Tag Archives: metal music

Download 2026: The Big Bad Review – Day 2!

Having a sunburnt, pregnant wife tagging along, we got in a touch later than hoped on the Saturday. However, we made it in for most of the amazing As Everything Unfolds on Opus, and what a way to start our day! The alt rock/metalcore rising stars owned the massive stage right from the jump, proving that they very much deserved to be up there. It’s crazy too, as they were originally supposed to be on the much smaller Dogtooth stage later on, but swapped with Drowning Pool because their flights were delayed. It proved to be a fantastic decision on both counts, as I think AEU got heaps of new ears and exposure from this move. Seeing ‘Gasoline’ live was awesome, as it’s become honestly one of my favourite tracks from this year so far. But the whole set was amazing, and the band played their asses off throughout!

Over to the Dogtooth tent for the first time of the weekend, we saw proggy, middle-eastern infused metal band Lowen. By far the quirkiest band for us of the weekend, it was damn interesting to watch. They were all insanely talented musicians, and I loved the video and images they had playing behind them, really adding to the atmosphere of it all. While it’s not typically my sort of style in a live environment, I had a good time watching them and have listened to them a few times on track since coming home. They are well worth seeing if you are into this side of metal music, and would honestly go down a storm in the European market! Nina has such an interesting voice and she fronts the band spectacularly, while the rest of the band back her up and make their wall of sound absolutely massive. They definitely have a new fan in me!

Over to the Apex stage, we caught emo-metal legends Black Veil Brides. The last time I saw them properly was here back in 2012. Back then, they were so hated they were getting bottles and mud balls hurled at them. The metal world has softened on them since then, and we’re fairly receptive to the band this time around! The crowd for them was pretty massive, and the front half were hanging on every note. However, something about it just didn’t land for me. Maybe it was because we were a touch further back and, for as big as the new main stage is, it isn’t very loud. Or maybe it was because they did a setlist primarily consisting of new tracks, bookended by a few classics. It’s not exactly a bad thing, and their fans certainly seemed to enjoy it, but it didn’t hook me in for too long, despite how talented the band all are.

Because of that, we instead headed over to see our friends, the mighty Those Damn Crows. It had already been too long since we’d last seen them, it being the very start of 2025. They were excellent at Winters End and, to the surprise of I’m sure no one, they were also excellent here! The bands sound and energy is built for huge festival stages like this at this point, and they put on the set to prove it. From ‘Find a Way’ to ‘Sin on Skin’, their awesome, extensive back catalogue was on full display. My only slight complaint is that we didn’t get much off their recent chart-topping album, God Shaped Hole. However, that was most likely because they didn’t have a huge amount of time. It just means that they’ll have to do a headline tour soon as well as the Shinedown support, so we can see a full set… Shane is a truly excellent frontman, getting the crowd going as well as coming across genuinely sincere and likeable. And the rest of the band played their asses off throughout, just as they always do. Another fantastic set!

Speaking of fantastic sets, Drowning Pool were up next. After their set-switch earlier in the day, they were now packed into the smaller Dogtooth tent, and I’d rarely seen a crowd as big trying to watch a band in there! The last time I’d seen the band was at Rescue Rooms when I was just a teenager, so to say I was hyped would be an understatement. Especially with the recent re-addition of Ryan back at the front! He sounded better than he has in a few years too, I know he seemed to be struggling a little last time we saw him with Soil. We’ll get the elephant in the room out of the way first: they only had time for four songs. However, those four songs were all excellent, and brought me back to my youth in a big way. A Sinners-full set of the heaviest hitters from that album, and the crowd hung on every note. As a big ‘Mania X8 guy, ‘Tear Away’ will always be a huge song for me, and they played it amazingly on Saturday. Then, of course, sending the crowd home in a frenzy from the massive ‘Bodies’ was absolutely the right call, it being the main reason most were near that tent to begin with. I’m really hoping this means that they’ll be back sooner rather than later, and hopefully finally start getting more of the love they deserve in the UK. Too short, but an excellent set!

As we left the tent, we managed to catch the back half of Babymetal’s set. It once again wasn’t the first time we’d seen them, and while I once again enjoyed previous sets, this was by no means a bad one! We came over from the solos of ‘METALI!!’ onwards, and got treated to four more excellent songs after that! While I do still think Callboy do ‘RATATATA’ better live, it’s still a lot of fun to hear, especially two days in a row. And the one-two punch of ‘Headbannggerrr!!’ into ‘Road of Resistance’ to close was awesome! The trio put on such an amazing, energetic show between them, while they are backed by some truly awesome musicians, playing some incredible stuff. If you haven’t seen them live already, they are an absolute must!

After a brief changeover, Trivium took to the stage. The band have been a powerhouse live for over 20 years now, so it’s no surprise that this was also a storming set. Matt’s vocals are somehow better and more powerful than ever, and the bands cohesion and talent individually and as a group is incredible. You can really tell they still all really enjoy playing together. It was a classics/anniversary tour-heavy set, with the likes of ‘Gunshot to the Head’, ‘Dying in your Arms’ and ‘Down from the Sky’. As an almost life-long Trivum fan, it certainly tickled that itch. However, we had seen a similar set before. And, incase anyone hasn’t heard, I LOVE their last two albums, and to only get ‘Catastrophist’ off them was a little sad. Still, I get it, it’s a festival, so play the ones people know. I know they mentioned a tour for ’27, hopefully it’s near the release of their upcoming album and we get some stuff off it live this time! However, it’s a minor gripe really, as I did enjoy their set a hell of a lot! Each song was excellent and played to perfection. If I was down in the pit it would have most likely been one of my favourite sets of the weekend, no question. One of the best live metal bands around today!

We then took a slow stroll over to Opus to see the black metal legends Behemoth. I’ve recently become a fan of them on track, and my god did they blow me away here! Everything about it, from the sound to the production to their live skill was impeccable, and made them feel MASSIVE. They fully owned the stage, and made an incredibly solid case as to why they’re headliners in Europe and at the likes of Bloodstock. The setlist was perfect, too. Whether it was the heavy-hitters from the bands magnum opus, The Satanist, the title track from their latest album or even a cheeky Bathory cover, it was all so damn good. They made it feel like their darker genre of music belonged at a typically lighter festival, and most definitely turned some heads. Nergal is a fantastic frontman and conducted his brutal symphony to perfection.

After a short pause, Opus headliners of the day Architects took the stage by storm. The crowd were raring to go right from the offset, and the set proved that the band could arguably be headlining the festival as a whole the next time they’re there. The crowd were so into it, in fact, that the opening half was rather stop start due to those pesky pits getting a little too hairy and security intervening. ‘Blackhole’ and ‘Impermanence’ in particular were a pain, but both restarted and went just as hard afterwards. I’ve seen some saying that Sam [Carter] didn’t handle it very well, but if anything it just revved him up to go even harder the rest of the set. Even with it being the most stop-start set of the weekend, it just goes to show how much the Download crowd love the band, and how hugely popular they have become.

The setlist was rather perfect for me, too. Being Sky Earth heavy was amazing, as I LOVE THAT ALBUM. ‘Blackhole’ when it was finally played fully, was a particular highlight, but opener ‘Elegy’, ‘Seeing Red’ and the Florent Salfati-featuring ‘Brain Dead’ were all just as awesome. And, we still got some of the very best of their back catologue between. From ‘Deep Fake’ to ‘Gravedigger’, ‘Black Lungs’ to the touching Tom tribute of ‘Doomsday’ and now-perennial closer ‘Animals’ it was all SO GOOD. Hell Sam’s voice even held up a lot better live than I expected it to from recent clips, and he is such a good frontman these days. His and Adam’s lows combined still itch my brain in the best way. They were one of my most anticipated bands of the weekend and they certainly didn’t disappoint!

On the way out of the arena, we caught a couple of songs from mainstage headliners Guns n’ Roses. Now, I’ve seen them three times before since their reunion, I knew what I was getting into. Still, hearing Axl murder some of my favourite minutes in all of music in the close of ‘Coma’ still hurt just a little. We caught that, a big widdly solo from Slash (expected) and then watched ‘Sweet Child O Mine’ from the back. It was exactly what I expected it to be. A slightly thinner crowd going nuts for one of the four songs from the three plus hour set that they actually wanted to see. The band are still pretty tight; Slash still noodles with the best of them, even if his technicality is slipping now that he’s *checks notes* SIXTY. And Axl was… also present. I don’t want to clown too hard on the guy as he is a legend and performs long-ass sets on the regular at his age, it’s no mean feat. Heck, he still has the energy of a toddler… he just also has the voice of one. Still, I know plenty of people who enjoyed it and got some nostalgia out of it, and good for them! They still put on a great show, no matter their sound, and are truly one of the biggest bands ever. It’s just not for me any more, nothing will top that first show back for me. I am, however, jealous of those who got to see them do ‘Dead Horse’ live, I do love that song!

Download 2026: The Big Bad Review!

The first time I had been to Donington for a full weekend since 2019, the line-up was so good it was impossible to pass up! Three days of insane rock and metal music among 90k+ likeminded people, what could possibly be better than that?! From rising stars to legends and everything between, it was one of the most stacked weekend in recent memory. There really was something for everyone! We saw so many amazing bands across the weekend, there was no way we weren’t letting y’all know what we thought! Strap yourselves in boys and girls, it’s a long one!

Sadly we missed Native James due to it taking a little longer than expected to get into the arena, something about running out of wristbands. However, we made it in to get a prime spot in the Avalanche tent for hardcore newcomers Silly Goose. Thank god we did too, as they were fucking awesome! Their blend of old-school nu-metal and more modern hardcore was infectiously fun, and they put on one of the highest-energy sets of the weekend right off the bat. The packed-out tent gave that energy right back to the band, too! They didn’t have long, but made more than the most of the time they had, and won over more than a few new fans in the process, I’m sure. I immediately want to see them grace the UK again ASAP, seeing them in a smaller venue would pop off. A fantastic start to our weekend!

Headed across to the Apex stage, we caught the last half of P.O.D.. A band that I’ve caught briefly at Graspop before, this was the closest we’ve been able to watch them before. The nu metal legends are still at the top of their games live, both sounding and performing awesomely. Their set was short but sweet, rattling off the very best of their discography. ‘Youth of the Nation’ took me back to my childhood, while ‘Alive’ had the whole crowd singing along instantly. And yet still, they managed to squeeze in a new one, ‘Drop’ fitting perfectly alongside the rest. Sonny is a fantastic frontman, still having the energy and stage presence that would put someone half of his age to shame. And the rest of the band backed him up amazingly, them sounding remarkably close to how they do on track. It was slightly lower energy after the craziness of Goose, but still a great set!

Switching stages again, we finally got to see the mighty Paleface Swiss tear apart the Opus stage. I’ve been wanting to see them since I first got into them a couple of years ago, and even more so after last year’s album. I’d seen videos and had hyped myself up plenty in my head beforehand, yet still they blew me away. Their rise has been undeniable over the last four years of live shows, and for clearly good reason! Firstly, the energy was off the charts, the four twenty-somethings bringing so much energy and fire (metaphorically and literally) to the stage. Marc is such a force up on stage; he’s charismatic and entertaining and how his vocals can do what he does on track live for a full set honestly blows my mind. And as for the rest of the band, they are all so insanely talented, and put on such an incredible show individually, as well as together.

The setlist too… *chefs kiss*. Marc coming out to start off saying “we’ve been told we can’t ask for a pit but…” and then them immediately launching into ‘Hatred’ was fantastic, and it only kept on being awesome from there! Whether the brutality of ‘The Orphan’ and ‘Please End Me’ to the surpising sentimentality of ‘Everything Is Fine’, it was all awesome, if expectedly too short! The crowd went nuts from start to finish too, hanging on every single note. Honestly one of the sets of the weekend for me!

Long-time readers here know that we are certainly partial to some country, so Lakeview were a must for us. Especially after the carnage of Paleface! To say it may not typically be their sort of crowd too, the duo and their band knocked it out of the park! They are surprisingly heavy live, or at least heavied it up for this show in the best way. Every drop and riff hit HARD, and it contrasted extremely well with Jesse and Luke’s southern drawls. ‘Wrong Side of the Track’ was probably my favourite track of the setlist, but every song hit just as hard. They really held the crowds attention too; I was shocked at how full the tent was and barely anyone left throughout. I’m already desperate to see them again, so hopefully they hit the country festival scene next year!

