A more chilled out but still great week for new music this time. Join us as we check out everything from rock to metal to country!
Luke Combs: The Way I Am
The first release from the second-biggest country star in the world in 18 months and, to my honest shock, there’s some rock to this! After 2024’s Fathers & Sons, and to a lesser extent his 2022 and 2023 twofer albums, I didn’t expect him to ever go back to his more southern rock-infused roots but damn, I’m glad I was proven wrong! Opener ‘Back in the Saddle’ sets the tone perfectly, both sound wise and thematically. Songs like ‘My Kinda Saturday Night’, ‘Alcohol of Fame’ and ‘Can’t Tell Me I’m Wrong’ also carry on that energy perfectly! Even some of the slower, ballad-like tracks like ‘Miss You Here’ and ‘Wish Upon a Whiskey’ are definite album highlights.
However, as I’m sure you can tell by how many songs I just named already, this thing is too damn long. screw the algorithm, 73 minutes is too long for one album, especially when a lot of it is slower paced stuff. If this was even as much as half its length, it’d be up there as one of the best country releases of the year. But there is just way too much filler on here for it to be a solid album throughout. It was at least arranged well, with there being good songs spread throughout and me not getting bored for long. But it’s not an album as a whole I’ll be revisiting often, even if it is my favourite release from Mr Combs in seven years. If you are a fan of the guy or his brand of country music, this is well worth checking out, but be prepared to spend a while on it! It’s a solid 7/10 for now, and it could still grow on me with more listens!
Exodus: Goliath
We’ve already checked out this awesome release! Read the full review here.
Tyketto: Closer to the Sun
Another of our most anticipated albums of the year, and it certainly lives up to our hype! It’s nearly 50 minutes of catchy, fun AOR music, and a release I’d recommend to anyone! It’s also packed full of highlights, from ‘Starts with a Feeling’ to ‘Donnowhuddidis’ to ‘Closer to the Sun’ and ‘Hit Me Where it Hurts’. However, there truly isn’t a bad song throughout! How the world has managed to wait a full decade between studio albums I don’t know, but the 90s rockers show that they haven’t lost a step in that time. Danny’s vocals are still incredible, and the rest of the band are firing on all cylinders when it comes to both playing and writing. Plus,the production on the release is really top notch, everything being clear and shining through perfectly. If you are at all a fan of the band, I’d definitely recommend giving this a spin. There isn’t much more I can say apart from that it’s a damn good-time listen! It gets a very easy 8.5/10 from us!
Follow the Signs: Evolve
The new EP from the Irish metalcore band goes hard from start to finish, and I LOVE it. From the more 2000s sound of the opener to the Architects-like ‘Call to Rise’ to the epic title track, it’s all SO GOOD. However, the other two tracks are just as good as the one I’ve mentioned, too. It’s an absolutely incredible 16 minutes of heavy-meets-melodic metal music, and one I can’t recommend enough to anyone even slightly into the genre. How these guys aren’t bigger by now I don’t know, especially with two albums under their belts too. However, this follows Conflictions perfectly, and very much feels like a bold new chapter for the band! An incredibly easy 9/10 from us, great stuff!
Night Thieves: Metaxis
The highly anticipated debut album from the UK alt metallers dropped this last Friday. I remember loving their EP a couple of years back, and this continues that vibe and energy perfectly! They’re the perfect blend of Coheed and Cambria, Atreyu and Ward XVI, and it makes for an incredibly fun listen throughout. Tracks like ‘Mycelia’, ‘Running ‘(Out of Time)’ and ‘The Game’ are all personal highlights, but there really isn’t a bad song throughout. Oh, and Jessie Powell kills it on her feature on ‘See You on the Otherside’, her style perfectly meshing with Night Thieves’. The whole album has a fantastic flow and energy through it, 34-minutes going by in the blink of an eye. Heck, I didn’t even notice the transition between the two parts of ‘In Between’, that’s how well put together this is! It’s the perfect blend of heavy, melodic and radio-friendly, and I’d recommend it to absolutely anyone! I can’t give it any less than 8.5/10, and will definitely be spinning this plenty moving forward!
