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Reviews

Old No. 7: How Does Redferrin ‘s Debut EP Measure Up to His Singles?

Rising country superstar Redferrin is set to release his debut EP this coming Friday. Having burst onto the scene as recently as 2021 and with a slew of awesome singles under his belt (not to mention the backing of the giants at Warner Music Nashville), he is already set up to be a household name sooner rather than later. So, no pressure with this release, Redferrin! Let’s dive in and see if it lives up to the hype!

‘Jack and Diet Coke’ is the perfect way to open the EP. Slowly building up the instrumentation and vocals through the first verse and chorus. Speaking of, the chorus is simple but infectiously catchy. Redferrin ‘s vocals are incredible and effortless, fitting surprisingly perfectly over the guitars and strings. It’s all so simple yet so very effective. We even get some lead guitar after the second chorus. It’s slightly distorted and low, adding an almost rock vibe to the otherwise country-pop sound. It’s a fantastic song and as I said, one hell of a way to open the release.

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‘Lose Her for Nothin” keeps the steady pace and relatively chilled pace. However, the effects on the instruments again give off faint rock vibes, like a Nickelback or Puddle of Mudd feel. It picks up a little more in the chorus this time too, having more of an arena feel to it. It’s another fantastic chorus, too. The harmonies on the vocals are perfect and makes it sound all the more massive. I still cannot get over how good Redferrin ‘s vocals are, too. It’s a mix of Koe Wetzel and Chris Stapleton, and fits perfectly with the music. There isn’t much of a bridge, but the dropped down final chorus was nice and rounded out the track nicely. It’s an awesome song, and one that easily makes our playlist!

‘Miss Summer’ is another fantastic, relaxed country song. The simple instrumentation builds into a big, catchy chorus, with lyrics as you’d expect from the genre. It’s hard not to love it, but I was getting a tad curious by this point if Redferrin had any other sounds in the tank.

‘Just Like Johnny’ kinda did just that. Sure, it was still pretty stripped-back and had a steady tempo. However, the guitar tone was nice, and it built up into a bit of a bigger sound in the chorus, almost rock with the acoustic drums. It’s like a combination of HARDY’s newer stuff and Morgan Wallen’s ‘Last Night’. It was nice to have a bit of a bridge/guitar solo in the middle to break things up, too! It’s an amazing track, and one that is gonna be stuck in my head for days to come. Another easily playlisted song!

Tracks like ‘Doin’ Life’ and ‘She Likes Whiskey’ slow things down again. The former is another incredible track though, and maybe my favourite of the album. It builds and flows perfectly through the verses and choruses, having a real epic feel by the second, never mind the last one. It again has a touch of a rock feel to it, which I love. And the lyrics hit hard; full of emotion and they really resonate with me, though I’m not sure what that says about me… Referrin ‘s vocal fit perfectly over the top of it all, too. The solo was a nice little touch again too, and the instrumentation slowly dropping back out again to close out was a perfect touch. Damn, what an experience. Goosebumps, for one. Playlist, for two.

Oh, and none of that is to take away from ‘…Whiskey’, either. It’s a great slower track. It just doesn’t hit as hard as ‘Doin’ Life’.

The closing and seventh track on the EP (practically an album, no?) is a slower, country rock track, and the perfect way to close out this release. Big hints of Jelly Roll here in all the best ways. It builds to a huge chorus, but the whole track is pretty catchy, vocally. I can already hear it going down amazing live. The production on this track especially is incredible too, and stands out to me for that despite the whole release being amazingly well mixed and mastered. I think it’s the MASSIVE snare and clapping sounds. A simple track that I’d have happily taken another minute of, but it’s in and out in well-under three great minutes.

Overall: This is an awesome EP! It’s clear that Redferrin is going to be a huge name in country in the next couple of years, if not this one after this release. Every track on it is great, while the couple of standouts honestly blew me away. ‘Doin’ Life’ very well may be my track of the year so far, it is that good. The fact that he’s been around for such a short time too and is already putting out stuff this good is insane. I already can’t wait to hear more, and will have this on repeat a lot in the coming weeks and months!

The Score: 8.5/10

Reviews

Polarity: Do Night Thieves Top Their First EP With This Release?

