The last #NMM of the year, and it’s a heavy one! Three awesome release for us to check out, let’s dive right in!
Sidian: Where Our Silence Comes to Die
The debut album from Wyatt Sharp’s experimental death metal project is wonderful chaos from start to finish! It’s technical, heavy and balls-to-the-wall throughout, and it’s hard not to at very least admire it, and at most love it. Tracks like ‘Elegiac, Absent Catharsis’, the title track and the epic ‘Albatross’ are personal highlights, but honestly every track on this is great, and it all grew on me more and more the more I listened. From the insane guitars and bass to the massive drums and the crushing screams and melodic cleans, Wyatt really can do it all, and his talent is off the fucking charts! The fact that he has done this all himself, as well as writing and crafting each track, is honestly mind-blowing.
It’s certainly not going to be for everyone, but I loved this a lot, and would highly recommend to anyone into the heavier end of metal. It gives off vibes of everything from early Trivium to Periphery to Necrophagist, it’s great! I can’t give it any less than 8.5/10; don’t be surprised to see it creep onto our albums of the year list in a years time!
Mutiilation: Pandemonium of Egregores
Following on from last years Black Metal Cult, the modern black metal French outfit is another mainly solo project, of one William “Meyhna’ch” Roussel, though they have also added drummer Kham too. To say the return of the project is a success would be an understatement, as their last album was well received, while this is another banger if you’re into their particular brand of noise. Heck, I’m not even especially into black metal, and even I found myself enjoying it and happily listening through the short runtime in one sitting. It’s only four tracks and an intro, so is a pretty easy listen for anyone interested. And it’s hard to pick highlights, as it all flows so well together. While not something I’d seek out often, it’s definitely good, and I wouldn’t turn it off if it came on again. A solid 7/10 from us!
Sadie: THE REVIVAL OF MADNESS
The third album in the band’s REVIVAL series, it took me a far too long time to work out what was going on. This series is a re-recordings of their previous, pre-hiatus work. So, while technically not ‘new’, it’s new to music, and a slow week as the last one of the year, so cut me some slack! I think it’s designed to be a way of putting their music on streaming, as none of the original stuff is on there.
This is also an absolutely amazing melodic heavy metal album. From the great, alt metal riffing to the awesome, melodic parts and solos to the powerful, catchy vocals, it really has a bit of everything! Then ‘THE REQUIEM’ goes full metalcore/melodeath. It’s a cool idea to do these re-releases, as it really gives you an appreciation of the range of the bands sound over the years, and the sheer talent between them! That, ‘Jealousy’ and the funky ‘bleach’ are all personal highlights, but there really isn’t a bad track on the release. It’s a testament to the incredible talent and longevity of the band, and it has definitely made me want to go back and check out the other REVIVAL parts! Hopefully we get some actual newly written music from the band soon, as this is awesome. However, for now I am more than happy to sit with these albums and become an even bigger new fan of the band. An incredibly solid 8.5/10 from us!
A pretty packed week of heavy new albums for us to check out this time around. Let’s dive right in!
The Losts: Venom Within
This is an awesome slab of melodic heavy metal! The third album from the French quartet blends together plenty of old-school and modern styles, from heavy to power to black metal to thrash to even an almost early 2000s metalcore edge at times. Each style feels like it’s own time to shine at times throughout too, and all combines together to form a pretty unique sound to The Losts. Tracks like ‘Black out Days’, ‘Magical Idea’ and ‘Exponential Law’ are all personal highlights. However, there isn’t a bad song on here, and despite the aforementioned style-changes, it still flows pretty damn well! I’m definitely going to have to go back and check out their previous work, as they very much have a new fan in me! A solid 8/10 from us!
Funeral Vomit: Upheaval of Necomancy
Another third album, this time from the heavy, old-school death metallers, and does pretty much exactly what is advertised. It’s a Cannibal Corpse-like half an hour of brutal riffing, great drumming and questionably mixed and performed screams. In fact the mix throughout is rather questionable, being more of a wall of sound that sometimes makes it hard to distinguish each part. Musically and arrangement-wise it’s very well put together, but it’s sadly not one I’d revisit readily. It’s a shame too, as I liked the intro stuff they did for the album and tracks. I’d probably get into it a lot more in a live setting! ‘Hematophagia’ was probably my personal favourite track, but I sadly can’t give the release as a whole much more than 4/10. Sorry, the mix and style really aren’t my sort of thing!
Scheitan: Wine for a Tormented Soul
The second release in two years from the reunited gothic metal soloist is an absolutely great release within that genre! Whether it’s legends like Him or Type O to even more modern stuff like newer Creeper, it channels plenty of great vibes. From the opening two tracks to ‘Carry Me Home’, there’s plenty to love, too. The whole album goes by in a flash, and is truly a must if you are into this style of music! It’s honestly so great to hear Pierre back making music again, especially when it’s this good! I had a great time listening to this, and can’t give it any less than a solid 7.5/10. Good stuff!
Amulet: Don’t Say the Anguish Took her Life
The debut album from the modern deathcore collective actually goes pretty damn hard! From the awesome screams to the brutal instrumentation, it’s all performed and written incredibly. While it’s not everyone style, this feels a bit more of a throwback to earlier times in the genre; think more Whitechapel than Slaughter to Prevail. And yeah, it’s fucking awesome! From ‘Her Suffocating Words’ to the title track to ‘Dying in my Dreams’, there is plenty to love, and truly not a bad song on here. Heck, at only 22 minutes it’s in and out in a flash, very much all-killer, no-filler. I’m excited to see where the band go from here, as they definitely have a bright future, but this is an absolutely excellent start to their album-releasing careers. 8.5/10, a must for fans of the genre!
Diamonds to Dust: Echoes of Grace and Strife
More deathcore, but a bit more on the prog side this time. And damn, this goes hard and heavy for Christian music! I was pretty hooked from opener ‘Child of the King’, and the album barely let me go throughout. And, though the track is packed full of guest features, I enjoy the tracks of just them just as much! ‘Bond Servant’ and ‘Dissonant Truth’ are just as good as the opener or ‘The White Rabbit’s Nightmare’. From the awesome technical riffing to the brutal screams and breakdowns to the solid drums, it’s all done so well. I know some will dismiss it immediately due to the religious beliefs of the members, but you’d be doing yourself a disservice as this is an honestly incredible metal release, period. Even at pushing an hour in length and 14 tracks, it all slaps and is so easy to listen to in one go. They have a big new fan in me, and this will be an album I’ll be listening to for months to come. 9/10
Week two of the Overtone year is a heavy one, with plenty of awesome metal (and one electro) to check out. Let’s dive in!
Lord of the Lost: OPVS NOIR Vol. 2
The follow-up to August’s part 1, this release follows that up pretty perfectly. They very much feel like the same project, having a similar tone and vibe, and once again it’s one hell of a LotR record! The heaviness and epicness continues, especially with the Lena Scissorhands-featuring ‘Would you Walk with Me Through Hell?’. Between Lena, Käärijä, IAMX and League of Distortion, there are a good few features on the album, all as good as the last! However, the other songs are just as good too, with ‘The Last Star’ and ‘Scarlight’ also being massive highlights. The whole album is great though, and doesn’t feel like 45-minutes at all, going by in a flash. I never quite got into the band aside for a few songs here and there, but this release has really won me over to them, and proved that actually, taking some time to write some good music instead of feeling the need to pump out an original studio work yearly has upped the quality of their output. Who’d have thought it, ey? It’s a very easy 8.5/10 from us, and my plan after this weekend is to listen to both volumes one after another, I have a feeling it’ll be a great time!
Zero 9:36: They Were Always Here
This is a really interesting release! Alt-metal in the broadest sense, this covers all manor of bases under that sphere. The closest thing I’ve managed to compare it to is ‘Animals’-era Architects, with some occasional Hyro the Hero or even Eminem thrown in for good measure! It makes for an incredibly interesting listen and, at only 22-minutes, it’s hard-to-stop ride from start to finish. Whether it’s heavy riffing and aggressive vocals or more of a slower, radio-friendly sound, it really has a bit of everything, packed right into a concise release. ‘System’ is a huge early highlight, as are tracks like ‘Here to Bleed’ and the Ekoh-featuring ‘Withdrawals’. It’s not going to be for everyone as it is a very modern sound, but I loved it! Continuing to blend hip-hop and electronic elements into metal and hard rock is making things so interesting and unique, and Zero has that here in spades. He’s already created a big name for himself across his back catalogue, and adds to it perfectly with this addition. It’s another very easy 8.5/10, check this out if you are at all interested!
Zkeletonz: Marmalade
The first album from the disco-style electro artist isn’t normally the sort of stuff we cover, but this was a damn fun listen and has me a little obsessed with them! It’s impossible not to have a good time listening to this, and surprisingly gave me big Basement Jaxx vibes throughout, which certainly isn’t a bad thing! And, at less than half-an-hour, it’s another incredibly easy listen. From the opener to ‘Out!’ to ‘Wild for the Weekend’, there are plenty of highlights here. My only issue is that it does get a touch samey after a while, though with this sort of music I’m not sure how to solve that. And still, I didn’t have a bad time listening to any of it! A damn solid 7/10 from us, and certainly an album I’ll be revisiting in the future.
Volumes: Mirror Touch
The first new album from the metalcore quartet in over four years, and this thing goes hard. The band very much didn’t lose their heaviness or technical prowess in the time between releases, this thing being dialled up to 11 on both! Right from the offset, ‘Sidewinder’ is awesome, and is followed up perfectly by ‘Bottom Dollar’. The crazy low guitar riffs and solid drumming is an awesome combo, especially with the synth in the back too, the great screams just adding to them even more! Then you have tracks like ‘S.O.A.P.’ and ‘em’ that are definite highlights too. Sadly, it does drop off a touch in the middle, going down more of a slower, lighter modern metalcore route, but very much brings itself back on track towards the end! It’s still a damn solid album overall, and one I’d definitely recommend to anyone into a modern metal sound. A very easy 8/10 from me!