The Dandy Warhols: Pin Ups
Owen: American band The Dandy Warhols bring us something slightly different this week, ‘Pin Ups’ is the latest addition to their discography and is a collection of 17 cover tracks from the bands favourite and most influential songs to their career. Taking its name from David Bowie’s 1973 cover album, ‘Pin Ups’ takes on some impressive songs mainly from the 70s and 80’s as well as a couple of curveballs. Including tracks from, The Beatles, Marilyn Manson, Bob Dylan, The Cure, New York Dolls, and many more. Each track honours the original whilst still allowing The Dandy Warhols to put their own spin on the song. Only time will tell if any of these covers will cement themselves and stand on their own two feet; its rare for covers to take on a new life with a new artist but it does happen, and fans of the band will certainly enjoy hearing the choices made with each track. Cover albums will always feel like a bit of a filler or a stop-gap, whilst this is a fun exploration of the bands influences I’m sure fans will be expecting some new original work from the group sooner rather than later. 7.5/10
Evermore: Mournbraid
Some truly epic power metal up next. Album number three from the Swedish six-piece, it builds on the bands legacy perfectly. Each band member plays and works their ass off through the full 50 minutes of this, and the result is something truly special. From ‘Underdark’ to ‘Titans’, ‘Armored Willi’ to the closer/title track, it’s all excellent! It reminds me of Hammerfall or even Maiden or Priest to an extent, but a heavier version of both. It’s that heaviness that makes it even better too, not fitting into the typical power metal mould but feeling pretty unique. It’s still got the huge, uplifting, arena-filled choruses, but also has plenty of thrash drumming and some blistering riffs and solos to boot. And I think the production helps took, making everything feel and sound MASSIVE. There isn’t a bad song throughout, and it’s an album that is well worth listening to in full at least once. It’s yet another fantastic album for this week, and another easy 8.5/10!
Poison the Well: Peace in Place
The melodic hardcore titans are back with their first album in almost two decades, and the first release since their 2020 reunion. Due to their long drought and years active, I wasn’t really familiar with them heading in. However, they definitely have a new fan in me, that’s for sure! This is 42-minutes of pure anger, aggression and moodiness, and I am down with every second of it. While ‘Primal Bloom’ and single ‘Weeping Tones’ are definite personal highlights, the whole album has a great flow to it, and is certainly worth a listen in full! The band are clearly talented, and do the heavy-sad thing to perfection. If you are into the heavier side of emo, this is definitely an album you need to check out immediately! Though moody, it’s a good fun listen, and gets a solid 7.5/10 from us!
Axel Rudi Pell: Ghost Town
The brand new solo album from the German guitarist continues his run of regular, excellent releases! It doesn’t reinvent the wheel or anything like that, being a similar brand of vaguely AOR-infused NWOBHM that he’s been putting out since his Steeler days. However, it’s a great album in its own right, just like his previous works. From the title track to ‘Hurricane’ to ‘Steps of Stone’, there is plenty to love throughout. It is maybe a touch long at nearly an hour, especially when it’s all a vaguely similar, plodding pace, but there isn’t a track that I’d happily cut from it! If anyone is a fan of old-school Priest or Michael Schenker, this is absolutely an album for you! It’s not something I’d revisit often, but I had a good time listening and it’s certainly a damn good release, up there alongside Axel’s upper tier. 7/10
Atlus: Art of Letting Go
The label debut from the fast-rising country star continues the momentum built by last years EP perfectly. Setting aside the fact that all 18 minutes of that release take up 1/3rd of this one, there are still some amazing new tracks to sink your teeth into, too. ‘Hold my Liquor’, ‘Sounds Like Alcohol’ and ‘Roses’ are up there alongside ‘Secondhand Smoke’ as top tracks, in my opinion! It’s just damn good country-pop, and the whole 45-minutes is incredibly easy to listen to, going by in a flash. It’s easy to see why he’s becoming such a big name. He’s an incredible songwriter, seamlessly infusing emotion and great lyrics into catchy pop hooks. While not typically my sort of style, Atlus does it in a way that is constantly hooking me in, and I’ll certainly be revisiting this release more than once in the coming weeks. A damn solid 8/10 from us!
