Tag Archives: western

Age of the Ram: Charley Crockett’s Best Album Yet?

The whopping 16th album from the modern classical country star dropped today, to a hell of a lot of hype! We’ve checked out a couple in recent years, and I’m becoming a big fan, so when this came across our desk I wanted to deep dive into it and really see what it is about. Especially since it seems like such a concept/theatrical release. Let’s dive in, ladies and gents!

After a brief intro track, Theme I setting the tone perfectly, ‘Lonesome Dove’ is a fantastic opening song. The classic country sound is encapsulated perfectly by Crockett, and this is so very Hank I or Haggard. It’s simple and steady, but so fantastically written and performed. The acoustic chords and basic drumbeat are a backdrop for Charley’s powerful vocals and amazing lyrics. And still it’s a catchy chorus, especially the last one when the backing vocals join it. It’s a great, chilled way to open the album!

‘Rancho Deluxe (Main Theme)’ is a simple two minute track that keeps the same vibe going, as well as continuing the story and theme of the album to perfection. He’s such a fantastic storyteller, definitely up there with the best among the oft-forgotten art in the mainstream currently. And instrumentally, while it is rather basic by today’s standards, it all still slots together perfectly, and the overall product of everyone’s work is excellent. And it almost feels like another intro track to ‘My Last Drink of Wine’, which I loved.

Speaking of that track, it’s the first highlight of the album, for me! Starting off the same as the other tracks, it actually picks up the pace a little into a memorable chorus. It’s more something you can dance to, which is always fun. Also, the piano coming in for the second verse was excellent, adding to the old-timey feel but also completely fitting in with the rest of the song. In fact, the almost constant instrumentation between each part is fascinating writing, and kept me hooked throughout. We even get a great little guitar solo to close things out! It’s an excellent traditional country track, and one that easily makes it onto our playlist! It’s probably the closest to a radio-friendly track so far, too.

‘Fastest Gun Alive’ is another steady track, but another great, radio-hook of a chorus! The same can be said for ‘Crazy Woman Ridge’ and ‘Me & Shooter’. All are awesome tracks that are up there alongside ‘Last Drink…’ for me as firm album highlights. However, they all also feel different from each other, with the latter being an excellent bluegrass song! I love that they are spread throughout the album too, keeping it constantly varied and interesting. However, I do think it’s in tracks like these are where his band shine through the most as they have the most to do, and that big-band-country style is definitely a big favourite of mine. If you are going to check out any songs from the album, let it be these four. However, they are far from the only good songs on the release!

Meanwhile, songs like ‘Diamond Belle’, ‘I Shot Jesse James’, ‘Sweet Mother Texas’ and ‘Billy McLane’ are more slower, simpler tracks again. They are very much more focused on just Charley’s vocals and guitar, even if there are some other basic instruments adding to the overall sound. None are inherently bad songs by any stretch, and I like that they are generally a bit more spread out throughout, not slowing the pace down for extended periods at once. Once again, the latter is probably my favourite of the trio, it having the most to it with the piano being prominent too, and the lyrics were damn interesting!

We also get a few more interlude/story tracks. Two more ‘Life & Times of Billy McLane’s and another ‘Rancho Deluxe’ keep the story flowing excellently. It’s a bit of a lost art form these days, especially in the country scene, but it makes the whole album a must-listen from front-to-back, and without them I would genuinely say the release wouldn’t be as good. Plus, ‘… (End Theme)’ is honestly one of my favourite songs on the album, another easy highlight. My only slight confusion comes with there being another six tracks after it. Despite the storyline going on, it still feels like maybe it would have served a better purpose being the album closer!

‘Kentucky Too Long’ is another fantastic song that feels a bit more riff based, clearly drawing on more of a blues inspiration. The riffing is excellent, as is the soloing throughout, and the track as a whole feels like some combination of Merle, ZZ Top and even Lenny Kravitz at times. It’s still a chilled-out, stripped-back song, but is once again something different on an album that is fairly long, so it is more than welcomed. And, as I said it, it’s a damn good song in its own right! Another song that I would highly recommend, especially if you are into more of a blues vibe!

Then, there are a few shorter tracks sprinkled throughout. ‘Remembering Pat’ is an interesting song from a lyrical standpoint, and honestly I’d have taken more than 45-seconds of it. ‘Border Winds’ is a fun little vocal melody with just a slight guitar part behind it, while ‘Powder River’ is another fun outlier of a track that channels more of that bluegrass or real old-school western vibe to it. It’s another one that I’d have happily taken as a whole song, but am still glad of its inclusion here. It also bleeds rather perfectly into its following track, ‘Low Down Freedom’. Said song continues that same sort of vibe, definitely once again having a blues edge to it, even if it’s a steadier tempo and more chilled for the most part. However, it’s another that has an incredible chorus to it, designed to be played to huge festival crowds, and that repeating blues riff is AWESOME! Another huge highlight on an album seemingly packed full of them!