Dragon Throne: Tale of the Two: Dawn
The power metallers didn’t hesitate to drop part two of their collection, did they? This dropped barely a month after Dusk, and continues on perfectly from said release! And you’ve already seen how much I enjoyed that album, so to have this continue on that great path is awesome. ‘Dragon Empire’ is one of the best opening tracks of the year, while the rest of the album follows it with a similar level of energy and quality. There truly isn’t a bad track on this album and, combined with the other part, makes for practically the perfect power-infused heavy metal release! Somehow I only gave the last one 7.5/10, but this one and as a whole piece between the two, I can’t give it any less than 9/10! If you are at all a metal fan, check this out ASAP, you’ll surely love it as much as I do!
Black Pig Meat: Symbiotic Dream
This is an absolutely incredible instrumental release! It’s always harder to shoehorn instrumental stuff into a specific genre, but it definitely feels prog/djenty for the most part, the odd bit of shoegaze thrown in for good measure. It’s chaotic but somehow all fits perfectly, ebbing and flowing incredibly well. Much is the case it seems this week, it will be a divisive release, with a lot understandably not getting into instrumental stuff. Heck, I struggle at times, but found this one so packed full of talented playing and composition I couldn’t stop listening! ‘Sizo’ was a big highlight, as was ‘Sóbole’. And while the closer, as great as it is, does go on a fair bit, it’s still a fun listen. It’s a great album to get high and listen to on your own in the dark, or if you’re a musician (interchangeable, clearly). Not something I’d revisit often but a damn good release, and a solid 7/10!
The first NMM of the Overtone year, and while short, it’s still got some awesome albums in it, from rock to county to metal. Let’s dive in!
Zac Brown Band: Love & Fear
A chilled-out, uplifting release from the main man himself, following his self-processed comeback album in 2021, it marks the longest gap between releases for him, surprisingly. He has taken that time to craft this 50-minute masterclass of all things rockin’, though. Whether it’s straight-up country, blues, Americana, indie, dark folk or even some experimental prog again, he covers all bases and does so incredibly. Heck, he even dips into hip-hop thanks to an awesome Snoop Dogg feature! There isn’t a bad track on this, but songs like the opener, ‘Give it Away’ and ‘Nothing’s a Coincidence’ are personal favourites. He very much does whatever he wants at this point sound-wise, and gives more of a jam-band feel than anything specific. And as I said already, whatever he does, he does it SO WELL. If you are a fan of his earlier work, or any of the genres I’ve mentioned previous, check this out as soon as you can, you’re bound to love it as much as I do! A very easy 8.5/10 from us!
Homegrown GBG: Homegrown
The second album from the folky heavy-psych instrumental band is a real showcase of their talents! Don’t get me wrong, I very much know instrumental stuff isn’t for everyone, and I am usually one of them after not too long of listening, but the band did an excellent job of keeping me entertained and hooked throughout. The different parts and time and feeling changes were captivating, with tracks like ‘Häxjakt i Snetakt’ and ‘Den Hornkrönte’ being particularly examples of that. The band are so damn talented, getting plenty of chance to shine individually and as a collective throughout. And psych-folk isn’t something I knew I needed more of in my life until right now! It is still an instrumental album so I can’t score it crazy high, but it’s a damn solid 7.5/10 easy! Check this out if you are at all curious!
Jester Majesty: Infinite Measure, Finite Existence
A debut album up next, and it’s a fantastically heavy one! It’s like the perfect blend of melodeath/djent instrumentation with more of a modern metal/prog arrangement and vocals. Right from the opener into ‘Human vs. Machine’ I was hooked, and not let go for the rest of the release. The playing throughout is off the charts, and blends together so many different styles to make something that feels so unique and amazing! The length of the tracks may put some off, as it certainly does lean more into the prog realm than anything else, but it very much rewards listeners that stick around with an album packed full of incredible music. It’s insane to me that they aren’t already a bigger band, but having only been putting out music this year, and I very much think this release could push them up a few levels immediately. If you are at all into prog or just metal in general, I cannot recommend this enough. I can’t give it any less than 9/10!
P.S. that artwork is fucking awesome!
Alfonso Conspiracy: The Explicit//The Exploited
Another debut album, this time from the alt/industrial metal artist. From just up the road in Wolverhampton, he’s essentially a local name, and it’s insane to me that I’ve never heard of him before now as I loved this! It’s very much a modern sound, blending together some more hardcore screams and big, ch0nky djent riffing with an overall industrial package, and is right up my street. The closest thing I can compare it to is 3TEETH, which is definitely not a bad thing! And of course, there’s a healthy does of Manson in there too. From ‘Chimpanzee’ to ‘(pathogen)’, ‘(transmit)’ to ‘WHORE’, there is so much to love about this. However, the whole release is excellent and has a great flow to it, it being an incredibly easy listen! He definitely has a new fan in me and I’m already desperate to hear all of this live, so will be keeping an eye out. For now though, I’ll be spinning this plenty in the weeks and months to come, and it gets another very easy 8.5/10!
Bottomland: Self-Titled
Yet another debut album for us, this time from the country rock duo. The pair profess to ‘take the best of what everyone loves about Texas country music to a new level’, and it’s hard to argue against that, for the most part. It’s a great rock-tinged country release, packed full of arena-filling choruses and huge harmonies, as well as some fun instrumentation. Tracks like ‘Lies’, the almost Seether-esque ‘Aw Shit’, single ‘Hot Shottin’’ and ‘Sorry State’ are all personal highlights. A lot of the rest of it is all a touch slow, or a touch too Treaty Oak Revival for me. It’s not exactly an issue, and the band clearly have plenty of fans so are doing something right, but I did find myself getting a little bored by the sound at times. It’s still damn good, especially for a debut, and I’m definitely curious to hear where they go from here, especially with them having a bit of a rocket strapped to their back! I can’t give it any more than 7/10 for now, though it may grow on me more with more listens.
A quieter week as we wind down towards the end of the year, but still eight awesome albums for us to dive into! Let’s check them out!
Equilibrium: Equinox
The German folk metallers returned with their first new studio album in six years this last Friday. I’m glad they’re back too, as this is an awesome release! It’s epic, heavy and melodic in all the right ways. I also love that while it’s still got plenty of traditional elements and sounds, it’s also modernised with some huge production and some synths. Heck, it even has elements of melodeath or metalcore in there too, which is truly awesome and an incredibly unique sound! Tracks like ‘Awakening’, ‘Gnosis’, the nu-metal-infused ‘I’ll be Thunder’ and the epic ‘Nexus’ are all personal highlights. However, every song on this is awesome and flows so well with a couple of great interlude tracks scattered throughout. It really does have something for everyone here, and if you are at all into metal I cannot recommend checking it out enough! The band have a big new fan in me, and I can’t give this any less than 8.5/10!
Soho Dukes: Nighthawks, Acrobats and Everything Under the Moon
Releasing just in time for their tour with the mighty Quireboys, the old-school rockers’ third studio album is somehow a step up from their previous two last year! It’s a throwback to the 70s and 80s in the best way, giving off vibes of everything from their tour headliners to Thunder to even Madness. It also gives a fair bit of Night Flight Orchestra vibes, which definitely isn’t an issue! It’s just a lot of fun, and impossible not to have a good time when listening. The instrumentation is amazing and honestly feels like some lost arrangements these days; the heavy focus on piano and sax being very appreciated! That’s not to say the rest of the band aren’t talented too, everyone works their asses off here, from drums to guitars to vocals. It’s also incredibly hard to pick highlight tracks, as I found myself loving every single song on this release! However, the Spike-featuring single ‘A Stone’s Throw’ is hard not to adore, given how big of a fan of Quireboys I am. It all has that big band feel to it that I love, and am absolutely desperate to see live already! If you are at all into old-school sleaze rock, this is very much the album for you. As I say, they’ve somehow topped their awesome previous two releases with this, and I can’t give it any less than 9/10!
Blut Aus Nord: Ethereal Horizons
This epic slab of French black/avant-garde metal goes hard from start to finish; a full 51 minutes of atmosphere, darkness and heaviness. And honestly, I kinda love it! Longtime readers here know that I’ve never been the biggest fan of straight-up black metal. However, when it has something different or extra about it, like here, I can’t help but enjoy it! It’s just seven songs, but each are as grandiose as the last, and all paint a fantastic picture of this album as a whole. Because of that, it is also incredibly hard to pick highlight tracks, the whole thing feeling more like one big piece. It’s certainly not for everyone, and even if you’re a fan of the style it’s still a pretty big undertaking. Still, if you have the time, this is a damn rewarding listen, and I’d certainly recommend sitting down and checking it out in full! It’s not something I’d revisit often, but still gets a solid 7/10 from us!
Treaty Oak Revival: West Texas Degenerate
The third studio album from the Southern rock band looks to follow up their highly successful 2023 release. It’s at very least an interesting style, that Koe Wetzel combination of post-hardcore/midwest emo with country. However, the more I listen to this sort of sound, the quickly I’ve gotten a little bored of it. It’s gotten old fast for me. Though, I do have to say I enjoyed this more than the last few Koe albums, it keeping the heaviness a bit more consistently throughout. Tracks like ‘Shit Hill’, ‘Withdrawals’, the Muscadine Bloodline-featuring ‘Misery’ and ‘Happy Face’ are all personal highlights. However, it is all pretty similar, and is slightly hard to get through in one sitting, I have to say. They are clearly a massive band with a huge fanbase, so if you like them then you’ll definitely lovethis new album! However, outside of the aforementioned tracks, it didn’t do a great deal for me, and I wouldn’t rush to revisit it, even if I’d happily have the album on again in the background. Not bad, but I can’t give it much more than 6.5/10, it was too samey!