The UK heavy rockers Night Thieves are returning with their first non-single release in nearly four years this week. With their 2020 EP Battle Cry and their subsequent singles, the band have already gained a lot of traction on the UK underground scene, with everyone from Planet Rock to BBC Radio One featuring them. I’m familiar with the name for sure, but am excited to finally check them out in an extended capacity. Let’s dive right in!

‘Collide’ opens the EP perfectly. While certainly having a radio-friendly side to it, it’s still clearly on the heavier side, and has a really great sound to it. It has elements of everything from Royal Blood to modern Architects, but the main thing I hear is Coheed and Cambria. I don’t know how much of an influence the band have on Night Thieves ‘ music, but the vocal delivery and harmonies really reminded me of them! The multi-tracked vocals for the chorus are incredible, making it sound massive and arena-filling. The production on it is amazing, too. It’s a huge sound, and everything from the guitar tone to the drums fit together perfectly. Overall, it’s an incredible track, and one that easily makes our playlist!

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‘The Way the Story Goes’ continues the energy of the previous track. From awesome riffing, fantastic vocals and an overall massive, epic sound, it’s really fantastic. I love the dynamics between the quieter parts and the huge, distorted guitars. The electronic elements in the bridge/breakdown were fun too, adding yet another awesome element to the sound. It’s another awesome, polished, radio-rock track!

The same could be said from the other two tracks on the EP. Both ‘Through the Looking Glass’ and ‘Walkaway’ are two more awesome, radio-friendly hard rock tracks. They are the heavier two on the album, with the breakdown in the former being maybe my favourite part of the EP. They are both great tracks, but are pretty similar to the other half of the release. Being only an EP, it’s a lot easier to get away with it. However, those who are regulars here know that I’m a big fan of variety, and I’d love to hear something a little different from Night Thieves on their next release!

Overall: This was a really great listen! Every track on this is awesome and the band have such an incredible, polished sound. Honestly, you could tell me this was an arena band and I’d believe you, the mixing, mastering and even songwriting was so crisp and well done. As I said, my only slight issue was that the songs were all kinda similar to each other. However, when it’s only a four-track EP, you really wanna put out your very best tracks on it. And this was very much all killer, no filler. The band have a big new fan in me, and I can all but guarantee that they are going to be a huge name in the rock scene in the near future!

The Score: 8.5/10

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Black | Death  | Doom: Saasta Follow Up Last Year’s Album with a Crushing EP!

The Finnish death metal band Saasta are following up their critically acclaimed 2022 album with the release of this EP, out tomorrow! I remember having checked out a track or two from the band before, so am excited to dive right in and see what this is like!

The EP begins with an atmosphere setting intro track, ‘Stygian Grey’. You immediately get a sense for all three genres and styles just from the brief 1:17 track. That alone should speak volumes about the bands impressive songwriting talents, and what sort of awesomeness is to come.

And it leads perfectly into the title track. A HUGE, brutal riff and scream makes it all feel almost hardcore as well as deathy and doomy. Especially with the song structure; short verses and call-and-response choruses. Though, having said that, we also get a brutal second half of the second verse. It’s almost a breakdown and fuck does it go hard. It somehow makes the following chorus feel even heavier, too. There are definite elements of black metal throughout too, though. Little atmospheric riffs to make everything just sound more evil. It’s an amazing track, short, sweet and contains everything you’d want from the band. And that scream at the end, *chef’s kiss*. It easily makes our playlist!

There’s no rest for the wicked, as we head straight into more brutality from ‘Sickness’. Another huge, but more groove/doom paced, riff kicks you in the face. Surprisingly though it drops down to a clean guitar part after, feeling the perfect mixture of black metal and Slayer. The pace and distortion picks back up before the verse, but it all does have a rather modern thrash feel to it. The vocals are straight up death still, though. It kinda gives off Amon Amarth vibes, which is great. I love the dynamics of the track, keeping it constantly interesting. It’s another awesome track to make it onto the playlist!

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We then reach the final track of this all too short EP, ‘Murhattu’. It opens very dark and black metally, before picking the pace up into more death metal. The track goes hard throughout, the chorus being somehow both heavy and catchy in equal measure. The alternating between the two styles was a lot of fun, and made for a really awesome track. I love the final twenty seconds or so too. I feel like it would go down an absolute storm live.