One of our favourite bands were up next on the Opus stage. Creeper have been killing it the last couple of years or so, and this was yet another great example of that! Right from opener ‘Mistress of Death’, the band sounded on top form, somehow even more polished than I had heard them before. And the Nosfera-two stuff somehow grows on me more and more every time I hear it live. ‘Headstones’ always goes hard, but the big high point for me was ‘Razor Wire’. Hannah’s vocals and emotion throughout brought my wife to tears, so that alone should show just how good it was (she is pregnant though so it’s maybe slightly easier…). However, Will has evolved into one of the best frontmen in the game right now, though more on him later, and between them they are sure to catapult Creeper into the stratosphere sooner rather than later. The crowd were once again into it too, and ‘Cry to Heaven’ is such a good closer that everyone went nuts for it. If you haven’t yet seen them, what are you playing at? They’re on the road a lot the rest of the year, so get your asses to a show, you won’t be disappointed!

After a very short rest for us, the mighty Electric Callboy graced the Apex stage. We have caught them at multiple festivals the last few years, and always have a good time with them. Download was no exception! The new stuff, ‘TANZNEID’ and ‘Let the Good Times Roll’, came across better live for me and certainly got me hyped for the upcoming album. Between those and tried-and-true classics like ‘Pump It’, ‘MC Thunder II’ and the Babymetal-featuring ‘RATATATA’, it was one hell of a setlist. Heck, we even got some Electric Bassboy in the middle, dubstepping up some Drowning Pool and Blink 182. It was awesome!

I do think I’ve seen them slightly better, it’d take a lot to top their Graspop set for me, but they are such a phenomenal live band that we still had a blast throughout. It was just a shame ‘Mindreader’ got cut short due to an issue in the pit (sadly a running theme of the weekend, more on it later). However, Kevin and Nico are such consummate professionals that they stopped immediately, getting the issue sorted and right back to the music. Their dynamic together is always so fantastic to watch, and their live vocals just keep getting better and better. It won’t be long before they are headlining festivals of this size, mark my words!

We quickly high-tailed it back over to Opus to catch the latter half of Daughtry. Somehow we hadn’t seen them live before, but they were every bit as great as I expected them to be! Chris’ vocals are so damn powerful, and just as amazing live as they are on track. And the setlist was top-class, too. We got plenty of heavy newer stuff off SHOCK TO THE SYSTEM, yet still got the radio classics in ‘Over You’ and ‘Heavy is the Crown’. The crowd were more than happy to sing along to the ballads, too! They felt like good old-fashioned hard rock music live; go out there, rock the joint with a tight set and let the music do the talking. I’d happily see them again, and would love to see a full set from the quintet! Hopefully we get a rare UK headline tour soon! Especially when the wind was a little troublesome with the sound all day.

Cypress Hill felt like a bit of an odd-one-out on paper, but packed out the place and had the crowd pumping throughout. Over an hour of West Coast hip-hop from some of the best to ever do it. Their back catalogue is incredible, from ‘When the Shit Goes Down’ to ‘Dr Greenthumb’, ‘(Rock) Superstar’ to ‘How I Could Just Kill a Man’ to their megahit ‘Insane in the Brain’, and it all sounds just as good live as it did on track! However, they didn’t just stop there. We also got two awesome covers: RATM’s ‘Bombtrack’ and instant crowd-favourite ‘Jump Around’. B-Real and Sen Dog play off each other perfectly and sounded awesome, while DJ Muggs and Eric Bobo back them up so well. It may not have been to everyone’s tastes, but they most certainly won some people over during their set, and had the crowd in the palm of their hands throughout. I’m glad I finally got to see them live, and they certainly didn’t disappoint!

After a short break, the mighty Limp Bizkit took to the stage to finally headline the festival, 23 years after they were first supposed to. We saw them at Graspop a couple of years back and loved it and, while it was a fairly similar setlist to then, I still had an absolute blast. The band strolling out and getting the hype to a fever pitch with some ‘Thieves’ riffing before launching into current open-closer ‘Break Stuff’. Whether it’s their massive hits like ‘Nookie’, ‘Rollin’’ or ‘Take A Look Around’ to smaller tracks like the newer ‘Dad Vibes’ and ‘Livin’ it Up’, it was a great setlist. Add to that their massive covers of ‘Faith’ and ‘Behind Blue Eyes’, bringing out the awesome Lauren Sanderson to rock ‘Hot Dog’ with them or bringing some fans on to sing ‘Full Nelson’, and it was a hell of a lot of fun. Hell, we even got ‘Eat You Alive’, which we at least didn’t get from the last set!

As for the performance itself, it was amazing! Fred is one of the most charismatic people around, and barely even needed to do anything to hold the crowds attention throughout. His vocals are iconic and hold up still to this day. Meanwhile, DJ Lethal, John Otto and newcomer on the bass Richie Buxton all kill it as always. Meanwhile Wes Borland is a guitar god at this point, and such an amazing performer in his own right. And, while I’ve seen some people complaining about the between-songs stuff, I quite liked Lethal playing easy-listening classics, it kept the crowd pumped and kept the fun, party vibe going. Once again, however, we had the set paused mid-way through a song due to crowd issues. The ending of ‘My Way’ got cut, and I feel like we lost another song with how long the pause was, too. I completely respect Fred for stopping the show to make sure people were okay, but it became a running theme of the festival, sadly. However, until that point, it was awesome, the crowd were fully in, and it was a fantastic set. Spoiler alert, it was my favourite headline set of the weekend, and I already want to see them again!

Polyphia Announce World Tour!

Another day, another huge tour announcement!

Today, the genre-defying instrumental rock innovators Polyphia announce their 2026 World Tour produced by Live Nation across Europe and North America. RJ Pasin will support all tour dates worldwide. Perturbator will join all European dates including the UK while North American shows will also feature Ladrones with select dates including Intervals or Plini.

Last week, the band released their first single in over four years, “CAN YOU FEEL IT,” pushing boundaries in ways the band never has before. Today, they released a new music video for the track, showcasing an electrifying performance by the band amidst a crowd of fans. Directed by EVERS, this video captures the band’s captivating live energy and their infectious sound.

European Tour Dates w/ Perturbator & RJ Pasin:

Nov 18 – Zurich, CH – Halle 622

Nov 19 – Lyon, FR – Le Radiant

Nov 20 – Toulouse, FR – Interference

Nov 22 – Barcelona, ES – Razzmatazz

Nov 23 – Madrid, ES – Sala La Riviera

Nov 25 – Milan, IT – Alcatraz

Nov 27 – Munich, DE – Zenith

Nov 28 – Prague, CZ – SaSaZu

Nov 29 – Warsaw, PL – Progresja

Nov 30 – Leipzig, DE – Haus Auensee

Dec 2 – Hamburg, DE – Docks

Dec 4 – Copenhagen, DK – Amager Bio

Dec 5 – Berlin, DE – Tempodrom

Dec 6 – Oberhausen, DE – Turbinenhalle

Dec 7 – Brussels, BE – Ancienne Belgique

Dec 8 – Amsterdam, NL – AFAS Live

Dec 9 – Paris, FR – Zenith Paris

Dec 11 – Birmingham, UK – O2 Academy Birmingham

Dec 12 – Manchester, UK – Manchester Academy

Dec 15 – Leeds, UK – O2 Academy Leeds

Dec 16 – London, UK – O2 Academy Brixton

Check out our review of their last album here.

Tickets will be available starting with VIP and Artist Presales from Tuesday, June 16 at 11am ET / 4pm BST. Additional presales will run throughout the week ahead of the general on-sale beginning Friday, June 19 at 10am local time. For complete details, visit Polyphia.com.

New Music Mondays: Sublime, Koe Wetzel and More!

Another big week of new music, with plenty of awesome rock, metal and country for us to dive into!

Sublime: Until the Sun Explodes

An album three decades in the making, the band return to the studio for the first time since the 1996 death of iconic frontman Bradley Nowell. Now fronted by his son Jakob, honestly… man does he sound like his father. And, it’s exactly what I wanted from a return from the band. This is a full nearly hour of chilled out, fun and well written ska punk, and I loved every second. It’s also packed full of amazing songs, from the opener to the FIDLAR-featuring ‘Backwards’, ‘F.T.R.’ to ‘Evil Men’ to ‘Gangstalker’ to ‘Until the Sun Explodes’. And that’s certainly not all of them!

Can you tell I love this album yet? And it somehow goes by in a flash, not feeling like 57 minutes at all! The band have very much still got it, and I kinda hate that they are touting this as their last album. I know that was the sentiment about their self titled for years, so never say never I guess. However, if this is their last hurrah, what a way to go out. No matter what you are into, give this a listen, you’re sure to love it as much as I do! They could have been one of the biggest bands around if it wasn’t for the tragedy, but this is a fitting tribute to both Bradley and the band as a whole. I’ll be spinning this plenty for most likely months to come, if not longer, and it more than lives up to the expectations. I can’t give it any less than 10/10, this is phenomenal.

Koe Wetzel: The Night Champion

We’ve already checked out this awesome album! Read the full review here.

East Texas Adrenaline: Knockout

The brand new album from the metal-punkers picks up right where their collection of 2022-2025 EPs left off. It’s nearly half a hour of heavy, balls-to-the-wall punk, and is a lot of fun! Tracks like ‘Lawnmower Fistfight’, ‘Day by Day’ and the bluesy single ‘Misfortune’ are all personal highlights. However, the whole album is pretty good, and goes by in a flash! My only slight negative would be the production, however that either comes with being a small band, or just adds to the punk-nature of the record, so it’s not exactly a hugely bad thing! If you are into either of the genres, this is well worth checking out. The closest comparisons my mind kept going to were things like The Wildhearts and Die Spitz. The band definitely have a new fan in me, and I’m curious to see where they go next! 7.5/10

Olivia Rodrigo: you seem pretty sad for a girl so in love

So, while typically not the usual sort of thing we cover here, her last couple of albums had a fair bit of rock tinge to them. And heck, we did Avril and Charlotte Sands, so there isn’t too much difference there! I’d even say I’m a bit of a fan, at least in terms of her bringing a punkier edge back to mainstream pop. Having said that, the singles from the album I’ve heard so far haven’t filled me with hope, so I am tentatively curious…

Sadly, my suspicions were correct. This album is slow. There is certainly a slight bit of rockier instrumentation and arrangement when the tracks reach their crescendo and final choruses, definitely adding an epic feel at times. But, outside of that, it’s a lot of slow, sad, piano pop. Tracks like ‘maggots for brains’ and ‘expectations’ are fun indie/folk rock tracks, but they don’t reach the heights of her previous works. The closest track to her usual sound is ‘my way’, and even that feels rather de-fanged. I know her previous albums as a whole aren’t fully rock, but this definitely has the edges sanded and rounded more than ever before. The punk and attitude is almost non-existent here. She’s clearly still a fantastic vocalist, and the lyrics on ‘the cure’ are some of my favourite she’s ever put to paper. It’s not a bad album, and definitely a step above a lot of pop music coming out these days, but it’s certainly not the direction I’d hoped Olivia would be going in. I don’t even think it’ll grow on me, honestly. 5/10

Circle of Origin: Gallows

The second EP from hard rock/metal Brits, after the phenomenal Guilty ‘til Proven Innocent from last year. To the surprise of I’m sure no one, this is another banger of a collection! It’s heavy and melodic in equal measure, packed full of awesome riffing, some solid drumming and some damn catchy choruses. Tracks like ‘Life Without’ and ‘Nothing’ are personal favourites, but there really isn’t a bad song throughout. The band sit somewhere between Alter Bridge and 90s groove metal, and are all so very talented. They are clearly on the up-and-up and I can see them being a big name in the UK underground scene sooner rather than later! This is up there with their debut for me, building on everything great about Proven Innocent and dialling it up to 11. I’d highly recommend it to anyone interested! A very solid 8.5/10!