Tickles: Sugar & Plastic Plates
The debut album from the noise rock quartet is a fantastic introduction to the band! It’s a damn popular sound at the minute, and it’s done to practically perfection here. It’s indie, hardcore and hard rock all mushed together, and is a lot of fun for its entire 37-minute runtime! I’m not typically into the Soft Play/Turnstile stuff all too much on track, but I loved this a lot from the very first track. Songs like ‘The Safest Car’, ‘Haunted’ and the rather epic closer are personal highlights, but honestly there isn’t a bad track on the album and it goes by in a flash! If you are at all into this sort of style of music, I cannot recommend this album enough. They have a big new fan in me immediately and they are definitely ones to watch; if they keep putting out music of this high quality, they’ll be a big name sooner rather than later! I can’t give it any less than 8/10!
Black Dog Moon: Hell and Back
This is a pretty great, interesting album, ever so slightly held back by a bad track arrangement. In the nicest way possible, ‘The Prophecy’, while not a bad song, is a terrible opener That honestly had me worried for the rest of the album. However, then that grungy, punky NWOBHM riff of ‘Neon Queen’ comes in and blows me away, every damn time. Then you have other up-tempo bangers like ‘1985’, ‘Heavy Shot of Love’ and the title track that are also awesome! And even other slower tracks like ‘Leaving Town’, the early-Maiden-like ‘Holy War’ and the bluesy ‘Gratitude’ are all just as good! However, the album definitely takes a bit of getting going, and goes out with an admittedly epic whimper. But, that doesn’t mean it isn’t still a great album. They draw together so many sounds and influences, from heavy metal to hard rock, punk to even some R.E.M., and the vast majority of the tracks are incredible and already lodged firmly in my head! For just their second album this is amazing, and has very much made me want to go back and check out their debut! Any rock fans reading this (all of you, surely), this is one for you, and I can’t give it any less than 8.5/10!
Mourning Wood: Murder of Crows
C’mon, with a name like that I couldn’t not check this out! The debut album from the Finnish classic metal four-piece perfectly blends a sleazy, AOR-based sound with their slightly tongue-in-cheek brand of humour. It’s a great old-school 80s sound and vibe, and tracks like ‘Feeling Good’, ‘Down in the Dirt’ and ‘A Grave Vacation’ are big personal highlights. However, it’s an incredibly easy, fun 32 minutes of an album, not taking itself too seriously and going by in a flash. If any/all of that sounds good to you, I’d definitely recommend checking this out as soon as you can! There’s not much else to say about the album honestly, it’s straight-forward in the best way and gets a solid 7.5/10 from us!
Corpus Delicti: Liminal
The first new studio album from the French gothic rock band in two decades, this release caps off the bands reunion in a massive, perfect way. The band somehow pick up right where they left off in 1995 too, with their brand of dark, grandiose post-punk/new-wave sound and writing. And, while admittedly this isn’t the sort of sound I find myself gravitating towards often, this band do it so well and I had a blast listening to it, doing so in one sitting! ‘Room 36’, the Dead Kennedys-like ‘Chaos’ and ‘Out of Steam’ are all personal highlights, but there certainly isn’t a bad track on here! The band are insanely talented songwriters and players, and it’s amazing to have them finally writing new music again. It’s so cool to hear this style of music coming back, and it’s definitely growing on me more and more with each awesome album being released into it. Check this out even if you aren’t necessarily into the genre, you’re bound to find something to love here! 8/10
Another typically stacked week of awesome new music for us to check out this week, and it’s a rather heavy one! Let’s sink our teeth in!
Danko Jones: Leo Rising
The 12th studio album from the Canadian hard rock trio comes just two years after their incredible last release. Not only did we love Electric Sounds, but we’ve already checked out a couple of the singles and loved them too! Their balls-to-the-wall attitude and energy is so damn infectious, and it’s impossible not to have fun when listening to the band. That is definitely still the case here, too! It’s 37-minutes of punk-infused hard rock from start to finish across 11 awesome tracks. And while all are amazing, single ‘Diamond in the Rough’, ‘I Love it Louder’, ‘It’s a Celebration’ and ‘Too Slick for Love’ are personal highlights. It’s an incredibly easy listen from front to back though, and goes by in a flash. Danko is a riff machine, and his lyrics and delivery are full of attitude and just a lot of fun.
However, I do have one slight negative; it’s not quite as good as Electric Sounds. That would have been a tough task, as that has become my favourite album from them. This is still a great release, but it’s hard not to compare them a little. The singles and high points are every bit as good, but the album as a whole isn’t quite as banger after banger. Still, if you like the band or the genre in general, you’ll still love this just like I do! It gets a still-solid 8/10 from us, though it might get even higher with more listens!
Mélanie Pain: How and Why
The Nouvelle Vague frontwoman returned with her fourth studio release this last week. It’s a nice, chilled out indie-folk record.
You want more than that? Honestly, I’m struggling here, guys. It’s a pretty album, and an easy way to pass half an hour. Tracks like ‘Magnolia’ and ‘Senden Daha Güzel’ are good. However, it’s a little boring. Then again, it is not really my sort of thing. I completely see the appeal, and she has a cracking voice as well as a talent for lyrics writing. But I’ll probably never listen to this again. It didn’t do anything for me; it was too subdued and the instrumentation was barely anything. If you like it then awesome, and my deepest apologies for giving this a sad 3.5/10
Cassidy Paris: Bittersweet
The sophomore album from the young Australian classic rocker is every bit as good as her debut. Right from the offset it’s packed with catchy vocal hooks and some awesome AOR instrumentation. ‘Butterfly’ is a fantastic track and sets the tone for the album perfectly. Then you have tracks like ‘Nothing Left to Lose’, ‘Wannabe’, the bluesy ‘Give Me Your Love’ and ‘Brand New Day’ that are all massive highlights. However, there really isn’t a bad track on this album! It’s a touch long at 44 minutes, especially when almost all the songs have a similar sound and energy. However, I certainly couldn’t think of a track to cut, as they all very much have their place here. She very much fits in alongside Chez Kane in an awesome revival of this sound, and I am more than here for it! My only slight issue is with the mix, as it occasionally gets a touch muddy, and could have maybe sounded even bigger and packed a bigger punch at times. But still, it’s a very minor gripe towards an incredible rock album! If you are at all into an 80s style, check this out as soon as you can! A very easy 8.5/10
When Nothing Remains: Echos of Eternal Light
The first time the band have returned to the studio in nearly a decade, this is a slab of gothic/doom metal excellence. I didn’t know the band heading into this so didn’t know what to expect, but it wasn’t something so grandiose and cinematic. From the opening piano melody that builds steadily with the big drums and distorted guitars into true heaviness with the screams, it drew me in right from the offset. However, that also shouldn’t take away from the hauntingly beautiful clean vocals throughout too, fitting just as well as the screams. The rest of the release very much continues in the same feel and vein, too. Don’t get me wrong, it’s a pretty massive undertaking at over an hour, and is certainly not for everyone in terms of sound. But, if you are at all interested from my description, this is a damn rewarding listen and worth a full one, for sure! The band have created something special with this return release, and prove that they are damn good at crafting not only songs, but full albums. I’m not even usually into this sort of style, but I couldn’t get enough! It gets a solid 7.5/10 from us!
The Smith Street Band: Once I Was Wild
This is like Frank Turner if he leant more into his punk roots on his solo stuff. It took a touch of getting into, but by a couple of tracks in I was really enjoying this! The Australian punk/pub rock band’s seventh studio album is a fantastic listen packed with emotion-filled lyrics and delivery, catchy choruses and some fantastic, almost Midwest Emo instrumentation. And, despite it having some pretty bittersweet topics at times, it still feels upbeat and is a fun listen, incorporating plenty of mid 2000s indie influence into things too. I honestly cannot praise the lyrics and vocal delivery enough either, multiple times I had to restart the song as I had goosebumps. True emotion is getting harder and harder to come by in music these days, and this band deliver it hard throughout. It’s also incredibly hard to pick highlights; every track is just as good as the last. However, the lyrics to the title track are honestly incredible, and has definitely been a track I’ve revisited a fair bit over the last few days.
It’s insane to me that I’ve not checked these guys out before, they have a BIG new fan in me and I am now desperate for them to tour over here again soon! If you are at all into everything from pop punk to garage rock, folk-rock to Midwest emo, this is worth checking out as soon as you possibly can. I’m a little obsessed, and will definitely be checking out their previous releases ASAP. DAMN. 9/10
The Pretty Wild: zero.point.genesis
What a debut album! I only discovered the sisters-fronted modern metal/metalcore band a few weeks ago, but have already become a pretty big fan, and have been eagerly anticipating this release. It very much didn’t disappoint! Right from the INK-like opener this album is balls-to-the-wall in its heaviness, quirkiness but also it’s huge catchy hooks, and I am here for all of it! That is not only followed up by the awesome title track, but then the single that got me into them in the first place, ‘living ded’. It’s an INCREDIBLY strong open to an album! However, the quality doesn’t at all drop from then on out. ‘button eyes’ is a Coraline-inspired banger of a slower track, ‘priestess’ is brutally heavy and ‘OMENS’ is a great radio single. And even then, we’re only halfway through the album!
Yeah, this thing is awesome from front to back. It’s very Ice Nine Kills, but also has elements of more radio-ish bands like Spiritbox and even Bad Omens at times. They’re touring over here with Sleep Theory next year which is a great fit, and I may have to get tickets, for anyone who needs another comparison! The only thing missing is some awesome Sugarman-like lead guitar bits, but that’s more a personal preference; everything from the riffing to the drums, screams to cleans is fucking awesome. For someone who checks out a lot of new bands, these have got IT, and got it in spades. They’re going to be massive sooner rather than later, and this is an incredible starting point for that. I’m going to be spinning it a lot over the next however many months, and I can’t give it any less than 9.5/10. It’s rare I’m this excited about a new album and listen to it through in full multiple times in one day!
