months since its release, and I don’t think I’ll be stopping any time soon!

Listen to: We Will Never Die, Crawl to Me, and My Husband’s Ghost

86 – Lorna Shore: I Feel the Everblack Festering Within Me

The other kings of modern deathcore very much do their own thing, and sound fantastic doing so! This thing is over an hour spread across just 10 songs, and is much symphonic/power metal as it is anything else. It’s epic, grandiose and wildly ambitious, and the band pull it off like only Lorna could. From the crazy heaviness of the blastbeats and breakdowns to Wills now iconic vocals, the band followed up on Pain Remains pretty perfectly! If you are into the band or genre at all and somehow haven’t checked this out already, do so as soon as you can! It won’t be for everyone, but I loved this, and the genre has very much grown on me over the last year or two thanks to bands like Lorna and Slaughter. It got a very easy 9/10 back in September, and it’s hard to argue against that after another few listens! It more than earns its spot on this list, and could have been higher if there weren’t so many excellent heavier albums alongside it!

Listen to: Prison of Flesh, In Darkness and Forevermore

85 – Dillon Carmichael: Keepin’ Country Alive

Four years after Dillon’s breakout success with Son of a, he returned in a major way with this album back in June. It’s Southern rock tinged modern country music, and a lot of fun across its 14 songs! It feels like it would have fit perfectly into the mainstream scene a decade ago, somehow combining the bro-country style of FGL with more of a Blackberry Smoke or TC3 flavour. Then again, he has plenty of Jon Pardi vibes to him too, it making sense that he supported him the other year. Yes, it’s a touch cringy and stereotypical when it comes to lyrics and theming at times, but that almost adds to the charm when it’s this good. From the powerful vocals to the catchy melodies and choruses to some awesome riffing and instrumentation throughout, it’s impossible not to fall in love with this! There really isn’t a bad track on the album, and three-quarters-of-an-hour really goes by in a flash. If you have even a passing interest in country music, this is a must to be checking out! It got a massive 9.5/10 from us, and you only have to listen to see why! It more than deserves this slot on our list!

Listen to: Raised Up Wrong, When She’s Drinkin’, and No Matter How Hard I Try

84 – Ghost Hounds: Almost Home

Perfectly combining old-school rock’n’roll, soul and country music, the fifth album from the Pennsylvanian natives has honestly been a little underrated this year. I’m not sure if it’s due to it being the first release since their change in vocalist, with Tre Nation personally scouting out SAVNT to replace him, but this is an incredible release that just hasn’t got the love I feel it should have. There are some genuinely excellent blues rock tracks, be it boot-stompin’ or more slower, emotional ballads. However, to address the elephant in the room, it’s not quite as high as I expected it to be because it does drop off a fair bit by the end. The first half of it is excellent, but the second half is maybe one too many slower tracks in a row. Still, just think how good those opening six songs are that it makes it this high on our list! And still, the latter tracks aren’t bad, I just wish the album was a little better arranged! If you are into blues or southern rock, or more of a slower country style, this is well worth checking out. It was another easy 9/10 from us, and well worth its spot here!

Listen to: She Runs Hot, Past the Point of Rescue, and You’ll Never Find Me

83 – Phear: Save Our Souls

This powerful explosion of melodic metal is somehow the third album from the Canadian band, and they have a big new fan in me this year because of it! It’s the perfect mix of heavy riffing and drumming and catchy, melodic leads and vocals. It vaguely reminds me of Fozzy back when they were good, around Sin and Bones. I was a little late to this, not checking it out until the start of summer, but it blew me away and I have since gone back to check out both their other releases. That’s how good this is, and it’s honestly their best release to date. The band are so talented, both as songwriters and players, and they have crafted something brilliant here. We don’t get enough of this sort of sound any more, though it is making a comeback in the last couple of years, and these guys are continuing it on perfectly! If you are at all into a more melodic side of metal, think Metallica meets Alter Bridge, I cannot recommend this enough. It’s another easy 9/10 from us, and I already can’t wait to hear where they go from here. Hopefully it’s not another five years, next time!