Dreamspy: The Dance of Illusions

Album three from solo, experimental project of vocalist-bassist Anssi Tamminen deserves so much more love than it’s going to get! For one man to get this massive a sound is damn impressive. And, even if I wasn’t a bassist myself, I’d still be damn impressed by the depth of sound he gets throughout this album! There’s some drum and synth behind Anssi, but both are fairly simple, designed to frame his playing and vocals, and done so fantastically. Both his playing and his vocals are incredible throughout too, proving just how criminally underrated he is as a musician. From the opener to ‘Poison Girl’ to ‘Holding Back the Blues’ there is a lot to love! It’s hard to pin down to a specific genre too, having elements of sleaze, AOR, melodic rock and even tinges of prog, doom and gothic. It’s short and sweet and a lot of fun; well worth checking out if you have a spare 28 minutes and are into an older school rock sound. An easy 7.5/10 from us, good stuff!

Stitched Up Heart: MEDUSA

The first album from the alt metallers in nearly three years, and my god is it a doozy! It’s also packed to the rafters with collabs from some of the very best in the sub-genre today! Finding themselves on a new record label after parting with Century, Judge & Jury have not only given the band more creative freedom, but also clearly had a hand in the entire record process. And, on top of that, we get everyone from Austin John Winkler to Butcher Babies, Nonpoint to Conquer Divide throughout, all adding their own spin on their tracks and each killing it as much as SUK do! From the opener to single ‘GLITCH BITCH’ to ‘DEAD TO ME’, there’s so much to love, but the album as a whole honestly slaps, there not being a bad song throughout! It’s a lot of fun, having plenty of lightheartedness, bounce and sass, alongside moments of deeper emotion.

I love that this sort of style, alongside the likes of The Pretty Wild and even Poppy to a point, is getting so much traction recently. The future evolution of metalcore is in very good hands, and more and more exceptional albums keep dropping in the genre, this very much being one of them! Check this out if you are at all interested, it’s truly fantastic. A very easy 9/10 from us!

Midland: Stages

Album five from the country trio follows up 2024’s Barely Blue perfectly! It’s a chilled-out, beautiful half an hour of traditional country music from honestly masters of the style. ‘One Day You Won’t’, massive single ‘Glass Half Empty’ and ‘Drunk Enough’ are all personal highlights. However, then you have the beautiful duet with Mackenzie Carpenter and a cover of Gary Allen’s ‘Drinkin’ Dark Whiskey’, and the whole album is packed full of awesome songs! The harmonies are of course spectacular and the best part of the album, but the songwriting is once again incredible, as expected from the band at this point. I absolutely love that this sort of style has come back in a big way the last few years, and Midland are definitely one of the front runners of the pack, in that regard. There isn’t a bad song throughout, and if you are at all into country music, you absolutely must check this out! I’ll certainly be listening to it again plenty moving forward, and can’t give it any less than 8.5/10!

Micko & The Mellotronics: The Trinity

Album three from the indie-infused post-punk quartet is a damn interesting listen! While typically not my sort of thing, I found myself having a great time listening. It had elements of surf rock and even horror punk at times; the bands love for 70s punk being clear even though they wrap it in a more modern package. And it’s 41-minute run time went by in a flash, an incredibly easy listen. Tracks like ‘Shadow’, ‘Misery Guts’ and ‘All at Sea’ are all personal highlights, but if you’re into the style you are very likely to love all of it! It’s not a release I’d revisit often, but I certainly wouldn’t turn it off if it was on, and the band are all insanely talented at what they do. A solid 7/10!

Redferrin: Been There Done That

The debut album from the rising country-pop megastar has finally arrived. We loved his first two EPs, and even chatted to the guy about the first, so to say that we have been excited about this release since it was announced may be an understatement! To say it doesn’t disappoint may also be a big understatement! Right from opener ‘If I Was California’ I was hooked, and not let go for the albums entire 38-minute run. From ‘Crazy’ to ‘3 Day Bender’ to ‘Straight to the Chapel’, there is so much to love. However, every song on this is awesome; even the Wiz Khalifa-featuring ‘Palm Trees’ is fun if nothing else.

Being a longer format has given Red the chance to really explore each side of his style. There’s plenty of variety through the album, and each style gets plenty of attention and time to shine and breath. His voice is phenomenal as always, and his way of writing radio hooks is utterly phenomenal; every chorus on here is amazing. I honestly think he’s the front runner in his sub-genre from a purely quality-output perspective (Mr Wallen be damned). If you are at all into a more modern radio-country style, this album is an absolute must. Another incredibly easy 8.5/10 from me!

Still Remains: Spirit Breaker

The first release from the US metalcorers in well over a decade, this EP is very much a welcome return! It’s five absolutely killer tracks spread across nearly 20 minutes of excellent heavy music. Whether it’s crushing screams, awesome riffs, solid drums or melodic, catchy cleans, this has it all, and all are dialled up to 11. It’s also impossible to pick highlights, as every track is as good as the last. And it spans plenty of different sounds in its short time, from first-wave metalcore to some synth elements to even moments of blackened death metal. I am so damn glad the band are back, and the fact that they have returned after years of silence right back to the top of their game is a true testament to their talent. I already can’t wait to hear where they go from here, but for now I’ll be spinning this a lot moving forward. I can’t give it any less than 10/10, truly amazing!

Leoni Jane Kennedy: Synthetic

The sophomore album from prog/blues rock artist, while not hugely my sort of thing, is an insanely impressive release! I do generally enjoy prog, but it’s a little slow and stripped-back for my tastes, not reaching the grandiose heights I’d personally wish it to. However, the talent on display throughout is honestly incredible. The playing to the vocals to the arrangement and writing is all off the charts, and all the pieces fit together perfectly. It’s no wonder the prog community have accepted her so readily, she is truly a one-of-a-kind talent. ‘Closer’ was probably my favourite of the release due to its last minute or two, but ‘Test the Water’ is a close second. It’s a release that may very well grow on me, but for now it still gets a solid 7.5/10 from me!

P.S. check out our interview with her here!

Graham Barham: CLUB COUNTRY

Another debut album from a country-pop artist this week, I feel like those are weird odds. This is exactly what you’d expect from the album title, for better or worse! It’s trap-infused country music, and I’m almost disappointed in myself for saying that I actually loved it! It’s shit in the best possible way. From the underlying country guitars, voice and lyrics to the electric beats, the rock instrumentation behind the choruses to the rapping, it all works far better than it ever should do, and is an incredibly fun combination. It very much feels like the evolution of Kane Brown’s sound the last five years or so. It’ll most likely piss off a lot of country purists, but honestly is more enjoyable than a fair few current pop-country stars’ work (Wallen catching all the strays this week…).

From the opener to ‘SO LONG SATURDAY NIGHT’, ‘MARLBORO STYLE’ to the silly ‘MCCONAUGHEY’, there is a lot to love. It does drop off slightly in the middle, but there is enough greatness that it makes up for it! It flows better than his EP last year, and has definitely won me over into a big fan of his. It feels like the evolution of a new sub-genre, and I for one am surprisingly down with it. 8/10, it’s a whole lotta fun!

Kenny Whitmire: Fool in a King Size Bed

Lingering somewhere between an album and an EP, the first non-single release from the traditional country Georgian is honestly fantastic! It’s chilled-out and stripped-back and utterly amazing from start to finish. From love songs to breakups to self-affirmation, Kenny writes it all so well, and does it all so catchily and seemingly with a smile on his face. It’s another release where it’s seemingly impossible to pick a couple of highlights from too, as I love each song as much as the next. And for a guy who generally isn’t as fussed about a mostly-slower release, that is surely saying a lot! This is the start of a massive career for the guy, I’m sure, and it’s an album I’ll be listening to a good amount moving forward. Check this out if you are at all into old-school country music! 8.5/10

Ashen Horde: ‘Those were, our first-ever shows!’

We chatted to the amazing Trevor Portz of the extreme(ish) metal band Ashen Horde! Check out as we chat about the bands sound, their latest album and dream tours!

How would you describe your sound?

While it’s a mouthful, I tend to go with progressive, blackened death metal… it’s more or less accurate. It’s probably easier to just say extreme metal, but I don’t feel like that gives enough detail to catch people’s attention! Ultimately, the motivation behind Ashen Horde has been to make metal music that doesn’t really conform to any single subgenre, but listing everything we incorporate takes it from “mouthful” to “stupidly verbose and pretentious,” haha.

You’re on album five now, how has your sound changed or evolved in the last 12 years since your debut?

As the primary songwriter, it’s kind of hard to say… I’m probably too close to it, and I just write whatever sounds right to me! I do feel like the songs have become a bit more cohesive and less disjointed, but depending on the reviewer, it’s clear that not everyone agrees! We’ve definitely incorporated more and more melody over the years, especially with the addition of Karl on lead vocals. He’s able to deliver all the harsh shrieks and gutterals, of course, but has an incredibly powerful singing voice that has allowed me to indulge in all sorts of new things. I’ve also leaned into making the solos more driven by melody than flash. I’m really not a shredder, so I’ve redirected my focus into writing memorable, melodic leads that contrast a bit with the more brutal or dissonant riffs elsewhere in the songs.

What is the writing process like for the band?

The music always comes first (minus a rare occasion when I have a cool title or line to inspire a song). I tend to write one of two ways: sitting with my guitar and messing with different chords and things certainly accounts for a good chunk of it. But almost more commonly, I’ll write when I’m just out and about. I like to jog, hike and bike, so I’ll often work through arrangements while I’m doing that. I actually do a lot of work in my head before I fall asleep at night, too. It’s a nice way to decompress. Of course, if I have a really cool idea that I don’t want to forget, I have to make the decision to get up and record it, or hope I remember it in the morning!

Do you have a favourite track from the album?

That’s tough… I think it changes pretty regularly. At this moment in time, I’d say it’s ‘Backward Momentum’. That one’s got some really interesting riffs, and I was very happy with how the clean vocals turned out. I’d been inspired to put cleans over the blast beats by Opeth’s “The Lotus Eater.” It goes a bit against convention, and I think it gave that track a really different vibe. The extended solo on there is also my favorite on the album. It was a pain in the ass to write and play, but I’m quite satisfied with it! I threw in some jazzy blue notes here and there to give it some added weirdness.

Busy year planned touring to support the release?

Compared to the past 12 years where we never toured, yes! But ultimately, it was a very small amount. We played a couple shows in May to support the album, but that’s it for now. Those were, in fact, our first-ever shows! But we are looking to do something longer for early next year. I think we’d all love to do it sooner, but other band commitments, day jobs and regular life have made it impossible…

Any plans/hopes to come over to the UK? 

That’s the dream! I was born in London, and have always been a bit of an Anglophile. I mean, my favorite band of all time is the Wildhearts. (While I’ve seen them live in New York a handful of times, it feels like a necessary pilgrimage to catch them (or any of the offshoots) in the UK.) So yes, if we can make it happen, I’d be beyond excited. I’d love to do a week where we just drive around and play all over the UK!

Do you have a dream tour lineup you’d want to be a part of? Anyone you want to support or friends you want to bring along with you?

For Ashen Horde, being first on a bill with Enslaved and Ihsahn (solo or with Emperor) would blow my mind. Throw in a reunited Immortal and I’d question my ability to breathe long enough to remember my own songs, haha! My other band, Abhoria, was fortunate enough to open for Abbath last year—when he did the Immortal-only set—so I do feel like I’ve had a taste of the dream… and I want more!

If you could have written one song from history, what would it be and why?

This answer would probably change based on the day or even my mood, but at this moment in time, I’ll say ‘Fell on Black Days’ by Soundgarden. That is a damn-near perfect song, and I would love to write something that hits me that hard every time I hear it.

New Music Mondays: Evanescence, Red Clay Strays and More!

Another huge week of new releases for us to check out, from metal to rock to country! Let’s dive in!

Evanescence: Sanctuary

Finally following up 2021’s masssive The Bitter Truth, the symphonic metal powerhouses have come out swinging with album number six. Fun fact, their last album was one of the first reviews we did here at Overtone. We loved it, and I still spin at least a few of the tracks first regularly to this day. So, it’s slightly sad for me to say that this release, half a decade later, is just fine. Don’t get me wrong, singles ‘Who Will You Follow’ and Devil May Cry’s ‘Afterlife’ are great. ‘Sanctuary’ is also a bit of a banger. However, the band have been at this for over two decades now, and have stayed relatively the same throughout that entire time. And this album simply doesn’t have as many big hooks and moments as other releases have had. Everything else just blurs together into a similar, done-better-before sound. The industrial elements they’ve brought in recently are cool, but I do think were done better on their previous album.