Bloodbound: Field of Swords
Studio album 11 from the power metal titans follows up 2023’s Tales from the North pretty perfectly. As you can tell, I very much enjoyed that release, and am so glad they’ve returned with a vengeance! It’s another 45-minutes of epic, heavy power metal spread across 11 awesome tracks. It still very much has the same issue as I had with their last album, it’s all pretty similar throughout, but that doesn’t stop it from being a good album! Tracks like ‘As Empires Fall’, ‘Land of the Brave’ and ‘Pain and Glory’ are excellent, and there really isn’t a bad song on the release! It’s just another solid, straight-forward early 2000s power metal album, and honestly it’s hard to say much more about it, in a good way! All the band are insanely talented and are really at the top of their craft when it comes to their genre at this point, able to release a great album in their sleep, I think! If you are into the genre this is one not to be missed! 8/10
Spock’s Beard: The Archaeoptimist
The prog rock underground legends are back with their first album in seven years, but they have certainly not lost a step in that time! Opener ‘Invisible’ is so very Styx in the best way. Then you have tracks like ‘Aforthoughts’, ‘St. Jerome in the Wilderness’ and the truly epic, 20-minute title track. Heck, and while I’m at it, the other two songs are pretty great too! Just six tracks spread across an hour definitely isn’t for everyone, but as a musician and a fan of this style, I absolutely loved it. And even if you aren’t, you at least have to appreciate the sheer talent on display here. Everyone is working their asses off throughout and is a true master of their craft. And, all five of them have come together to show that they are also incredible songwriters, to boot! If you are on the fence, they at least ease you in with a couple of shorter tracks, so it’s definitely worth giving it a try! An easy 7.5/10 from me, and while it’s not something I’d revisit particularly often, I’ll definitely be spinning it again.
Angelmaker: This Used to be Heaven
The fifth album from the Canadian tech-deathcore band goes hard, dude. Heck, the opening number is under two minutes and is heavier than a lot of their contemporaries I’ve heard recently. Honestly though, the band do deathcore in a fantastic way, really leaning into both ends of the genre plenty throughout. It’s hard to even compare them to other current titans in the scene like Lorna Shoreor Slaughter to Prevail, as they all do things fairly differently. However, I would argue that that’s probably a great reflection of a genre that has really made a comeback in recent years, diversifying in the process. It channels the epic power-death of Lorna at times, and even has hints of the nu stuff from Slaughter at times, but also much more closely follows a modern Whitechapel than anything… which is amazing! It’s a genre that I’ve really gotten into a lot the last year or two too, and this is a fantastic demonstration of everything I love from it. From ‘Rich in Anguish’ to ‘Silken Hands’ to the epic, two-part ‘The Omen’, there are so many highlights. And even though it’s 46-minutes long, it goes by in a flash. For anyone into the heavier side of metal, this is one for you! Another solid 8/10!
Annisokay: Abyss – The Final Chapter
This is an odd release. Taking a leaf out of Atreyu’s book, the band have combined their recent EP outputs into a full-length album. However, it feels a little less planned-out and far more rushed than the former did. Part I came out over two years ago, and then we had nothing until April of this year when we got Part II. Then, seven months later, this drops to very little fan-fair. And then on top of that, it’s only got three tracks on it that weren’t on the previous two EPs, and two of them were put out as singles in August and October. Hilariously the one new track, ‘Silent Anchor’ is one of the best songs on the album. It feels more like an exercise in boosting streaming numbers over the epic conclusion of a years long project full of thought and passion.
As for the music itself, the band have always had a bit of an identity crisis. Sometimes it works for them, other times it doesn’t. The sometimes sound like a modern metalcore band, sometimes more alt rock akin to Smash Into Pieces or even blending in elements of power metal and even Spiritbox at times. I completely get that European bands are a lot more of a melting pot, but it does sometimes make for a jarring listen here. Tracks like ‘Ultraviolent’, the aforementioned ‘Silent Anchor’, ‘Get Your Shit Together’ and the Any Given Day-featuring ‘H.A.T.E.’ are definitely highlights. The rest all kinda blurs into one, outside of a half-decent breakdown or vocal hook. Honestly, the EPs on their own were pretty good too, but when pushed together into a nearly hour-long release it really highlights their flaws more and shows off the predictability of the band. Something that started pretty good just ends up bland and bloated. So yeah, while it’s not bad, at a time where alt/metalcore is really getting some bangers released in it, this is largely forgettable. If you like band it’s worth a listen, but I’d just stick with their last or the EPs, personally. 5/10
Humming Whale: Chasing Rabbits
This is like a more hardcore version of Tool, and it’s fucking awesome! It’s prog in nature, but definitely in a heavier vein and with more umph behind it. Think Tool meets modern indie-hardcore like Turnstile. However, they add plenty of other styles and influences too, from alt/nu metal to post grunge to even some more symphonic/power metal leanings. It’s an incredibly interesting listen that I couldn’t not check out from front-to-back in one sitting. Every track is incredible, and the album has a fantastic flow to it throughout, them all feeling different while slotting together perfectly. However, tracks like the title one, ‘Waves’ and ‘Rover’ are personal favourites. I know the band have been going for a good while at this point, but even then this being their debut album is mad, it’s such high quality! What a statement this release is, showcasing that they are here in a massive way immediately. They certainly have won me over in a big way, and I cannot wait to hear where they go from here. However, until then, and while I wait to hopefully be able to see them live at some point in the future, I’ll be spinning this plenty. The band are insanely talented and honestly, surprisingly unique, not something I can say all too regularly any more. Check this out if you are at all curious! 9/10
Netherwalker: Odyssey of Respair
Damn, this is giving big Lorna vibes! Don’t get me wrong, it’s a bit more on the tech-death side, and there aren’t as many crushing breakdowns, but in terms of epic, huge, heavy symphonic deathcore, both bands are right there together at the forefront of the sound. Oh, and this is another phenomenal deathcore release in a week packed full of great heavy music. The sheer thought put into not only the cinematic nature but the mixing and panning of the thing is incredible, and definitely something for other bands to take notes from. And it is also almost laughable heavy, in the best way possible. I barely unscrunched my face for the full nearly-hour. If I’m a wrinkly old man by 30, it’s because of these guys right here. And, while every track is awesome and the flow throughout is exceptional, ‘An Opulent Pilgrimage…’ and ‘Frost Troll’ are personal highlights. It’s another release that won’t be for everyone, but if you like deathcore this is certainly a release to be checking out! The sheer talent on display from every member of the band is incredible, and it gets a solid 8.5/10 from us!
Another stacked week of New Music Mondays, with some awesome albums released across metal, rock and country. Let’s dive right in!
Cheap Trick: All Washed Up
The whopping 22nd album from the hard rock/power pop legends is exactly what you’d expect from the band, especially this late into their storied careers. It’s certainly not bad, and the band very much still have ‘it’. However, said it is rather outdated and overplayed in 2025. Don’t get me wrong, tracks like ‘All Wrong Long Gone’, the foot stomping ‘The Riff that Won’t Quit’, ‘Bad Blood’ and ‘Dancing with the band’ are all awesome tracks and very much classic Cheep Trick. But there are a lot of bands these days that give off a similar vibe but are a lot younger, hungrier and, dare I say, better. It’s absolutely incredible that 55 years into their careers they are still steadily releasing new music of a high calibre, but it hardly reinvents the wheel. As a fan of the band, it’s nice to have some new music from them, and there isn’t a bad track on it. But as a journalist who listens to hundreds of albums a year, it’s simply alright. If you like them it’s definitely worth checking out, but I can’t give it much more than a 7.5/10
Of Mice and Men: Another Miracle
I’m shocked. An actually good, heavy OM&M album? In 2025? Am I in a parallel universe? But yeah, this is GOOD, dude! ‘A Waltz’ is a fantastic opener and sets the tone for the album perfectly. ‘Troubled Water’ continues it amazingly, and tracks like ‘Hourglass’, ‘Another Miracle’ and ‘Infinite’ are big other highlights. It’s taken more of a post-hardcore turn to it than their recentoutputs, and almost has some slight Machine Head vibes in the riffs and the screams. Even the slower, more pop-metalcore tracks are good and enjoyable, which surprised me! It honestly feels like the most focused and concise album they’ve put out since Austin sadly stepped down, and I am honestly pretty buzzing about that. If you’re into their older stuff, or just a heavier end of metalcore in general, check this out, you’ll surely enjoy it as much as I did! I’m so glad good OM&M are back, and I will certainly be listening to this album again plenty over the next few weeks. A damn solid 8.5/10 from us!
The Devil Wears Prada: Flowers
Another long-running metalcore band, but sadly the inverse of the previous entry on this list. I loved their last album, and the EP that preceded it. However, this did very little for me. However, a lot of the praise I heaped on those releases don’t really apply here. They’ve shifted into very modern metalcore territory, feeling much more like BMTH or Bad Omens than a lot of their prior work. It’s pretty pop-centric, just with some heavy guitars and the odd breakdown thrown onto the end of the occasional track for good measure. It doesn’t feel like the same band wrote both ‘Nightfall’ and ‘For You’. Like, what the fuck happened? And why was there an extreme metal scream and breakdown in the ballad? Someone make it make sense, please. The closest to enjoying this album I got was ‘All Out’ or ‘My Paradise’ the rest were all so incredibly meh.
It was honestly a slog of an album to get through too, 42-minutes feeling like a lifetime. You can tell their guitarist was all but left out of the writing process for this release, replaced by various pop producers and songwriters. I hate to be that guy, but the term ‘selling out’ comes to mind… There have been times that I have loved this band, but this is certainly not one of them. If you’re a fan, awesome, but this was not at all for me. It’s a 4/10, sorry.