Listen to: Aftershock, Narcosynthesis, and Bleed

82 – Jonah Kagen: Sunflowers and Leather

Another entry into the ‘emotional indie-Americana’ category for this list already! This whole thing is bittersweetly beautiful from start to finish, the perfect blend of Zach Bryan and Evan Honer. And somehow and nearly an hour and 16-tracks long, it still goes by in a flash and is an incredibly easy listen! The lyrics throughout are a massive highlight, but the instrumentation fits them all so very perfectly. I’d somehow never heard of him before this release, but he’s another that’s won me over massively and has a big new fan in me because of his 2025 release! And, anyone who is into any of the sounds that I’ve mentioned previously, check this release out ASAP. There are still a couple better releases in this style, in my opinion, but it still more than deserves this spot on the list, and got an easy 9/10 back in September!

Listen to: Sunflowers and Leather, Black Lung, and The Reaper

81 – Mark Morton: Without the Pain

This was not the album I expected from the Lamb of God guitarist this year. His last solo album back in 2019 was a groove metal romp featuring some of the biggest names in hard rock and metal. Switching gears, his second solo release does the same but with country, and honestly it’s just as good! From Jaren Johnston to Matt James, Cody Jinks to Charlie Starr, there are some massif names attached to this, and all do a great job of bringing Mark’s tracks to life, vocally. It’s an incredibly fun album that is definitely heavy on the rock and southern elements, but still is distinctively country. Mark could certainly have a career in the genre if he ever chose to leave LoG, not that I ever hope he does! I’m pretty sure it appeals to both country fans and those into a more heavier sound, so just about everyone reading this should check it out! Despite talking to Matt James about it when I played with him, I still missed this release when it dropped. However, it’s one of the easiest 9/10’a I’ve ever given, and a fitting end to part one of our list!

Listen to: Hell & Back, Without the Pain, and Dust

Part 2 ->

Features, Interviews & Features

Revenant: ‘We’re always creating and pushing new ideas in the fold!’

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We had the pleasure of sitting down with the amazing lads ar Revenant the other day to chat about their brand new EP and their upcoming tour with Preacher Stone! Check it out below!

‘Black Dogs & Sad Men’ came out a few weeks ago, it seems to have gone down well!

Thank you, yeah people have really taken to it, we’ve had lots of messages that some of the subject matter has resonated with people and the songs have slotted into our live set nicely!

It’s your second EP this year after ‘Best Medicine’ in April, what led to such a fast turnover of releases?

To peek behind the curtain of what we’ve been sat on for a while. People who have been watching us for the last year-ish will recognise most of those songs as we’ve had them in our set for a good minute or two. We recorded both EPs pretty close to each other so after the release of Best Medicine it was just a case of incubating the Black Dogs and Sad Men.

Check out our review of the last EP here!

It’s your third EP in the last couple of years. Is the plan to stay with the same format, or is a studio album on the horizon?

Being the men of mystery we are, we don’t want to say too much. That being said, we’re always creating and pushing new ideas in the fold, and we’re always looking at the best way to let those ideas flourish.

What do you think the state of releasing new music is like these days? It seems pretty hard to predict what to put out sometimes!

Put out whatever you want really, obviously some things will be more commercially successful than others but if you’ve got a message, and a good following of people willing to hear and share, then stay true to yourself and it will all fall together.

I saw you’re all prepared for your Christmas gig at Arlington Arts Newbury. How hard was it to get actual Santa to fill in for Sugarman Sam pretty last minute?

Big boots to fill for sure, even for the mighty Saint Nic! Sam didn’t take kindly to being paraded in a costume for our amusements and so we had to think of something. We all wrote our letters to the big man and asked him to help us out and he actually had that evening free so it’s all worked out after all!

You’re out on the road with Preacher Stone in the new year, what can we expect from the shows?

You know, that is going to be our first proper tour and we’re stoked to get going, we’ve chatted with the Preacher Stone fellas a few times, super cool dudes. We’ll be playing a heap of new venues and cities to us, there’ll be a measured amount of chaos, a healthy amount of action, and an unbridled stallion of powerful tunes!