Overall: This was awesome! As I said above, my only complaint is that it was over far too soon. I’m going to have to go back and give the album another listen, because if it’s anything like this I’ll love it. I’m really hoping this EP was something to keep the fans going until another album, because I need to hear more of this immediately! The band are phenomenal performers and songwriters, and have crafted one hell of an EP here. I’ll be listening to it a lot in the coming weeks and months, I’m sure!

The Score: 9/10

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So Many Years: The Debut EP of Violet Origin!

UK modern hard rockers Violet Origin are set to release their debut EP on Thursday. Being compared to the likes of Black Stone Cherry, Alter Bridge and Bruce Springsteen, I was already excited. And the band themselves have said ‘It’s like classic rock and a carnival ride had a musical lovechild’. I’m not familiar at all with this band, so am excited to check it out!

‘Doubt’ opens the EP on a punky feel with the drums and a steady, uplifting riff. The vocals fit the mood perfectly for the verses, it all having very Neck Deep/Mayday Parade vibes. It all builds perfectly to a hugely catchy chorus too. The harmonies on the vocals are fantastic and add an almost skate-punk edge to it, reminding me more of Social Distortion. A simple guitar lead part acts as a bridge between the second and third choruses, too. It’s a real basic radio formula and structure, but honestly is done to perfection here. This is a fantastic introduction to the band and easily makes our playlist!

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‘On the Line’ starts at an equally steady pace from the drums, a bluesy, sleazy riff coming in over the top. The track overall has a lot more of am old-school hard rock feel to it, the verses being bass driven with some awesome stabs from the guitars. And of course, the vocals over the top work perfectly. It’s almost an AC/DC kinda vibe. Still, it builds to another huge, arena-filling chorus, the backing vocals and added instrumentation being awesome. We get an awesome solo in the middle of the track, too, the guitarist showing off his impressive talent. It was technical yet fit the track perfectly. And a final great chorus takes us home. It’s another fantastic track!

The final track on the EP, and it’s title one, again has a fantastic riff running through it. This one immediately gives the song a bit more of an indie feel, though. The pace is a bit higher than the others, having plenty of punk energy, too. And for some reason the vocals reminded me a bit of Ozzy on this track. The chorus is a bit more chilled out, this having much more of a stomping, swaggering rock track vibe than an anthem. The solo was again great, too. A third awesome track!

Overall: This EP was great and over far too quick. I desperately need to hear more from this band, and already cannot wait for their next release. I’d also LOVE to see them live, I feel like all three tracks would go down so well in a packed little room. All three songs are awesome and I’ll definitely be listening to them again a lot. My only slight issue was the mixing/mastering. It let the tracks down ever so slightly, but not enough for them to be unenjoyable. I cannot wait to see where these guys go next, they have a bright future ahead of them!

The Score: 8/10

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What The Hell Have I got Myself Into?: Another Fantastic EP From Emily Lockett!

Country rock/pop artist Emily Lockett recently did a crowdfund for her latest EP as part of her university course. Being a massive fan, I had to donate to help out and get a copy sent over. While it isn’t yet available on streaming platforms, we got the physical copy today and I’ve already been spinning it none stop. It’s also available at her gigs, I do believe! Without further ado, let’s get into it!

Fading into an immediately anthemic, stadium filling intro riff with ‘Girl Out of Nowhere’, Emily’s vocals soon come in over the top and straight away make me smile. I am an unashamed early Taylor Swift fan, and Emily Lockett has always worn that inspiration firmly on her sleeve. It’s great, as we definitely need more of this kind of music in the world, especially the UK! A steady verse leads to a huge, stadium-filling chorus that is catchy as anything. The bridge and solo after the second chorus were nice too, showing off Emily’s great skill as a musician and songwriter. I was expecting a reprisal of the chorus again afterwards but instead we get another quick verse to fade us out with. A fantastic song and one hell of a way to open an EP!