Honestly, I don’t know who I’m less excited to see support Ice Nine Kills next month at this point, these or TX2…
Ross Harding: The Blood & The Blues
A friend of Overtone up next, with his highly anticipated debut full-length. I’m a big fan of his previous work, yet am not particularly up on the recent singles from this. However, it’s all excellent; a fantastic dark-blues release, filled with some amazing guitar work and plenty of catchy moments. Plus, from the title track to ‘No Rest for the Wicked’ to the acoustic ‘Black Rose’, there are so many massive highlights. However, there really isn’t a bad track on the release (though Thousand Tongues twice, bookending, Limp Bizkit style, is a bit much)! It’s certainly not going to be for everyone, but if you’re into the style, or think a mixture of Amigo the Devil and Clutch sounds good, I’d highly recommend checking this out! I loved it and will certainly be listening again plenty in the coming weeks. I am desperate to see him live too, but until then this gets a very solid 8/10 from us!
Dragon Throne: Tale of the Two: Dusk
The sophomore album from the Finnish epic heavy metal band is very much exactly that: epic. Seven tracks spread perfectly across just 30 exact minutes, it’s a fantastic listen from start to finish. It’s incredibly European in its sound, blending together the best parts of heavy, symphonic and power metal, but also with just a touch of a modern edge to all of it to set it apart. Once again it’s so hard to pick highlights, as with the interlude tracks and the extended length of the others, it really feels like it’s made to be listened to in full. It’s a big undertaking, but well worth it if you have the time and are into the styles of music. The band are incredibly talented and have crafted something special with this release. I only hope we’re getting a ‘Dawn’ in the near future! But for now, this gets an easy 7.5/10
Colter Wall: Memories and Empties
Surprisingly the only straight-up country release for us this week, but it’s a damn fantastic classic release in the genre! I’ve somehow never heard Colter’s music before now, but I’m immediately a big fan of him from this release. It’s just over half-an-hour of chilled-out, fun and yet still emotion-filled neo-traditional country music, and I am all here for it! From the opener to ‘Like the Hills’, ‘Living by the Hour’ to ‘The Longer you Hold On’, there’s a lot to love on here. And, like I said, the whole thing is great if you love a more traditional style! His voice is somehow like velvet while still having some weight and gravity to it, and fits each track so well. And his lyrics throughout are amazing. And, instrumentally, while all fairly simple, the arragement for each track is great, getting the most out of each sound with plenty of strings, drums and organs. If you can’t tell, I loved this, and hopefully he makes it over to the UK soon! 8/10
Eld Varg: Destroyer
Another sophomore album this week, this time from a band that really feel like they are doing their own thing. I really struggled to pin this down into a genre, and I mean that in the best way. From a traditional heavy metal base, the band build everything from power/viking metal to more of a groove and melodic sound, creating something pretty interesting and unique and honestly shockingly not done enough. Regardless of what it is, the riffs are HUGE, and there’s some damn catchy melodic choruses and moments throughout. From the title track through single ‘Black Starlight’ to the epic closer, the album is packed full of highlights. However, at just seven tracks packed into a tight 41 minutes, there isn’t a bad song on it, and it goes by in a flash! I’d seen the name gaining some traction across the UK but hadn’t had the chance to check them out before now. Well, they now have a big new fan in me, and I really can’t get over how awesome this album is! Check it out if you are at all curious or have even a passing interest in metal. 9/10
P.S. What a beautiful album cover!
The Man From Delemonte: Better Things
The return album from the Manchester indie-pop band, their first appearance back in three and a half decades. While it’s not typcially my sort of music, it at least made for a chilled-out, fun listen. Songs like ‘Monday Morning After’, ‘The Number One’ and ‘Spanish Town’ are personal highlights, but the whole release is a damn easy listen! It gives off slight Velvet Underground vibes, like that mixed with both a late 90s US indie sound and that old-school indie-punk scene, too.
It definitely grew on me more and more through my first listen, and expect it to keep growing with a second and third. It’s the perfect album to throw on and just relax to. My only slight issue is that it does feel it drags a little by the end; nearly 40 minutes of similar paced and energied music did lose my interest slightly by the end. Still, if you’re into the lighter stuff, this is definitely an album for you, and I’m damn glad they’re back and making new music again! They’re damn talented players and songwriters, and this is an easy 7/10!
Mike Patton & The Avett Brothers: AVTT/PTTN
Yet another incredible yet hugely unexpected collaboration from the Faith No More frontman. The Avett Brothers are an incredible folk-rock band who returned with a bang last year, and I honestly had no idea how a collab with one of the quirkiest modern artists would sound. It’s odd, as expected, but honestly an ever so slight touch safe given the two artists involved. There’s some more rock-focused tracks and some more folky stuff, for sure. However, it’s arguably less out-there than the Brothers’ last album, not something I’d expect from them and the brain-child of Mr Bungle. Still, Patton gets to show off his absolutely PHENOMENAL vocals throughout, and tracks like ‘Heaven’s Breath’, ‘Disappearing’ and the incredible, dark folk-blues rock ‘The Ox Driver’s Song’ are all amazing tracks in their own right. It might have been my fault for getting my expectations a little high, as this is still a damn good release if you are into this style. I just hoped for more of the latter track I mentioned and less slightly-safe, slower folk. If you are at all curious check this out, and I’ll certainly be listening to some of this again plenty in the future. 8/10
1914: Viribus Unitis
The sixth studio album from the Ukranian blackened death metal band sees them return to the studio after four years, following up the masterful Where Fear and Weapons Meet. Firstly, as the first album the band have released since the start of the war for their country, fair play to them, this is excellent. I also love the whole concept/lay out of the release; each track highlighting a year of WWI and significant battles in it (1918 gets three). It’s a really cool, creative way of putting out music. Between these guys and Sabaton, they’ve really taken over Iron Maiden’s mantle as metals history teachers!
As for the music itself, it is certainly an acquired taste. It’s definitely a style that has grown on me a lot over the last few years, but is not for the faint of heart! A lot of it I found myself loving, though. Both ‘1915’ and ‘1916’ are phenomenal in their own right, and all three parts of ‘1918’ are an incredible journey in their own right. I’ve found myself saying this a lot this week, but it’s another album designed to throw on all at once; a big task for a nearly-hour long release, that’s for sure, but well worth it in the end! If you are into epic heavy stuff, give this one a spin, you may love it even more than I do! Big Rotting Christ vibes at times in the best way! Even if it’s not a genre I’d listen to often, I really enjoyed it, and it’s another easy 7.5/10.
Putrevore: Unending Rotting Cycle
As if you couldn’t tell already by the band or album name, or the artwork, this is a heavy one. It’s 31-minutes of brutality that doesn’t let up for a second, old-school death metal at its finest. A lot of early Cannibal Corpse vibes, that’s for sure. I’m a little on the fence with it, honestly. The riffing and drumming is incredible, it all going hard throughout. I don’t even hate the vocals, honestly. Yeah, they’re a touch ‘cookie monster’, but they fit the tracks perfectly and actually do some interesting things with the mix on them at times. However, the mix of the album overall is still a little off sometimes, as is the case with a lot of grind stuff. It’s a big wall of sound, so it’s hard to pick out individual parts to really hone in on at times, especially when it’s all at a brake-neck pace, too. The band are clearly all talented, but it’s hard for them to all shine when they all go at 100mph from the very first note to the last. I feel like it’s the sort of music I’d enjoy a lot more live, as I can appreciate it all a little more and really get into the energy. Still, it’s certainly not a bad release into the genre; it’s probably up there with one of my favourite I’ve reviewed of it recently. ‘Morbid Procession’ and ‘Mortal Ways of the Flesh’ are probably my favourite on there. If you’re into the heavy side of metal, give this a go, you’ll surely enjoy it! A pretty solid 6.5/10 from us.
The Reticent: Please
This is an absolutely WILD album. Firstly, as someone who has suffered from depression as a teen and young adult, that intro hit HARD. Then you get the almost Tool-like opening tracks, with ‘The Night River’ being a particular highlight of mine. However, just as I thought I was understanding the album, I get slapped in the face with the tech-death ‘The Bed of Wasps’ (in the best way possible, of course!). If there’s one thing this album isn’t, it’s predictable, being the best kind of prog. Heck, we even got a Piers Morgan jumpscare on this thing!
As you can’t tell, I loved this album. The concept is of course one close to home and isn’t talked about nearly enough still to this day, but pulled off in truely spectacular fashion. The lyrics, the soundbites, all of it is great. And musically, it’s phenomenal. The closest thing I can compare it to is Between the Buried and Me, that combination of lighter prog and heavy metalcore/death elements, composed together perfectly throughout. From the various vocal styles to the awesome guitaring, drumming and bass work to a healthy does of piano for good measure, it’s all fantastic. It’s also impossible to pick highlight tracks as it all flows together perfectly and they all have their own place and high points of their own. I would wholly recommend it if you are at all curious, and it’s made me a big new fan of the band! Be ready for an emotional ride, though. A surprisingly easy 9.5/10!
A pretty stacked week of new album awesomeness! Join us in checking it all out!
Drake Milligan: Tumbleweed
Of course we’ve already checked out this album! Find out review of it here.
Finger Eleven: Last Night on Earth
Somehow, this band have never really been on my radar. Potentially because it’s been nearly 11 years since their last album. However, I’m glad I’ve finally checked them out, because this is an excellent album! It’s like everything I’ve wanted the last two Bush albums to be; a heavy, slightly proggy radio-friendly alt-rock. Like that meets modern Chevelle and early Tool, it’s fucking awesome! The riffs are fantastic, and it’s packed full of catchy, melodic choruses and moments, too. It’s hard to pick highlights as all of it is amazing, and the arrangement of the tracks is arguably perfect, there not being a dull moment across the whole 40 minutes. I honestly can’t gush over it enough. They are very much from that generation of music that I love and have nostalgia for, so while I don’t know them that’s probably part of it. However, it’s truly an excellently written and performed album, and one that has made me a big fan of the band immediately. I’ll be going back and checking out their older stuff for sure, but while I don’t know I’ll also be spinning this a bunch! An incredibly easy 9/10! Check this out if you’re at all into that turn-of-the-millennium alt rock/metal sound!