Have you got quite a busy 2026 booked in already, anything you can tell us?

We’ll be headlining a cool biker/veterans Care After Combat charity festival Backwoods Barn Jam, Market Rasen in July and we’ve got a few irons in the fire but nothing we’re ready to pull the trigger on to let people know just yet. Writing is a big focus for us at the moment so we want to put as much dedicated time into that as we can.

Do you have any milestones you want to hit in the next 5 years?

There should always be things to shoot for, getting a single onto mainstream national radio is always a good aim but maybe to play more festivals like a Planet Rock one, even Download and take our first steps into Europe, or maybe even the States.

Do you have a dream tour lineup you’d want to be a part of?

Anything involving Chris Stapleton, Zakk Wylde, or someone like Alter Bridge would be nothing short of incredible, hit us up guys as we’re always ready!

Features, Reviews

ONE OK ROCK and Paledusk Tear Down Manchester Apollo!

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WOW. What a fucking show! My first time at the venue and also my first time seeing either band. I was at least pretty familiar with the headliners, but didn’t know Paledusk that well. I went into the evening expecting to enjoy it, but I wasn’t quite expecting the level of performance throughout!

Firstly, the Apollo was packed. The gig got downgraded from Manchester arena to this venue, and the result meant that it was sold out and packed full of die-hard fans who showed up early to get down close. We queued well over half an hour, and we arrived 20 minutes after doors. Everyone was ready, that’s for sure!

I wasn’t too familiar with the openers heading into the show. I knew the name and had checked out a couple of tracks before the show, but that was about it. However, they have a HUGE new fan in me from this set! Firstly, the sheer energy and showmanship on display throughout their 40-minutes was insane. I’ve seen fewer spin-kicks in a Bruce Lee movie than I saw guitarist Daidai; the guy was all over the stage with them! Then you had frontman Kaito’s infectious energy too, throwing himself around with almost as little regard. He also held the crowd in the palm of his hand throughout. I thought they may have struggled given the heaviness compared to the headliner, but the crowd were more than down to bounce around and even got a pretty decent circle pit going when instructed. I’ve also never heard a crowd cheer a breakdown before, but it was pretty fun to see every time!

And we haven’t even spoken about their music yet! Their quirky, whacky, heavy, melodic music. It was all over the place in the best way possible! They are all insanely talented players, performers and vocalists, and I immediately want to be seeing them back over here again ASAP.

Then, after a brief changeover, the headliners took to the stage. It at first seemed a little odd when it was barely 8:05, but they tore the roof off the place for a solid two hours! After a fantastic little video package set the tone for their latest release, they exploded on with recent hit ‘Puppets Can’t Control You’. Now, y’all know I loved DETOX, so the fact that they played almost all of it was incredible. From personal favourites like ‘N.A.S.T.Y’, ‘Tropical Therapy’ and ‘Delusion:All’ to more unexpected cuts in ‘Party’s Over’ and ‘The Pilot </3’, it was all incredible live and sounded so very close to the track. But don’t fear, because old-school fans still had plenty to sink their teeth into. From ‘The Beginning’ to the beautiful, empowering ‘Stand Out Fit In’ and perennial set closer ‘We Are’, the setlist was honestly damn near perfect!

And the performance… GODDAMN. Honestly, I was looking forward to seeing them at the UKs biggest arena, but seeing essentially a stadium-level band back home putting on that caliber of show to a 4k cap venue was truly something special. The band played, sung and headbanged their hearts out from the very first note to the very last. And, because of that, the crowd fed them that very same energy back. I can’t recall a time when I had been part of a crowd so loud and passionate, except for maybe Drake Milligan, and even then it wasn’t for the full show. The crowd felt like just as much a part of the show as anything else; singing every word back to the band and jumping around and clapping constantly. I can honestly say it was one of the best sets I’ve seen from an all-round perspective, and not one I’ll ever forget!