‘Never Be You’ opens on just Emily singing over her acoustic guitar, some subtle vocal harmonies and a second guitar building in perfectly after a few bars. It heads into a chorus that actually reminded me a fair bit of Alanis Morrissette with the vocal melody, which again isn’t an issue at all. It’s another infectiously catchy chorus in a style that is both nostalgic and very Emily Lockett in equal measure. It’s slow and emotional but still fun and bouncy, much like the whole track.

Check out another country review here.

We somehow get a solo and bridge combined between the choruses, Emily’s voice fitting perfectly over the top of the lead guitar, bolstering both parts. The stripped-back return to the chorus was of course awesome, and it built back into the full band perfectly. What a track. This will easily make the playlist once it’s up on streaming sites, one of my favourites Emily’s done.

Next up is a beautiful, emotional piano ballad. ‘If Only I’ is fantastic, just Emily spilling her heart over the top of some simple, perfect piano chords. There’s some subtle strings in here and some sporadic vocal harmonies too, but not much at all. Sometimes a track doesn’t need to have crazy amounts of dynamics and change-ups to be good. This is a simple, straight forward track that tells one hell of story that I’m sure most listeners can relate to, while also providing a great backdrop for it instrumentally. Amazing stuff.

‘I Said Hi’ opens on a fun, almost Newton Faulkner-style riff. In fact, the guitar throughout reminds me a lot of Newton’s work. The vocals of course are catchy over the top, once again filled with emotion and heartache. The rest of the band do a fun job with this, with the drums and extra guitar adding a lot to the track. I can’t say anything negative about any of Emily Lockett ‘s music, it’s all fantastic.

The EP closes on a slightly higher tempo track, and the most stadium-country track I have heard Emily do. The opening riff is fun and bouncy and that feeling continues through the verse even though the lyrics are the complete opposite. The chorus is anthemic and huge, another stadium-filler. The drop out to just the beat and vocals for the final chorus was nice, as was the fantastic key change. I cannot get over just how good the chorus is, too. This is another track that will make it straight onto the playlist once it’s released on streaming!

Overall: This was great. I had no doubt it would be, but Emily still always pulls it out of the bag. Another collection of five awesome tracks that I will be listening to for the rest of the year. Emily deserves to be massive, and this EP is a huge step in that direction, I believe!

The Score: 8.5/10

Reviews

Letters, Numbers, Reactions & Errors: The Start of Something Massive for Bad Llama?

Bad Llama is a Midlands-based alt-metal band. Releasing two EPs prior to this one over the last five or so years, the band has gotten a rather impressive underground following. I have to admit I have been a bit slack and only heard the odd song or two and seen their name around a lot. That changed today as we check out their latest EP, so let’s get into it!

May be an image of one or more people and beard
Bad Llama’s Official Facebook

Opening track ‘God My Witness’ builds slowly with some electro stuff and keys before exploding into a HUGE riff. The synth stuff carries on through it too, adding a fun dynamic over the top. It drops down again for the verse, the clean vocals sounding great over the top of the stripped back, limited instrumentation. Just as before it explodes into a massive chorus, uplifting, open, and massively catchy. I wasn’t expecting so many clean vocals, and it’s great so far! Don’t get me wrong though, there are still screams. It drops down after the second chorus to next to nothing, building up perfectly into a massive, heavy breakdown filled with epic screams and growls. Said breakdown acts as the outro to one hell of an opening track, too. Playlisted!

‘Frailty’ opens heavier, straight into a huge, dirty riff and some almost hardcore-style screams. It cleans up into another awesome, catchy chorus, the harmonies being a surprising highlight. The riff coming out of the second chorus is awesome and the breakdown it turns into is great. Also, shoutout to that one low scream, if you listen to it you’ll know the one I mean, damn is it great! The cleaner outro was a nice touch, too! Another great song from Bad Llama!

‘Saline’ opens quiet, with a rather beautiful clean guitar chord progression. The softer vocals sound great over the top, especially when the harmonies layer over the top. The track picks up some depth and distortion with the massive, catchy chorus, but it is still steady and clean. It feels like the ballad of the EP. We even get an awesome guitar solo in this track. It fits perfectly over the top of the slower backing, matching the pace but still showing off some awesome skill and technicality. The solo leads to a great bridge, building more and more before dropping down even more. It makes the final huge chorus impact even more, hitting hard for a slower song. This was excellent, and another easily playlisted song!