Jake Owen: Dreams to Dream
Album number eight from the Florida country star follows up 2023’s Loose Cannon rather well. Going back, I didn’t like said album much. I do think I appreciate a more old-school style nowadays, and I very much appreciate that this is a well written, well performed album. But fuck is it a little boring. Tracks like ‘Long Time Lovin’ You’ and the ever so slightly rocky ‘Chill of December’ are personal highlights, but a lot of the rest is very similar and all pretty slow. And that for 44 minutes is a LOT of meh. As I said, I completely get that there are plenty of fans of this style out there, but I am very much not one of them. I sadly can’t give this any more than a 4/10 as an album as a whole, sorry!
Agonistic Front: Echos in Eternity
The next entry into the stellar return of hardcore music this year, one of the godfathers of the year put out another incredible entry into their now 13-album discography. It’s arguably not a surprise that this sort of music has had a surge recently due to the current state of the world, but it’s a great outlet for frustration and anger, which is what this release is full of. From the excellent opener ‘Way of War’ through ‘Matter of Life and Death’, ‘I Can’t Win’ to ‘Skip the Trial’, there are so many awesome songs! Every track is amazing though, it being a fantastic, tight 27-minutes of old-school hardcore music. While arguably not quite up there with their contemporaries’ releases this year like Biohazardor Stray from the Path, it’s still an excellent album in its own right and well worth checking out if you are at all into the style. They’ve had a real solid output over the last decade, and this is a great addition to their awesome discography. A very solid 8/10 from us!
Caskets: The Only Heaven You’ll Know
This is an album I really wished I liked. The third album from the post-hardcore alt metalcore Brits has plenty of stuff that I love on it. There is plenty of amazing heaviness, and more than a few awesome melodic moments, be it from the instrumentation or the big, clean choruses. However, for some reason it just doesn’t work together for me. I arguably preferred the slightly more pop-metal stuff over the heavier stuff, surprisingly. ‘Closure’ was my favourite track on the album by far, and it just gave me big ONE OK ROCK vibes. It was catchy but still had the chunky riffs, which some of the even lighter tracks don’t have. ‘Make me a Martyr’ is also a banger. However, the screams for the opening tracks (as much as I love Make Them Suffer) and a few of the rest of the tracks all blend together into a similar soundscape. It makes for a solid album, but did lose my interest again by the end after gaining it with the epic title track. It may grow on me more with more listens, and it certainly isn’t a bad album, but with what the band are like I certainly wanted to LOVE this, and I came away with just thinking its good. For now it gets a 7.5/10, but it may get higher with another listen or two! If you are a fan of the style or band, this is still well worth checking out!
Vincent Mason: There I Go
The debut album from the fast-rising country megastar somehow tops everything he’s put out so far, and that’s saying a lot! He somehow feels like the perfect blend of Evan Honer and Newton Faulkner, and has capped off the first stage of his career perfectly with this incredible release. It’s an incredible blend of country and the modern indie-Americana sound that has grown so popular recently. It’s a lot of fun, and is honestly packed to the rafters with incredible highlights! From the opening two tracks to ‘Anything Took Everything’, ‘Painkiller’ and ‘Wish You Well’, there are so many songs I’m already obsessed with. There honestly isn’t a bad song on here though, it’s 44-minutes of amazing, catchy country-esque music that goes by in a flash. If you are at all curious I cannot recommend checking this out enough, and it’s definitely made me a bigger fan of his, that’s for sure. An incredibly solid 9/10, and I’ll be listening to this plenty in the coming weeks and months!
Pupil Slicer: Fleshwork
The third album from the British mathcore trio looks to capitalise on the bands growing success since Covid, and does so in rather spectacular fashion! Firstly, THE RIFFS. Whether it’s main ones or breakdowns, the guitaring goes hard throughout, though that’s probably expected given the ‘math’ part. The vocals are taking a touch of getting used to, but it at very least fits the rest of the music well! I feel like it’s the sort of music that I’d fuck with a lot more in a live setting, but I still enjoyed it on track too. It’s chaotic, brutally heavy metal that combines math, industrial and even black metal alongside its hardcore roots. Tracks like single ‘Sacrosanct’, the title one and ‘White Noise’ are personal highlights. However, if you’re into this sort of music, you’ll certainly enjoy the album as a whole! While not completely my sort of thing, I more than get the appeal and appreciate the talent on display throughout, and definitely dig a good lot of it. So, it gets a solid 7/10 from us!
Luna Marble: Self-Titled
The highly anticipated debut album from the folky gothic blues rock four-piece finally dropped this last Friday. It’s damn good, and fits perfectly with the current NWOCR scene! It reminds me a lot of Brave Rival or These Wicked Rivers, but with their own 70s-tinged twist on it. I also love the mix, it feeling almost live, which in an era of super produced music is a breath of fresh air. Tracks like ‘All of my Love’, the jazz-bass-solo-featuring ‘So Long’, ‘Redemption’ and ‘Waves’ are all huge highlights, though there really isn’t a bad track throughout! The band are so damn talented, both at their chosen instrument and as songwriters collectively, and I’d recommend this release to anyone, whether they’re into the genre or not! They have a huge future ahead of them, and this is a fantastic debut to jump off from. They have a huge new fan in me, and I can’t give it any less than yet another huge 9/10!
Midlake: A Bridge to Far
Album number six from the cinematic folk-rockers is certainly made for those who partake, so to speak. It very much gives me Grateful Dead vibes. And, to let you in on a little secret… I really don’t get Grateful Dead. I get the appeal, I do, but goddamn was this a boring release. I was done with it after the third track, and the nearly 40-minutes of this very much did me in. The closest thing to entertained I got was ‘The Ghouls’, and even that was a stretch. The band are talented players and songwriters, but I am definitely not the target audience here. If you like it awesome, but I’m going to give it a sad 3/10 and move on quickly.
White Lies: Night Light
The London-based indie/alt rock trio feel like they go all out on album number seven! I do like a bit of Simple Minds/Pulp style New Wave every so often, and this band bring that vibe to a modern sound pretty perfectly. It’s huge, catchy and truly epic throughout. From ‘All the Best’ to ‘Juice’ to ‘I Just Wanna Win One Time’, there are plenty of great songs throughout. It’s a very easy 43-minute listen too, it going by in a flash. It’s quirky yet catchy in equal measure, and I’m so glad that bands like this are still making music this great. While I was familiar with them, they’re another band that now have an active new fan in me, and I’ll be listening to this plenty in the coming weeks and months. An incredibly solid and unexpected 8.5/10!
A stacked Halloween edition of New Music Mondays this week, and some awesome albums for us to check out!
Creeper: Sanguivore II: Mistress of Death
I have been SO DAMN EXCITED for this album to come out since it was announced. Part one is one of the best albums of the decade, fight me, and from what I’ve heardfrom this album so far it’s looking to be more of the same! I’m loving this modernised 80s gothic revival sound that is making a comeback recently with the likes of Ghost, but none do it quite like Creeper! Their blend of Billy Idol, Type O and a vague hint of their early MCR influence makes for a really interesting listen, especially when blended with their current horror/vampire storytelling and aesthetic.
All three singles so far have been incredible, with ‘Headstones’ being up there with one of the best tracks of the year. However, the album tracks are up there too, being fucking awesome! ‘Parasite’, the epic closer and the dark jazz-like, Hannah-led ‘Razor Wire’ are also awesome tracks! I have to say, initially, it’s not quite as good as its first part. However, that one grew on me with more listens, and there is no doubting this one will too. Either way, it’s a very solid companion release to their 2023 output, and the perfect release for its Halloween date.
The band have really captured lightening in a bottle with Sanguivore, and have really come into their own as players and songwriters. Even if you don’t think it’s your sort of thing, check it out, as it’s well worth at least one listen from everyone! It’s an awesome rock album, and gets a solid 9/10, with potential to get even higher with another few listens!
Avatar: Don’t Go in the Forest
Another band that of course we are very familiar with. From loving their last albumto also reacting to a track from this already, our hype for this is high. However, I have somehow only heard ‘In the Airwaves’ from it so far though, so I’m excited to hear the rest!
‘Tonight We Must Be Warriors’ is a phenomenal opener and song in its own right, being heavy and epic in equal measure. The title track is another awesome single. Songs like ‘Death and Glitz’, ‘Dead and Gone and Back Again’ and the closer are also amazing and big highlights, though there really isn’t a bad track on the album. No one out there sounds like Avatar, their have such a quirky blend of heavy, power and alt metal, and it always makes for an interesting listen. As much as I enjoyed Dance Devil Dance, I think this may be even better than it, being up there with Black Waltz or Hunter Gatherer for me. It had so many amazing, catchy moments, and doesn’t get at all boring in its 47-minute runtime. The band should be so much bigger than they are globally, and their output over the last decade plus has been something truly special, and something they keep adding to brick by fantastic brick. Another very easy 9/10 from me!
Greensky Bluegrass: XXV
The modern bluegrass legends’ first new studio album in over three years marks the longest gap between albums the band have ever had. They clearly used that time to refine their sound and writing, as this is an incredible release! Bluegrass music is so damn talented in terms of playing as is, so the instrumentation blew me away throughout. However, these guys are also incredible songwriters. From the opener to ‘Reverend’, ‘Past my Prime’ to the closer, there’s a whole lot to love here, from the playing to the lyrics. All of the guests added so much to the tracks too; from Holly Bowling to Nathaniel Rateliff to the incredible Billy Strings to others, they all killed it! My only issue is the length. 85-minutes is a lot anyway, and when it’s all fairly similar music and a lot of it is on the slower side, it can definitely get a lot! But still, if you like bluegrass music, this is very much a release to check out, and they are clearly doing something right as they are damn popular in the scene. An easy 7.5/10, good stuff!