And there you have it, folks. Two of Japan’s biggest and best rock bands playing a more intimate show in one of the UKs honestly best venues (aside for the tiny amount of toilets, wtf?). The sound for both was great, even when under the balcony, so massive props to the sound guys too! I honestly cannot recommend seeing either band enough, they both blew me away for somehow both different and similar reasons. Honestly, if I wasn’t working tomorrow I’d be on the first train down to see them in London, they were THAT good. Hopefully both manage to make it back over here soon, be it together again or separate, as I’d be right there buying tickets the moment they went on sale! If you get the chance to see them live, take it, but even if not, you have got to listen to them on track too!

Features, Interviews & Features

Larry Fleet: ‘I had someone ask me how I’d describe my music once and I said “it’s country Western bluegrass soul!”’

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We had the privilege of chatting to the amazing Larry Fleet at The Long Road the other week. Check out below as we chat about his UK tour, his latest EP and his future album plans!

How’s the tour been so far?

It’s been great! People are showing up, filling up the rooms, literally packed every single night. Well, we’ve played two shows, but they’ve been packed! And tonight is gonna be great I think. Then Belfast in a couple of days is sold out, too! I think it’s good for these festivals and all this stuff going on. People are showing up, they’re singing the songs. We’ve already pretty much sold out of our merch and we doubled what we were told to buy! People are buying stuff, they’re having fun, singing songs, showing up, I couldn’t be happier!

Is this your first time out in Europe?

This is my first headlining thing. I came out and did London in ‘23 with Morgan [Wallen], at the 02 I was first of three, and then this year I was direct support for him touring. It went really well and I think it’s helping me sell a lot of tickets, too. Getting in front of his crowd, and there’s a lot of them, I think that’s helped us out. But this is my first headlining thing so I’m pumped about it. And I’m thrilled with how it’s turned out.

Are there any comparisons you can make from out here compared to back home?

There’s differences. I would say one thing I’ve noticed the last couple of nights is people listen to you when you’re talking. I tell stories, and when I’m doing that they’re silent and it’s like ‘wow, they’re actually paying attention!’. And then they sing every word you do, but that happens in the States too! But I think it can be more respectful and attentive here. Back home we’re coming out for a good time and they can get a little drunk and rowdy, while here they seem a little more respectful. I like it!

Yeah, I think even today we’ve been at a couple of the smaller stages and there’s been some learning almost from people coming out and being like ‘oh yeah, this is really quiet when I’m talking!’

Yeah! And some people don’t like it. They want people,to be rowdy all night because they’re playing rowdy kinda stuff, but I’m a singer/songwriter so I like when people listen. I wanna tell you the story of how it came about. It’s cool they wanna be a part of it.

As for similarities, when you go to a city it still feels similar to back home, you just have building that are 400 years older! The architecture is a little different but cities feels similar. All in all people have been super nice to us!

Somewhere in the South came out a month or so ago now, the response seems great so far!

Yeah! It’s funny because when it came out, we’ve only played it maybe once in the States; we didn’t play a lot in July. We came over here and were like ‘let’s try it out’ and Baylen started playing it on the radio, and just a few days ago we saw it’s like top 50 on a bunch of album charts over here! The songs been doing great and that whole EP, we’ve been playing pretty much everything on it and people are digging it!

It’s four different songs with four different styles. And that’s what I kinda wanted to do when I put it out. I’ve been sorta pigeonholed into what is just traditional country, but there’s a lot more than that. Here’s this blues, this soul, this rock. It gave me a chance to say here, this is what’s coming.

What made you choose an EP over another album?

Honestly, when I split with Big Loud at the end of last year, I wanted to go in the studio for a few days, see what I come up with, and show different songs with different styles. I just wanted something I could get out quick to show ‘hey, I’m here’. To show the record label has nothing to do with me being successful. I had a great relationship with the label but they can slow you up as they have a lot of artists, you can’t put out music when you want to. This allowed me to drop some songs to keep people with me.

You’re pretty active and successful on social media, do you have any advice for people on that front?