Check our our review of Taenarius here!

The final two tracks, ‘Dear Eirene’ and single ‘Viper’, are also both awesome for very different reasons. The former feels a little ballad-y again, but a little faster than the previous track. The verse almost feels like something from Nine Inch Nails and the chorus is another uplifting highlight. Meanwhile, the latter is more what I expected, a heavy, aggressive, amazing metal track. The main riff is full of bounce and groove and the chorus is perfectly heavy. It’s another track that makes the playlist, you have to check it out!

Overall: this was great! A lot different from what I was expecting coming into it, but in a good way. Plenty of catchy songs and clean parts but evened out perfectly with the heavy breakdowns, riffs, and screams. It makes me want a full album from them soon, and Bad Llama are definitely ones to keep an eye on for the future!

The Score: 8/10

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Reviews

Chrysalis: Are we Meeting The Next Big Extreme Metal Band?

Stellar Void is an extreme symphonic metal band from Russia. I admit I had no prior knowledge of them before getting an email about reviewing this EP. However, it’s not often I get music this heavy sent through to me, or one from a non-English-speaking country, so I’m pretty excited to check it out. Without any more of an introduction, here is our review!

Stellar Void’s Official Facebook

Wasting little time, opening track ‘Shifting Sands’ immediately slaps you in the face with a huge, heavy sound and blast beats. The orchestral instruments behind it do take the edge off a little, though, and give it an epic feel. It sounds even, menacing, and awesome. The low, guttural vocals come in for the verse, reminding me a lot of Danni Filths. That may be a running theme of this EP, just to warn you, Cradle of Filth comparisons. It’s definitely not just because they’re the main band in this kind of genre I actually listen to or anything… The vocals clean up a little for a surprisingly catchy chorus, and the female harmony layered into them was a great touch. The piano acting as a bridge was also great, adding a little lighter break before the heaviness comes back. I LOVE every time the vocals go into the duet, it makes it all surprisingly beautiful. The woman’s voice is powerful and low and fits the song perfectly. My only ever so slight issue is that it stops a little abruptly, no outro or anything, just suddenly ends after the final chorus. It was a great track from Stellar Void non the less, though!

The EP’s title track is up next, taking a slightly slower approach to begin with. The choir vocals behind the huge guitar chords sounded awesome and again gave everything an epic, sinister feel. When the heaviness kicks in and the speed picks up, the vocals are clean again. The harmony between the male and female vocals again contrasts perfectly together and fits awesomely with the heavy instrumentation backing them. The female vocal continues for a bit, getting a run to show off her insanely impressive higher range. There’s an awesome guitar riff that kicks in around the 2:30 minute mark, it being the only thing in the track for a few seconds so it’s easy to hear. The instruments do get a tad lost in the epicness and sheer number of them at times, so it’s good to hear them isolated every so often! The structure of the two songs so far has been a little all-over-the-place, it’s been hard to listen out for a chorus or verse, but if anything it adds to the epic charm of it all. It feels more like they’re telling a story than playing a song. A beautiful piano melody acts as the outro to another fantastic song!

‘The Oath’ opens on another face-punching riff, and one I love. It reminded me a little of Bullet for my Valentine’s ‘Your Betrayal’, only obviously heavier. The female vocal again takes the lead for this one, something I wasn’t expecting from the band so it’s a nice touch. It drops back to just the keys/synth and vocals around the two-minute mark. It sounds awesome and highlights the female vocal even more nicely. The metal instruments build back into it steadily, feeling like it is building up to something massive. That it does, too, as we get another awesome little guitar fill before a huge final chorus (?). This was great, and my favourite track on the EP. It makes the playlist!

The final track, ‘The Seer’, opens straight into a huge chorus, clean vocals and all. It’s again pretty catchy. The lead melody from the vocals, guitar, and strings added so much awesomeness to it all. The verse is even pretty clean and steady, though it is still heavy. Kudos to the drummer who I really haven’t mentioned enough in this review. They’ve been working overtime through this entire EP with some crazy blast beats and quick fills. The whole band is far more talented than I have been able to give credit for, they all just work so well together that it’s hard not to talk about it all as one combined piece. This was another epic track through and through. The orchestral outro made it the perfect choice to close out the EP with. The overall feel is something Stellar Void do so well.