Smash Into Pieces: ARMAHEAVEN
Album number nine from the Swedish pop-metal/alt-rock band comes just 12 years after their debut, an insane statistic that shows just how hard working the quartet are. However, that has not at all reduced the quality of their work. The band are all about huge, arena-filling choruses and a massive, guitar and synth-driven sound, and this album is very much more of that. We’ve already checked outsingle ‘Man or Machine’ and loved it, but songs like ‘Villain’, ‘Maze of Fools’, ‘Hurricane’ and the beautiful ballad ‘A Sky Full of Stars’ are up there too as massive highlights! It’s a rather large undertaking of 15-tracks, and I do have to admit that it did get a little samey after a while. However, each track is that good I’d struggle to cut any of them! If you’re into your more pop-based rock, this is definitely an album for you! I’ll certainly be listening to this again soon, and I can’t give it any less than 8/10!
Deez Nuts: Saudade
The Aussie hardcore titans are back with their first album in six years, their biggest gap between releases by quite a margin. The band have clearly used that time to refine their sound even more, because this is a really fantastic release! ‘ICU’ opens things perfectly, setting the stage for the rest of the album. Then you have tracks like singles ‘Kill This Shit’ and ‘Hang the Hangman’, as well as songs like ‘Russian Roulette’ and ‘Give ’em Hell’, all of which are massive other highlights! It’s 30 minutes of awesome, angry, foot-stompin’ music, and I love it! It feels like a year of hardcore’s return, with the likes of Biohazard, Stray From the Path and Turnstile all putting out massive releases, and this very much stands up there alongside those. I cannot recommend this enough to anyone at all into the metal side of music, and it’s certainly going to be one I spin plenty in the weeks and months to come! An incredibly easy 8.5/10, and GODDAMNdo I want to see this live!
Luvcat: Vicious Delicious
An artist I discovered just the other day from TikTok of all places as she advertised the release of this, her debut album, I’m so glad I did as I am instantly a fan! Described as dark-pop, it could not be more fitting; having elements of alt rock, folk and even smoky jazz bar vibes in the best way. From the excellent opener to ‘Dinner @ Brasserie Zédel’ to ‘Blushing’, there are plenty of highlights. And, despite it being nearly 50 minutes in length, it went by in a flash, there not being a bad track on the album. Sophie and her recent band are clearly all incredibly talented players and songwriters, and have crafted something truly unique and special here. She’s clearly build a pretty big following over the years anyway, and this album will surely boost her to a whole new audience. Luvcat are set for big things, and it’s an easy 8/10 from us!
Solence: ANGELS CALLING
This is definitely an interesting release for me! While I am definitely a fanof their music, I’m much more familiar with their more light-hearted singles output. So, to listen through their slightly more serious album release is definitely pretty fascinating. Don’t get me wrong, instrumentally they’re still pretty similar, the chunky riffing, heavy drums, electronic elements and catchy clean vocals mixed with some excellent screams. But it definitely has more of a darker, serious tone to it.
And, thankfully, it’s a style that the band do just as well as their sillier stuff! While the title track didn’t hook me much, ‘Monsters in my Head’ is an excellent song and huge highlight, and starts a run of form for much of the rest of the album! There isn’t a bad track on this and it’s the perfect blend of metalcore and more European electro-pop. A particular highlight is ‘All of the Pain Must Go’, a track I’ve been impatiently waiting to be released since they treated us to it at Graspop last year. Plus, it’s in and out in 27 minutes, short and sweet and straight to the point! The band are all incredibly talented and it’s no wonder they’ve risen to their level in such quick order. This is their fifth album in just six years, an insane feat, and even more insane when it’s of such high quality. They’re awesome, and if you’re into rock or metal at all, I cannot recommend this release enough! Another incredibly solid 8.5/10!
Guided by Voices: Thick Rich and Delicious
I’ve lost track of how many of the indie rockers’ albums I’ve reviewed recently. I think this is number four, with me just missing Strut of Kings recently. I hate to say it, but it’s just even more of the same from the band. I’m not at all knocking their work ethic, but they’ve put out 40+ studio albums in their 38 years releasing music. Maybe if they took a little more time writing and producing, they’d make more interesting music… just saying. This isn’t even the worst album I’ve listened to from them, either. Tracks like ‘Oxford Talawanda’ and the one-two-punch of ‘Dance of the Picnic Ants’ into ‘Xeno Urban’ are good, fun listens. However, it’s all pretty slow-mid tempo, done-before, old-school indie rock. It will surely have its fans, but I am not one. The band are all clearly very talented, I just wish they’d push the boat out and get creative every so often. For that, I can’t give it any less than 3.5/10. I struggled to listen to it in full.
Despised Icon: Shadow Work
The Canadian deathcore outfit return with album seven, six years after their last studio offering. To say it goes hard would honestly be an understatement. This thing is HEAVY and brutal for its full 36 minute runtime, and it’s fucking excellent! Whether it’s their sole tracks like the opener or ‘Obsessive Compulsive Disaster’ or ‘Over my Dead Body’ and ‘Reaper’ featuring Matt Honeycutt, Tom Barber and Scott Ian Lewis respectively, they are all so damn good. From the crushing guitars to the incredible drums to some of the most aggressive screams I’ve heard in a while, it’s all performed perfectly. It certainly won’t be for everyone, but at a time of resurgence in the deathcore genre, it’s awesome that one of the godfathers of the genre returned to show they are very much still at the front of the pack. I’ll be spinning this plenty through the rest of the year, and am already desperate to hear all of it live! Yet another damn solid 8.5/10 from us!
Slug Boys: LISTEN TO SLUG BOYS.
Well, you heard them! The debut album from the Norwegian punkers finally dropped last Friday to plenty of hype, and it’s easy to hear why. This is a damn fun listen from start to finish! It’s heavy, bordering on hardcore at times, and had me constantly wanting to headbang and dance. Think Misfits meets Decedents, but a touch heavier! It’s also incredibly hard to pick highlight tracks, as I found myself liking every single one! It’s a perfectly concise 30 minutes of bouncy indie-punk-metal, and the band very much have a new fan in me! There isn’t even much else I can say, if you’re into any of the genres I’ve mentioned already I can’t recommend this release enough! The band have a bright future internationally, and this album is the perfect jumping off point for that. It’s rare I’m this into this particular flavour of music, but it’s packed full of earworms that are going to be stuck in my head for days to come. An easy 9/10!
Laura Cox: Trouble Coming
The fourth album from the modern guitar goddess has been set to be her biggest yet, and certainly doesn’t disappoint. The perfect blend of blues, hard and classic rock, her immense talent as a player and songwriter is on display right from the get go. ‘No Need to Try Harder’ is an excellent opener and a big highlight, alongside the likes of the title track, the folky ‘Out of the Blue’ and ‘Rise Together’. From the riffs to the lyrics throughout, it’s all so well written, and certainly feels like a step up from her previous work. It’s incredibly varied and makes for a constantly interesting listen throughout, always something that I hugely appreciate. If you like any of the genres mentioned above, check this out as soon as you can, it’s definitely worth a listen! Hopefully I can see it live soon, and I already just want to hear more. Until then though, this gets a very easy 8/10!
Sarayasign: Shadows of the Dying Light
Cinematic hard rock is the perfect way to describe this awesome quartet. Three albums in and the band very much feel like they have hit their stride, producing this awesome hour + journey of modern rock music. There are so many bands I feel like I can compare it to, from Alter Bridge to Daughtry, Foreigner to Bon Jovi to even lesser known bands like Painside. I was very much hooked from the very first track, too. And, to my shock, I was hooked for the next 67 minutes. My attention span isn’t great, so normally long albums are a bit of a struggle at times. However, these guys are so damn talented at crafting their music that I just got lost in the epicness. From the riffs to the melody, it was all incredible. It’s AOR in the best possible way, and how it was designed to be. And, because of all of this, I once again can’t pick a highlight track; it’s all so good and flows perfectly! Do yourself a favour and find an hour to sit down and listen to this through, and thank me later! Hopefully this is the album to finally push them into the mainstream a bit, as they very much deserve it! I can’t give it any less than 9.5/10!
Another awesome week packed full of some awesome albums, from metal to rock to country. Let’s check them out!
All Time Low: Everyone’s Talking!
A singular single from this album convinced me and my wife to get tickets to their tour next year. Just to put into perspective the quality I’m expecting here…
The 10th studio album from the Maryland modern pop-punk legends lives up to my hype, that’s for sure! The band have matured like a fine wine; gradually evolving from their more rougher, punkier beginnings to this uber-polished, perfectly mixed arena-rock-infused awesomeness. It very much feels like the band have added elements of everything from Bryan Adams, Owl City and even Kip Moore and more pop-rock artists to their core sound, and it makes for an incredible listen. I remember loving their last release, but this very much takes everything that was great about it and refines/perfects it.
‘SUCKERPUNCH’ is of course already one of my favourite tracks by the band now, but it is far from the only highlight. From singles like ‘The Weather’ to tracks like ‘Falling for Strangers’, the heavier punk ‘Little Bit’ and the Ruston Kelly-featuring ‘Tread Water’, there is so much to love. However, there really isn’t a bad track on the album, all 15 songs being awesome and the 40+ minutes going by in a flash. They were a band I never minded as a kid but never quite got into much, but these last couple of albums have made me fully in on the band. If you are at all a fan of them, or of a more punk-pop sound, I would highly recommend checking this out as soon as you can. I’ll certainly be spinning it a fair bit in the coming months, that’s for sure! 9/10
Chris Young: I Didn’t Come Here to Leave
No pressure here, but this album has a LOT to live up to. I LOVEDhis last album last year, and the fact that he’s followed up on it barely a year later is definitely a bold move. Thankfully, Chris’ 10th album is yet another banger of a release from the country star! He has an incredible songwriting ability (I assume alongside others), be it country ballads or more southern rock-style boot-stompers. And honestly he has one of the best studio vocals in the whole genre currently. Don’t get me wrong, it’s another pretty long country release (thankfully not to Wallen levels), but there is so much awesomeness that the 14 tracks still go by in a flash! From the opener to ‘I Feel a Cold One Coming On’, ‘Pour Some Whiskey on it’ to single ‘Boots on the Ground’ to beautiful, bittersweet ballad ‘Just Keep Living’, there is so much to love. I have to say it’s not quite as good as Young Love & Saturday Nights, but it’s a damn solid followup and as I said, with barely a years turnaround between the two it’s an incredibly impressive release. Country has had one hell of a year again, and this is certainly going to be up there with one of my favourite releases in the genre in that time. And heck, it still feels like it’s growing on me with more listens! But for now, it gets a damn solid 8.5/10
The Last Dinner Party: From the Pyre
I have made no secret over the last year or two about not ‘getting’ this band. Though people throw around the term ‘industry plant’ maybe a little too easily these days, it definitely reeks of ‘throwing enough family money at it until it takes off’. You know, the GVF/Taylor Swift approach. We missed their debut album last year just before they exploded, but I remember checking it out due to the massive hype on socials and wasn’t too into it. Hopefully this sophomore release changes my mind…
It didn’t. This is music for early 20s, rich white girls that want to be hippies. It gives ‘music to listen to while spending daddy’s money on Vinted’ vibes. Don’t get me wrong, if that’s your thing, great, but it isn’t mine, sadly. And it is sadly too, because I did actively want to like this album. The Midsomer-like theming is an interesting concept, but never feels fully realised. There are flashes of its potential brilliance, especially in the one-two-punch of ‘Rifle’ and ‘Woman is a Tree’. However, then the pop edge comes in and reigns it all back in. And, honestly, because of that, this is a damn boring album. It feels a lot longer than 42 minutes, the album dragging and being a real struggle to get through in one sitting.