That’s something I have to work at! I’m not the greatest at it. One thing I can’t do is be fake. I know there’s a lot of people like me who want to see something real, so I try to give them something real. Whatever I’m doing, whether it’s something stupid or whatever, we have a fun sense of humour between us as a band so I try to let you in on what you do. When I’m hanging out with my kids, it’s just me being a dad! I try to make my music as honest as possible and I think that’s why things have worked out that way. I’m not trying to act like somebody else, so for advice just be yourself. Whatever you’re into, odds are someone else is gonna be into it too. Your demographic or crowd may not be millions, but it may be a couple hundred thousand! You can make a living!

You used to be in a bluegrass band as a kid with your family. Would you say it still influences your sound today?

For sure! That’s how I started. If you can play Bluegrass music you can play pretty much anything. Like sped-up jazz, almost! It’s a very hard thing to learn, so me learning that early on helped a lot. I still write songs so every now and then I have one that’s like ‘oh, this feels like a Bluegrass song’! I had someone ask me how I’d describe my music once and I said ‘it’s country Western bluegrass soul!’. I’m not always bluegrassin’, I like Southern rock and blues and all these other things too. But bluegrass is always still in my DNA, I love it. I played a bluegrass song in London last night!

Is there anything we can expect from the set?

I mean you can expect ‘Where I Find God’, that’s what kinda got me here. I’mma play a few new songs. Honestly I don’t even know what the set looks like. My drummer, I just kinda let him do his thing, and if we need to change it I’ll just call it out. We tend to play something different every night. If someone comes up and is like ‘hey, you didn’t play this song I wanted to hear’, well, come tomorrow night! Every night we try to make it a little different, that’s what keeps people coming back. It’s not just a rehearsal, you wanna be tight but you don’t want it to feel like a Chuck E. Cheese show, you want it to feel organic!

Features, Reviews

Bad Touch, The Dust Coda and Eddie & The Wolves Rock Rescue Rooms!

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The tour that felt like it would never come finally kicked off on Wednesday night, packing out the legendary Rescue Rooms in Nottingham. It’s been a while since I’ve seen my old friends in Bad Touch, and have been a fan of The Dust Coda for a while now yet have never seen them, so this was a damn exciting gig for me. But what did we think of the evening? Let’s dive right in and find out!

Eddie & the Wolves opened the show in style. Y’all know by now the deal here. I would like to say a huge thank you to both bands for letting us share a stage with them, as well as every single person who came out early to check out the band. The room was pretty packed from the jump, and we had several people say some very kind words to us after the set. And, in this writers humble opinion, I thought we sounded pretty good! I had a blast playing, even if I did nearly break my cable and fall flat on my face at one point, and I can speak for the other three in saying they did too! And, from going to see bands in that venue since I was 15 to actually being up on the stage playing there, it was pretty damn special!

Next up and fresh off a lineup change were The Dust Coda. Our good friend from AK and the Red Kites has been fronting the band since earlier this year, and this was his first gig with them officially. Honestly, you wouldn’t have known at all, as he looked right at home up on stage with them and the whole band smashed it out of the park! They all sounded so tight and solid, with Andrew’s vocals fitting them well and it all matching the tracks pretty closely. If I had one ever so slight criticism, it was that it didn’t feel like the band interacted or moved a huge amount through the set. However, they haven’t played for a while, and had a new frontman, so a combination of slight rust and slight nerves may not have helped. But I’m sure they’ll shake it off by the other tour stops and, as I said, they sounded absolutely excellent. How I hadn’t seen them live before is beyond me, but I am so glad I finally have and will definitely be seeing them again soon!

Headliners Bad Touch absolutely smashed it. Myself and the boys go way back but as I said, it’s been a while since I’ve managed to see them. Somehow over the last four years they have gotten even better! It’s crazy to see them go from a tiny band playing at pubs to a handful of people to packing out a venue like Rescue, but the band owned that stage from the very first note to the very last. They were a well oiled machine up there, even with two members that have only been with them 18 months or so. From brand new, never before heard tracks to classics like ‘Good on Me’ and ‘Skyman’ to even older tracks the band have never played live (in the UK) before, it was a fantastic, varied setlist. Personal favourite was ‘I Get High’, getting the crowd going awesomely! The band had so much energy too, bouncing around every inch of the stage and all of them had the crowd in the palm of their hand throughout! The band are now tailor made for bigger venues and crowds like this, putting on a show fitting of their position in the UK music scene. It was slick but still felt completely natural and like the band were genuinely having a good time up on stage, too!