Stonetrip: The Fight
Following up on their 2023 debut album, this EP brings together the Australian rockers’ single output since then, adding on a fourth track for good measure. All four tracks are amazing too, all as good as the last! It’s pop-infused alt rock, but also has some great blues and hard rock moments throughout too! It’s just a lot of fun throughout, blending together so many different sounds and even decades. ‘Beautiful You’ is probably my favourite, but every track on this is amazing, honestly! The Australian rock scene is proving time and time again recently that it’s still one of the best in the world, and this release is a great example of that! This is a great EP that immediately leaves me wanting more, and has earned the band a big new fan in me. Another incredibly solid 8/10 from us!
Morgan Evans: Steel Town
Owen: Australian country singer Morgan Evans brings us his third studio album ‘Steel Town’. Following Evans’ divorce from US singer Kelsea Ballerini the album is described as a journey through the stages of grief experienced. The album opens with the title track a love letter to Evans’ hometown of Newcastle, New South Wales, followed by the promotional single released in October 2025 ‘Beer Back Home’ which brings up the nostalgic feelings of returning to your hometown. The tone starts to shift as we move further into the album with songs like ‘Two Broken Hearts’ and ‘Another Drink Coming” as we start to hear more of the dark sides of Evans’ experience. The rest of the album is much of the same.
Ultimately, the album feels quite flat, especially with Evans stating this was a cathartic exercise for processing a divorce. It’s clear Evans has some talent with song writing but this album sounds like every other mass-produced country album released in the past 5 years, and yes even though he is an Australian native of course there’s a song about Texas on this album. I can’t help but feel there is a missed opportunity here to do things differently, show us a side of country music without Nashville influence. 5/10
Misty Route: Ethos
The sophomore album from the Greek alt metallers comes a whopping five years after their debut, yet they prove that this was easily worth the wait! It’s packed full of killer riffing and some truly catchy vocal hooks and melodies. It also feels pretty prog at times, at least in a kinda post-Tool way. Right from opener ‘Hail’ I was hooked, taken on a 40 minute journey of epicness. It’s truly impossible to pick individual highlights too as it’s all so good and flows together perfectly! Honestly I can’t rave about this band enough, and if you are even slightly into the genre or styles I’ve mentioned above, check this out ASAP. The band have a massive new fan in me, and I already can’t wait to hear where they go from here. For now though, I’ll be spinning this plenty in the weeks and months to come. 9/10, amazing stuff!
Tyler Nance: Midwest Memoir
The highly anticipated debut album from the neo-traditional country rising star is every bit as good as the praise being heaped on it! I fell in love with this thing from the opener, and it just kept blowing me away the more I listened. Put it this way; out of the 16 individual tracks on it, nine of them ended up on my personal playlist. Yep, it’s that solid throughout. It’s 50 minutes that doesn’t feel it’s length at all. It feels like the perfect blend of so many different artists, from Ian Munsick to Zach Bryan to Koe Wetzel, but then also feels wholly unique at the same time. It’s packed full of great instrumentation and moments, catchy melodies and plenty of emotional weight, making everything feel massive. And plus, all three (five?) of the guests kill it, adding so much to the tracks they are on, making them even more memorable.
This album is an absolute must for any country, Americana or indie-folk fan out there. It’s easy to see why he’s such a big name already and is only just putting out a debut album now. 9.5/10, WOW.