Maybe I’m being too harsh on it. Amy Lee’s vocals are just as phenomenal as ever, and there are some okay riffs throughout. There are some great lyrics, and the two emotional ballad tracks of the album are amazing. If you are a big fan of the band, this will most likely be right up your street. It’s definitely an okay entry into their catalogue; I maybe just came in with slightly too high expectations. I’ll be spinning it again in the future, that’s for sure, and maybe it’ll grow on me more then. However, for now I can’t give it any more than a 7/10. Not bad by any stretch, but a touch forgettable.

Red Clay Strays: Grateful

The highly anticipated third album from the fast-rising country megastars finally dropped this last Friday. To say that we have been excited for this one might be an understatement. We loved their last album, and even got to see them live with it, so we have been eagerly anticipating this release since it was announced. Plus, the singles they’ve put out so far are excellent.

Well, safe to say it lives up to the hype! This is a full 46 minutes of soul-infused, old-school country rock, and I’m immediately obsessed! The opener is a gospel masterpiece that highlights Brandon’s phenomenal vocals perfectly. Then you have rocky numbers like ‘Don’t Wanna Know’, ‘People Hatin’ and ‘Fool’s Gold’ that are all awesome. However, slower, ballad tracks like ‘If I Didn’t Know You’ and the closer/title track, are just as incredible! As you can surely tell by now, there isn’t a bad song throughout! I love that generally they alternate between a boot-stomper and a slower song, keeping the pace interesting throughout. Heck, for a release on the longer side, it’s an incredibly easy listen! The band are such incredible songwriters and players, and all get a chance to shine throughout. As much as I loved Made By These Moments, this is at least up there alongside it, if not maybe even surpassing it. If you’re at all into country, this is absolutely an album for you! I’ll be spinning it plenty in the weeks and months to come, that’s for sure! 8.5/10

August Burns Red: Season of Surrender

Returning to the studio after three years, following their critically acclaimed Death Below, the modern metalcore titans once again knock it out of the park here! It’s 44 minutes of brutality, and their proggy, technical excellence is present right from the jump ‘Legions’ is a fantastic opener, while tracks like ‘Behemoth’ and ‘Whispers Like Splinters’ are also massive highlights. The guest features are once again awesome too, all three killing it, with Make Them Suffer’s track being another huge high point. As I’m sure you can tell by this point, there really isn’t a bad song throughout! It goes by in a flash, and is the perfect mix of aggression, melody and breakdowns. I’ve seen a lot of love for this online already, and for very good reason, it really is a phenomenal release. What is interesting is I’ve seen the sentiment of ‘ABR are back’, like they ever really dropped off. They have been consistently one of the most overlooked names in metal, and this is another stellar addition to their spectacular back catalogue. I can’t give it any less than 9/10, check this out if you are at all interested!

Death Cab for Cutie: I Built You a Tower

The first album from the US alt/indie rockers in nearly four years is a damn fun, interesting release! Despite their relative success in the UK and Europe since their 2005 breakout hit, I wasn’t too familiar with them until the last couple of years or so. So, to sit down with a brand new release from them was cool. And what a release I chose! It’s a rather chilled-out release, but packed full of catchy melodies and a surprising amount of technicality. Tracks like ‘Punching the Flowers’, the beautifully melancholic ‘Stone Over Water’ and ‘Riptides’ are personal highlights, but the whole album is solid and goes by in a flash. It’s a welcome return by the band, and will surely be well received by their fans; a fitting continuation of their discography! A release that I’d highly recommend checking out if you are into things softer and more indie, and a solid 7.5/10 from us!

Jared James Nicoles: Louder Than Fate

Album four from the modern blues mastermind is another awesome release dripping in swagger and attitude. At 35 minutes, it’s pretty short, and packed full of amazing riffs, some massive melodies and choruses, and a fitting amount of heaviness. It gives off Mammoth vibes in the best possible ways. Tracks like ‘Ghost’, the beautiful, dark ballad ‘Killing Time’ and the high-powered closer are all personal highlights, but the album as a whole is awesome, not a bad song throughout! The sheer talented on display, not just from a playing and vocal standpoint but a writing one, is all off the charts, and how he isn’t one of the biggest solo names in the rock world currently is beyond me! If you are into blues or hard rock in any form, this is an absolute must-listen. I’ll be spinning it plenty in the weeks and months to come, and don’t be surprised to see it high on our albums of the year list come December. Another incredibly solid 9/10

Daughtry: SHOCK TO THE SYSTEM (DELUXE)

Amalgamating their previous two EPs, from 2024 and 2025, into one big release, this is an amazing collection of heavy radio rock! We’ve obviously all had chance to sit with the tracks for a while now, but they fit together perfectly into one release, and the addition of some live versions was an awesome touch! From ‘THE RECKONING’ to the title track, ‘DIVIDED’ to the massive ‘ANTIDOTE’, there is so much to love, and shows that after two decades the band are very much still operating at the top of their games. Chris is a criminally underrated vocalist, and how they aren’t worldwide massive will always confuse me. If you haven’t already checked out either EP release, this is absolutely worth giving a spin, and both fit together so well and the whole thing goes by in a flash. Hopefully this is a stopgap before another new release, but either way I’ll be spinning this just as much as I have been the EPs. And it has made me even more hyped to see them at Download this weekend! 8.5/10

A.A. Williams: Solstace

We’ve already checked out this awesome album! Read our full review here.

Colby Acuff: HANDMADE HORSEPOWER

Album seven from Colby, and he just keeps killing it with his traditional country sound! It’s been less than a year since his last release, Enjoy the Ride (we missed it but LOVED IT), and yet here we are with another great 25-minutes of music from the guy. The opener sets things up perfectly, while songs like ‘DEEDS I DONE’, the old-school rock’n’roll ‘LIPSTICK ON A PIG’ and ‘WHITE FLAG’ are all incredible. it’s a short release though, and is all very much all-killer, no-filler. I love how much this traditional country revival sound is taking off over the last few years, and I’d put Colby up there alongside the very best of the pack, honestly! He’s a fantastic lyricist, and is one of the most underrated vocalists in the game currently. Some of his delivery is packed with so much emotion it honestly gave me goosebumps. And, the more I listen to this album, the more I fall in love. It has elements of Southern Rock and Outlaw country alongside the traditional sound, and feels pretty unique to Colby. If you are at all into country or rock overall, give this a spin, you certainly won’t be disappointed! I feel like I’m gonna be obsessed with it for a while to come, and I can’t give it any less than 9/10!

Evergrey: Architects of a New Weave

The prog metal powerhouses returned with their 15th studio album this last Friday. Less than two years after their spectacular Theories of Emptiness, it’s insane to me that they are back with another incredible nearly hour of prog metal. It’s everything I wanted and expected out of another release from the band; awesome technicality, a gothic vibe, some incredible heavy riffs and plenty of catchiness. From ‘The Shadow Self’ to ‘Heaven’ to the Mikael Stanne-featuring ‘A Burning Flame’, there is plenty to love throughout. However, if you are into the band or the style, there isn’t a bad song throughout, and it goes by surprisingly quickly! I do have to say it hasn’t quite hooked me as hard as their last release, for whatever reason, but I do almost see it as much of an extension of that album than its own thing. Both are similar, and both are awesome! 8/10

Dea Matrona: Hate That I Care

The sophomore album from the Irish folk/indie-rock duo is every bit as good as their debut! It’s 36 minutes of dark, moody, catchy music wearing it’s Cranberries/Fleetwood Mac inspiration perfectly on its sleeve. From the opener to ‘A Rebel Song’, ‘Wait’ to ‘Siren Song’, there’s a lot of great stuff here! And, while it won’t be everyone’s bag, everything between those songs is also damn good! The pair are so incredibly talented and it’s no wonder they have gotten to the size that they are at already. It’s an easy listen but still has plenty of depth to it, with the vocal harmonies of course being another huge selling point yet again. There isn’t much more else I can say about it aside for if you are into anything vaguely folk, check this out! I’ll certainly be listening again, that’s for sure! Another solid 8/10.

Converge: Hum of Hurt

Another release barely three months after their last epic album, my gosh aren’t the metalcore quartet spoiling us this year?! If someone told me we were going to get a second album from them in 2026, I’d have fully expected Bloodmoon II. However, another half-hour of straight up hardcore-heavy metal from some of the best to do the style is equally fine by me! I have no qualms in revealing that Love is Not Enough is in my top 10 albums of the year so far. I also have no qualms in revealing that this is up there right alongside it! It’s another half an hour of anger and rage presented in the best way possible. It’s once again impossible to pick a highlight track or two too, as it’s all so good and worth listening to in full. Hell, I spun both their 2026 albums back to back over the weekend and it was EXCELLENT. It won’t be for everyone, but if you into the heavier, hardcore-infused stuff, this is very much an album for you, much like the previous one! Maybe I just need an angry outlet in my life, but this is a second incredible 9.5/10 for the band within months!

Wes Parker: Super Rare

This was a really interesting release! I’d never heard of the guy before spinning this album, and struggled to classify him in a specific genre, or even two! Nestled somewhere between indie, folk, country and rock, it definitely takes the listener on a journey. And, for a debut album, it’s rather ambitious! Whether it’s the rockier Zach Bryan-ish intro ‘Tattoo’, the quirky single ‘Bad Doggie’, the Jessica Lea Mayfield-featuring ‘Cut the Grass’ or the epic, rock ballad-like closer, there is plenty of variety and awesomeness throughout. I also love that the album is a Kyle Gordon Style radio show in its presentation; extra care and detail put into stuff like that always makes release feel more special. And, while I don’t think everything necessarily worked for me, I had a good time listening, and there are surely going to be a lot of fans of this release! I’m curious to see where Wes goes from here, but in the meantime I’ll certainly be giving some of this some more listens! 7/10

Shroud: Pax Nocturna

The debut album from the thrash/death newcomers goes hard from start to finish! Right from the opener ‘The Eternal Void’ this thing is heavy, urgent and awesome, and it keeps its momentum for its full 45-minute runtime. The fact that it’s only nine songs in that time as well means that everything gets time to breathe, and everyone in the band gets time to shine. Highlights include ‘Merciless Tyrants’, ‘Diablivion’ and the epic closer, but the whole album is great from start to finish! It certainly won’t be everyone’s cup of tea, but if you are into the heavier end of metal, this is absolutely worth a spin. The band have a bright future ahead of them, and in years to come people will look at this release as their big launching pad. 8.5/10

The 69 Eyes: I Survive

This four-track collection is an absolute powerhouse of gothic rock. The title track has gained a lot of traction and for very good reason, it’s honestly one of the best tracks the band have put to record. However, that shouldn’t take away from the other tracks. ‘Cold Sweat’ is a sleazy, boot stompin’ banger, an arena-filling chorus is the focal point of ‘In the Misery’, and the Danzig-like ‘Devil’s Rose’ is just as awesome, with Ed Mundell adding so much with his guest slot shredding. I remember liking their last album a few years back, but this feels so very concentrated and focused, the best of the best! I’d recommend this to absolutely anyone, whether you’re typically a fan of gothic or sleaze rock or not. It’s short and sweet and fucking excellent! It’s an EP I’ll be spinning a lot moving forward, and will most likely make it high up in our rankings by the end of the year! 9.5/10

Big Special: O’JOY!

Apparently an EP, even though it’s 30 minutes and 10 tracks, the follow-up to the duo’s 2025 sophomore album is an amalgamation of leftovers from that and their massive debut. Whatever it is, it’s quirky and a lot of fun. Continuing to carve their own path away from traditional genre norms, vaguely skirting near everything from punk to hip-hop, hardcore to soul to melancholic rock. The lyrics are fantastic throughout, and the instrumentation is so damn interesting it’s hard not to love it. Highlight tracks for me are the soulful ‘LAZARUS’ and ‘HOTEL’, but the whole release is an interesting listen from start to finish, and worth doing at least once! If you are at all interested, it’s well worth a listen. The band definitely have a new fan in me, and I’m already curious where they end up going in the future, aside for up! I can’t give it any less than 8/10, just from a purely artwork perspective, though the quality is also high!