And there you have it, folks! A night jam packed full of awesome hard rock music from start to finish. All three bands below the roof off the place and the crowd was loving it all night. I cannot recommend checking out either of the headliners on track or live enough, they are two of the best in the UK rock scene right now and put on one hell of a show. The tour is very much still in full swing, so get down to your closest stop for one hell of a night!

Features, Interviews & Features

Baylen Leonard: ‘It’s so much better they have an opinion about it than no opinion at all!’

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We had the absolute pleasure of chatting to Long Road organiser Baylen ahead of this year’s edition of the festival. Check out as we chat about the highs and lows of it below!

We’re just a couple of days out [at the time of recording] from Long Road, are you more excited or nervous?

What’s really exciting about it is when you see everybody who’s coming start posting about it online and start excited about packing and doing a trial run of setting their tent up in their garden. The crew is already on-site now building it so I’ve been getting loads of pictures and videos all week of the stages going up and everything going. It becomes a big machine at this point, it’s like a train you can’t stop! I’m really excited to get there and see it with my eyes!

Have they been there since Monday, then?

There’s been some people on site since last week. Most of the crew have been there since the weekend. I will get down there tomorrow, and not freak out at all. I’ve learned by now that every year I get there and so much is done, I think ‘oh my god, what about that?’ and I’ve learnt that it always comes together. There’s always a lot of running about and mayhem right before the gates open, but then it’s all perfect!

How do you find the time to do all of this alongside your radio work as well?

I don’t do it alone, there’s no way! There’s a big team and we work on it year round. Then as we get closer to the event the teams within the teams start adding people to their teams so it becomes quite a big operation by the time we get here.

I always kinda see it as one thing, doing radio and all the other stuff I do in country music. It almost just feels like it’s one thing. If I’m playing someone on the radio that I really love I’ll think about trying to get them on the festival. Or if I’m seeing someone in a live setting that I’m considering for the festival, I might think they’d sound great for the radio. I kinda get to do all the things I do all at the same time!

What inspired you to start the festival? C2C has been going a while but it feels like you guys were the next ones to do the country thing over here!

I’m originally from Tennessee. I’ve lived in the UK for a really long time, and country music has been my thing for a really long time, so for years I was always wanting to do something like this and had lots of different ideas about it. I met up with somebody else who also wanted to do this. She’s Irish so she grew up going to Irish music festivals and wanted to bring that. So between her and that background and me, we thought what could we do that’s authentic and brings the best of both of those worlds together, but makes it very much a UK festival. So we started it! Our first was in 2018 and it seems crazy that it was that long ago! It’s really nice that we seem to have found out spot within what is a really exciting time for country music.

People have really taken The Long Road under their wing and those who come to it feel a sense of ownership over it as well which is exactly what we want! We want it to feel like home for everyone who’s into country, Americana and Roots. Even people who don’t like country, maybe there’s something in there for them! Then they come along and find some country that they actually love. It really comes from a love of the genre and wanting to bring this authentic country experience to the UK, and to help it grow too!

It’s our fourth year now and just the atmosphere is amazing, it’s really become a favourite of ours. Seeing familiar faces there every year is great!

That’s really something we wanted to bake into it from the beginning, to be a friendly, warm festival where everyone felt welcome! And as we grow to try and retain those things. We’re bigger this year than we’ve ever been, but I hope it still feels like the same festival!

You’ve added the Hitching Post this year, right?

Oh, I’m so excited about the Hitching Post! I named it after a venue from back home when I was growing up. A lot of towns in the South, The Hitching Post is quite a popular name for a honkytonk. This venue back home was a real stop for artists that were touring and coming up so like Darius Rucker and Garth Brooks played it before anyone knew them. I found all this out after I moved away, of course!