I know that some will probably be pissed at this review, but it’s just my opinion; there will be plenty who love this and I’m so glad they will get something out of it that I don’t. I know I am very much not the target audience, but at least I tried, right? Heck, at least the women are talented players and vocalists; I just find them painfully dull songwriters. And for that, it gets a 3/10 from me.
Sabaton: Legends
Fuck yeah, this is more like it! We’re big power metal fans here at Overtone and of course there are few modern bands doing it better than Sabaton. I loved their last album, but I really feel like this may be even better! ‘Templars’ opens the album perfectly, while tracks like ‘Crossing the Rubicon’, ‘Maid of Steel’ and ‘The Cycle of Songs’ are also big highlights for me. Of course, I have the same issue with this as I have with a fair few power metal albums in that it does all sound pretty samey. It’s 45 minutes of pretty similarly paced and sounding music, and even if it’s all great, it does get a touch old by the end. Still, if you are a power metal fan, of course you’re gonna love this! It’s a damn solid album from some of the best songwriters in the genre, even if they do stick to their standard formula a little too safely. The new metal history teachers show here why they are still one of the best around, and it’s an easy 8.5/10 from us!
Broadie Christ: Big feelings
The sophomore album from the Toronto singer-songwriter is a damn chilled-out, easy listen. Though described as indie rock, I’d argue there’s a lot more to this than that! It’s as much alt and soft rock, as well as just a genuinely quirkier edge. The easiest way I can find to describe it is a combination of Pinegrove and early Randy Newman, and I mean that as the uttermost of compliments! The more I listened, the more I fell in love with the album. The opener didn’t hook me, but ‘IDWTBfriends’ is great, and by the time I reached ‘Pretty City’, ‘Sea Legs’ and ‘Now I Can’t Dance’ I was hooked. As I said, it’s a very easy listen, and 40-minutes went by in a flash. He’s a fantastic lyricist and storyteller, and the instrumentation written around it fits the tone perfectly, as well as being a lot of fun. It’s the perfect album to sit back and relax to, but also really dive in deep to if you get the chance. I’d highly recommend checking it out if you are at all curious, and it gets an incredibly solid 8/10 from me!
Preacher Stone: By the Horns
We’ve already checked out this awesome album! Read our full review of it here.
Tol Morwen: At the Gates of Valhalla
I love folky power metal, and this sophomore release is no exception! However, this does generally feel a little more technical than a lot of their contemporaries, some of the riffing and drumming being incredible. However, it still has the same level of epicness. It’s also heavy, having elements of black/death/extreme metal, especially with the screams. The atmosphere created throughout is phenomenal though, and instantly had me captivated. ‘Fate of the Gods’ is a more atmospheric black metal track, while ‘Ragnar’ is a straight up Amon Amarth style viking death metal song. Both are massive early highlights, while songs like epic single ‘The Shieldmaiden’ and ‘Rise of the Ancient Gods’ are also excellent. However, there really a bad track on this! It’s not for everyone, and at over an hour spread across just 10 tracks, it’s a big undertaking. However, I loved it, and if you are into the heavier, more grandiose side of metal, I would definitely recommend you check this out immediately! The band are so incredibly talented, and it’s yet another easy 8.5/10!
Biohazard: Divided We Fall
The hardcore punk legends returned with their first new album in 13 years this last Friday. Yeah, it’s a big deal. Especially when they returned at arguably the perfect time, given the state of the world, and clearly have plenty to talk about! Oh, and the album also slaps from start to finish! It’s angry, aggressive, slamming hardcore for a full nearly 40 minutes, and I love it. It just makes me want to throw people around in a pit and dance around through the whole thing. The riffing, the drums, the vocals, the lyrics, even the soloing, all of it is perfection for the genre, and I honestly can’t get enough. It’s so hard to pick highlights too, as each track is as good as the other. Most of it ended up on my personal playlist! It’s the perfect combination of Bodycount, Hed(PE) and Pro-Pain, so if you are into any of those bands, or just hardcore in general, I cannot recommend this album enough! Heck, even if you aren’t, check this out immediately, you might find one of your new favourite albums. I can’t give this any less than 9.5/10, and I’ll definitely be rocking this a lot in the coming months!
Of Monsters and Men: All is Love and Pain in the Mouse Parade
13 years after the Icelandic folk-rocky quintet’s massive breakout debut, they are back with their fourth studio album, and first of the post-pandemic era. Honestly, outside of their big hits I haven’t listened to much. In the nicest way possible, I can kinda see why. This is a boring release, dude. Much like with Last Dinner Party, this will most likely have plenty of fans, but I sadly found myself losing interest fairly quickly and often when listening to this from front to back. Don’t get me wrong, tracks like ‘The Actor’ and ‘Styrofoam Cathedral’ are good in isolation, but in the context of the album it dragged sooooo much. Please don’t kill me, OM&M fans (I also don’t like the other OM&M much, sorry), but yeah, I can’t give this much more than 4.5/10. They’re all talented players, but it really isn’t my thing.
Daedric: As the Light Left
The sophomore release from Kristyn Hope is yet another modern-alt metal/metalcore masterclass. We absolutely loved her last albumback a couple of years ago, but honestly she may have gotten even better in the time since! ‘The Other Terror’ opens things up perfectly heavily, while ‘Sand Tiger’ shows off a bit more of her more alt side (though still has some great screams). The rest of the album continues to skirt that line perfectly, too. Heck, ‘Dark Legacy’ gives big Skynd vibes in the best ways. It’s hard to pick highlights, but ‘Night Mother’ and ‘Dreamweaver’ are tracks that I have already revisited multiple times over the weekend. Honestly, this is everything I wished Spiritbox was, and it’s insane to me that Kristyn isn’t on the same level as them at this point. I’mma throw it out there, this is better than Tsunami Sea, @ me. I cannot recommend this enough to anyone into more of a modern metal sound, and I’m honestly shocked she managed to top her explosive debut! She’s an utterly fantastic vocalist, both cleans and screams, and her songwriting has really gone to yet another level with this album. It’s one of the easiest 9/10s I’ve ever given!
William Prince: Further From the Country
Album number five for the Canadian folk/country singer-songwriter is a damn fun listen. I love that he very much does his own thing and has his own sound, not following the current trends in the genre. It makes it stand out a lot from his contemporaries, and is a fantastic, more folk-based sound in its own right! From the writing to the arrangement to the mix, it all almost has an epic air to it. From the opener to ‘Flowers on the Dash’ to the beautifully dark-folk ‘Thousand Miles of Chain’ to the awesome closer, the whole thing is packed full of amazing songs! And, at under 40 minutes, it makes for an incredibly easy listen! It’s definitely one to throw on and relax to. William is a criminally underrated vocalist and songwriter in the genre, and he has an instant new fan in me from this! I’m definitely going to have to go back and check out his previous work, but for now this gets an incredibly solid 8.5/10
Shadows of a Silhouette: For Those That Know
Time for some indie now, as the local boys and good friends of oursput out their highly anticipated debut album this last week! What an album it is, too! It’s definitely on the heavier side of the genre, with the riffs taking center stage in a big way throughout. It gives off big QOTSA or early Royal Blood or early Black Keys vibes in the best ways. It’s also packed full of highlights, too. Between the opener, ‘No Matter Where I Go’, ‘Mona Lisa’ and ‘Hostages’, there are plenty of highlights, but there really isn’t a bad track on the release! The band are incredibly talented and it’s easy to see why they are gaining so much momentum already. The genre isn’t typically my sort of thing but I really loved this from start to finish, and would recommend it to anyone even slightly curious! It’s been a while since I’ve seen them live so must do that again, as I have a feeling all of this would sound incredible in a live setting. But, for now, I shall happily settle for having the album, and it gets a very solid 8.5/10!
Wretched: Decay
The first album from the melodic deathcore quintet in over a decade feels like it has something to prove, and they more than do this with this release! This is over an hour of brutality, technical riffs, great screams and some HEAVY breakdowns. It’s another album that’s almost impossible to pick highlights from, as it’s all so good, as well as all being a similar style, sound and aggression. However, ‘The Crimson Sky’ probably has the most of a bit of everything this album has to offer! If you are into the heavier end of metal, this is definitely one for you. It has everything from Machine Head to In Flames to The Zenith Passage in here, and it’s awesome. It’s not for the faint of heart as, like I said, it’s 65 minutes in length, but it’s well worth a listen through in full if you’re interested! I’m so damn glad this band is back to studio work, and they have put out honestly one their best releases to date after all this time off. A very solid 9/10 from us!