Iron Kingdom: Shadows and Dust

Now six albums into their career, the NWOTHM Canadians show that they are very much still firing on all cylinders! The band are all insanely talented players, for one, and it translates perfectly into some awesome songwriting throughout this nearly-50-minute release. Opener ‘Defenders’ is an absolute banger perfectly reminiscent of that 80s sound. Then you have the likes of ‘Dreamless Sea’, ‘Blood and Steel’ and ‘Dark Demands’ that are also big highlight. If you’re into all things Maiden, Priest or Hammerfall, this is absolutely the release for you. It’s a sound that has remained hugely popular across the decades since its inception, and honestly these guys do it just as good as anyone. How they aren’t a massive name by now I don’t know. Hopefully this is finally the album to push them to that level, as it’s a really great release! A very easy 8/10 from us!

Dutch Elm: Self-Titled

The debut album from the post/math-rock (almost fully) instrumental quartet is a fantastic half-hour showcase of pure talent. Non-vocal music certainly isn’t for everyone, don’t get me wrong, but I’d recommend everyone reading this to at least give this a try, you may end up falling in love with it, like I did! Songs like ‘Transmitter’ and ‘You’re Not Invited to That Riff’ are personal highlights. And then to get some vocals in the closer honestly felt like a treat, adding an unexpected and awesome layer to the bands sound. Even though it isn’t typically my sort of style, I got lost in the grandiose nature of it all and spun it twice from front to back over the weekend, loving it both times. As I said, the talent throughout is off the charts, and a lot of what drew me in as a musician. I’m curious to see where they go from here, but for now this gets a very sold 7.5/10

Shooting Daggers: The Real Life Thing

The follow-up to the bands 2024 debut album, this EP is heavy punk at its very best. Self-describing themselves as Queercore, the UK trio immediately have a big new fan in me. I was hooked from the opener, while tracks like the hardcore ‘T.R.L.T.’ and the Dennis Lyxzén-featuring ‘GLOW’ are also big high points of the release. The whole EP is great though and has an excellent flow to it, especially with the couple of shorter tracks breaking things up. It’s a lot of fun, as well as dripping with attitude in the best way! If you are at all into punk, do yourselves a favour and checked this out. But then again, they also feel like they extend out from the punk genre, very much doing their own thing. The trio are going to be massive, sooner rather than later, and they have a big new fan in me! An easy 8.5/10 from me!

Solstice: The Brand New Album from Gothic Queen A.A. Williams!

The London-based gothic singer-songwriter returns this coming Friday with her fourth album. I have to admit that, outside of maybe a track or two, I’m not hugely familiar with A.A. Williams’ work. I know her general sound, but have never had the chance to check out a full album by her until now. So, to say I’m curiously excited would be an understatement! She’s become a big name in the scene in recent years, and I’m very ready to see why that is. Let’s dive right in!

‘Poison’ opens the album perfectly, setting a dark, alt tone right off the bat. From the piano notes to the jarring distorted guitar coming over the top, but the melodic vocals and simple drums bridging the gap excellently, I was curiously hooked. It builds to a big, steady chorus. It somehow has a similar vibe as the verse will still feeling grander, everything flowing through the track excellently. It reminds me a lot of Chelsea Wolfe immediately, and that’s hardly a bad thing! It’s like pop-infused gothic, and it’s really interesting. The bridge, while not much different, keeps a similar level and adds even more epicness to the final chorus. And that outro with the lead guitar line over… DAMN. It’s not the sort of thing I tend to go for often, but I really enjoyed the song!

The pace slows for ‘Wolves’, an almost menacing clean guitar chord progression starting things off before Williams’ powerful, low vocals come in over the top. The rest of the instrumentation and distortion explodes in for the chorus, before immediately dropping back out again after. The dynamics of the track are really awesome, a masterclass in writing and production. The atmosphere created throughout the track is truly fantastic, somehow having elements of black metal almost alongside the alt, pop and emo. It makes for really fascinating listening! The arrangement of the song is pretty simple, but it’s so grandiose and epic by the end that you just get swept up and lost in it. An easy early highlight!

Tracks like ‘Little by Little’ and ‘Hold It Together’ are both slower, goth-pop based tracks that absolutely explode into the massive, epic metal around the midway mark. Once again, there’s some elements of black metal in the guitaring. Between that and the synth/orchestral elements behind it, they add a level of massive to each track that is almost unrivalled. Each track takes the listener on a journey, which I imagine was the exact intent. The latter is my favourite of the two, but they are both good songs in their own right!

‘Outlines’ adds not only a proggy element to the sound, but also leans into the folk side of it. A lot of it is just Williams, a fantastically toned guitar and some other subtle instrumentation. Some of the heavier instrumentation builds in around the midway mark, but it feels more than earned at that point. It almost has a film score vibe to it, that’s how epic it’s gets. And Williams’ vocals over the top of the heavy stuff was honestly perfection, SO GOOD. And it all dropping back out again… *chefs kiss*. This is my favourite track on the album and easily makes it onto our playlist. Amazing stuff!

‘I’ve Seen Enough’ is the beautiful ballad of the album. The main focus is on just the simple piano chords and the effortless vocals. There are other instruments that build in throughout, but stuff like the strings and drums only add to the other two elements. The lyrics are utterly fantastic too, packed with emotion and fitting the tone of the song perfectly. The moodiness and almost ethereal captured here is truly special, and I’ve already given it multiple listens just to fully capture the bittersweet beauty. The whole last almost couple of minutes just being instrumentation building and swelling is honestly perfection. It’s another track I cannot get enough of, and I’d recommend it to absolutely anyone reading this. Fantastic stuff, and another massive high point of the release!

A similar vibe continues through ‘The Veil’ and ‘Breathe’ (though the latter is a guitar inside of piano), though neither hit quite as hard as ‘I’ve Seen Enough’. However, ‘Just a Shadow’ was another big highlight track for me! The almost poem-like opening is amazing, and the moody, almost grunge-like chorus is fitting and phenomenal. It’s maybe my favourite chorus on the album too, the melody soaring and rather catchy! It follows a pretty standard formula for the album, but all the elements just add up amazingly here!

‘It Won’t Rain Forever’ returns to a similar formula as the opening tracks, while closer ‘The Gentle Harm’ is another epic, slow build song that really feels like an amalgamation of everything before it. It has a bit of everything, the beautiful piano intro, the soaring, melodic vocals and dark lyricism, and the massive distorted guitars and drums later on. It’s epic, and the best way to close out an album like this! Another highlight on an album packed full of them!

Overall: I wasn’t too sure on this album heading in, but it won me over more and more throughout. Sure, it won’t be to everyone’s tastes, but I thought it wouldn’t be for me and was more than pleasantly surprised, so it’s well worth a try if you’re on the fence. There is a lot that’s similar, but it all fits together like the perfect atmospheric puzzle, and goes by surprisingly quickly. There are two or three tracks in particular that honestly blew me away! Williams has a big new fan in me, and I’ll certainly be spinning this again plenty in the weeks and months to come!

The Score: 8.5/10

New Music Mondays: Shinedown, Kip Moore and More!

A MASSIVE week of new music for us to check out, with huge releases from some of the biggest names in the rock, metal and country worlds. Let’s check it all out!

Shinedown: EI8HT

We’ve already checked out this awesome album! Read our full review here.

Kip Moore: Reason to Believe

We’ve also checked out this release! Read our review here.

JAYLER: Voices Unheard

The debut album from one of the fastest rising stars in the UK rock scene finally dropped this last Friday. Now, I want to get the positives out first. These kids are all incredible talented musicians. Their playing and songwriting skills are well beyond their age. Tracks like the massive single ‘Riverboat Queen’, ‘The Getaway’ and ‘Lovemaker’ are all big highlights, though there isn’t a bad song throughout!

However, I personally don’t need another Led Zeppelin clone. We’ve tried this revival sound so many times, whether it was Wolfmother, Kingdom Come, Rival Sons or Greta Van Fleet, all to varying degrees of success. Don’t get me wrong, I’m a Zep fan, but it all kinda screams ‘we have Zep at home’. As I’ve said, it’s good music in its own right, I just wish they did something interesting with the sound. I’d love to hear that Robert Plant voice over something not blues rock, like Michael Poulsen does with that Elvis sound. Hopefully they’ll evolve like the previously mentioned bands do on subsequent releases and come into their own; they’re still incredibly young, after all! Hell, maybe I’m just jaded from people, including some media outlets, already touting the term ‘saviours of rock’, like they do any time one of these bands come around, and like it has ever needed saving.

As I’ve said, it’s certainly not a bad release. It’s exactly what you’d expect, and if you like this sort of thing you’ll most likely love it. The band have an INSANELY bright future ahead of them, that’s for sure. But after decades of similar sort of music, it’s hard not to get a little bored by it these days. So, sorry boys, I can’t give it any more than 7/10

All Them Witches: Red Rocking Chair

This thing is wild from start to finish! It’s stonery blues metal/hard rock for a full 43-minutes; plodding pace, awesome riffs and epic arrangements and vocals. It definitely has other elements to it, touches of indie acid and psychedelic, as well as a healthy dose of prog for good measure, but this release is stoner all over. Heck, opener ‘Red Rocking Chair’ is an awesome, heavy starting off point, and sets the quirky tone early. Then there are songs like the straight-up blues ‘Aethernet’, ‘Turn on the Light’ and the epic closer that are all other big highlights. The album takes the listener on a fantastic journey, and 43 minutes went by in a flash! The band are are hugely talented and have crafted something truly interesting with this release, constantly keeping me hooked despite the generally plodding pace throughout. Somehow I hadn’t heard them before but they have a big new fan in me! A solid 8/10 from us!

Devin Townsend: The Moth

As much as I’ve enjoyed the odd track here and there over the years, as well as loved his last album and plenty of SYL stuff back in the day, DAMN, I definitely ‘get’ it Heavy Devvy, now. This thing is epic, chaotic and brilliant, for a solid 70 minutes (excluding The Afterlife mixes on the deluxe), and I can’t seem to get enough. It’s like Danny Elfman if he made a metal film, and it’s no wonder Devin has considered this his “life’s work” the last decade plus.

Honestly, I can’t gush over the album enough. Everything about it, from the North Netherland’s Orchestra and Choir and all their awesomeness throughout to Devin’s criminally underrated, powerful vocals, to the occasional and well-earned heaviness to the arrangement as a whole, be it instrumentally or track-by-track, it’s all phenomenal. The release has such a perfect flow and energy to it throughout that over an hour goes by in an instant. And having so many interlude and shorter tracks between the more epic songs is a master-stroke, honestly. This is a metal opera through and through, to the quality not heard since Avantasia’s debut. From ‘War Beyond Words’ to ‘Enter the City’, ‘Stay There’ to ‘The Big Snit’ to ‘Stained Hearts’, there are plenty of tracks I’d listen to on their own. However, this release begs to be listened to in full, at least once. What a phenomenal, insanely creative release, and one I can’t give any less than 10/10 to!

Willie Nelson: Dream Chaser

Y’all know the drill by now. Huge legend, one of the hardest working musicians of all time, album number insanely high. Of course we’re fans of Willie here, and this album is a surprisingly great entry into his discography, especially given that the man isn’t far off 100 years old! The opener/title track is excellent in every way, while songs like ‘We’d Make a Good Movie’, ‘Whiskey Wants me To’ and ‘After All’ are all awesome too. It’s a great collection of both slower and more up-tempo tracks, and alternating the way this does was a great decision, keeping it constantly entertaining. It’s easy to see why he’s such a legend in the business and, honestly, this may be my favourite of his modern albums! It still shocks me to be putting stuff like this about a Willie Nelson release in 2026, but I can’t give it any less than 8.5/10. Amazing stuff, and fantastic traditional country!

Dogstar: All In Now

Not-Wyld-Stallyns put out their second album since their 2020 reunion, firmly establishing them as a mainstay in the alt-rock world at this point. We enjoyed their last album, so I have been curiously hyped since this was announced!