If you like this, check out our review of the latest At the Gates album here!

Overall: This was really good! Going in completely blind made it a fun experience and meant that the band blew me away from a technical standpoint. It’s not a genre I would listen to a whole bunch personally so the structures and things still threw me off a bit, but after another few listens (which will definitely happen) it would probably set in a lot easier for me. Stellar Void has a new fan in me and I look forward to hearing how they develop their sound further in the coming years!

The Score: 7/10

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No More Love: Are Dohny Jep Bringing an Even Heavier Sound to Pop-Rock?

Pop-rock band Dohny Jep have only been around for a couple of years, but are quickly establishing themselves in the underground scene through their awesome sound and impressive work ethic. Just this year they have put out FOUR Eps (including this one), a massive feat for even the biggest of bands doing this full time. I personally hadn’t heard any of their stuff until getting sent the EP, but I am damn excited to check it out and let you know what I think!

Dohny Jep’s Official Facebook

‘Floor Like Lava’ opens pretty epically, with some chanting and samples that combine together perfectly together. A HUGE riff comes in over the top, heavy but with plenty of room to breathe, kicking things off and setting the scene perfectly. The riff drops out for the verse, it being mainly drum and bass-led behind the vocals. The lyrics are a standout, being very well written and pretty emotion-filled. It builds into the heavy guitar riff again for the chorus, the vocals carrying on over the top. They’re pretty catchy, but not quite the catchiest I’ve heard from the band. The instruments drop out after the second chorus, aside for the drums, before they slowly build up into a MASSIVE breakdown. I honestly didn’t think the band would get that heavy, but damn if it isn’t one of the best breakdowns I’ve heard all year, it had my head banging something major. The callouts even had me laughing, despite the slight cringiness (I assume that was the point?). The track then heads into a final chorus before a brief outro takes us home. A cracking start to an EP and a great track on its own!

‘Choose Life’ also opens on a massive riff after teasing it with a distant one hidden by drums for a few seconds. Much like the previous track it drops back down again for the verse, stripping it all back a bit. However, the vocal melody was so catchy and awesome that I got lost in it all, the instrumentation sweeping me up as it built into another awesome, open chorus. The duel vocals worked really well for it and added even more catchiness to it all. Also, the heavy AF riff out of the chorus was nice, even if it didn’t get the chance to sound as heavy as it was. It dropping out to just bass was an awesome, unexpected change of pace for the track, and it worked even better when the drums came in over the top. I’d have loved a little more of this, for it to go a little longer, but I will happily take another chorus to close things out too! A fantastic song and one that easily makes the playlist!

‘Dial Up’ is the single I have heard from the EP and was my first proper introduction to the band. We have already heaped praise on it on our Instagram, and it really is that good! Opening on a beautiful, simple piano melody and vocals, filled out perfectly by the other instruments, it soon explodes into a typically fantastic riff, heavy and huge. It stays pretty heavy and filled out for the verses this time too, showing off how damn impressive the mixing is on the EP, even more impressive considering the size of the band! The pre drops down just to perfectly contrast with the MASSIVE, heavy chorus. The vocals are the catchiest on the EP and it fits so well over the top of the big guitar chords. The breakdown(?) riff that comes out of the second chorus is awesome, and the vocals add a lot of depth to it all when they come in over the top. We then get a final chorus and heavy outro to finish off a track that easily makes the playlist too!

Finally, we reach ‘Pressure’. It follows the same structure as the others, a huge riff to open things up before a stripped-back verse leads us to a massive, open, and catchy chorus. It’s not a complaint at all, though, its an awesome track! Another awesome, heavy breakdown follows the second chorus, again having me headbanging along happily and alone in my office. The synths over the top of it were a nice touch, too! It all leads to an epic extended outro, with the synths and other instruments slowly dropping out one by one. It was a fantastic end to an EP!

Overall: This was awesome! Considering this was the bands fourth EP of the year, they clearly lack no creativity as this was an awesome collection of tracks. I enjoyed all four and would happily have listened to a whole album from them as I imagine they’d have pulled out the stops and kept it interesting at times too. I should be getting tired of saying this but I’m not; if they keep going like this I can see huge things for them in the future!