The final track on the album, ‘Cover my Trail Tonight’, feels like it draws together everything before it, somehow capping off something so grandiose excellently. An overall dark Western feel, packed full of some amazing lyrics and instrumentation. The guitaring is just as big of a high point as the vocals, too. It’s everything Crockett is about rolled up into an under four minute package, and is another one that is an absolute must-check-out!

Overall: I absolutely loved this! Having gotten into him the last couple of years or so, I can safely say this is my favourite thing I’ve checked out from him. It feels like the most concise things he’s put out in recent times, wild given the releases sprawl, and it has more than a couple of songs that I would put up there with his very best! Charley’s talent is undeniable, and I’m so glad he’s finally getting the recognition he deserves for it. If you are into a more classic country sound, this release is an absolute must!

The Score: 8.5/10

State of Mind: Genre-Hopping Awesomeness from Thunderian Summer

East Midlands own Thunderian Summer have only been around for a few years, but have already been making waves in the underground rock scene. Having released their debut album just a couple of weeks back, the future looks very bright for them! We got sent over the album by our good friends at Unearthed and just had to check it out!

Opener ‘Pain is a Friend’ has a great, steady, slow-build intro. It explodes into a great lead guitar line over the top, it giving me immediate John Frusciante vibes. The vocals are rather indie over the top, but it also gives off slight New Wave vibes, Pulp or even Billy Idol. The chorus, while the instrumentation doesn’t change too much, is massively open and catchy. It’s a fantastic songwriting talent, to get all of these different sounding parts and levels of depth around the same couple of riffs. It drops back down around the middle, building up again perfectly in a very Ramones style. I loved this tracks, and it easily makes our playlist!

‘Steve McQueen’ opens on a fuzzy guitar riff, again building in the rest of the band perfectly. This one reminds me of Bush more than anything, a grungy take on old-school punk. It’s a simpler track from a structural standpoint, but is just as massive and catchy in the chorus as the previous track. It’s like early Nirvana at times too, and I love it. Plus, the lyrics here are really fantastic; deep and impactful. The drop-out to just guitars and slight drums is awesome and will go down so well live with clapping. Also, Danzig, that’s another voice that this reminds me of! It’s been bugging me the whole song until now… It’s another incredible track, and another to make the playlist!

The lead single from the album, ‘Time Bomb’, is a more blues-lead affair. The main riff is awesome, and is the main focus of the track aside from the Gavin Rossdale-style vocals. However, surprisingly, it lightened up in the choruses, it almost venturing into pop territory. It was all excellent but was certainly unexpected. Because of it, I can definitely see why they chose it for a single. However, it didn’t capture me quite as much as the opening two tracks did. The outro and riff were cool, but something about it didn’t click for me.

‘Cold September’ and ‘Chasing Shadows’ are more slower tracks again. Both feel like the ballads of the album, with the former being more New Wave while the latter is more grunge (with a bit of Type O Negative thrown in for good measure) awesomeness. Both are great tracks and fit the feel and style of the album perfectly. ‘Chasing Shadows’ wouldn’t feel out of place on the Temple of Dog album, it’s great.

‘State of Mind’ opens much like ‘Steve McQueen’, with a grungier Bryan Adams riff. The chorus is a little more open, some almost ska chorus and rhythm going on through it. It’s a fun track and, typically by this point, plenty catchy.

‘Shake Your Sins’ changes it up again, giving us a fantastic acoustic ballad. It’s one of my favourite tracks on the album, honestly. Just vocals and guitar, it is filled with emotion, from the opening note to the heart-breaking lyrics. Sometimes simplicity is key, and that is definitely the case here! You MUST check this out, what a beautiful song.

The opening of ‘Empathy’ reminds me of an Iron Maiden track but I can’t think which. I wanna say ‘Revelations’ or ‘Total Eclipse’. It’s a blend of that, Pink Floyd and Pearl Jam. It’s got a great grungy swagger and attitude to it. Meanwhile ‘Lion Bear Tiger Mama’ completely changes the pace again, introducing a new sound to the album late into the game, straight up rock’n’roll. It came out of left field but in the best of ways, giving off big Led Zep vibes.

Then, out of nowhere, we’re hit with a slow, prog-western track to close out the album. The riffing and lead guitaring that ran through this song was AMAZING, as was the bass, being a massive highlight of the track. It heavies up around the midpoint of the track, the distorted guitars coming in over the top and adding another fantastic layer of depth to it all. The track as a whole is phenomenal, another massive highlight of the album and another to easily make the playlist!

Overall: this was amazing. It blended together so many different genres, from indie to rock to western to acoustic, and did it all masterfully. I would highly recommend this album to anyone, as you’re bound to find something you love no matter your tastes. It’s one hell of a debut album and I cannot wait to here where this band goes in the future after this. They should have a massive 2023!

The Score: 8.5/10