It’s another damn good post-new-wave rock album! It’s a light-hearted affair that is impossible not to have a good time when listening to. Channelling vibes of everything from grunge to punk, pop to hard rock, they somehow both feel old-school and accessible, while also feeling pretty unique in this day and age, a hard task to accomplish! Personal favourites include the title track, ‘Siren’ and ‘Shards of Rain’. However, the whole album is great, and each track flows into the next so effortlessly. Much like with their last album, it’s not something I’d revisit too often, but I’d happily throw on and relax to every now and again. If you like your lighter end of rock, this is very much the album for you, and is another entry into their now very solid discography! Another solid 8/10 from us! Such a shame they clash with Pretty Wild at Download…

Oh, and all hail our lord and saviour, Keanu Reeves.

Redshift: Down the Wire

This anti-AI prog metal release is the third from the UK trio, following up 2023’s INSANE Laws of Entropy. It’s every bit as great as I expected, and a worthy follow-up to Laws. Single ‘The Singer’ is incredible, while the chaotic, prog masterclass of ‘The Machine’ and the Derek Sherinian-featuring ‘The Rogue’ are all big other highlights. However, all six tracks here are as good as the last! The sheer talent on display from everyone involved throughout is truly mindblowing, and they have once again blown me away with their skill of playing and songwriting. I feel like it fits rather perfectly alongside the rest of their discography, and is impossible to pick a favourite out of the three. Instead, it just makes me want to listen to it all back-to-back! Either way, I’ll certainly be spinning this awesomeness again, and it gets another incredibly solid 9/10 from us!

Kiefer Sutherland: GREY

The Lost Boys/24 and now country legend put out his fourth album last week. It’s a chilled-out affair from start to finish, packed with bittersweet lyrics and vibes, great acoustic instrumentation, and the odd catchy chorus from Kiefer’s now trademark rasp. I have to admit it’s still a little odd hearing someone with a (rumoured) networth of $100 million sing from the perspective of a working man, but somehow he makes it work, more often than not! Tracks like single ‘GOODBYE CALIFORNIA’, ‘SIMPLER TIME’ and ‘THE BOTTLE LET ME DOWN’ are personal highlights. Sadly, outside of those tracks, this album is generally a little too, melancholic and depressing for me. There will certainly be people who love this as a whole, and I can appreciate it for sure, but I’m not one of them. He’s always been on the slower end, but this is more stripped-back and hopeless than ever. Maybe it’ll grow on me, but I do generally prefer his more Randy Newman-esque up-tempo stuff, generally. It’s not bad, but not something I see myself revisiting all too often. For now, it gets a 6.5/10 from us.

Static Dress: Injury Episode

The UK post-hardcorers put out their highly anticipated sophomore album last Friday. They have grown a lot since their debut, both in terms of size and songwriting. I definitely have revisited Rouge Carpet Disaster a few times since 2022 when it dropped, but this feels like a step up for them. Opener ‘questioning’ is alt and heavy awesomeness, and sets the tone for the rest of the album perfectly! Then you have tracks like ‘Pharmacy Film’, the Underoath-featuring ‘Nostalgia Kills’ ‘lip critic’ and ‘Classic.Death.Pose.’ that are all huge highlights. Honestly though, this album slaps from start to finish! It gives vibes of everything from MCR to Coheed, 3TEETH to Loathe, but also with something else that makes them feel pretty unique. It’s elements of post-hardcore, industrial, nu, punk and emo all perfectly infused together, and I can’t get enough! I’ll be revisiting this a LOT moving forward, and don’t be surprised to see it getting pretty high on our albums of the year list come December. 9/10

The Real McKenzies: Paul McKenzie Sings on Yer Bike

The Canadian Celtic punk legends are back with a follow-up to 2022’s awesome Songs of the Highlands. And wouldn’t you believe it, it’s another banger of an album from one of the most underrated bands around from the 90s and 2000s! The three singles are incredible, while tracks like ‘The Mad Trapper of Rat River’ and the almost polka/ska ‘Liver Spot’ are also huge high points. It’s barely half an hour and goes by in a flash, as well as begs you to swing and dance along. It’s impossible not to have a good time with it, especially when the band don’t take themselves hugely seriously. There isn’t much else I can say about it aside for if you’re into fun punky vibes, you absolutely MUST give this a try! 8/10

Alana Springsteen: I HOPE THIS HELPS

The sophomore album from the Virginia singer-songwriter feels like it’s been a long time coming. Her debut only came out three years ago, but I guess it’s been a long three years! We enjoyed her particular combination of country music and sad-girl-pop then, and this release perfectly continues on from that. Honestly, it did take a little bit of getting into for whatever reason, the first couple of tracks didn’t hook me, but from ‘sad hour’ onwards it really clicked for me. ‘love to see it’, ‘diy’, ‘no man’s’ and single ‘black sheep’ are all big highlights for me. And, though it’s another longer release, I felt it was less overwhelming this time round. Whether it was the fact that a couple of the tracks were short interludes this time round, or that my favourite songs were spread throughout, who knows. All I know is that that five less minutes mad a big difference, and definitely in a positive way.

It feels like a more focused and refined album, exactly what you want from a second release. It’s easy to see why she is one of the fastest rising stars in the genre today, as she is already incredible consistent with her releases, this being every bit as good as her debut. Another very solid 8.5/10

Blackmarket: Radical Views

This EP feels like it’s been a long time coming, following up their 2021 self-titled album. However, it’s an excellent 12 minutes of anger, heaviness and nu/industrial metal awesomeness. All four tracks are as good as the last too, and all combine together to give a full showcase for the bands range and style. ‘Bleed’ and the title track are personal highlights, but that doesn’t take away how excellent the other two songs are! The band feel like they have carved an awesome niche for themselves, no one sounds like this, and it will surely serve them excellently moving forward! If you like any of the genres that I’ve described above, this is well worth checking out! My only complaint is that there isn’t more of it! Hopefully we won’t have to wait as long next time for new music, and if it’s a new album, even better! For now I’ll definitely be spinning this plenty, though. A solid 8.5/10

Rodney Atkins: True South

The 2000s country legend is back with his first new music in seven years, and picks up right where he left off with Caught Up in the Country! It kicks off strong with the Outlaw country-rock title track and ‘Helluvit’, while tracks like ‘Hole in One’, ‘All Y’all’ and ‘Silver Bullets’ are all other big highlights. Having been a fan of his for a long time now, it’s exactly what I hoped for and expected, and it certainly didn’t disappoint. Covering sounds from Brantley Gilbert to Russel Dickerson to more of a classic sound, it’s an awesome 40 minutes that, even if it has maybe one too many slower songs, doesn’t once get boring! My only issue was there was maybe a slight bit too much cheesy, typical country stuff in the lyrics. However, it’s Rodney Atkins, so it was rather expected! Plus, he offsets it perfectly with some of the other tracks packed full of genuine emotion. He is back in a big way, and I’m just glad we finally got a new LP from him! If you’re into the more radio side of country, especially from the 2000s/2010s, this is absolutely an album for you! 8/10

Guided By Voices: Crawlspace of the Pantheon

Another year, another album from the old-school indie rockers for us to check out. I’ve lost track of how many we’ve covered, now. Much like with Nelson above, I fully commend and respect their hard-working nature, their last album dropping just eight months ago and this being their 42nd studio album. Unlike the Willie album, however, I didn’t enjoy this too much. It certainly had its moments, like the Foo Fighters-y opener, the outro of ‘One Last Blow’ and ‘Chariot Ride’ itself was fine too. However, it was all just so… meh, so boring. It’s nothing I haven’t heard from the band before, and I came into it some 30+ albums into their career already. Unless they do something drastically different, I’m not covering another of their releases, I feel too mean giving them back scores on the regular. It’s not bad by any stretch, it will certainly have its fans, but it isn’t for me at the best of times, never mind when I’ve heard them do it before and better. Another 3.5/10

Malummeh: Self-Titled

The first release since their reformation in 2022, the Finnish old-school metalcore/melodeath EP goes HARD. It’s 18 minutes of anger, heaviness and incredible musicianship. The riffs are incredible, the drumming is insane and the screams are brutal and amazing. And yet, there are still catchy, more melodic moments spread throughout too, arguably only making the heavy bitter heavier. Opener ‘Dethroned’ sets the pace of the release perfectly, while ‘October’ is also heavy greatness. However, that doesn’t take away from the other two tracks, which are also awesome. It’s an amazing return from a band that still have the chance to be a pretty big name in the scene, especially when they are putting out stuff of this quality. Heck, my only complaint would be that there wasn’t enough of it! Hopefully they keep making new music, as I already can’t wait to hear where they go from here. A very solid 8/10 from us!

Joshua Ray Walker: Ain’t Dead Yet

Embodying the hard-working traditional country attitude that Willie champions above, this is Joshua’s eighth studio album in his relatively short seven years of releasing music. It’s also impressive that it’s at this high a quality, given how high-paced he’s working at. Tracks like ‘Shoot Me Straight’, ‘Outlaw’ and ‘Stepping Stones’ all big high points. However, at just 10 tracks and 33 minutes, it’s an incredibly easy listen throughout. Joshua has such a unique but fantastic voice, and it had me hooked from start to finish. Well, that and his witty, emotion-filled lyric writing! Though it does have a modern edge to it, certainly on the production side of things, this is certainly a release for anyone into the old-school style of country music! I had a blast, and can’t give it any less than 8/10!

Burning Rope: Dissolution

The sophomore album from the former Catfish members dropped this last Tuesday, and is a fantastic bluesy rock release! It’s 47 minutes of awesome riffing, solid drumming and some great, catchy vocal melodies. It has elements of everything from Hendrix to Joanne Shaw Taylor to Dire Straits, and is a lot of fun! From the opener to ‘Second Time Around’ to ‘Houdini’, there is plenty to love throughout! The band are all incredibly talented, still at the top of their respective crafts. If you are at all into this sort of music, you know exactly what to expect and will probably have a great time with this! Being a blues guy myself I enjoyed it, and will happily be spinning it again in the future. A solid 7/10 from us!

Melanie Herrera: A Fearful & Wondrous Thing

The debut album from the ‘storybook pop’ singer-songwriter really takes the listener on a journey! It’s a full nearly 40 minutes mixture of everything from pop to rock, folk to funk to soul, and everything in-between. I didn’t expect to enjoy it as much as I did, but I had a blast with this! From ‘Cool Girls Party’ to the emotion-filled ‘You’re Doing Great’ and ‘Call You Baby’, there’s a lot to love. Each track is good in its own right though, and the album as a whole as a great flow to it. It certainly won’t be for everyone reading this, but if you have even a passing like of pop music, it is well worth a try! I’ll definitely be spinning it again, at least over the summer, and it gets a solid 7.5/10 from me!

New Music Mondays: A, Dimmu Borgir and More!

Another typically stacked week of new music for us to check out, from rock to metal to country! Let’s dive right in!

A: PRANG

The return album from the British alt rockers, their first new studio work in over two decades despite being relatively active for most of that time, is honestly about what you’d expect from fans of the band. Hi-Fi Serious was a big release for me in my youth, and while this is certainly more tame in comparison, it’s insane to expect three brothers in their 50s to have that same anger as when they were in their late 20s. Regardless, it’s still a good, fun album. It feels like it draws a little more from Britpop than I was expecting it to, but definitely still has that alt and punk infusion the band are known for. Tracks like ‘Bring on the Likes’, the heavier ‘All In’, the hardcore ‘Techno Viking’ and ‘Back to the Shop’ are all big personal highlights. However, at only 10 tracks in length, it’s pretty short and sweet, and goes by in a flash.

My only slight complaint is that the album takes a bit of getting going, I think there’s a better track arragement in here somewhere, for me at least! There’s some heavy hitters later on that could have been better served in the opening songs. However, if you’re a fan of the band or their particular brand of noise, this is an album well worth checking out! I’ll certainly be spinning it again and it may grow on me more, but for now it gets a still-solid 7.5/10!