The Score: 7.5/10

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Higanbana, Pt One: A new start for Scarsun!

Scarsun is a hard rock/metal band that has been around the Welsh and English underground scene for a couple of years now, making waves with their big sound and catchy writing. After a line-up change and a bit of a rebrand, they released their new EP, Higanbana Pt. One, today. I’ve been a fan of the band all year and I’m excited to hear what they come out with now that Letha fronting the band!

Scarsun’s Official Facebook

‘Chains’ opens on an almost Nu-metal riff, heavy and industrial. The effect on the guitar is awesome too, giving off Cane Hill vibes alongside the likes of Static-X and Godsmack. The verse drops back a bit instrumentally, the palm muting and quick chugging keeping it heavy. Letha’s low, powerful vocals come in over the top and contrast well with the rest of the band. She gives off pretty heavy Dolores O’Riordan vibes. It builds up pretty well through a catchy, heavier, and open pre into a fantastic and similar chorus. The harmonies were great, adding plenty of layers to the track and I definitely see where they were going with it. Unfortunately, I thought the mixing of them, predominantly in the chorus, made it come across ever so slightly messy. The backing vocals could have been just a tad quieter or even had a dampening effect and it may have produced a bigger, rounder sound. The song’s structure is a tad off, finishing after an elongated second chorus, but the outro with the rest of the band chanting the song title made it all catchy as hell and even heavier. Overall, good stuff!

‘Time’ opens on another Godsmack-esque riff, the heaviness coming from every time it drops back just to smack you in the face with the drums and bass again. It’s a very early 2000s sound, but it’s awesome and we don’t have nearly enough of it today! It speeds up into the verses, a nice and unexpected change. The melody of the vocals of the verse was pretty great too, making it catchy and interesting when it could have just as easily stayed around one or two notes. The chorus opens up a bit again, staying high-tempoed but the drums strip back to give everything else more space to breath. The vocals stay pretty catchy, it being a more preferred chorus for me than the previous tracks as it was straightforward and to the point. It drops down to a beautiful clean guitar after the second chorus, Letha’s vocals harmonising over the top of each other and creating a great effect, before heading into a HEAVY riff, adding some great pinch harmonics to the main riff. It leads us to a final verse and chorus before the clean chord progression from the middle finishes things off. This was a great track and one that made the playlist easily!

‘Meaningful Intentions’ starts as the previous song left off, with a beautiful, slow, clean guitar riff. Letha’s vocals sound great again over the top of it, helping build the track up perfectly with the help of the drums into a massive, open chorus. The distortion gets pushed through the guitars for the huge chords and the vocals soar higher and provide some really great lyrics. It’s the slower track on the EP, the ballad if you will, but it’s still pretty heavy. We get an awesome guitar solo coming out of the second chorus, surprisingly the first proper one on the EP. The harmonies in it were pretty great and overall it was technical and enjoyable! We then get a brief pre before heading to a final chorus to finish things off. Another good song, and one hell of a slower one from an otherwise industrial-style band.

Finally, we reach the single from the EP, ‘Make Me Ache’. It opens on an AWESOME guitar riff, chuggy and heavy and Static-X AF. It also sounds even more awesome after a couple of bars when the drums go halftime on the riff, making me headbang a great deal. The chuggy, bounciness continues through the verse, adding so much to the great vocals and making everything about it sound awesome. The chorus is still pretty heavy too while having that same catchiness that the rest of the EP has shown off. The drop-out to just the low bass before the second verse was also a nice addition and a definite highlight for me. The bridge in the middle was pretty enjoyable, it maintaining a great heaviness, but unfortunately didn’t go anywhere with it but back to another pre and chorus. It was okay, but a solo or breakdown might have been nice, especially since they end on one! Still, it was a damn good track, and easily makes the playlist too!

Overall: This was damn good! I enjoyed the heaviness and industrial riffs and beats, and I felt like it contrasted perfectly with a female vocal over the top. Considering this is part one, I cannot wait to hear what they have in store for part two!

The Score: 7/10

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