The point of the Hitching Post at the Long Road is that it’s a hardwood floor. We really wanted somewhere where people could dance. We’ll have dance classes and the music in there really lends itself to people doing line dances or swing dances. We’ll have people there to teach you how to do that. We’re also using it for sit-down conversations with people like Drake Milligan. It’s just another venue where people can hang out, make their own, meet their friends. I think it’s gonna be a really good vibe! I can’t wait to get there and see it!

I imagine it’s a bit of a logistical nightmare to get so many international bands to play. Do you approach a band and they arrange a tour after, or do you see who’s touring first?

It’s both of those things! Some artists we approach and say “we’d love to have you at The Long Road”. Sometimes we’ll book them and they book a tour around it, sometimes they’ll just come and do it UK exclusive, like Drake Milligan this year. Some will come and do TLR and then go to Europe and do some shows. Some of them will already will be planning to come so will approach us, or will be planning on doing something nearby. Sometimes we’ll talk to people and they’ll go “it’s not going to work this year but let’s talk next year”. It really is just a case of all of those things!

Is it sometimes a struggle to decide what artists to book? There’s been a little backlash online from the James Bay booking.

I think that one of the goals of TLR was to get as many people into country music as we could and to celebrate all types of country, Americana and roots. If you look at our lineups from year one we’ve always had artists sit a little bit outside of those core genres but that aren’t completely different. James Bay is a great example. I know a lot of people don’t think of him as fitting in, but he really does. He’s made music in all of those genres. He’s recorded in Nashville and just made his Grand Ole Opry debut, the absolutely approval stamp for any artist in country music. I think because he’s so big and so well known, it’s actually easy to forget he’s actually in these genres. If it means James Bay fans who don’t count themselves as country fans but find some country artists that they do love, I think that’s a great thing! I actually think a lot of country fans are going to have a really great time watching him!

Also, with a festival like TLR, as big as it is and with as many artists as it has, there’s always going to be artists that you love and those you don’t, or that you haven’t heard of. We have six stages, there’s always something going on somewhere that you’re gonna love! He’s a great get for us and a fantastic live artist! But it goes back to what I said about people feeling ownership of the festival; it’s so much better they have an opinion about it than no opinion at all!

You’ve got a couple of new stage takeovers at Buddy’s this year, right?

Yeah! We have Loose Music which is a UK label that we’ve worked with since the beginning, and then Spinefarm, a really big UK label. The thing about doing that is we want those people to bring their sensibilities to the festival. Colour me Country, we want Rissi to bring artists that maybe we don’t know or artists that wouldn’t be able to come to the UK at this stage in their careers. The same thing with all the other takeovers we have, it’s people I’ve known from the industry for years and years, I’ve always liked their taste and what they do. It’s great to give them the freedom to show their side of country.

Do you have any hand in booking for them, or do you let them get whoever they think will fit?

We work together. We kinda go “hey, here’s your takeover, these are the slots, what are you thinking?”. They come to us with a list, we go to the, with a list, sometimes we have people we can’t fit in elsewhere. It works both ways, but for the most part they’re people we trust, we don’t get in their way too much!

Have you got some stuff in the pipeline for next year already?

Oh, we work so far ahead it’s unbelievable. Even before the lineup is complete each year we’re already having conversations about the next year and even the year after that! Conversations about next year are already happening!

Do you have a dream get for The Long Road? Anyone you’re really wanting to book over the next few years?

Yeah, absolutely. There’s always a dream list. And that list changes every week, at least! But I couldn’t tell you, because we might just get ‘em!

I imagine you’re happy to keep the festival growing, there’s more room on site for it to expand?

Yeah, part of the reason we picked the sight… it just felt right. It reminded me of the geography of back home so it looked really great. It’s easy to get to. And also because there’s room there for there to grow. We’re happy for it to grow but we want to maintain the vibe of the festival, so that’s why we’ve been doing it little by little! We really think about how it’s going to impact everything, how it fits in with what we’re doing already, how it will affect the layout and the capacity. Make sure that it all makes sense for the people who come to the festival!