Dimmu Borgir: Grand Serpent Rising

The symphonic black metal legends return with their first new release since 2023’s Inspiration Profanus. Somehow we missed reviewing that album, though I have checked it out in my own time and enjoyed it. Though typically not as into black metal in my youth, this band were always an exception, and to this day they are still so unique, interesting and captivating. Now, it’s not a small undertaking, 70-minutes of dark brutality, but if you like the band this is well worth a listen! The album is definitely designed to be listened to in one sitting, but songs like ‘As Seen in the Unseen’, ‘Repository of Divine Transmutation’ and ‘Recognizant’ are personal highlights. It’s certainly not for everyone, but if you are into the genre and have some patience, it is awesome and a damn rewarding listen! The band very much prove that they still have it, some three plus decades into their careers. And they are some of the most talented players and songwriters in metal. A solid 8/10 from us!

Dan Byrne: This is Where the Show Begins

The debut solo album from the UK hard rocker is somehow even better than I expected it to be! I’ve been following his career for years at this point, being a big fan of Revival Black back in the day, but this honestly feels like a step up, like he has something to prove. It has a real arena rock feel to it, both in the writing and the incredible mixing, and is definitely set to take Dan to the next level. It opens on the incredible single ‘Saviour’, followed up perfectly by ‘She’s the Devil’. Then you have tracks like ‘Sober’ and ‘Hate Me’ that are just as good as any of the pre-release singles! Every track on this is amazing though, each being as good as the last. It even works having the two slower tracks in the middle (aside I guess for closer ‘Home’), a move that is usually hard to pull off.

Dan is one of the best vocalists in the scene currently, and has proved here that his songwriting matches that immense talented, too. If you are at all into hard rock or its wider genres, this is an absolute must-listen! I’ll be spinning this plenty in the coming weeks and months, and don’t be surprised to see it high on our albums of the year list come December. 9/10

Jake Vaadeland: This is Jake Vaadeland

The traditional country/bluegrass Canadian singer-songwriter returned with his third studio album this last Friday, following up 2024’s critically acclaimed Retro Man. Well, safe to say it’s another excellent old-school release from the man and his Sturgeon River Boys. From ‘Wildwood Flower’ to ‘Keep on the Sunny Side’, ‘Will the Circle be Unbroken’ to ‘Short Life of Trouble’, there is plenty to love throughout. Don’t get me wrong, at 17 tracks, all of which are fairly similar, it can certainly feel long. However, even though it’s not strictly my sort of sound, I had a good time listening to this, and would urge anyone even slightly interested to do the same! He’s insanely talented at what he does, a real leading light in the 40s/50s revival genre. There isn’t even much else more I can say; it’s exactly what you’d expect it to be and damn good, at that! 7/10

Armored Saint: Emotion Factory Reset

The first studio album from the heavy metal legends in six years, this thing goes hard for a full 47 minutes. John Bush’s vocals never seem to age, sounding just as awesome and powerful as ever, and the rest of the band play their asses off throughout. From the opener to single ‘Hit a Moonshot’, ‘Compromise’ to ‘Bottom Feeder’, there is so much to love throughout this. There certainly isn’t a bad song throughout, either. They do a fantastic job of making this feel like their old-school music while also still having a modern edge to it, mainly due to the fantastic production. If you are at all a fan of 80s and 90s heavy metal/thrash, this is absolutely the album for you! Hopefully we get a full run of shows out here at some point soon, not just a one off (although Stonedead looks BANGIN’ this year), as I’d love to see this live! For now though, I’m happy to keep spinning this album, and it gets a solid 8/10 from us!

ALT BLK ERA: Our World

One of the fastest rising stars in the UK alt scene, the local duo already exploded onto the scene with their debut album last year, returning just 16 months later with this awesome EP! The pair continue to grow their fusion of rock, rap, pop and electronica perfectly with these five tracks, all of which are better than the last. It’s very hard to pick specific highlights, as every song flows so well into each other and is good as each other. Having said that, ‘Okay (Cyber Racing)’ was probably my favourite track. It’s no wonder the duo are getting the hype around them that they are getting, as they more than deserve. It this a great stop-gap before a sophomore album, and a release well worth checking out into you’re into a modern rock-pop sound! 8/10

McCoy Moore: Sunshine State

The sophomore album from the rising country star is a great, chilled-out affair. It gives off a slight vibe akin to the new ERNEST album, but with more of a modern or even bro country twang to it. And it’s also packed full of highlights. From single ‘Every Single Summer’ to the Cole Swindell-featuring ‘In Here, Out There’, ‘Something to You’ to ‘Chesney on a Beach’ to ‘Memories We Never Made’, there’s some truly excellent songs. However, there isn’t a bad track throughout, and it felt like it grew on me more and more the more I listened! The lyrics are amazing, going from emotion-filled to fun and clever, and the instrumentation fits perfectly behind them all. It’s easy to hear why he is such a fast-rising star, and to come out with a second album of this high quality just six months after his debut really highlights just how talented the guy is. He is surely going to keep growing and rising through the ranks quickly. I’m definitely becoming a bigger fan the more I listen, and this will certainly be one of the albums of the summer for me, I’m sure! A very easy 8.5/10, great stuff!

Erik Grönwall: Bad Bones

The former H.E.A.T. frontman put out his fifth solo album this last Friday, following up his Eriksplanations collection the last few years. However, it’s been a while since we’ve had original solo music from him. Well, aside for that Michael Schenker album, but I can’t imagine he had much of a hand in the writing of that. Heck, the album he did with Skid Row was four years ago now! So, safe to say, I’m curious what this is gonna be like!

Well, it’s fucking awesome! It’s an excellent AOR album from one of the best the genre has ever seen. It’s packed full of catchy, arena-filling choruses, soaring, powerful vocals and some awesome riffing. Also, the mix on this thing is amazing, making everything sound MASSIVE. And, because of all of that, it’s almost impossible to pick highlights. All 10 of these tracks are as good as the last, and it makes for an incredibly easy 35-minute listen. From boot stompin’ rockers to the three epic ballads, it’s all amazing. As much as I do prefer Kenny with H.E.A.T., Erik is an incredible talent and has crafted something truly special here. He continued his return from his recent health scare in a major way, and proves that he’s not going anywhere, except maybe even higher up! I’d recommend this album to absolutely anyone, and will be spinning it plenty in the weeks and months to come. Another very easy 9/10 from us! It’s almost as good as the last H.E.A.T. album…

Beggars Bliss: Self-Titled

This is an awesome slab of blues rock! Bring from our neck of the woods, I am already pretty familiar with the band, and they are all great people. So I’ve been excited to finally hear this release in a professional capacity for a while, and it somehow blew away every hope and expectation I had! Whether it’s big, grungy blues riffs, powerful, swagger-dripping vocals, solid drumming or some great keys work, this release really has it all. It also seemed like it had me in a chokehold from start to finish, me listening through it twice in full already just this last week! The album is arranged in such a way that it flows perfectly, every song slotting together like a jigsaw. It’s like a blend of Lenny Kravitz, Luna Marble, Exile Club and Hendrix, and I honestly can’t get enough. Surprisingly, I found myself preferring the lighter tracks, or at least those that have a greater focus on the keys, like ‘Forbidden Fruit’, ‘Dusk Till Dawn’ and the Pearl-Jam-like closer. However, that isn’t to say that the boot-stompers aren’t also amazing songs in their own right, too.

I could rave about this album all day; it’s right up my street musically and is phenomenal from start to finish. Heck, the fact that this is a debut album too is mind-blowing. The band have a very bright future ahead of them, and this will definitely be seen as the start of their incredible run in years to come. If you are at all interested, check this out immediately. I feel like it’s been a while but honestly, it deserves it… 10/10

Moonlight Haze: Interstellar Madness

This is an awesome power/symphonic metal EP! Six tracks across 21 minutes of true epicness and greatness. It’s another release that doesn’t have a bad song through its runtime, and is once again impossible to pick specific highlights. The band are so damn talented, and blend the heavy and the melodic perfectly, having some of the biggest choruses I’ve heard recently alongside some truly excellent riffs and even screams. The band have been around a little while at this point and it’s wild to me that they aren’t already a huge name. However, this release will surely push them to new heights, and deserves to be heard by everyone, it really is that good! They have a big new fan in me, and I can’t give this any less than 9/10!

Neo Dimes: Alone

The debut darkwave album from the mind of Stephen Edmunds is a damn interesting listen! Combining neo-industrial and post-punk sounds together into his own blend of dark, catchy electro music had me rather hooked from start to finish. Songs like ‘Angels’, ‘Obsidian’ and ‘How to Love’ are all personal highlights. I do think it’s maybe all a little too samey, 50 minutes of similar music did get a touch much by the end. However, that may be because it’s not 100% my style of music, and my tiny attention span just wandered off somewhere. Some of it reminded me of All the Damn Vampires, in the best possible way, while others dripped with Nine Inch Nails or Filter. If you’re into any of the bands or genres I’ve mentioned, this is well worth checking out! I had a good time listening and will certainly be spinning it again at some point soon! A solid 7/10 from us.

Bleachers: everyone for ten minutes

The indie/alt/soft rock New Jersans’ sixth studio album is a chilled-out, enjoyable. I have such an up-and-down relationship with this sort of music, but I honestly had a great time listening to this! Songs like ‘the van’, the almost country ‘dirty wedding dress’, ‘take you out tonight’ and ‘I’m not joking’ are personal highlights. However, the whole album is good and an incredibly easy listen, 39 minutes going by in a flash. If you are at all into the more chilled-out side of music, this is absolutely the sort of album to throw on and get lost in. I probably won’t revisit this often, but whenever I do I’m sure I’ll have a blast! An easy 7.5/10!

Ersedu: GORE

The sophomore EP from the symphonic death metal band dropped last Tuesday, and has been rather the mainstay on my streaming since then! It’s the perfect amount of epicness, heaviness and melody, making for a fantastic 15-minute listen! It at times reminds me of Dimmu above, but has more of a death metal than black metal base to it, honestly making it a more interesting listen for me! Once again, it’s also hard to pick highlights, as at only three track and an interlude/intro, it’s all killer, no filler! If you are at all into the heavier side of metal, this is absolutely the release for you! I’ll certainly be spinning it plenty moving forward, and my only complaint is that it isn’t longer! 8/10

Billy Lockett: Things are Looking Up

Album three from the British singer-songwriter is packed full of emotion. Covering plenty of deep topics and heartbreak, it very much takes the listener on a journey. And, it helps that said journey is accompanied by some amazing folk-pop-rock music! From the title track to ‘Cornerstone’ to ‘We Know’, there is plenty for me to love throughout. And generally while it’s not fully my sort of thing as an album as a whole, I had a good time listening, and can appreciate how good it is for people more into this side of music. It’s probably not something I’d revisit in full often, but the tracks I like I really like, and will be spinning them individually for quite some time to come. Billy’s a damn talented musican and songwriter. He definitely has a curious new fan in me, and I’ll be dipping into his back catalogue after this weekend, that’s for sure! 7.5/10

Bullets and Octane: Self-Titled

The first fully new studio album from the SoCal hard rockers in six years (though following up last years demos and B-sides collection), this feels like both a reinvention and a confirmation of the bands sound. The punk-edge and sleazy swagger is still very much still there from their early work, but it also has a revitalised heaviness and massive production to it that gives it a more modern edge. Plus, it’s also not only packed with big, chunky riffing, but some arena-filling melodies and choruses. From the opener to the almost Hellyeah-like ‘The Break’ and ‘Operation Butterfly’, there are so many amazing songs on here. However, every track on this thing is excellent, and the album is well worth at least a spin in full, if not several! Gene’s vocals are somehow as good as ever, and the rest of the band play their asses off throughout, creating an excellent vibe throughout. I’ve been a big fan of the band for years at this point, and to hear them return so strong with new music is honestly incredible, as well as heart-warming. I feel like this will be an album I’ll be revisiting plenty in the weeks and months to come, and I can’t give it any less than a 9/10!

New Music Mondays: Social Distortion, Ashley McBryde and More!

A typically stacked week of new albums for us to check out, from rock to metal to country. You know the drill by now, let’s dive in!

Social Distortion: Born to Kill

The first new studio album from the Californian punk rock royalty in a whopping 15 years, this release had a lot of hype to live up to. Safe to say I think it lives up to the expectations, and then some! The lead single/title track sets the tone and pace of the album perfectly, while songs like ‘The Way Things Were’, ‘Tonight’ and ‘Don’t Keep me Hanging On’ are all huge other highlights. We even get a quirky, awesome cover of ‘Wicked Game’ tucked away in the middle! I do think it looses it’s way and steam just a little at times during it’s runtime, but there’s enough stuff like/as good as their 80s and 90s style that as an album as a whole I love it! If you are a fan of the band or the wider punk genre, this is definitely worth spinning, and I’ll be listening to it plenty moving forward. It’s a welcome return from the band that have been so consistent and at the top of their game for decades, and I can’t give it any less than 8/10

Ashley McBryde: Wild

I was not expecting to get my ass kicked quite so hard with this release. It’s straight up southern rock and I LOVED it. I’m a fan of Ashley and have been for a while, and I liked The Devil I Know a lot when it dropped. But this definitely has a heavier, darker edge to it than that and releases before that, leaning more into the rock than ever before. And I’m all in on it, honestly! Right from the opener this thing goes hard, having me hooked immediately. Then you have the likes of ‘Arkansas Mud’, ‘Creosote’ and ‘Lines in the Carpet’ that are all amazing, southern rock bangers. Don’t get me wrong, it has its fair share of slower tracks too, and the back third of the album is a bit more of the pace I was expecting from her heading in. The closer in particular is another massive highlight, it being more of a folk rock track, and is going to be stuck in my head for days to come!

It’s an incredibly varied album, making it go by in a flash, and is packed full of emotion, amazing vocals and some great instrumentation. It really has everything you need from a country release, and draws from each great element of Ashley’s back catalogue, almost feeling like a culmination of her career up until this point. I cannot recommend this album enough, and it is certainly my favourite of hers she’s put out so far. A very easy 9/10 from us!

Daði Freyr: Too Much Not Enough

Album three from the Icelandic electro-pop artist is just as good as I expected it to be! While we didn’t review 2023’s I Made An Album, I absolutely love it, and we saw him live on the tour, blowing me away! This picks up perfectly where that left off, offering 36 minutes of incredible, infectiously catchy music. From his insane range and vocal tone to the massive harmonies to the incredible arrangements that span pop, electro, funk, jazz and rock, it’s all so damn good. And, honestly, every track is as good as the last! There are definite personal highlights like ‘Hot Damn’, ‘I’m Out and I Wanna Go Home’ and ‘Why?’ but every song before, between them and after are also absolutely amazing. If you are into his particular brand of noise this is an absolutely must-listen. Heck, even if you aren’t familiar, give this a listen, you’ll surely love it as much as I do! This is an album I’ll be spinning a lot moving forward, and I can see it being high on our albums of the year list by December. I can’t give it any less than 9.5/10, amazing stuff!

Crashdïet: Art of Chaos

Album seven from the Swedish sleaze rockers has arrived following extensive lineup changes within the band. Everyone aside for mainstay guitarist Martin Sweet is a new face, it being almost a completely different band to 2022’s Automaton. Honestly, that might be a reason as to why I wasn’t into it too much. I’ve long been a fan of the glam/sleaze revival scene, especially in Europe, and Crashdïet have been a prominent, amazing player in that throughout. It’s not even a bad album, per-say. However, it does very much feel pretty paint-by-numbers when it comes to sleaze, like a group of people who haven’t really ever made music together have got together and made a basic glam album. A lot of the swagger and attitude from Generation Wild, Savage Playground or even Automaton is largely missing, being a big selling point of their sound for me. Exceptions are ‘Get Out’ and ‘Killing it Now’, definitely the high points of the album, and closer to their classic sound. As I said, it isn’t bad, and if you are a big fan of the band or genre you’ll still get plenty out of this. However, I hoped for a little more personally, something about it just doesn’t do much for me. So, I can’t give it much higher than 6.5/10

Reverend and the Makers: Is This How Happiness Feels?

The indie rockers returned with their eighth album this last Friday. It’s pretty good, and a fun release! It’s got an air of easy listening and jazziness to it, alongside the typical indie pop-rock sound. It also feels just a little like Old Dominion, just without the country elements. Tracks like ‘Late Night Phone Call’, ‘D Minor’ and ‘Forever’ are all personal highlights. However, the whole album is a similar energy and there isn’t a bad song throughout! Everyone involved is a damn talented musician and songwriter, and Jon McClure is one of the most underrated vocalists around today. It’s an incredibly easy listen, and one I’ll certainly be spinning again soon. It won’t be for everyone, but I enjoyed it, and can’t give it any less than 7/10!

AK & the Red Kites: Hotter Than the Sun

We’ve already checked out this awesome album! Read the full review here.

REXORIA: Fallen Dimension

Album three from the self-professed royal metallers picks up perfectly where 2023’s Imperial Dawn left off. It’s 43 minutes of awesome power/heavy metal, packed full of awesome riffing, solid drumming and powerful, melodic vocals. Tracks like ‘Awakening’, ‘Running with Stars’ and ‘Wasted Land’ are all personal highlights, but every song is about as good as the last! As good as Imperial Dawn was, this feels a step up from that release, as well as being slightly on the heavier and darker side, which was very nice to hear! It feels like they have really found and refined their sound with this album, it sounding the most natural and comfortable for all involved. I would recommend this to anyone even slightly into power or heavy metal, and will certainly be listening to this again in the coming weeks and months. It’s a very solid 8/10 from us!

Without Mercy: Infinite Loss

This three track brutal assault is fucking awesome! It’s 11 minutes of technical excellence, crazy drums and heavy screams and breakdowns, with a surprising amount of melody thrown in for good measure. All four of these guys are at the top of their craft at their chosen instruments, and are clearly incredible songwriters to boot! And, all three songs are as good as each other, it being impossible to pick even one over the other two. It’s technical melodeath excellence, and a release I’d recommend to absolutely anyone into the heavier end of metal! 9/10, hell yeah, this was awesome!

Josiah and the Bonnevilles: As Is

This is a short, sweet, chilled album from one of the hardest working names in country today. It’s incredibly chilled out, nestled somewhere between a traditional country sound and a soft-indie one. Honestly, it’s to the point where it’s not especially my sort of thing, but is so well performed and written that I can’t help but like it! Josiah’s vocals are incredible, rather underrated I’d actually say, and the lyrics throughout are fantastic. I think my issue is that it never quite hits that high gear that I keep wanting the tracks to. However, that is more a me issue than an artist one! As I said, it’s well written and well played, and if you like the slower, tamer side of indie/country, this is definitely worth checking out! Highlights include ‘Going Gone’ and ‘Mountain Girl’. 6/10

Black Orchid Empire: LORE

Album five from the UK alt-metal trio is honestly an excellent release! I’ve been a fan of the band for a few years now, with Semaphore blowing me away back in the pandemic era. It’s melodic, heavy and proggy in the perfect measures. It’s got elements of everything from Alter Bridge to Chevelle to Poppy to even Muse, and I’m here for all of it! From ‘Angelfire’ to ‘Scissormouth’, ‘Tristar’ to ‘Mirrorman’, there is so much to love. And honestly, the rest of the tracks around these are just as good! It’s all huge riffs and catchy vocals, and I think I’m a little obsessed! I honestly think this may be the best album they’ve ever released; it has such a great flow to it and nearly 50 minutes goes by in a flash. If you are even slightly curious, do yourselves a favour and give this a spin, you won’t be disappointed! I’ll be spinning this a lot moving forward, and don’t be surprised to see it be another that’s high on our albums of the year list come December. I can’t give it any less than 9.5/10, amazing stuff!

Draconian: In Somnolent Ruin

The eighth album from the gothic metal Swedes is a truly epic affair. Nearly an hour of doomy heaviness, but with plenty of great melody too, it’s impossible not to like! The contrast between the dark screams and beautiful cleans is fantastic, both powerful in their own way and fitting excellently over the top of the black-doom instrumentation. It’s somehow my first introduction to the band, and I’m hooked! It seems to have elements of everything from My Dying Bride to Rotting Christ to even Nightwish, all combined together to create a sound pretty unique to the band. Tracks like ‘The Monochrome Blade’ and ‘Cold Heavens’ are personal highlights, but the album is definitely worth a listen through in full if you’re into the style! The band certainly have a new fan in me, and it gets a solid 8/10 from us.

Ingested: Denigration

Following up 2024’s excellent The Tide of Death and Fractured Dreams, the UK death metal titans are back with album nine. As expected, it is absolute heavy chaos from start to finish, and is absolutely excellent! Right from the jump with ‘Dragged Apart’ I was hooked, and not let go for the full 40 minutes. Tracks like ‘Stitch by Stitch’ and ‘Beaten Beyond the Veil’ are personal highlights, but there really isn’t a bad song throughout. It’s perfectly heavy, everything from the riffing to the drums to the vocals being crushingly excellent throughout. It has an air of violence and hardcore to it alongside the death metal, definitely feeling a touch Malevolence in the best way possible. It takes everything great about their previous couple of releases and dials it up to 11. I honestly can’t get enough! It’s certainly not going to be for everyone, but if you are into the brutaller end of metal, I’d recommend giving this a listen ASAP! 9/10, I’m certainly going to be listening to this plenty over the rest of the year!

P.S. all the guest kill it throughout, too!

Coleman Jennings: Lead You Home

A debut album now, from the young neo-traditional country rising star. It follows up on his EP right at the start of the year, doubling its length up to 10 songs. We loved Ride On, and I remember back then even saying I wanted a longer release soon. Clearly he heard my pleas, and what has come out as a result is honestly awesome! The OG half is still just as good as ever, while the new songs are just as great, particularly ‘Flyin’’ and ‘Good While it Lasted’. I honestly don’t understand how someone in their 20s can have a voice like this, but it sounds so damn good, and Coleman is definitely a bright shining light in the traditional country renaissance going on currently. His talent is off the charts, both as a musician and songwriter, and his band kill it on each song, too. I’d recommend any country fan give this a spin, it will surely win you over! It gets another solid 7.5/10 from us, and I already can’t wait to hear more!

The Flatliners: Cold World

The Canadian punkers returned with their first album in nearly four years this last Friday. It’s damn good to have them back, as this is a fantastic album! It’s heavy, almost having an air of hardcore or metal to it, but it only adds to the attitude and punky vibes throughout. Having said that, it also gives slight Coheed vibes, which I am more than down with! It’s another first-time band for me, and they already have a big new fan in me. Songs like ‘Inner Peace’, ‘Whyte Light’ and ‘Turning Signal Rhythm’ are big personal highlights, but I found myself enjoying every song throughout the release. It definitely won’t be for every punk fan out there, but if you are into the slightly more heavy or melodic side of the genre, this is absolutely a release for you. How they aren’t bigger at this point is beyond me, as they are so damn good! A very easy 8.5/10 from us!

Darkthrone: Pre-Historic Metal

The Norwegian black metal legends are back with another album, just two years removed from If Beckons Us All. I remember enjoying that album, at least more than this one. It’s not bad, especially if you like the old school black metal style. However, it feels a step back compared to their last couple of albums. It strips a lot of the doom out of it, leaving with more pure black metal. That will certainly make some happy, but it bored me a little, honestly. Tracks like ‘Siberian Thaw’ and ‘The Dry Well of Hell’ are pretty good, but I sadly found myself losing interest much after the latter track. Not even part four of ‘Eon’ really hooked me in too much. Maybe it’s just because modern bands do this style a little more interestingly these days. Plus, the vocal mix seemed to take a bit of a step backwards since Beckons, which is a shame. Either way, this wasn’t for me. As much as I wanted to like it, and it wasn’t terrible, I have no desire to go back and listen again. 5.5/10

The Family Men: Co/de/termination

The sophomore album from the Swedish ‘total harmful sound’ collective is a damn fun listen! It’s like Pendulum mixed with a hardcore band, making it pretty damn fascinating, if nothing else. Refused are the closest comparison I found myself making, which I’d say is a pretty big compliment! Nestled somewhere between industrial, hardcore, metal and electronic. It maintains its intrigue and funness throughout too; from the opener to ‘Skull Theft’ to ‘Scanner’ there is plenty to love. At just over half an hour too, it’s a damn easy listen from front to back, going by in a flash. If you are at all curious, I’d highly recommend throwing on the album as a whole, you surely won’t be disappointed! The band certainly have a new fan in me, and I’ll definitely be keeping a close eye on them moving forward. Hopefully they tour over this way at some point too, I feel like this would all be awesome live! A very easy 8.5/10 from us!